78 books like Priceless

Hidden Treasure is the thirteenth novel in the long-running Josie Prescott Antiques Mysteries series.

This novel is a great addition to the series that features not only an antique dealing main character but shows her business growing and transforming. I specifically enjoyed this novel because the mystery is centered on an older woman who has a zest for life despite her age—and I like how Josie encourages and helps her.

The novel’s fast-paced and twisty, including one particularly surprising and fun detail near the end. I highly recommended this series to lovers of cozy as well as traditional mysteries with an antique dealer as the main character. 

A Dream Of Death is the first book in the Kate Hamilton Mystery series.

It is a traditional mystery series featuring an American antique dealer in Scotland. The series has won and been nominated for several awards, and for good reason—namely, all the novels are fabulous.

A Dream Of Death is set on a remote Scottish island. As I read, it felt like I was right there with Kate Hamilton—in the manor house turned hotel, at the Tartan Ball, confronting the quirky local characters…and on the island’s turbulent shoreline that held deeply emotional memories for her.

I especially enjoyed how the exciting mysteries in the present and diary entries from the past meshed together for an exciting and unpredictable climax. 

This is book 1 in the Avery Ayers Antique Mystery series, is a wonderful cozy mystery with a delightful cast of characters, a touch of romance, and unexpected twists and turns that make the book impossible to put down.

I highly recommend it, especially to readers who love mysteries featuring jewels, antiques, and appraising, and heroines who are both smart and struggling to recover from difficulties in their recent past. It was wisely nominated in 2022 for the Mary Higgins Clark Award. 

The first novel in the Old Town Antiques Mystery series is a cozy mystery with a delightful setting, a bit of romance, and a fifty-something main character who dives in to find a killer after making a late life career change.

When Camille Benson hears an antique shop that previously belonged to her parents is being sold by its unlikable current owner, Roberto, she decides buy the store. But Camille doesn’t even have time to revitalize the business before she discovers Roberto’s dead body, laying in the closed shop.

From there, the mystery takes off with loads of fun characters and enough trouble to make Camille fear she may not be able to untangle it all in time to save the business. 

The biggest unsolved art crime is the 1990 robbery of the Isabella Gardner Museum in Boston, during which two men disguised as policemen stole 13 works of art worth an estimated $500 million.

Not one of the stolen paintings has been recovered, and rumors about their whereabouts and the identity of the thieves continue to fuel investigations across the globe. This book is a rapid-fire read and a terrific crash course in the many challenges involved in tracing lost art, let alone ever catching the thieves.

Rembrandt was incredibly prolific and well known in his lifetime, unlike so many artists whose fame only followed their deaths.

Both his reputation and the value of his paintings have continued to grow in the centuries since he died, so the combination of ubiquity and name recognition makes Rembrandt’s paintings particularly attractive to art thieves.

Quickly recognizable and easily appraised, a stolen Rembrandt is exactly the kind of black market currency professional criminals value most, whether using it for collateral during a deal, holding it for ransom until the museum pays, or selling it illicitly to a private collector.

One of the stolen masterpieces in my novel is a Rembrandt, so this book was invaluable in understanding the ambition and scope of modern art crimes. The problem of profiting off something that everyone knows is stolen turns out to be a minor challenge if you know the perfidious players working… show more.

The art underworld is a place where cultured curators consort with common criminals, museum directors rub shoulders with career cops, and the long-fingered hand of organized crime lurks in the shadows.

The only way to navigate this broken landscape is by following someone who knows the terrain, so when an Oslo museum was robbed of its most priceless treasure—Edvard Munch’s Scream, they turned to Charley Hill, art detective. Hill could have walked right out of a novel, a colorful character that makes this nonfiction investigation read more like a heist novel.

This book won the prestigious Edgar Award from the Mystery Writers of America for true crime, so it was high on my list when doing research for writing an art mystery. The pacing makes it a delight to read, and the twists and turns of the investigation reveal the countless ways the art world remains ripe for exploitation and… show more.

Tony Tetro is one of the most successful art forgers in history and a character straight out of a movie, with a devil-may-care attitude towards his fast life among the rich, famous, and fraudulent.

His talents have fooled expert appraisers and wealthy collectors for years, including Prince (now King) Charles, who acquired paintings by Tetro thinking they were authentic works of art by Picasso, Dali, Monet, and Chagall. There are likely hundreds of his forged paintings currently hanging in museums and galleries—or displayed in private collections—authenticated as originals.

Read about his secret stash room hidden behind a mirror, his reckless disregard for consequences, and his jaundiced view of the victims of his many cons, and you’ll swear you’re reading a novel versus nonfiction. 

The key to writing a novel is to make the characters as real as possible, with all the many contradictions we find in ourselves, in order to… show more.

Estelle Ryan writes mysteries set in France with a most unusual sleuth: autistic insurance investigator Dr. Genevieve Lenard. I am fascinated by how Lenard, a world-renowned expert on nonverbal communication, navigates both her personal and professional lives as she tracks down art thieves. She is a human lie detector who can’t bear to be touched and who, when upset, goes into autistic meltdowns in which she writes classical music in her head. I go to Ryan’s website to see the artwork and listen to the music featured in each book. Lenard also has a quirky team of sidekicks that I adore and that bring humanity to Lenard’s sheltered life: a former art thief, a hacker, a cop, and a tough guy.

I really like the discussion of the Metropolitan Museum’s celebrated acquisition of the ancient Greek Eurphronios Krater, which turned out to have been stolen from a tomb and had to be returned to Italy.

We read that even taking less valuable items “damages archaeological heritage, thereby compromising or weakening historical scholarship.”

I appreciate how this also applies to the unrelated minister who got into the Edward Hopper estate and who hid Hopper’s papers—5,000 documents—for 50 years, damaging their context, perhaps destroying some.

I wrote my biography and definitive catalogue of Hopper’s art without access to most of these papers. Now that I have seen most of them, I am relieved that my work retains its value. Fortunately, I found another source that provided many of Jo Hopper’s diaries.