Here are 97 books that Death and Restoration fans have personally recommended if you like
Death and Restoration.
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I am a doctor, an award-winning writer, and lifelong lover of mysteries. Many mysteries feature smart characters. I prefer those with wise characters, who can teach me something about a life well-lived. Or not. Sometimes the mistakes are more instructive and more fun. Stories with older characters offer a plethora of life experience and wisdom, and usually poignancy and humor as well. From my life as a doctor and my daily visits to my mother’s retirement community dinner table, I see seniors who are strong, wise, vital, and often overlooked. I love stories that give voice to this robust and rich generation who have so much to offer.
Some might consider this cheating, as Mma Ramotswe’s age is not obvious as the books progress, but after 23 adventures, I will count her tending toward middle if not old age.
If she is not, the gentle mannerisms and thoughtful concerns of her and her husband, Mr. J.L.B. Matekoni, definitely put the books into this category of wise and poignant characters.
There may still be a mystery to each book, but these stories offer marriage advice, friendship advice, life advice in as joyful and tranquil a way possible.
Precious Ramotswe, a cheerful woman of traditional build, is the founder of Botswana's first and only ladies' detective agency. Here is a gentle interpretation of the detective role: solving her cases through her innate wisdom and understanding of human nature, she 'helps people with problems in their lives'. With a tone that is as elegant as that which is unfailingly used by his protagonist, Alexander McCall Smith tenderly unfolds a picture of life in Gaborone with a mastery of comic understatement and an evident sympathy for his subjects and their milieu. In the background of all this is Botswana, a…
I’ve loved mysteries since I was a kid and became hooked on the Fear Street books by RL Stine. In college, I took a class on suspense and mystery and was introduced to the greats: Chandler, Hammett, Collins, Christie, Doyle… I could go on and on. As I consumed more, I became enamored with mysteries that were more than just stories about victims but also used crime as a vehicle to comment on the region’s social and economic issues. My favorite mysteries are more than the sum of its body parts. They also scrutinize the worlds where these heinous crimes were allowed to occur.
French’s Dublin Murder Squad series introduces readers to the Dublin-based Gardai, who investigate and solve violent crimes in and around Dublin, Ireland. What I love most about this series is that each book follows a different detective within the same unit and their unique relationships with Dublin and the surrounding areas. French explores not just the crime but also the men and women who solve it. I love how these people are flawed, and they make mistakes while doing their jobs.
In this installment, Rob Ryan returns to the site of his own childhood trauma to investigate a repeat of a twenty-year-old crime. I love a facing-one-demons plot, and this one doesn’t disappoint.
The bestselling debut, with over a million copies sold, that launched Tana French, author of the forthcoming novel The Searcher and "the most important crime novelist to emerge in the past 10 years" (The Washington Post).
"Required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting." -The New York Times
Now airing as a Starz series.
As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only…
I taught myself to read when I was 4 and have been an omnivorous reader ever since. By the time I was in high school, I was reading the Grand Dame Agatha Christie’s wonderful mysteries. The cozy genre captured me with its deft characterization and clever solutions to “who dunnit.” I wanted to be a writer, received a B.A. and M.A. degree in Literature and later a Ph.D. Once retired from full-time work, I returned to my original desire and as Lia Farrell wrote and published The Mae December Mysteries. Since then, as Lyn Farrell, I have written The Rosedale Investigations series. Together the books have sold 30,000 copies.
I love it when a book takes me to an entirely new world. This series fascinates me with it’s deft portrayal of a wholly different culture in one of the most antithetical-to-life climates on earth.
Arthur Upfield takes us deep into the Australian outback with Detective-Inspector Napoleon Bonaparte (Bony), a half white and half aboriginal detective. The two sides of Bony’s heritage are constantly at war and to prevent his black side from winning, he must solve all his cases. Prejudice against the aboriginals is rampant in this world and as readers, we too suffer his stings of rejection.
In this one, Bony must find a missing man who nobody wants found and solve a mystery nobody wants solved. Jeffrey Anderson is a sadist and a brutal drunk. He once stock-whipped an aboriginal man to death.
Now he seems to have fallen off the earth and the aboriginals are the…
Jack Anderson was a big man with a foul temper, a sadist and a drunk. Five months after his horse appeared riderless, no trace of the man has surfaced and no one seems to care. But Bony is determined to follow the cold trail and smoke out some answers.
