Here are 100 books that Across the Great Divide fans have personally recommended if you like
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Over the years, as a Professor of English at St. John's University, NY, I have shifted my research from American literature to popular culture, specifically rock music, a passion first ignited when I watched the Beatles on The Ed Sullivan Show, and re-ignited time and time again over the years. I have written articles, reviews, interviews, and a few books and I edit Popular Music and Society and Rock Music Studies.
If you read just one book on The Beatles, read Womack’s Long and Winding Roads. It is a lively account of the development of John, Paul, Ringo, and George as individuals, as musicians, and as artists. At every turn, Womack gives insight into The Beatles’ work from their earliest to their final recordings. It is an outstanding study that celebrates and illuminates the glory of the Beatles and, yes, their sometimes very human failings.
In "Long and Winding Roads", Kenneth Womack brings the band's story vividly to life - from their salad days as a Liverpool Skiffle group and their apprenticeship in the nightclubs and mean streets of Hamburg through their early triumphs at the legendary Cavern Club and the massive onslaught of Beatlemania itself. By mapping the group's development as an artistic fusion, Womack traces the Beatles' creative arc from their first, primitive recordings through "Abbey Road" and the twilight of their career. In order to communicate the nature and power of the band's remarkable achievement, Womack examines the Beatles' body of work…
Over the years, as a Professor of English at St. John's University, NY, I have shifted my research from American literature to popular culture, specifically rock music, a passion first ignited when I watched the Beatles on The Ed Sullivan Show, and re-ignited time and time again over the years. I have written articles, reviews, interviews, and a few books and I edit Popular Music and Society and Rock Music Studies.
Not many books are written about bands that labor in the trenches for over thirty years with little success. The Fleshtones formed in New York City in the mid 1970s, one of many new wave/punk bands seeking to fulfill their rock-‘n’-roll dream. Today, they are still looking to achieve that dream. Since 1982, they have released over 20 albums, none achieving commercial success. With just the right combination of humor and seriousness (like The Fleshtones themselves), Sweat documents the band’s bad luck, bad management, bad record contracts, bad decisions, and self-destructive behaviors. Always on the brink of breaking through, “The Fleshtones,” as lead-signer Peter Zaremba put it, “have stared in the face of success and laughed.”
It's June 2001. Keith Streng steers a cramped mini-van north along Lincoln Avenue in Chicago while Peter Zaremba, Bill Milhizer and Ken Fox sprawl in the back nursing hangovers and road weariness. They pull into the Apache, quaintly described as a "hooker hotel" by local folk, and drag their gear and merchandise into a decrepit room. Blood is splattered on the ceiling, roaches scurry on the walls and grainy porn blares on the television. Next door, two obese half-naked guys sit on a bed with an enormous bottle of cheap bourbon between them, staring idly at the TV.The Fleshtones are…
Following mysterious trails and uncovering esoteric stories: it’s what I love to do, and it’s also what I love to read about. Before I released Extreme Music, I wrote extensively about unusual music subcultures and audiological anomalies, for example artists who put out hourlong blocks of unchanging white noise. I’ve learned that the most interesting ideas – and tales – exist in these outer fringes.
This book tells the story of Craig Smith, a musician and songwriter who had a brush with fame in the sixties before developing mental health issues while on the hippie trail in Afghanistan. Thereafter, he adopted an unusual alter ego, Maitreya Kali, under which he recorded two bizarre and now excruciatingly rare albums. Through years of research, author Mike Stax tells the story by patching together court and medical records, interviews with associates, and other shreds of data, even trying to track down Smith, who had been homeless for many years.
This is a sad but captivating work that uncovers the mysterious story of an obscure cranny of music history.
A successful young songwriter in 1960s becomes derailed by LSD and resulting madness. Craig Smith was a 1960s golden boy – good looking, charismatic, outgoing; a preternaturally gifted musician and songwriter whose songs were recorded by some of the biggest names in entertainment – Andy Williams, Glen Campbell, the Monkees. His future success seemed assured, until an unexpected turn of events plunged him into a terrifying darkness. Clean-cut Craig Smith became Maitreya Kali, the self-proclaimed psychedelic Messiah. He laid out his poignant, disturbing schizophrenic vision on a sprawling self-released double-album before disappearing completely. Author Mike Stax spent fifteen years piecing…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Over the years, as a Professor of English at St. John's University, NY, I have shifted my research from American literature to popular culture, specifically rock music, a passion first ignited when I watched the Beatles on The Ed Sullivan Show, and re-ignited time and time again over the years. I have written articles, reviews, interviews, and a few books and I edit Popular Music and Society and Rock Music Studies.
