100 books like The Final Revival of Opal & Nev

I started singing and playing guitar in garage bands in high school, about the same time that I began thinking of myself as a serious writer, so for me the two endeavors have always gone hand in hand. Over the decades, I’ve continued to write creatively—while teaching thousands of students along the way—and also to play in a number of bands that have specialized in everything from country-folk to raucous punk. Like many writer-musicians, I love reading good stories about the challenges and joys of people joining together, and falling apart, as they attempt to transcend ordinary life through the power of music.

I love music and books about the music industry. Fiction or nonfiction–the drama of a musician’s rise and efforts to sustain a career never gets old to me. I can relate to their determination to make a living doing something they love. Also, as a resident of Memphis, Tennessee, I’m fascinated by the musical history here and often meet people that had ties to the music industry and are now “regular people.” My latest novel Intermission is about a singing group. I’ve read numerous books in this genre, from Motown bios to the five listed. What a great way to combine my two favorite things–music and books!

I love music and books about the music industry. Fiction or nonfiction–the drama of a musician’s rise and efforts to sustain a career never gets old to me. I can relate to their determination to make a living doing something they love. Also, as a resident of Memphis, Tennessee, I’m fascinated by the musical history here and often meet people that had ties to the music industry and are now “regular people.” My latest novel Intermission is about a singing group. I’ve read numerous books in this genre, from Motown bios to the five listed. What a great way to combine my two favorite things–music and books!

I love music and books about the music industry. Fiction or nonfiction–the drama of a musician’s rise and efforts to sustain a career never gets old to me. I can relate to their determination to make a living doing something they love. Also, as a resident of Memphis, Tennessee, I’m fascinated by the musical history here and often meet people that had ties to the music industry and are now “regular people.” My latest novel Intermission is about a singing group. I’ve read numerous books in this genre, from Motown bios to the five listed. What a great way to combine my two favorite things–music and books!

For most of my life, I've been a professional classical violinist. I had my first performance on stage at the age of 4, went to a music conservatory at the age of 15, and have gone on to play on some of the best concert stages in the world, from the Elbphilharmonie to Carnegie Hall. My violin playing and writing inform each other, and I think of myself as a translator between the two. I love to do both, and I’m certain I couldn’t do one without the other. It's always a pleasure to see music in the books I read. I hope you enjoy the books on this list as much as I have!

As a life coach and author of two dozen self-help books, I’ve spent the past twenty years helping people to be more creative. I love reading about the early lives of artists because it is an engaging way to learn about the creative process. Even rock stars have doubts, insecurities, regrets, and setbacks. Yet, fueled by their passions, they persist. They overcome their obstacles and pursue unique paths to success. These books are inspirational and informative for anyone with a creative dream.

I am a female musician who has toured and experienced life on the road in the male-dominated world of rock and roll. I am always looking for female musicians (famous and unknown) who led the way to me being able to do what I do. Female musicians still don’t get equal time with their male counterparts. There are still so few women who have been recognized in the media, so reading about them makes me feel less alone. Their memoirs inspire me to keep playing and bring to music what only a female musician can do.

I’ve been thinking about and researching obscured narratives for a long time, now. As a lawyer, I learned about how systems and structures marginalize and hide important voices because of overt discrimination and implicit biases, and I took that knowledge with me while I earned a PhD in literary studies. I’ve learned — and am still learning! — that if we want to remedy exclusions from cultural histories, we’ve got to learn to think about what voices are missing and why. I hope reading my book and those recommended here will give you a chance to learn with me. Let’s change the ways we think about so-called “definitive” histories of music. 

In 2011, when my all-girl garage band began gigging around Chicago, I couldn’t tell you how many times I heard people call us “riot grrrl.” We weren’t riot grrrls; we were far too late for the movement. But for so many people, riot grrrl was the only reference point they had for scary, brash female musicians. The truth is, women were involved in the movement’s origins in every part of the world. I believe we must understand that riot grrrls weren’t the first women of punk. My book Hit Girls: Women of Punk in the USA, 1975-1983 details the stories of lesser-known but highly influential women who helped create punk and its adjacent genres.

Over the years, as a Professor of English at St. John's University, NY, I have shifted my research from American literature to popular culture, specifically rock music, a passion first ignited when I watched the Beatles on The Ed Sullivan Show, and re-ignited time and time again over the years. I have written articles, reviews, interviews, and a few books and I edit Popular Music and Society and Rock Music Studies.