Here are 100 books that The Last Mona Lisa fans have personally recommended if you like
The Last Mona Lisa.
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I was a foreign correspondent seven time zones from home when my father died of a sudden heart attack. My grief mixed with guilt for never having sat down with him to unravel his vague vignettes about life and loss in the Holocaust. I wondered, how did he survive when so many perished? How much depended on resilience, smarts, or dumb luck? As reporters do, I started digging. I uncovered a Nazi paper trial that tracked his life from home, through ghettos, slave labor, concentration camps, death marches, and more. The tattered documents revealed a man very different from the quiet, quintessential Type-B Dad I knew…or thought I knew.
This novel left me feeling both teary-eyed and ennobled. Superficially, it is about two French sisters living through the Nazi occupation of France during World War II. At its root, however, Hannah deconstructs the essence of survival.
I loved how her characters frame the book’s cosmic questions: What would you do to survive? What compromises would you make? Is it better to fight back aggressively or resist passively? The sisters are of different temperaments and personalities. Each answers these questions differently, painfully. I found myself haunted by these themes long after I put The Nightingale back on the shelf. You will, too.
Soon to be a major motion picture, The Nightingale is a multi-million copy bestseller across the world. It is a heart-breakingly beautiful novel that celebrates the resilience of the human spirit and the endurance of women.
This story is about what it was like to be a woman during World War II when women's stories were all too often forgotten or overlooked . . . Vianne and Isabelle Mauriac are two sisters, separated by years and experience, by ideals and passion and circumstance, each embarking on her own dangerous path towards survival, love and freedom in war-torn France.
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
What’s the difference between a fake and a copy? Is a copy of a copy a forgery? Based on the famous 1990 Gardner Museum heist, still unsolved, Shapiro’s story peels back layers of duplicity to reveal a shocking deception.
As someone asked to authenticate paintings (which I don’t do!), I appreciated the author’s analysis of the subtleties involved. I sympathized with Claire Roth, her neurotic protagonist, and enjoyed the skewering of art-world pretensions, media-driven reputations, and marketing strategies. Still, I couldn’t help rooting for Claire and her dealer, hoping their clever scheme would succeed.
Almost twenty-five years after the infamous art heist at the Isabella Stewart Gardner Museum - still the largest unsolved art theft in history - one of the stolen Degas paintings is delivered to the Boston studio of a young artist. Claire Roth has entered into a Faustian bargain with a powerful gallery owner by agreeing to forge the Degas in exchange for a one-woman show in his renowned gallery. But as she begins her work, she starts to suspect that this long-missing masterpiece - the very one that had been hanging at the Gardner for one hundred years - may…
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
The husband-and-wife author team kept me guessing which of the victim’s enemies decided to do him in. I found the Alix London character appealingly complex, with a good backstory as an intuitive art restorer and the daughter of a convicted art forger.
I especially enjoyed her take on a Jackson Pollock painting that she doesn’t like, not only because it’s not her taste but also because her sixth sense tells her it’s bogus. This aspect of the story, though not the main focus, is based on the Knoedler scandal, a real case of fakes being passed off by a respected New York City gallery, about which I have first-hand knowledge.
When art conservator Alix London spots a forgery, she knows trouble will follow. So she's understandably apprehensive when her connoisseur's eye spots something off about a multimillion-dollar Jackson Pollock painting at Palm Springs's Brethwaite Museum-her current employer.
Alix is already under fire, the object of a vicious online smear campaign. Now the Brethwaite's despicable senior curator, obsessed with the "maximization of monetized eyeballs," angrily refuses to decommission the celebrated Pollock piece. But it's only when a hooded intruder attacks Alix in her hotel room that the real trouble begins. And when FBI Special Agent Ted Ellesworth-with whom Alix had inadvertently,…
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
I had great fun deciphering the period English and Australian slang in this 1938 Inspector Roderick Alleyn mystery. The ingeniously plotted murder is set in a private art school, with a cast of eccentric characters right out of a London music hall revue.
The story works best if you know some of the types (including their prejudices) whom Marsh, a prolific mystery writer, is lampooning. Alleyn and Agatha Troy, the artist who runs the school, are so well imagined that I could feel the sparks flying between them as their romance ignited.
One of Ngaio Marsh's most famous murder mysteries, which introduces Inspector Alleyn to his future wife, the irrepressible Agatha Troy.
It started as a student exercise, the knife under the drape, the model's pose chalked in place. But before Agatha Troy, artist and instructor, returns to the class, the pose has been re-enacted in earnest: the model is dead, fixed for ever in one of the most dramatic poses Troy has ever seen.