I taught myself to read when I was 4 and have been an omnivorous reader ever since. By the time I was in high school, I was reading the Grand Dame Agatha Christie’s wonderful mysteries. The cozy genre captured me with its deft characterization and clever solutions to “who dunnit.” I wanted to be a writer, received a B.A. and M.A. degree in Literature and later a Ph.D. Once retired from full-time work, I returned to my original desire and as Lia Farrell wrote and published The Mae December Mysteries. Since then, as Lyn Farrell, I have written The Rosedale Investigations series. Together the books have sold 30,000 copies.
Ellis Peters—the penname of Edith Pargeter—wrote eighteen Brother Cadfael mysteries as well as a set of Inspector Felese Mysteries and a separate Trilogy.
All her stories take place during the twelve years when two English monarchs (King Steven and his cousin the Empress Maud) are fighting each other for the throne. Brother Cadfael is a monk who lives in the Abbey of Shrewsbury. A marriage has been arranged between an aging nobleman and a young woman (Iveta, a wealthy heiress), coerced by her greedy guardians. Both parties arrive at the Abbey where the wedding is to take place.
Unbeknownst to her guardians, Iveta has fallen in love with Joscelin, a squire to the bridegroom (Picard). The night before the wedding, Picard goes to visit his long-held mistress and on his return to the Abbey, he is killed. Joscelin is immediately suspected and hunted by the sheriff and his men. He…
Brother Cadfael sets out to visit the Saint Giles leper colony outside Shrewsbury, knowing that a grand wedding is due to take place at the Abbey of Saint Peter and Saint Paul. As he arrives at Saint Giles the nuptial party passes the colony's gates. He sees the fragile bride, looking like a prisoner between her two stern guardians, and the groom, an arrogant, fleshy aristocrat old enough to be her grandfather. With his usual astuteness he suspects that this union may be more damned than blessed. He is horrifically proved right when a savage murder disrupts the May-December marriage…
I arrived in New York City from Germany thirty years ago with two suitcases and a typewriter. Since then, I try to combine my background as an art historian – I hold a M.A. in Art History and Anthropology from the University of Tübingen, Germany – with my experiences travelling around the world for seven years, and my love for writing. After a career in museum education (at the San Diego Museum of Art, the Mingei, and the Athenaeum) I founded Konstellation Press, an indie publishing company for genre fiction. The first of my four novels, Spring of Tears, an art mystery set in France, won the San Diego Book Award.
The settings of this book are Rome, Paris, and London, three of my favorite European cities. The missing Masterpieces are by Caravaggio and Malevich, two of my favorite painters. The author is the founding director of the Association for Research into Crimes against Art (ARCA) and holds a degree in art history, so he knows what he is writing about, and the book contains fascinating details art historical details, but also deep insights into the field or art forgery and international art theft. Enough to keep you glued to your seat for hours.
The disappearance of a priceless Caravaggio in Rome and the famous 'White on White' by Russian painter Kasimir Malevich in Paris heralds the start of a series of seemingly unconnected art crimes across Europe. Fitting the pieces together as they follow a trail of bluffs and double-bluffs, bizarre clues and intellectual puzzles, Inspector Jean-Jacques Bizot in Paris and Harry Wickenden of Scotland Yard come to realize that what at first appears a spate of random thefts is all part of a single master plan, and that they are being led ever deeper into a baffling conspiracy.
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Dagnini’s book focuses specifically on Italy and the amazing stories of Rome, Naples, Florence, and Pisa among others. If you love Italian art and architecture, you will not be able to put this book down. Descriptions of the damage, but also how it was fixed and avoided in some cases, are truly inspiring. Without these Allied personnel, so much more could have been lost.
In 1943, while the world was convulsed by war, a few visionaries -- in the private sector and in the military -- committed to protect Europe's cultural heritage from the indiscriminate ravages of World War II.
In the midst of the conflict, the Allied Forces appointed the monuments officers―a motley group of art historians, curators, architects, and artists―to ensure that the great masterworks of European art and architecture were not looted or bombed into oblivion. The journalist Ilaria Dagnini Brey focuses her spellbinding account on the monuments officers of Italy, quickly dubbed "the Venus Fixers" by bemused troops.
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
With the true account of Vincenzo Perrugia’s 1911 theft of the Mona Lisa as its framework, Santlofer’s story follows the thief’s fictional great-grandson on a quest to learn whether the painting now in the Louvre is the original or a brilliant fake.
I’m a fan of all the author’s art-world mysteries, but this one is especially engrossing for its international settings, engaging characters, deftly plotted intrigue, and clever dénouement. As an artist himself, Santlofer weaves in technical details that make the forgery scheme all the more plausible.