With Gender, Branding, and the Modern Music Industry, Kristin Lieb provides an enlightening but often troubling account of the contemporary pop music industry. By focusing on women artists in the post-MTV era, Lieb demonstrates that female pop singers are judged more than ever on their sex appeal—despite the advances of the women’s movement over the past several decades. Lieb draws from both theorists and music industry insiders, giving her conclusions weight and credibility. Yet despite its frequently disturbing findings, the book is not overly cynical. Lieb, an energetic writer, has managed to maintain her enthusiasm for pop music.
Gender, Branding, and The Modern Music Industry combines interview data with music industry professionals with theoretical frameworks from sociology, mass communication, and marketing to explain and explore the gender differences female artists experience.
This book provides a rare lens on the rigid packaging process that transforms female artists of various genres into female pop stars. Stars -- and the industry power brokers who make their fortunes -- have learned to prioritize sexual attractiveness over talent as they fight a crowded field for movie deals, magazine covers, and fashion lines, let alone record deals. This focus on the female pop star's…
We all know Little Richard’s great hits like "Long Tall, Sally", "Tutti Frutti" and "Good Golly Miss Molly" and Little Richard’s life was as wild as his records. It’s excess all areas as Spencer Leigh tells the story of Little Richard in Send Me Some Lovin. It is a biography of someone who transformed popular music. Spencer Leigh was born in 1945 and hearing Little Richard for the first time in 1956 changed his life. He is a world expert on the Beatles and he has written a series of music-based biographies – Frank Sinatra, Elvis Presley, Buddy Holly, Bob Dylan, Simon and Garfunkel – all of which are full of facts and opinions.
I love seeing the scraps of paper on which George wrote his songs like "Something" or "While My Guitar Gently Weeps".
I love seeing all his crossings-out and he offers some good commentary too. George comes over as a thoroughly nice person, but you do need strong wrists to read this book. (Gosh, I’m recommending heavy books!)
"For me, the essence of this book is the lyrics and I believe they stand the test of time because they are written about man's eternal quest, dilemmas, joys and sorrows. George's lyrics were, in my opinion, the most spiritually conscious of our time" - Olivia Harrison
Cherished by fans and collectors, I Me Mine is the closest we will come to George Harrison's autobiography. This new volume has been significantly updated since the 1980 original. For the first time I Me Mine - The Extended Edition covers the full span of George Harrison's life and work, exploring his upbringing…
When I was a kid, my biggest escape was my father’s record collection. Growing up in 1990s NJ, music was a huge part of my experience. Springsteen was from a few miles south, Bon Jovi was from the town next to mine, and Whitney Houston was from the same state but a different county. Music told stories. Inspired my the music of my youth, I now make my living as a storyteller— I tell stories onstage, write books about storytelling and teach others how to tell stories effectively. I have no musical gifts except for the mass consumption of any book with juicy tales about the world of music. Here are a few of my favorites.
Boyd experienced an iconic era of rock n roll first hand by being a 1960s model who married George Harrison after meeting on the set of “A Hard Day’s Night.” The stories of her marriage to Harrison and the A-list rock stars she socialized with, surely would make her the best dinner party guest ever. But if that’s not enough, the second part of the book chronicles her tumultuous marriage to Eric Clapton and ultimately ends with her learning to stand on her own. A truly moving story of strength.
#1 NEW YORK TIMES BESTSELLER • For the first time, rock music’s most famous muse tells her incredible story
“A charming, lively and seductive book . . . The appeal of Wonderful Tonight is as self-evident as the seemingly simple but brash opening chord of ‘A Hard Day’s Night.’”—The New York Times Book Review
Pattie Boyd, former wife of both George Harrison and Eric Clapton, finally breaks a forty-year silence and tells the story of how she found herself bound to two of the most addictive, promiscuous musical geniuses of the twentieth century and became the most legendary muse in…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
As a Gex Xer who came of age in the 80s, I haunted record stores, collected albums, and listened to music to gain insight into the bands I loved. As a musician I’ve always been fascinated by the creative process of songwriting. I’m intrigued by the interpersonal dynamics that make and break bands. I’m drawn to the business side of the music industry and the way iconic bands and music were marketed to us. The five books I’ve recommended are my personal favorites for highlighting how the music so many Gen Xers love was created and how years later it can still move us and give meaning to our everchanging lives.
