99 books like The Rescue Artist

Robert K. Wittman is the founder of the FBI Art Crime Team, and any one of his undercover adventures could be the plot for a box office thriller. Over the course of his career Wittman not only recovered hundreds of millions of dollars’ worth a stolen property, he protected priceless masterpieces from being lost forever. 

When I first began doing research for a novel about art theft, it was clear the global market for stolen masterpieces is incredibly complex, an underground network of smugglers, master forgers, and organized crime syndicates. To get my facts straight I needed a navigator, and this book immediately put me on the right track.

Wittman’s backstory and relentless drive to make art crime a priority within the FBI, as Italy has done with its Carabinieri Art Squad, is an inspiring story on its own, and many of his cases would feel right at home in… show more.

The biggest unsolved art crime is the 1990 robbery of the Isabella Gardner Museum in Boston, during which two men disguised as policemen stole 13 works of art worth an estimated $500 million.

Not one of the stolen paintings has been recovered, and rumors about their whereabouts and the identity of the thieves continue to fuel investigations across the globe. This book is a rapid-fire read and a terrific crash course in the many challenges involved in tracing lost art, let alone ever catching the thieves.

Rembrandt was incredibly prolific and well known in his lifetime, unlike so many artists whose fame only followed their deaths.

Both his reputation and the value of his paintings have continued to grow in the centuries since he died, so the combination of ubiquity and name recognition makes Rembrandt’s paintings particularly attractive to art thieves.

Quickly recognizable and easily appraised, a stolen Rembrandt is exactly the kind of black market currency professional criminals value most, whether using it for collateral during a deal, holding it for ransom until the museum pays, or selling it illicitly to a private collector.

One of the stolen masterpieces in my novel is a Rembrandt, so this book was invaluable in understanding the ambition and scope of modern art crimes. The problem of profiting off something that everyone knows is stolen turns out to be a minor challenge if you know the perfidious players working… show more.

Tony Tetro is one of the most successful art forgers in history and a character straight out of a movie, with a devil-may-care attitude towards his fast life among the rich, famous, and fraudulent.

His talents have fooled expert appraisers and wealthy collectors for years, including Prince (now King) Charles, who acquired paintings by Tetro thinking they were authentic works of art by Picasso, Dali, Monet, and Chagall. There are likely hundreds of his forged paintings currently hanging in museums and galleries—or displayed in private collections—authenticated as originals.

Read about his secret stash room hidden behind a mirror, his reckless disregard for consequences, and his jaundiced view of the victims of his many cons, and you’ll swear you’re reading a novel versus nonfiction. 

The key to writing a novel is to make the characters as real as possible, with all the many contradictions we find in ourselves, in order to… show more.

Estelle Ryan writes mysteries set in France with a most unusual sleuth: autistic insurance investigator Dr. Genevieve Lenard. I am fascinated by how Lenard, a world-renowned expert on nonverbal communication, navigates both her personal and professional lives as she tracks down art thieves. She is a human lie detector who can’t bear to be touched and who, when upset, goes into autistic meltdowns in which she writes classical music in her head. I go to Ryan’s website to see the artwork and listen to the music featured in each book. Lenard also has a quirky team of sidekicks that I adore and that bring humanity to Lenard’s sheltered life: a former art thief, a hacker, a cop, and a tough guy.

I can't resist a good pun, so this book had me with the title. I found plenty to make me grin in the middle of the action, and I couldn't help rooting for Serena as she tried to prove herself on the job as a new FBI field agent and resist her mother's matchmaking.

I love a story where a quirky support character adds complications, and Serena's Aunt Martha is a hoot. And I like the hint of a coming romance, although I like both men in Serena's life and don't want to see either of them hurt.

The Heist is one in a series of spy novels written by the prolific author, Daniel Silva, featuring the legendary spy Gabriel Allon. Usually, spy novels bore me to tears, but I have now read every book Silva has written. He is the best in his genre and I was captivated by his characters who are thoroughly developed as you work through the series. All of Silva’s books focus on crimes against the Jewish state and the Heist tells the tale of a stolen Carvaggio masterpiece and  Allon’s attempt to retrieve it from a historic criminal element. I couldn’t put it down.

No fake this time. Instead, a likely real but unknown Cézanne portrait sends Antoine Verlaque, chief magistrate of the artist’s hometown, Aix-en-Provence, to identify the sitter, authenticate the painting, and find out who killed to get hold of it.

I love how the story shifts back and forth between the present, as Verlaque and his partner track down the thief and murderer, and 1885 when Cézanne meets the woman in the portrait. Longworth beautifully evokes the town’s atmosphere—I could almost smell the delicious aroma wafting from the pastry shop that provides the vital clue.

I really like the discussion of the Metropolitan Museum’s celebrated acquisition of the ancient Greek Eurphronios Krater, which turned out to have been stolen from a tomb and had to be returned to Italy.

We read that even taking less valuable items “damages archaeological heritage, thereby compromising or weakening historical scholarship.”

I appreciate how this also applies to the unrelated minister who got into the Edward Hopper estate and who hid Hopper’s papers—5,000 documents—for 50 years, damaging their context, perhaps destroying some.

I wrote my biography and definitive catalogue of Hopper’s art without access to most of these papers. Now that I have seen most of them, I am relieved that my work retains its value. Fortunately, I found another source that provided many of Jo Hopper’s diaries.

As I finished each chapter of this book, I couldn’t wait to read the next one. Finkel’s book is a suspenseful and psychological dive into the world of a gentleman art thief.

The disappearance in this book? Billions of dollars in stolen art. The thief? Stéphane Breitwieser is a self-proclaimed art collector living in his mother's attic with his girlfriend and their treasure trove of stolen art. What compels him to steal? How does he get away with it? How does he eventually get caught? These are the questions that kept me reading!