100 books like Surrender

Being a musician in a band has been a hallmark of my life. When I first read Roddy Doyle’s book, I was amazed at how he expertly captured the exhilarating emotional peaks that come with starting a band. The early days of being in a band are some of the best, and Doyle writes exquisitely about the joy of shared dreams, spontaneous creativity, and the camaraderie that comes as you create a new musical family.

He also illustrates the inevitable tensions that can and do arise—egos clash, personalities differ, and the pressures of maintaining unity. But like Doyle, I agree that, in the end, the effort and energy are their own reward. The goal should always be making art for art’s sake.

Daniel Rachel is a master storyteller whose book answered every big and small arcane question I’ve ever had about the birth and popularity of the British 2 Tone ska movement and bands. As a 2 Tone nerd, I know a lot about the bands, but Rachel revealed stories and anecdotes I never knew.

I also consider him a huge influence on my approach to writing music history. He expertly combines incredibly detailed archival research and deep, personal interviews with musicians, label heads, journalists, and rabid fans to tell the definitive story of 2 Tone and its cultural impact, which remains relevant more than 40 years later.

The twin pillars of 2 Tone ska and 80s new wave music sustained me through much of a challenging youth. And once I discovered the music of Depeche Mode, I found another refuge from the harsh realities of my life. Their thoughtful and danceable songs soon became part of my Gen X soundtrack and opened my world to ideas of love, friendship, sex, and fashion.

Spence’s book took me deep into the world that gave birth to the band and their memorable songs while successfully making the culture of their hometown of Basildon—one of the new towns built outside London after World War Two, one of the key characters in their story. Spence provides the detail I love when I read books about bands I love, and he expertly combined the cultural history of 60s, 70s, and 80s England to explain their influences and approach to writing songs that… show more.

As a musician and a fan of bands, I love the creative process of how songs are written and recorded. I’m obsessed with the big and small decisions that musicians, producers, and engineers make in crafting the songs that became part of my Gen X musical landscape. As a fan of Prince’s 80s albums Purple Rain and Around The World In A Day, Duane Tudahl has accomplished the nearly impossible. 

He’s packed his 555-page book with all the details I crave, detailing how Prince wrote, recorded, and collaborated with his band with never-before-heard stories. Tudahl has uncovered hidden truths about the origins of my favorite Prince songs like Purple Rain, When Doves Cry, and Raspberry Beret in a way that makes my listening experience fuller and more satisfying. 

Sinéad O’Connor rose to fame in the early 1990s, before social media, when tabloids made millions taking women down, as did the music press.

Back then there were few mechanisms to clap back, so much of what we thought we knew about her, before and after SNL, was warped by that perspective. Left with little sense of who O’Connor really was, we also had limited awareness of the great music she made long after she stopped making hits.

Unlike a lot of celebrity memoirs, O’Connor’s isn’t a victory lap or a bitter tell-all. Nor does it try to gloss over the difficult parts. Instead, it’s a chance for her to tell her story herself, and for us to finally see her for the brilliant and complicated artist she truly is.

The 7-to-10-year-old set will love this one. My own rock-loving son, who inspired the character of Truffle in our book, was addicted to this series of books (which also includes Black Music Greats: 40 inspiring icons), originally published in France. Both informative and filled with fun facts about the 40 artists selected by the authors (readers will learn about Mod culture through The Who, about how ABBA got their name, or how the Wu-Tang Clan influenced hip hop), the book reads like a cheat sheet on pop and rock music, with vivid and colorful illustrations.   

Taylor Jenkins Reid is not the first or only person to adapt the nonfiction oral history format into a work of fiction, but she does it with the most panache.

Loosely based on the mid-seventies romance between Stevie Nicks and Lindsay Buckingham, Daisy Jones & the Six offers a nonstop procession of drama and conflict, but there’s a tender heart beating at its center and a heartbreaking reveal at the end.

Thanks to this book, I know that a great biography can also serve as a penetrating lens into an era. Yes, this is a book about Janis Joplin, but I do not value it because I care particularly much about the tragic specifics of her life, as much as I respect her music.

I love this book because it serves as a deep dive into the links between the often tritely-considered 1960s triumvirate: sex, drugs, and rock ‘n’ roll. Echols does not lightly throw around the word “counterculture”—that’s a big pet peeve of mine—but takes the reader on a tour of the making of a clear and specific cultural divide that’s still very much with us today.

No mistake, though; it is also an empathetic tale of a sensitive and era-defining musician.

One of the few musicians who continued to interact with Prince (on and off) from the beginning to near the end of his career, Morris Day was well-placed to write an account of the musician. Written in collaboration with the excellent biographer and music writer, David Ritz, this is an interesting (if whacky) book.

I love this book because Zauner tells her story in a vivid and relatable way. I resonated with Zauner’s identity crisis, her complex relationships with family members, and her single-minded determination to be an artist. Heart-wrenching, honest, and funny at the same time, I could not put this book down.