55 books like A Fool and His Monet

I really bonded with Tess. She's loyal and brave and won't back down when a friend's in need. I like the puzzle of the mystery and trying to figure out if there's a supernatural element or not.

Tess's vulnerability catches my heart, though: her troubled childhood leads her to see herself as less than her true worth compared to the healthy, faith-filled family she's married into. I'm passionate about recognizing our true, God-given worth and breaking free from the lies that hold us back.

How could I not love this spry elderly widow who self-describes as an "LOL" ("Little Old Lady")? Especially when she pulls a solo midnight stakeout after the police won't follow her advice? I love how Ivy turns a senior's apparent "invisibility" to society into a strength—and a crime-fighting attribute.

Ivy's struggle to find her place in the aging process, her strong friendships, and her "mutant curiosity gene" appeal to my heart.

I held my breath for some of Desiree's daring cat-burglar-type acts. I found this one a fun, fast ride, but again, the character makes it work for me. I love how, in the middle of her drive to do the right thing, Desiree is real enough to have self-doubts and struggle with applying faith to life.

Her sense of humor adds that little extra to satisfy me, and I like the attraction that grows between her and the FBI agent who appears at the most inconvenient times.

I love how nothing fazes Nicole, even when she gets into awkward situations. Her novelty socks (so not lawyerly) and occasional geeky lines make me smile, and I like the friends she finds in the middle of trying to prove—and solve—her uncle's murder.

I always take sides with characters whose parents have manipulated their life's path, so I feel Nicole's conflict over her profession and the distance it causes within her family. She comes into this story feeling like a failure, and I want to see her succeed. Plus, I like the potential for romance with the county medical examiner.

Robert K. Wittman is the founder of the FBI Art Crime Team, and any one of his undercover adventures could be the plot for a box office thriller. Over the course of his career Wittman not only recovered hundreds of millions of dollars’ worth a stolen property, he protected priceless masterpieces from being lost forever. 

When I first began doing research for a novel about art theft, it was clear the global market for stolen masterpieces is incredibly complex, an underground network of smugglers, master forgers, and organized crime syndicates. To get my facts straight I needed a navigator, and this book immediately put me on the right track.

Wittman’s backstory and relentless drive to make art crime a priority within the FBI, as Italy has done with its Carabinieri Art Squad, is an inspiring story on its own, and many of his cases would feel right at home in… show more.

The art underworld is a place where cultured curators consort with common criminals, museum directors rub shoulders with career cops, and the long-fingered hand of organized crime lurks in the shadows.

The only way to navigate this broken landscape is by following someone who knows the terrain, so when an Oslo museum was robbed of its most priceless treasure—Edvard Munch’s Scream, they turned to Charley Hill, art detective. Hill could have walked right out of a novel, a colorful character that makes this nonfiction investigation read more like a heist novel.

This book won the prestigious Edgar Award from the Mystery Writers of America for true crime, so it was high on my list when doing research for writing an art mystery. The pacing makes it a delight to read, and the twists and turns of the investigation reveal the countless ways the art world remains ripe for exploitation and… show more.

Estelle Ryan writes mysteries set in France with a most unusual sleuth: autistic insurance investigator Dr. Genevieve Lenard. I am fascinated by how Lenard, a world-renowned expert on nonverbal communication, navigates both her personal and professional lives as she tracks down art thieves. She is a human lie detector who can’t bear to be touched and who, when upset, goes into autistic meltdowns in which she writes classical music in her head. I go to Ryan’s website to see the artwork and listen to the music featured in each book. Lenard also has a quirky team of sidekicks that I adore and that bring humanity to Lenard’s sheltered life: a former art thief, a hacker, a cop, and a tough guy.

I really like the discussion of the Metropolitan Museum’s celebrated acquisition of the ancient Greek Eurphronios Krater, which turned out to have been stolen from a tomb and had to be returned to Italy.

We read that even taking less valuable items “damages archaeological heritage, thereby compromising or weakening historical scholarship.”

I appreciate how this also applies to the unrelated minister who got into the Edward Hopper estate and who hid Hopper’s papers—5,000 documents—for 50 years, damaging their context, perhaps destroying some.

I wrote my biography and definitive catalogue of Hopper’s art without access to most of these papers. Now that I have seen most of them, I am relieved that my work retains its value. Fortunately, I found another source that provided many of Jo Hopper’s diaries.

The Heist is one in a series of spy novels written by the prolific author, Daniel Silva, featuring the legendary spy Gabriel Allon. Usually, spy novels bore me to tears, but I have now read every book Silva has written. He is the best in his genre and I was captivated by his characters who are thoroughly developed as you work through the series. All of Silva’s books focus on crimes against the Jewish state and the Heist tells the tale of a stolen Carvaggio masterpiece and  Allon’s attempt to retrieve it from a historic criminal element. I couldn’t put it down.

No fake this time. Instead, a likely real but unknown Cézanne portrait sends Antoine Verlaque, chief magistrate of the artist’s hometown, Aix-en-Provence, to identify the sitter, authenticate the painting, and find out who killed to get hold of it.

I love how the story shifts back and forth between the present, as Verlaque and his partner track down the thief and murderer, and 1885 when Cézanne meets the woman in the portrait. Longworth beautifully evokes the town’s atmosphere—I could almost smell the delicious aroma wafting from the pastry shop that provides the vital clue.