Here are 100 books that The Woman Destroyed fans have personally recommended if you like
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I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
In A Girl’s StoryAnnieErnaux – the author of many memoirs about her parents, her lower-class background, and her sexual life – revisits the summer when she was 18 and a summer camp counselor. For the first time away from home, she was so eager for love that she ended up pursuing a man who dumped and humiliated her. Ernaux has a unique way to find lost time again. She scrutinizes the past with such a precise scalpel that it allows us to identify with the lost young girl and to share her confusion and shame.
'I too wanted to forget that girl. Really forget her, that is, stop yearning to write about her. Stop thinking that I have to write about this girl and her desire and madness, her idiocy and pride, her hunger and her blood that ceased to flow. I have never managed to do so.' In A Girl's Story, her latest book, Annie Ernaux revisits the summer of 1958, spent working as a holiday camp instructor in Normandy, and recounts the first night she spent with a man. When he moves on, she realizes she has submitted her will to his and…
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
This book is so subtle and intelligent that it makes me smile at almost every line. Sarraute hates nothing more than clichés and the narcissistic self-indulgence of memoirs. In Childhood, the inner dialogue between the narrator and her memory allows her to avoid these pitfalls and resurrect the past with an amazing emotional accuracy. The questions asked by her critical self deepen her memory and lead to a delicate, vivid, and funny rendering of her childhood at the beginning of the twentieth century in Paris between her divorced Russian parents.
As one of the leading proponents of the nouveau roman, Nathalie Sarraute is often remembered for her novels, including "The Golden Fruits", which earned her the Prix international de litterature in 1964. But her carefully crafted and evocative memoir "Childhood" may in fact be Sarraute's most accessible and emotionally open work. Written when the author was eighty-three years old, but dealing with only the first twelve years of her life, "Childhood" is constructed as a dialogue between Sarraute and her memory. Sarraute gently interrogates her interlocutor in search of her own intentions, more precise accuracy, and, indeed, the truth. Her…
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
I was immediately engaged in the story of a nurse who follows a man to Mayotte and, unable to conceive, adopts a child whom she brings up by herself after the man abandons her. She dies abruptly, however, and the story changes completely, turning into an intense, violent novel about children in the slums. The orphan who fled after his mother's death is horribly abused by another young teenager who is a gang leader, and can free himself only by killing him in the end. I am in awe of Nathacha Appanah for her ability to capture the voice of street children. This is a poignant, powerful, and beautifully written novel about harassment, cruelty, and possession.
Marie, a nurse on the island of Mayotte, adopts an abandoned baby and names him Moise, raising him as a French boy. As he grows up, Moise struggles with his status as an "outsider" and to understand why he was abandoned as a baby. When Marie dies, he is left alone, plunged into uncertainty and turmoil, ending up in the largest and most infamous slum on Mayotte, nicknamed "Gaza".
Narrated by five different characters, Tropic of Violence is an exploration of lost youth on the French island of Mayotte in the Indian Ocean. Shining a powerful light on problems of…
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
Even though I never felt badly treated for growing up as a girl in a patriarchal world as Camille Laurens did, I loved her book. The first part, which starts with the sentence “It’s a girl,” recounts her childhood in a provincial French town in the sixties, where sexism still reigns. The distressing second part describes the loss of her son at birth. The third part is about her relationship with her daughter — born after the lost son — who, in spite of her mother's best efforts, grew up as a tomboy. The novel cleverly ends when the daughter, 16, tells her mom who asks whether her date is a nice boy: “It’s a girl.” This novel is also the most fascinating book about genre.
From the acclaimed author of Little Dancer Aged Fourteen, a deeply personal and insightful account of being a girl, woman, and mother in a world that sees the feminine as less than.
Born in 1959 to a middle-class family, Laurence Barraqué grows up with her sister in the northern city of Rouen. Her father is a doctor, her mother a housewife. She understands from an early age, by way of language and her parents’ example, that a girl’s place in life is inferior to a boy’s: Asked for the 1964 census whether he has any children, her father promptly responds,…
I'm a former television news producer who worked for Barbara Walters and Peter Jennings at ABC News, and at Dateline NBC and CBS’s 60 Minutes. I was always a journalist, but mid-career, I switched lanes from TV to writing. Since then, I've contributed essays and stories to many publications, among them Vogue, Travel & Leisure, The New York Times, BBC Travel, and others. I mostly write about travel, but also cover beauty, wellness, international development, and health. I'm the recipient of five Lowell Thomas Awards for excellence in travel journalism, including one for Travel Journalist of the Year. My book of essays, A Hard Place to Leave: Stories From a Restless Life comes out in May 2022.
The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.…
In her own lifetime, and especially outside of France, Colette was best known as a novelist, as the creator of Cheri, Gigi, Claudine; and as such, her place in the ranks of 20th century French fiction is secure and very high, comparable among her contemporaries perhaps to that of Proust. Over the same half century, she published an even larger body of explicit autobiography - memoirs, portraits, notebooks, letters. Barely a decade after her death, it became clear that this aspect of her work, and the personality embodied there, would determine her place in literature. Drawn from some 40 books…
I am Virginia Mendez, mother of 2 and author of 2 children’s books and a parenting book about the topic of gender equality from childhood. My day job is in Diversity and Inclusion Consulting, and I train companies and schools on how to bring more gender equality into their organisations. I wasn’t always a feminist, but I was by the time I was pregnant with my first child, and it made me determined to make the world a more fair place for everyone. Everyone.
I love how beautifully illustrated the Little People Big Dreams series is and how they follow important people in history through their childhood in a very inspiring, fun, and accessible way. They don’t run away from difficult topics, but they are very age-appropriate.
