58 books like Be My Baby

I love this poetic elegy that Patti has written for her dear friend, lover, and comrade—artist and photographer Robert Mapplethorpe. It takes place in an exciting time and place—1969/1970s New York City. The city is just like I remember it; scum on the streets, hookers, pimps, rampant crime, triple-X movie theatres. But there is nowhere else these two innocent bohemians would rather be. 

I have the updated paperback edition, which includes a magical story about a young writer who read the book. Her mother had acquired Mapplethorpe’s old writing desk at auction. I return to this book often when I need reassurance about deep love and friendship.

It was very interesting to follow Laurie Kaye’s progression from a childhood of neglect and abuse to radio fan and later, to becoming a radio star. Her resume of interviews with rock stars and celebrities is stunning. Her intimate descriptions made me feel as if I was there during her incredible moments with several Beatles members and other superstars, who warmed up to her intelligent questions.

Laurie got the scoop of a lifetime with her RKO radio team in 1980—an interview with John Lennon and Yoko Ono, which tragically turned out to be John’s last. He was murdered hours later. As the author of a Yoko Ono biography, I was thrilled that Laurie accurately described Yoko in a positive light. I found it exciting and harrowing to read about how Laurie’s life became entwined with the sudden death of Lennon, which shattered her psyche and shook the whole world. A… show more.

Having lived through the time featured in Laura’s memoir, I was able to relive fond memories and learn much more about the people and incredible music of that era, when these bands were “our little secret” before the world caught on. 

This memoir was written by Laura, the young drummer of the New York band Student Teachers in the late 1970s. Laura was Jimmy Destri's girlfriend (Blondie's drummer). She shares sometimes harrowing and many joyful tales of NYC’s downtown rock scene and the bands that would become legendary. 

Cherry’s book is so delicious that I devoured it in one day. I was fascinated when I read about the early 70s New York City, when Cherry lived and worked in the best of both worlds. She was among Andy Warhol’s factory superstars and was also present at the beginning (and instrumental in the climax) of David Bowie’s Ziggy Stardust fame as his publicist and lover. When worlds collide, fabulous things happen! Cherry’s mission statement: ‘…the passion of the groupie is probably the purest, holiest thing in all of rock and roll.’

This was a long-awaited tome (in 2010) from someone in the midst of the mayhem—a fearless, sweet, vivacious 1970s groupie who became a “superstar.” Her first UK touring band included Sting of the Police. She released some albums and was a part of London’s early Punk scene.

Tight, vivid writing about the poorest people in America in the richest country in the world. There is dignity and warmth of two sons caring for their blind father, and there is God in also every life, for better or worse. I have to read this book at least once a year to remember what hard times and resolutions are. Every word seems to matter.

Over the past few decades, so much writing about rock has sought to overturn received wisdom about the music.

Feldman-Barrett’s excellent, funny, and beautifully written book – re-examining the Beatles in relation to the lives of women – is the best kind of alternative history. She turns the story of the Beatles upside down, and makes you rethink everything you thought you knew about the group.

A provocative pre-history of rock music, written to provoke. (Don’t hold your breath waiting for John, Paul, George, and Ringo to show up.)

Wald crafts a fascinating alternative history of commercial popular music in the first half of the twentieth century, asking readers to focus not on big names or influential records but on the everyday practices, technologies, and contexts through which musicians and listeners actually experienced the music. Avoid if you don’t want to see a few sacred cows slaughtered.

I’ve spent a lot of time with this remarkable book over the years.

I suppose my greatest takeaway is the way Ward explores music’s meaning from a variety of angles and intersections: musical, economic, legal, racial, gender, class, and generational.

The airwaves could not be segregated; music gave insight into the Black freedom struggle and a shared sense of humanity that helped topple Jim Crow barriers nationwide. I particularly appreciate how Ward unpacks the ways Black audiences shaped the sounds of the era. Black music reflected an optimism and an assertion of racial pride, and you’ll find the modern Civil Rights Movement at the heart of his book.

Crossroads: African American freedom struggle, Postwar America, the South

The definitive book on outsider musicians, from The Shaggs to Jandek to the hyper-obscure likes of Y. Bhekhirst, who left copies of his outrageously bizarre cassette album, Hot In the Airport, at several NYC record stores before permanently disappearing into thin air. A detailed work that required copious original research to dig up murky facts about obscure musicians, it has been an inspiration to me as a writer. In fact, in my book I dedicate an entire chapter to outsider musicians of the digital age, in obvious homage to this magical tome.

Nobody really knows what makes a video go viral on social media. Scott Bradlee is a jazz pianist who turned his love of 20s music into a YouTube phenomenon with over 4Bn hits: Postmodern Jukebox. He explains how you can turn this (often unexpected) instant attraction into a series of robust business models.