ONE OF PEOPLE MAGAZINE'S BEST BOOKS OF SUMMER! "Unstoppable what-happens-next momentum."-Michael Connelly, #1 New York Times bestselling author "A deliciously tense read."-Ruth Ware, #1 New York Times bestselling author From award-winning crime writer and celebrated artist Jonathan Santlofer comes an enthralling tale about the 1911 theft of the Mona Lisa from the Louvre, the forgeries that appeared in its wake, and the present-day underbelly of the art world. August, 1911: The Mona Lisa is stolen by Vincent Peruggia. Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more…
I love a good, clean mystery/suspense story that's light enough to be escape fiction but has enough heart that I engage with the characters. Let me root for them and watch them grow. Give me hope and a happy ending. Bonus if there are some quirky ones who make me smile or some snappy dialogue. Double bonus if it's Christian fiction with an organic, non-preachy faith element and characters who grow spiritually. Why leave faith out of our fiction if it's part of our lives? I hope you'll make some new imaginary friends in the books I've listed!
I can't resist a good pun, so this book had me with the title. I found plenty to make me grin in the middle of the action, and I couldn't help rooting for Serena as she tried to prove herself on the job as a new FBI field agent and resist her mother's matchmaking.
I love a story where a quirky support character adds complications, and Serena's Aunt Martha is a hoot. And I like the hint of a coming romance, although I like both men in Serena's life and don't want to see either of them hurt.
Serena Jones has a passion for recovering lost and stolen art--one that's surpassed only by her zeal to uncover the truth about the art thief who murdered her grandfather. She's joined the FBI Art Crime Team with the secret hope that one of her cases will lead to his killer. Now, despite her mother's pleas to do something safer--like get married--Serena's learning how to go undercover to catch thieves and black market traders.
When a local museum discovers an irreplaceable Monet missing, Jones leaps into action. The clues point in different directions, and her boss orders her to cease investigating…
Back in 2006, a New York Times Magazine feature article about me announced that I had essentially founded the field of the study of art crime, while still a postgraduate student. I’m often mentioned as the world’s leading authority on the history of art crime and I’ve been a professor teaching the subject for more than a decade (I’m not actually that old). I also founded ARCA, the Association for Research into Crimes against Art, the world’s first think tank and research group on art crime. We launched the first academic journal on the subject, The Journal of Art Crime, as well as the first academic study program, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection, which runs every summer in Italy. I’m also the author of more than a dozen books, many best-sellers, and one a Pulitzer finalist. I write on art crime for TED Ed videos, I host TV programs on the subject, and I recently curated a virtual exhibit of lost art called Missing Masterpieces.
If you saw the recent film, The Duke, then you’ll know the story of Kempton Bunton and the crazy art heist from London’s National Gallery, when Goya’s Portrait of the Duke of Wellington was stolen. This is one of the most interesting and quirkiest of all art heists and this book is the definitive telling of it.
In 1961, a thief broke into the National Gallery in London and committed the most sensational art heist in British history. He stole the museum’s much prized painting, The Duke of Wellington by Francisco Goya. Despite unprecedented international attention and an unflagging investigation, the case was not solved for four years, and even then, only because the culprit came forward voluntarily.
Kempton Bunton, an elderly gentleman, claimed he executed the theft armed with only a toy gun, a disguise purchased for five shillings, and a getaway car inadvertently provided by a drunkard. Shortly after turning himself in, Bunton also invoked…
I’ve always been fascinated by art, not just the paintings themselves but their historical significance, the personalities behind the canvas, and the seemingly arbitrary value placed on one artist’s work versus another. Writing my latest novel, Hanging the Devil, was a chance to delve into the illicit side of the art world, where forgers and smugglers consort with organized crime. I’ve been an award-winning mystery author for more than a decade—this is my sixth novel—and the great thing about writing crime fiction is the chance to get lost in the research and learn something new, so writing this novel was a great excuse to visit museums, talk to experts, and plan a heist!
Rembrandt was incredibly prolific and well known in his lifetime, unlike so many artists whose fame only followed their deaths.
Both his reputation and the value of his paintings have continued to grow in the centuries since he died, so the combination of ubiquity and name recognition makes Rembrandt’s paintings particularly attractive to art thieves.
Quickly recognizable and easily appraised, a stolen Rembrandt is exactly the kind of black market currency professional criminals value most, whether using it for collateral during a deal, holding it for ransom until the museum pays, or selling it illicitly to a private collector.
One of the stolen masterpieces in my novel is a Rembrandt, so this book was invaluable in understanding the ambition and scope of modern art crimes. The problem of profiting off something that everyone knows is stolen turns out to be a minor challenge if you know the perfidious players working…
Art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence.
