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I’ve been obsessed with political thrillers since reading All The President’s Menwhen I was far too young to understand it all. What I didknow was that at the upper echelons of society there were often shadowy conspiracies at play, and brave souls fighting to expose the truth. Something about Woodward and Bernstein’s quiet heroism and bravery in investigating a story that everyone told them to drop really stayed with me. That’s why I write political thrillers: in an attempt to tip the scales back in favour of good versus evil. And to make heroes of those who risk it all to tell truth to power.
This one was a game-changer for me, taking thinly-disguised characters and events from real life – an obvious Tony Blair-type, fleeing prosecution for war crimes in a clear nod to the Iraq War – Harris wisely ushers us into the world of high-stakes politics via the innocent and unnamed Ghost Writer, hired to write a disgraced Prime Minister’s memoirs.
It’s a brilliant and clever mechanism that makes the reader feel at home. And when murder appears, puts you squarely in the shoes of a terrified man on the run.
As a technical piece of thriller writing, it’s stunning stuff. Harris’s decision to base a fantastical conspiracy around real-life events and characters was inspiring – and it’s something I use in every book.
'An unputdownable thriller about corrupt power and sex' Sunday Telegraph
'Guaranteed to keep you awake' The Times
A body washes up on the deserted coastline of America's most exclusive holiday retreat. But it's no open-and-shut case of suicide. The death of Robert McAra is just the first piece of the jigsaw in an extraordinary plot that will shake the very foundations of international security.
For McAra was a man who knew too much. As ghostwriter to one of the most controversial men on the planet - Britain's former prime minister, holed up in a remote ocean-front house to finish his…
I have been a ghostwriter for over thirty years, publishing more than a hundred books under other people’s names, as well as those under my own name. It has allowed me to live a hundred different and varied lives and it is a profession I like to encourage all writers to consider. Several of my own novels have featured ghostwriters as central characters, including Secrets of the Italian Gardener and What Lies Around Us.
Barbara Feinman Todd is a top-level Washington ghostwriter and journalist. In this memoir, she gives a shocking, and entertaining insight into her relationships with clients such as Hillary Clinton, as well as explaining the dynamics of political journalism at the very highest level. When she accidentally confides one of Hillary’s secrets to an editor, whose discretion she thought she could trust, her professional world is blown apart.
An accomplished former ghostwriter and book researcher who worked with Bob Woodward, Carl Bernstein, Ben Bradlee, and Hillary Clinton goes behind-the-scenes of the national’s capital to tell the story of how she survived the exciting, but self-important and self-promoting world of the Beltway.
Barbara Feinman Todd has spent a lifetime helping other people tell their stories. In the early 1980s, she worked for Bob Woodward, first as his research assistant in the paper’s investigative unit and, later, as his personal researcher for Veil, his bestselling book about the CIA. Next she helped Carl Bernstein, who was struggling to finish his…
I have been a ghostwriter for over thirty years, publishing more than a hundred books under other people’s names, as well as those under my own name. It has allowed me to live a hundred different and varied lives and it is a profession I like to encourage all writers to consider. Several of my own novels have featured ghostwriters as central characters, including Secrets of the Italian Gardener and What Lies Around Us.
Ginny Carter is another very experienced ghostwriter and in this book, she explains exactly why it is good for business people to write books in order to promote themselves, their companies, and their products. Since most successful business people do not have the time to write the books themselves, her eloquent arguments will inevitably lead them to hiring ghostwriters such as Ginny – and myself.
If you're a coach, consultant, or speaker who makes a living from your expertise, this is for you. It's the guide you need to help you plan, write, and promote the book that elevates your authority, increases your visibility, and gets more clients saying 'yes'. Because creating such a book is a challenge. Where do you start? How do you keep going until the end? And what do you do when you've finished? Don't let your book stay in your head - allow it to come to life and make a positive difference…
I have been a ghostwriter for over thirty years, publishing more than a hundred books under other people’s names, as well as those under my own name. It has allowed me to live a hundred different and varied lives and it is a profession I like to encourage all writers to consider. Several of my own novels have featured ghostwriters as central characters, including Secrets of the Italian Gardener and What Lies Around Us.
This memoir is an intimate portrait of a relationship between one ghostwriter and her complicated, larger than life client, a famous publisher, entrepreneur, and socialite, the late Naim Attallah. It is a beautifully written book, providing many profound insights about life and about writing, and showing how deeply involved a ghostwriter and client can become in one another’s lives.
When Jennie Erdal was hired to edit a flamboyant London publisher’s Russian books in translation, she was happy to be able to commute from her home in Scotland. Soon, however, she was also secretly writing her boss’s love letters, hundreds of newspaper columns that appeared in his name, and, though she had never before written fiction, his two well-reviewed novels. For more than fifteen years she would be the indispensable ghostwriter for the exasperating, obsessive, but nontheless charming “Tiger.”Erdal reveals this oddly intimate relationship with a novelist’s flair for character and observation--and wry insight into her own collusion. Suspenseful, controversial,…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
This is the book that started me off on Queens of the Underworld. It’s a thrilling, and sometimes disturbing, tale of Zoe Progl’s life of crime and her escape from Holloway Prison in 1960. When I learned that a tabloid journalist had ghostwritten the book, it made me want to find out the truth – and to see if I could discover other women who were happy to call themselves a queen of the underworld.
I am an author whose works have spanned several genres, from mysteries (I won an Edgar for Strike Three You’re Dead), to psychology (I coined the word “psychobabble” and wrote a book about it), to humor (Bad Cat andBad Dog were both bestsellers), and, more lately to nonfiction, including Such Good Girls, true story of three Jewish women who survived the Holocaust. I have worked in television as a comedian, writer, and producer, and as a senior editor in the publishing industry, but my first and enduring love is the magic of writing.
