One of the advantages of growing up in New Jersey is the proximity to the museums in New York City. What great school field trips! And I really believe that’s where my love for art and history began. My cathedrals are art museums, great libraries, Civil War battlefields, wilderness shorelines – experiencing these places lifts me out of the dailiness of life, reminds me of struggle, greatness, and excellence. I guess it was just a matter of time before my sweet spot as a writer and reader is the point of intersection between great art and terrible crimes. Things worth writing about.
When Senior Editor Val Cameron’s best friend, a curator, returns to Manhattan from an abbey in England, she invites Val to see a priceless relic that has mysteriously found its way into her carry-on. But by the time Val arrives at the museum, her friend has been murdered – and the relic is gone. Val soon learns that a young monk at the abbey has also been murdered. Is there a single killer at work? What dark purpose is attached to the relic that has led to two murders? Now she has to unmask a killer who stops at nothing to fulfill an ambitious plan – and Val Cameron is just the latest person to stand in the way.
When an uncle – presumed killed in the Blitz – turns up after serving nearly forty years in an Irish prison, he tells a story about having been one of the thieves of Picasso paintings stolen from a diamond merchant in Antwerp in 1939. At clever work in this tale are forgers, revolutionaries, and family members out to recover their treasure or their family honor. I have known for a long time that what I love most – more than mere murder mysteries – are what I call novels with murder. For me, the story has to be a beautifully realized bit of writing, and a murder is just one feature of it.
I have always loved Goddard’s style, which is both elegant and readable. And murder, more than a puzzle, becomes a natural part of the lives he depicts. Known for his plot twists, he sets me down in a maze of long-held secrets and I can hardly imagine a place I’d rather be! Several years ago, as Chair of the panel judging Best Paperback Original, I had the distinct pleasure of presenting Mystery Writers of America’s Edgar Award to Robert Goddard for this splendid book.
Eldritch Swan is a dead man. Or at least that is what his nephew Stephen has always been told. Until one day Eldritch walks back into his life after 36 years in an Irish prison. He won't reveal any of the details of his incarceration, insisting only that he is innocent of any crime.
His return should be of interest to no-one. But the visit of a solicitor with a mysterious request will take Eldritch and his sceptical nephew fromsleepy seaside Paignton to London, where an exhibition of Picasso paintings from the prestigious Brownlow collection proves to be the starting…
The story begins with the murder of two grave robbers who have been stealing ancient pots from Anasazi burial sites in the American Southwest. Hillerman’s atmospheric sweep crosses land, centuries, and warring interests. This is The Book that inspired my love for reading and writing mysteries with great art, artifacts, and relics at the heart of the crime. For me, there’s hardly any story more compelling than one where a work of art – a thing of beauty and priceless cultural value – leads to the ugliness of murder. I’m instantly interested in those people and what makes them tick.
Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+!
“All of Tony Hillerman’s Navajo tribal police novels have been brilliant, but A Thief of Time is flat-out marvelous.”—USA Today
From New York Times bestselling author Tony Hillerman, A Thief of Time is the eighth novel featuring Lieutenant Joe Leaphorn and Officer Jim Chee as they find themselves in hot pursuit of a depraved killer.
At a moonlit Indian ruin where "thieves of time" ravage sacred ground in the name of profit, a noted anthropologist vanishes while on the verge…
This stand-out historical mystery features serial murders occurring in a 14th-century Benedictine monastery in a remote area of northern Italy. I love a murder mystery with a Ten Little Indians set-up: a small group of people stranded together, unable to get outside help when a killer sets to work. Who’s next? is the fear that drives the story.
How, wonders the monk investigating the murders, can a crime be solved when there is no pattern? The writing is so wonderful it lands me right there among the monks – and the murderer. Eco has written a story towering in its reach, its writing, and the murderous intentions generated by a lost work of art that — should it turn up — could threaten key beliefs.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
In this installment of her beloved Three Pines series, Penny locates the crime in a remote abbey in Quebec, where a couple of dozen monks – renowned for their singing – are cloistered. When the choir director is murdered, enter the series hero Inspector Gamache, who unfolds a story of timeless yet sinister beauty about the origins of Gregorian chant. This is the second book on my Best Five list that is set in a monastery, which speaks to how I can’t resist well-written mysteries set in closed communities – there’s just something so frightening and compelling about that small ring of victims and suspects, not to mention palpable atmosphere and themes that matter. I’m really interested in the psychology of a killer who places an obsessive love of an art object above the sanctity of life.
Winner of the Anthony Award for Best Crime Novel Winner of the Macavity Award for Best Crime Novel Winner of the Agatha Award for Best Crime Novel
There is more to solving a crime than following the clues. Welcome to Chief Inspector Gamache's world of facts and feelings.
Hidden deep in the wilderness are the cloisters of two dozen monks - men of prayer and music, famous the world over for their glorious voices. But a brutal death throws the monastery doors open to the world. And through them walks the only man who can shine light upon the dark…
When a famous stolen Velazquez painting from a truck that went missing back in 1945 turns up in present-day Boston, this fast-paced thriller to recover the rest of the “loot” begins. By me, a girl can’t have too many stories about the infamous Nazi theft of priceless art during WWII. The set-up for this kind of tale is just about the opposite of the intimate crimes in a closed community of “stranded” victims and suspects, which I also really like. Here it’s a big canvas: many works of art stolen during wartime by armies (sometimes during the grunt work, with masterminds off planning). It’s the scope of the art crimes themselves that is so compelling – whole swaths of cultural history disappearing from view. These are enormous crimes with dire implications – even before the murders begin. Loot is the kind of story that slams my heart (in a good way!) with the momentousness of the crimes. Everything feels big – there’s Evil, and there are things that matter, and there’s simple heroism. In one size or another, that, for me, is the core of a great mystery.
A long-lost painting stolen by the Nazis turns up at a Boston pawnshop-and leads to a string of murders-in this "fast-paced and tightly written thriller" (The Seattle Times).
In April 1945, the Nazis, reeling and near defeat, frantically work to hide the huge store of art treasures that Hitler has looted from Europe. Truck convoys loaded with the cultural wealth of the Western world pour in an unending stream into the compound of the vast Altaussee salt mine high in the Austrian Alps. But with the Allies closing in, the vaunted efficiency of the Nazis has broken down. At Altaussee,…
Two women, a century apart, seek to rebuild their lives after leaving their homelands. Arriving in tropical Singapore, they find romance, but also find they haven’t left behind the dangers that caused them to flee.
Haunted by the specter of terrorism after 9/11, Aislinn Givens leaves her New York career and joins her husband in Southeast Asia when he takes a job there. She acquires several paintings by a colonial-era British artist that she believes are a warning.
The artist, Elizabeth Pennington, tells her own tumultuous story through diary entries that end when World War I reaches the colony with catastrophic results. In the present, Aislinn and her husband learn that terrorism takes many shapes when they are ensnared by local political upheaval and corruption.
"Aislinn Givens leaves a settled life in Manhattan for an unsettled life in Singapore. That painting radiates mystery and longing. So does Clifford Garstang's vivid and simmering novel, The Last Bird of Paradise." –John Dalton, author of Heaven Lake and The Inverted Forest
Two women, nearly a century apart, seek to rebuild their lives when they reluctantly leave their homelands. Arriving in Singapore, they find romance in a tropical paradise, but also find they haven't left behind the dangers that caused them to flee.
In the aftermath of 9/11 and haunted by the specter of terrorism, Aislinn Givens leaves her…
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