100 books like Con/Artist

Robert K. Wittman is the founder of the FBI Art Crime Team, and any one of his undercover adventures could be the plot for a box office thriller. Over the course of his career Wittman not only recovered hundreds of millions of dollars’ worth a stolen property, he protected priceless masterpieces from being lost forever. 

When I first began doing research for a novel about art theft, it was clear the global market for stolen masterpieces is incredibly complex, an underground network of smugglers, master forgers, and organized crime syndicates. To get my facts straight I needed a navigator, and this book immediately put me on the right track.

Wittman’s backstory and relentless drive to make art crime a priority within the FBI, as Italy has done with its Carabinieri Art Squad, is an inspiring story on its own, and many of his cases would feel right at home in… show more.

The biggest unsolved art crime is the 1990 robbery of the Isabella Gardner Museum in Boston, during which two men disguised as policemen stole 13 works of art worth an estimated $500 million.

Not one of the stolen paintings has been recovered, and rumors about their whereabouts and the identity of the thieves continue to fuel investigations across the globe. This book is a rapid-fire read and a terrific crash course in the many challenges involved in tracing lost art, let alone ever catching the thieves.

Rembrandt was incredibly prolific and well known in his lifetime, unlike so many artists whose fame only followed their deaths.

Both his reputation and the value of his paintings have continued to grow in the centuries since he died, so the combination of ubiquity and name recognition makes Rembrandt’s paintings particularly attractive to art thieves.

Quickly recognizable and easily appraised, a stolen Rembrandt is exactly the kind of black market currency professional criminals value most, whether using it for collateral during a deal, holding it for ransom until the museum pays, or selling it illicitly to a private collector.

One of the stolen masterpieces in my novel is a Rembrandt, so this book was invaluable in understanding the ambition and scope of modern art crimes. The problem of profiting off something that everyone knows is stolen turns out to be a minor challenge if you know the perfidious players working… show more.

The art underworld is a place where cultured curators consort with common criminals, museum directors rub shoulders with career cops, and the long-fingered hand of organized crime lurks in the shadows.

The only way to navigate this broken landscape is by following someone who knows the terrain, so when an Oslo museum was robbed of its most priceless treasure—Edvard Munch’s Scream, they turned to Charley Hill, art detective. Hill could have walked right out of a novel, a colorful character that makes this nonfiction investigation read more like a heist novel.

This book won the prestigious Edgar Award from the Mystery Writers of America for true crime, so it was high on my list when doing research for writing an art mystery. The pacing makes it a delight to read, and the twists and turns of the investigation reveal the countless ways the art world remains ripe for exploitation and… show more.

What’s the difference between a fake and a copy? Is a copy of a copy a forgery? Based on the famous 1990 Gardner Museum heist, still unsolved, Shapiro’s story peels back layers of duplicity to reveal a shocking deception.

As someone asked to authenticate paintings (which I don’t do!), I appreciated the author’s analysis of the subtleties involved. I sympathized with Claire Roth, her neurotic protagonist, and enjoyed the skewering of art-world pretensions, media-driven reputations, and marketing strategies. Still, I couldn’t help rooting for Claire and her dealer, hoping their clever scheme would succeed.

This book is part philosophy, part on art and forgery. Most approaches, my own included, to art forgery are art historical and criminological. This one is readable and thoughtful and fun but focuses on the big ideas behind the scenes.

When an uncle – presumed killed in the Blitz – turns up after serving nearly forty years in an Irish prison, he tells a story about having been one of the thieves of Picasso paintings stolen from a diamond merchant in Antwerp in 1939. At clever work in this tale are forgers, revolutionaries, and family members out to recover their treasure or their family honor. I have known for a long time that what I love most – more than mere murder mysteries – are what I call novels with murder. For me, the story has to be a beautifully realized bit of writing, and a murder is just one feature of it.

I have always loved Goddard’s style, which is both elegant and readable. And murder, more than a puzzle, becomes a natural part of the lives he depicts. Known for his plot twists, he sets me down in… show more.

The husband-and-wife author team kept me guessing which of the victim’s enemies decided to do him in. I found the Alix London character appealingly complex, with a good backstory as an intuitive art restorer and the daughter of a convicted art forger.

I especially enjoyed her take on a Jackson Pollock painting that she doesn’t like, not only because it’s not her taste but also because her sixth sense tells her it’s bogus. This aspect of the story, though not the main focus, is based on the Knoedler scandal, a real case of fakes being passed off by a respected New York City gallery, about which I have first-hand knowledge.

I really like the discussion of the Metropolitan Museum’s celebrated acquisition of the ancient Greek Eurphronios Krater, which turned out to have been stolen from a tomb and had to be returned to Italy.

We read that even taking less valuable items “damages archaeological heritage, thereby compromising or weakening historical scholarship.”

I appreciate how this also applies to the unrelated minister who got into the Edward Hopper estate and who hid Hopper’s papers—5,000 documents—for 50 years, damaging their context, perhaps destroying some.

I wrote my biography and definitive catalogue of Hopper’s art without access to most of these papers. Now that I have seen most of them, I am relieved that my work retains its value. Fortunately, I found another source that provided many of Jo Hopper’s diaries.

If you haven’t read anything by Brian Sanderson, this novella is a great place to start.

It is a fast read with a hopeful tone and satisfying ending. In this story, Shai is caught forging a priceless artifact. As punishment, she must forge a soul for the emperor who is in a coma. If her forgery doesn’t work, the empire will fall into chaos.

The magic of Shai’s forging is very cool; she creates stamps that can rewrite the nature of an object’s existence. The Emperor’s Soul spoke to me on a personal level. My stepmother is a Japanese artist, and I grew up watching her carefully seal her pieces with her custom, red stamp.

Highly recommended to anyone looking for that quick, feel-good punch that great fantasy can provide!