It's a difficult case for Chief Detective Inspector Alleyn. How can he believe that the woman he loves is a murderess? And yet no one can be…
I studied art history in Florence, Italy, while there for six months during college. I’ve always loved Italy and am fascinated with art and World War II, because my father was a top-turret gunner on a B-17, flying missions over Europe, including on D-Day. WWII historical fiction is my favorite topic to read and write. I write in a variety of genres, from women’s fiction to historical romantic thrillers and romantic suspense to paranormal. My latest project is a cozy mystery series about an American college graduate who goes to work for a flailing Italian art detective agency in Florence and works with her sexy Carabinieri boyfriend (later husband), to solve Nazi stolen art crimes.
She’s known for her crime fiction, but this is her first foray into historical fiction and I fell in love with the book. It doesn’t necessarily have to do with art theft but it’s one of the best WW II books I’ve ever read.
I fell in love with her characters and didn’t want the book to end. She has a new book coming out (March 2023) called Loyalty about the rise of the Mafia in Sicily, which is also fascinating and unforgettable.
#1 bestselling author Lisa Scottoline offers a sweeping and shattering epic of historical fiction fueled by shocking true events, the tale of a love triangle that unfolds in the heart of Rome...in the creeping shadow of fascism.
What war destroys, only love can heal.
Elisabetta, Marco, and Sandro grow up as the best of friends despite their differences. Elisabetta is a feisty beauty who dreams of becoming a novelist; Marco the brash and athletic son in a family of professional cyclists; and Sandro a Jewish mathematics prodigy, kind-hearted and thoughtful, the son of a lawyer and…
As both a lifelong traveler and reader, I cannot start an adventure without a great book. Having owned a Kindle since 2008, I consistently carry a virtual library, curating an assortment of captivating reads for every journey. As a travel journalist, I fly multiple times a month, which amplifies my need and understanding of the perfect in-flight companions; stories that transport and captivate. As an author with a memoir to my name, I appreciate the transformative power of storytelling. This blend of literary passion, frequent travel, and personal authorship has led me on my search for engaging, unforgettable books that mesmerize the reader.
This book is a captivating tale of passion, history, and mystery. Set against the backdrop of 1940s Chicago and war-torn Europe, the novel follows the journey of a resilient journalist navigating love and espionage.
Barr's evocative prose and meticulous research transport readers to a bygone era, creating a rich tapestry of emotions. The intricate blend of romance and suspense ensures a thrilling reading experience perfectly suited for the transient nature of air travel.
As you glide through the clouds, let the pages of this book transport you to a riveting tale of love, courage, and intrigue, making your journey truly unforgettable.
THE NEW YORK TIMES BESTSELLER, SOON TO BE A MOVIE PRODUCED BY AND STARRING SHARON STONE A BUZZFEED MUST-READ FOR 2022
A young journalist embroiled in an international art scandal centred around a Nazi-looted masterpiece, forcing the ultimate showdown between passion and possession, lovers and liars, history and truth.
After talking her way into a job in Chicago, young journalist Jules Roth is given an unusual assignment: locate a painting stolen by the Nazis more than 75 years ago. The painting? None other than legendary artist Ernst Engel's most famous work, Woman on Fire. A dying designer covets the portrait…
I studied art history in Florence, Italy, while there for six months during college. I’ve always loved Italy and am fascinated with art and World War II, because my father was a top-turret gunner on a B-17, flying missions over Europe, including on D-Day. WWII historical fiction is my favorite topic to read and write. I write in a variety of genres, from women’s fiction to historical romantic thrillers and romantic suspense to paranormal. My latest project is a cozy mystery series about an American college graduate who goes to work for a flailing Italian art detective agency in Florence and works with her sexy Carabinieri boyfriend (later husband), to solve Nazi stolen art crimes.
This book takes you on a breathless journey with the Mona Lisa when it was hidden from the Germans during World War II.
It is set in interesting places and I loved the WW II tie-in. The author is an art historian—she holds a PhD in Art History from Yale University—so she knows what she’s talking about.
On a personal note, I had the privilege of interviewing her when she was our featured author for Roswell Reads, a one-city-one-read program and she gave an excellent presentation.
I’ve read a few of her other books and was equally impressed.
From the acclaimed author of The Night Portrait comes a stunning historical novel about two women, separated by five hundred years, who each hide Leonardo da Vinci’s Mona Lisa—with unintended consequences.