The first time I heard Two Hearts Beat As One by U2 was glorious! I was entranced by the driving drums and the bass line and inspired by Bono’s lyrics, which spoke to my burgeoning interest in how to be cool. And U2 was cool in the 80s. And Bono was one of the coolest musicians I looked up to back then.
His memoir goes deep into explaining where his bravado and “cool” come from. It was a darker and more complicated place than I expected. Having recently endured the death of my own mother, shortly before I read this book, I was moved to read about how the death of his mother impacted him and motivated him.
I came away with even more respect for Bono’s life philosophy and his commitment to his family, his bandmates, and his ongoing craft as a musician.
One of the greatest rock memoirs ever written and a Sunday Times bestseller now out in paperback - the honest, irreverent and powerfully entertaining life story of the U2 front-man.
Bono - artist, activist and the lead singer of Irish rock band U2 - has written his autobiography- honest and irreverent, intimate and profound, Surrender is the story of the remarkable life he's lived, the challenges he's faced and the friends and family who have shaped and sustained him - now out in paperback.
'When I started to write this book I was hoping to draw in detail what I'd…
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
I’ve loved the music of Joy Division for years, and bassist Peter Hook is a master storyteller. Through a series of anecdotes strung together with track-by-track analyses of the Joy Division albums and recollections of specific gigs, Hook examines the band’s brief and idiosyncratic history in intimate detail. For example, Hook and drummer Stephen Morris were both under suspicion for the Yorkshire Ripper murders because Hook’s van had been seen in the neighborhood where the murders took place; they were actually just there to play some gigs, but Morris was taken in for questioning due to his antsy demeanor. Key takeaway: Joy Division made a lot of mistakes on the road to pop stardom, but Hook wouldn’t have had it any other way.
Joy Division changed the face of music. The sound of music. The meaning of music. Godfathers of the current alternative scene, they reinvented rock in the post-punk era, creating a new sound -- dark, hypnotic, intense - that would influence U2, Morrissey, R.E.M., Radiohead and many others. The band's image, once subversive and alienating, has become an internationally renowned 'look' well documented by photographers Anton Corbijn, Kevin Cummins and graphic designer Peter Saville.
Inspired by the attitude, energy and sound of Punk, particularly the Sex Pistols, Peter Hook and his old school friend Bernard Sumner started a band which continues…
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
I found this book riveting from page one and studied the ease with which Booth alternates chapters of straight biography and his own personal experiences with the band.
This included a drug-fueled slide that contributed to the book, largely chronicling the Stones’ 1969 tour of America, to take 15 years to complete. He writes about this with honesty and without romance, looking the devil in the eye with candor while also offering deep insights into bit characters like BB King and providing the definitive story of the Altamont fiasco.
Stanley Booth, a member of the Rolling Stones’ inner circle, met the band just a few months before Brian Jones drowned in a swimming pool in 1968. He lived with them throughout their 1969 tour across the United States, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway—a nightmare of beating, stabbing, and killing that would signal the end of a generation’s dreams of peace and freedom. But while this book renders in fine detail the entire history of the Stones,…
Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
This book gave me a drive. Goodman’s account of the Strokes’ debaucherous rise in 9/11-era New York City ignited my passion for oral history and to tell the story of the music that made me. Downtown cool kid garage rock shaped popular culture immensely, but so did My Chemical Romance and their cohort (even more so, I’d argue). Up to this point (MMITB was published in 2017), 2000s emo was frequently misconstrued by those too old to have understood its impact or left out of the conversation entirely.
As I conducted interviews for my book, I challenged my own hypotheses (and personal biases) about these two scenes. I learned they intermingled more than I thought. I talked to Fall Out Boy’s Pete Wentz about DJing the ultra-hip downtown party Misshapes and My Chemical Romance’s Mikey Way about trying to catch a glimpse of Madonna at the same place.
A SUNDAY TIMES, ROUGH TRADE, ROLLING STONE, MOJO AND UNCUT BOOK OF THE YEAR LONGLISTED FOR THE PENDERYN MUSIC BOOK PRIZE
New York, 2001. 9/11 plunges the US into a state of war and political volatility-and heralds the rebirth of the city's rock scene. As the old-guard music industry crumbles, a group of iconoclastic bands suddenly become the voice of a generation desperately in need of an anthem.
In this fascinating and vibrant oral history, acclaimed journalist Lizzy Goodman charts New York's explosive musical transformation in the early 2000s. Drawing on over 200 original interviews, Goodman follows the meteoric rise…