In 1949, while still playing for the Chicago Bears, Luckman (and a ghostwriter) penned this appealingly modest account of the quarterback’s early life. Since Luckman left no other writing behind, it’s an invaluable account of a “scrawny runt's" rise to national football celebrity by his 24th birthday. The most moving aspect of the book, for those in the know, is his silence about his father’s murder of Sid’s favorite uncle. Instead, he used a cover story for Dad’s disappearance and then kept his mouth shut for the rest of his life.
I am a lifelong fan of all things post-apocalyptic. Books, movies, television, games – I have enjoyed all of it. I knew I wanted to write post-apocalyptic fiction before I was ten years old. I had to wait almost three decades before life gave me the opportunity to do it. I’ve always been fascinated by the many different ways people can survive these kinds of catastrophes. As dark and visceral as the genre can sometimes be, I will always look for the elements of hope.
This is the first volume in the long-running Deathlands series, penned by many ghostwriters. If you can find all of the volumes, you’ll be treated to the most extravagant post-apocalyptic story arc that I’ve ever seen. I enjoyed the larger-than-life heroes and heroines, who blazed their trails across a detailed landscape. This series inspired me to think bigger about life and the things that I could do with it.
On a crisp January day, a Presidential inauguration day, a one-megaton blast ripped through the Soviet embassy in Washington, D.C.
Subsequent explosions around the globe changed the face and the shape of the earth forever. Out of the ruins emerged Deathlands, a world that conspired against survival.
In the blasted heart of the new America, a group of men and women plan desperately to escape the eerie wastes and mutated life forms of their nuclear hell. Three warriors—the tough, intelligent Ryan Cawdor, an enigmatic beauty called Krysty Wroth and the armorer J.B. Dix—set out on a harrowing journey to find…
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
First in a reissued series, this has a local 1990s Upper East Side vibe. “Jake” (short for Jacqueline) is part of a supportive group of ghostwriters who regularly meet to discuss the problems and pitfalls of their chosen career.
But she soon finds herself solving the murder of one of their own. I loved the uniquely detailed characters –the writers, Jake’s mother, her mom’s best friend, the neighbors. Enjoyable wit and humor prevail throughout, and the lively situations that lead Jake into both peril and perplexing romantic possibilities are enjoyable.
The ease with which older and younger generations blend is a definite asset to a plot with some real surprises.
"Murders multiply, but Jake proves up to the challenge. She sees through all the subterfuge and chicanery, solving a mind-boggling mystery in a burst of insight. All the characters are charmingly kooky and fun. This is a good beginning for a new series. We will be looking for more of Jake O'Hara." - TheMysteryReader.com "[Wald] writes with a light touch." - New York Daily News "The author keeps the plot airy and the characters outlandish." - South Florida Sun-Sentinel With her books sporting other people's names, ghostwriter Jake O'Hara works behind the scenes. But she never expected a séance at…
I love crime fiction—mysteries, thrillers, espionage, you name it, plots and puzzles that excite and confound and ultimately gratify. I also love the non-genre called literary fiction, sharply observed and beautifully written books that move me, and leave me with a slightly better understanding of humanity. And I think the sweetest spot of all is the intersection of the two, with sparkling prose, fully realized characters, and interesting settings combined with an insistent, credible plot that makes it a matter of urgency to turn the page, presenting the exquisite dilemma of wanting to race through the excitement but also the opposite urge to slow down and enjoy it all.
A rumor about teenage sexual assault has long-term repercussions on a handful of characters in this superb novel that toggles among different genres—thriller, mystery, women’s fiction, coming-of-age literary, even screenplays—with voices in first, second, and third person, a fascinating way of looking at a single event from every angle. The characters are astoundingly well-drawn, in particular the spot-on portraits of teenaged boys, which are a master class on how to write credible, realistic, and true characters that are well beyond the novelist’s own experience. Even the title itself is a clever subversion.
"Spellbinding." -Megan Abbott, The New York Times Book Review
Tracing the fifteen-year fallout of a toxic high school rumor, a riveting, astonishingly original debut novel about the power of stories-and who gets to tell them
2015. A gifted and reclusive ghostwriter, Alice Lovett makes a living helping other people tell their stories. But she is haunted by the one story she can't tell: the story of, as she puts it, "the things that happened while I was asleep."
1999. Nick Brothers and his lacrosse teammates return for their senior year at their wealthy Maryland high…
My dad instilled in me a love of, and respect for, history and an avid interest in golden-era Hollywood. In my adult life as a professional writer, that paternal guidance has translated into eight books about various aspects of old Hollywood, with a growing focus on the intersection of Hollywood and World War II. My career to date was punctuated by the international success of Dutch Girl: Audrey Hepburn and World War II, which detailed the future star’s very hard life in the Netherlands under Nazi occupation. Dad didn’t live long enough to know I’d written anything, let alone a number of books he would have enjoyed reading.
For those who don’t know, Errol Flynn was the “bad boy” of Hollywood’s golden era in addition to serving as the king of adventure pictures from 1935, when he appeared as Captain Blood, to 1953, when he made The Master of Ballantrae. In between, he starred in 40 other films, wrote two books, married three times, survived a spurious rape charge and trial, and debauched himself with booze and drugs.
Just a year before his death at age 50, Flynn sat down with a ghostwriter to create a memoir both candid and poignant. This book has gone on to sell millions of copies since its release in 1959 and remains in print today—a testament to the power of Flynn’s personal history and narrative.