France, 1939
At the dawn of World War II, Anne Guichard, a young archivist employed at the Louvre, arrives home to find her brother missing. While she works to discover his whereabouts, refugees begin flooding into Paris and German artillery fire rattles the city. Once they reach the city, the Nazis will stop at nothing to get their hands on the Louvre’s art collection. Anne is quickly sent to…
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
No fake this time. Instead, a likely real but unknown Cézanne portrait sends Antoine Verlaque, chief magistrate of the artist’s hometown, Aix-en-Provence, to identify the sitter, authenticate the painting, and find out who killed to get hold of it.
I love how the story shifts back and forth between the present, as Verlaque and his partner track down the thief and murderer, and 1885 when Cézanne meets the woman in the portrait. Longworth beautifully evokes the town’s atmosphere—I could almost smell the delicious aroma wafting from the pastry shop that provides the vital clue.
A beguiling mystery that finds Verlaque and Bonnet searching for a murderer—in a crime tied to Provence’s greatest artist
Provençal Mystery Series #5 Watch the series! Murder in Provence is now on Britbox.
A friend in his cigar club asks Antoine Verlaque to visit René Rouquet, a retired postal worker who has found a rolled-up canvas in his apartment. As the apartment once belonged to Paul Cézanne, Rouquet is convinced he’s discovered a treasure. But when Antoine arrives at the apartment, he finds René dead, the canvas missing, and a mysterious art history professor standing over the body.
I’m a Distinguished Professor of art history at CUNY and biographer of artists. I grew up in Atlanta, attended college in Boston, and have worked in New York since my twenties. With a new Ph.D. in art history from Rutgers, I began as curator of the Hopper Collection at the Whitney Museum, assigned to produce a definitive catalogue of all Edward Hopper’s authentic art. His papers were missing except for his record books that recorded every time a work left for sale, loan, or gift. I traced each work as it left Hopper’s possession and discovered a massive number of undocumented artworks stolen from the estate, which the Whitney still wants to cover up.
I really like the discussion of the Metropolitan Museum’s celebrated acquisition of the ancient Greek Eurphronios Krater, which turned out to have been stolen from a tomb and had to be returned to Italy.
We read that even taking less valuable items “damages archaeological heritage, thereby compromising or weakening historical scholarship.”
I appreciate how this also applies to the unrelated minister who got into the Edward Hopper estate and who hid Hopper’s papers—5,000 documents—for 50 years, damaging their context, perhaps destroying some.
I wrote my biography and definitive catalogue of Hopper’s art without access to most of these papers. Now that I have seen most of them, I am relieved that my work retains its value. Fortunately, I found another source that provided many of Jo Hopper’s diaries.
In the world of law enforcement art and antiquity crime has in the past usually assumed a place of low interest and priority. That situation has now slowly begun to change on both the local and international level as criminals, encouraged in part by the record sums now being paid for art treasures, are now seeking to exploit the art market more systematically by means of theft, fraud and looting. In this collection academics and practitioners from Australasia, Europe and North America combine to examine the challenges presented to the criminal justice system by these developments. Best practice methods of…
I’ve always been fascinated by art, not just the paintings themselves but their historical significance, the personalities behind the canvas, and the seemingly arbitrary value placed on one artist’s work versus another. Writing my latest novel, Hanging the Devil, was a chance to delve into the illicit side of the art world, where forgers and smugglers consort with organized crime. I’ve been an award-winning mystery author for more than a decade—this is my sixth novel—and the great thing about writing crime fiction is the chance to get lost in the research and learn something new, so writing this novel was a great excuse to visit museums, talk to experts, and plan a heist!
Tony Tetro is one of the most successful art forgers in history and a character straight out of a movie, with a devil-may-care attitude towards his fast life among the rich, famous, and fraudulent.
His talents have fooled expert appraisers and wealthy collectors for years, including Prince (now King) Charles, who acquired paintings by Tetro thinking they were authentic works of art by Picasso, Dali, Monet, and Chagall. There are likely hundreds of his forged paintings currently hanging in museums and galleries—or displayed in private collections—authenticated as originals.
Read about his secret stash room hidden behind a mirror, his reckless disregard for consequences, and his jaundiced view of the victims of his many cons, and you’ll swear you’re reading a novel versus nonfiction.
The key to writing a novel is to make the characters as real as possible, with all the many contradictions we find in ourselves, in order to…
The world's most renowned art forger reveals the secrets behind his decades of painting like the Masters-exposing an art world that is far more corrupt than we ever knew while providing an art history lesson wrapped in sex, drugs, and Caravaggio.The art world is a much dirtier, nastier business than you might expect. Tony Tetro, one of the most renowned art forgers in history, will make you question every masterpiece you've ever seen in a museum, gallery, or private collection. Tetro's "Rembrandts," "Caravaggios," "Miros," and hundreds of other works now hang on walls around the globe. In 2019, it was…