I have a lot of them, and they are brilliant in showing diversity in a lot of different ways and the world-changing impact of being brave and true to yourself.
New in the critically acclaimed Little People, BIG DREAMS series, discover the incredible life of Simone de Beauvoir, the great French philosopher and mother of feminism.
When Simone de Beauvoir was a little girl, her father would proudly boast that she had the brain of a man - whatever that meant. But later, after years of studying, Simone would write a book that challenged the role of women in society, sending shock waves around the world. This moving book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I love stories about iconoclasts, and Joan of Arc fits that description, if anyone ever has.
The hard reality of this retelling draws me in: Joan’s a secular military leader who grew up toughened from her father’s blows rather than a pious young woman who hears voices. That skeptical take may offend some readers, but the history, politics, and personalities come vividly to life and seem real to me.
Chen’s seductive prose makes me wish I could write like her, and her novel lets me feel the tragedy and uplift of a great historical figure.
A stunning feminist reimagining of the life of Joan of Arc - perfect for fans of Cecily, Ariadne and Matrix
'It is as if the author has crept inside a statue and breathed a soul into it, re-creating Joan of Arc as a woman for our time' Hilary Mantel, twice Booker Prize-winning author of The Mirror & the Light
'A glorious, sweeping novel . . . Richly imagined, poignant and inspiring' Jennifer Saint, author of Ariadne
'Chen earns the comparison [to Mantel] thanks to her vivid, visceral and boldly immediate storytelling . . . a hypnotic heroine for our time'…
According to Entertainment Weekly, I’m a “bestselling author who has made a name for [myself] with uncannily insightful takes on the dark side of family institutions.” But really, I’m just a novelist who has always been fascinated by the myriad ways we play out our unresolved issues from childhood, again and again, over the course of our lives. Although my books are very different from each other, they all focus on the interrelationships among family members (traditional families, work families, etc.). In my most recent novel, When We Were Bright and Beautiful, I look at how wealth, privilege, and power can corrupt even the most loving relationships.
A dark psychological thriller, The Snakes is a study of greed, and how feelings of deprivation and jealousy can infect a family and destroy each of its members slowly and painfully, from the inside out. The novel is a slow-burn character portrait (versus, say, plot-driven adventure), but Sadie Jones does a terrific job of pulling you into the story and ratcheting up the tension. In the novel, a recently married couple rents out their London apartment to escape for a few months. Driving through France, they visit the wife’s brother at a hotel he runs. When their parents make a surprise visit, the story—and the family—unravels brilliantly until the final delicious, electrifying ending.
Read the all-consuming story of a family whose worst sins come back to bite them from the #1 Sunday Times bestselling author of The Outcast
'A menacing beautifully written novel' Guardian
'Unsettling, thought-provoking' Heat
Bea and Dan, recently married, rent out their tiny flat to escape London for a few precious months. Driving through France they visit Bea's dropout brother Alex at the hotel he runs in Burgundy. Disturbingly, they find him all alone and the ramshackle hotel deserted, apart from the nest of snakes in the attic.
When Alex and Bea's parents make a surprise visit, Dan can't understand…
I worked for ten years as a guard at the Metropolitan Museum of Art, as narrated in my memoir, All the Beauty in the World. I’ve found that readers are fascinated by the art in the Met but also by the “living museum,” which includes five hundred security guards keeping watch over millions of visitors each year. I’ve read a variety of workplace memoirs to study how authors depict the rhythms of work and the feel of particular workplaces. I’m especially passionate when there are larger themes at play and thus clear reasons why we should care.
This is a workplace memoir in part because of the engaging, disgusting scenes where he labors as a plongeur (dishwasher) in a grimy French restaurant. But in a broader sense, it’s a book about the hard work of being poor.
Every sentence is intelligent and the overall thrust is deeply moral—Orwell’s calling card.
From the author of 1984, the classic semi-autobiographical story about the adventures of a penniless British writer in two cities.
Down and Out in Paris and London follows the journey of a writer among the down-and-out in two great cities. Without self-pity and often with humor, this novel is Orwell at his finest-a sobering, truthful protrayal of poverty and society.
I’ve always been attracted to the Gothic before I even knew the term. From watching The Munstersas a child to wanting to live in a haunted house and devouring classic Gothic novels like The Mysteries of Udolpho and Dracula, I’ve never been able to get enough of the Gothic. After fully exploring British Gothic in my book The Gothic Wanderer, I discovered the French Gothic tradition, which made me realize how universal the genre is. Everyone can relate to its themes of fear, death, loss, guilt, forgiveness, and redemption. On some level, we are all Gothic wanderers, trying to find meaning in what is too often a nightmarish world.
This 1844 novel has only been translated into English in an abridgement, but it was a tremendously popular novel in France. Féval capitalized on the bestselling novel The Mysteries of Paris by Eugène Sue by writing a novel with a similar title set in London. Later George W. M. Reynolds wrote another novel with the same name. What makes this novel stand out? Féval’s hero is an Irishman seeking revenge against the English who have wronged him. Disguising himself as the Marquis de Rio Santo, he worms his way into high society and sets about debauching ladies while plotting to blow up the Bank of England and destroy the British Empire. The novel would later inspire the creation ofThe Count of Monte Cristoand the character of Captain Nemo.
Excerpt from The Mysteries of London, or Revelations of the British Metropolis: Translated From the French
I'll be hanged if she will hear me, grumbled the captain. I shall appeal to the landlady Mistress Burnett; Mistress Burnett!
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