I’m from North East England, an area of the UK under-represented in contemporary fiction. I love reading books from authors who grew up in the same area as me, and I enjoy stories that deal with issues relevant to our communities and capture the unique spirit of the people here. My writing is infused with social and political issues. I’m passionate about stories that explore the world around us and how it impacts people, and all these books do that in very different ways.
In this dystopian tale of an alternate Britain run by a military dictatorship, where unapproved books are banned, and the wrong ideas can lead to your arrest, university teacher Clara Winter decides to fight back against the regime in the only way she knows how: by teaching banned books to her students. But Clara knows how dangerous this can be. When she was eleven, her father was arrested by the Authorisation Bureau, and she never saw him again. His disappearance has always haunted her.
Not only is Clara up against a vicious regime, but she must avoid the attention of Major Jackson, the Authorisation Bureau’s most feared interrogator—the same man who arrested her father and married her mother.
This brutal, beautiful book with a powerful, authentic northern voice captured my attention. Set in County Durham, the story follows young Traveller John-John after he is released from a young offender’s institution for a violent crime and tries to turn his life around. Despite his good intentions, he is soon caught up in a fight with local drug dealers.
I loved this book because it took an unflinching look at a community not often depicted in contemporary fiction and featured a complex, conflicted character (who loves dogs) who struggles to escape his past.
The book is by an author I admire. He writes gritty, dark northern fiction that focuses on the fringes of society. Originally published by independent presses, he has gone on to be very successful, and as an independent northern author, I would love to emulate that career trajectory.
WINNER OF THE GORDON BURN PRIZE
An unflinching portrait of contemporary Traveller culture by the award-winning author of The Gallows Pole
John-John wants to escape his past. But the legacy of brutality left by his boxer father, King of the Gypsies, Mac Wisdom, overshadows his life. His new job as an ice cream man should offer freedom, but instead pulls him into the dark recesses of a northern town where his family name is mud. When he attempts to trade prejudice and parole officers for the solace of the rural landscape, Mac's bloody downfall threatens John-John's very survival.
I loved Eliza Clark’s debut novel, Boy Parts, and was keen to read her follow-up. Part crime fiction, part social critique, the author shines a light on the popularity of true crime stories and how we deal with tragedy in our communities. She also weaves the online world into her writing in a way that will be relatable to anyone (like me) who spends too much time on the internet and social media.
She has an original voice that reflects her relationship with North East England. Not many writers from this area make it into publishing, so I seek out the work of those who do, especially if they write northern stories.
A Guardian Best Book of the Year A Dazed Best Novel of 2023
'An unmissable banger.' ALICE SLATER 'A meta-meditation on the mysteries, malice, and minutiae of adolescence.' TOM BENN 'You've never read anything like this.' JULIA ARMFIELD
Do you know what happened already? Did you know her? Did you see it on the internet? Did you listen to a podcast? Did the hosts make jokes?
Did you see the pictures of the body?
Did you look for them?
It's been nearly a decade since the horrifying murder of sixteen-year-old Joan Wilson rocked the small seaside town of Crow-on-Sea. Based…
Written by a disabled, northern author, this magical middle-grade novel has such a warm, compassionate voice, and I loved how it reflected the story’s locations, which are inspired by real places in North East England.
The story is full of magic and features a cast of disabled children who live in a lighthouse by the sea and get caught up in an adventure. I think it’s important for all kids to see themselves in fiction, and this book does a wonderful job of improving disability representation.
Although it’s aimed at children, there’s plenty for adults to enjoy, and I thought this was a beautiful book full of illustrations by a local artist, which helped me to picture the characters and setting.
"A charming tale of found families and mermaids, with my favourite kind of hero at its heart" - Elle McNicoll, award-winning author of A Kind of Spark
A stunning literary adventure from an incredible debut talent, perfect for fans of Kiran Millwood Hargrave, Cerrie Burnell and Katherine Rundell.
I was Haven Point's first Wreckling, but I certainly wasn't the last. There are forty-two of us now, not including the mermaids. When you're a Wreckling, you mainly spend your days squabbling, eating and planning adventures. Oh, and Wrecklings also carry out wreckings, which is how we got our name . .…
I love literary fiction and stunning prose, and this book is full of gorgeous sentences that shine off the page. It deals with class issues and finding your own place in the world.
I’m from a working-class, deprived town close to the one featured in this novel. I related to some of the character’s concerns and struggles, particularly regarding the lack of opportunity in North East England.
"Andrews’s writing is transportingly voluptuous, conjuring tastes and smells and sounds like her literary godmother, Edna O’Brien . . . What makes her novel sing is its universal themes: how a young woman tries to make sense of her world, and how she grows up." –Penelope Green, The New York Times Book Review
This “luminous” (The Observer) feminist coming-of-age novel captures in sensuous, blistering prose the richness and imperfection of the bond between a daughter and her mother
It begins with our bodies . . . Safe together in the violet dark…
I read this book because it’s set in my hometown, which doesn’t appear often in fiction. It’s full of places I know, and I enjoyed the quirky style and the way the story is told from some unusual perspectives.
Apples is about Adam and Eve, two different teens growing up on a council estate in Middlesbrough, dealing with family troubles and relationships. It’s fast-paced, dark, and full of energy, and it has a fantastic opening line. It’s a book I come back to regularly.
'We got a McDonald's the night my mam got lung cancer.'
As a distraction from sleazy male admirers, spiteful classmates and her mother's cancer, Eve's eyes are opened to a multicolour life of one night stands, drug fuelled discos and endless varieties of cheap plonk. She barely has time to notice Adam. Adam, however, notices Eve. Whilst contending with sexual frustration, a violent father and increasingly compulsive behaviour, is he too busy reading Razzle in his bedroom to make his move?
Narrated alternately by Adam and Eve, alongside a cast of teenage delinquents, perverts and butterflies, Apples is an exploration…
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, I am uniquely qualified to uncover the policies and practices of adoption.
The history of adoption, reframed through the voices of adoptees like me, and mothers who have been forced to relinquish their babies, blows apart old narratives…
Who Is a Worthy Mother?: An Intimate History of Adoption
Nearly every person in the United States is affected by adoption. Adoption practices are woven into the fabric of American society and reflect how our nation values human beings, particularly mothers. In the wake of the U.S. Supreme Court's overturning of Roe v. Wade, the renewed debate over women's reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, Rebecca C. Wellington is uniquely qualified to uncover the policies and practices of adoption. Wellington's timely-and deeply researched-account amplifies previously marginalized voices and exposes the social and racial biases embedded in the United States' adoption industry.…
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