10 books like Gumbo Ya-Ya

This is a story of Jazz by the musicians who made it. Hear Me Talkin' to Ya is a wide study of the Jazz at its source (New Orleans) through the era of Big Bands and into Modern Jazz, from Kid Ory to Dave Brubeck. This book doesn’t have a narrative or authors’ opinions. This book features passages quoted by Billie Holiday, Mary Lou Williams, Lil Harden Armstrong, Louis Armstrong, Jelly Roll Morton, Othello Tinsley, Dizzy Gillespie, and a hundred other musicians.

We’ve entered a second era of inclusion. Women now play an essential role in creating music. Add Lizzie Miles, Anita O’Day, Ethel Waters, Lena Horne, Mary Ann McCall, Alberta Hunter, and Leora Henderson and we get a different perspective of the evolution of music culture.  

I lived in Memphis during the early 1960. I visited the Sun Recording Studios at 706 Union Avenue, and then 639 Madison Avenue. Sam Phillips created Sun Records. He was the first person to record, Howlin’ Wolf, Ike Turner, B. B. King, Elvis Presley, Johnny Cash, /Carl Perkins, Roy Orbison, Jerry Lee Lewis, and dozens of other musicians. Race didn’t matter to Sam, even though he lived and recorded in a deep, tough Jim Crow city.

Escott’s and Hawkins’ book captures the remarkable history of that small record label stuck in the depths of the time of mean southern roots. Vital book to dig into the creative, insightful mind of Sam Phillips, and his journey to bring rural, rough-hewed music to a wider, white audience.

Yes, the title is spelled correctly. I’ve known Stanley Booth from our days in Memphis. He has written about The Rolling Stones, B. B. King, Al Green, and Keith Richards. Keith wrote that “The interesting thing about music to me is that music has always seemed streaks ahead of any other Art form or any other form of social expression.” It has never been said any better.

Stanley Booth’s Rythm Oil contains studies of numerous, forgotten musicians and singers. It is a study of remote history. Stanley Booth doesn’t write with ink. He writes with grit.

Tight, vivid writing about the poorest people in America in the richest country in the world. There is dignity and warmth of two sons caring for their blind father, and there is God in also every life, for better or worse. I have to read this book at least once a year to remember what hard times and resolutions are. Every word seems to matter.

The definitive book on outsider musicians, from The Shaggs to Jandek to the hyper-obscure likes of Y. Bhekhirst, who left copies of his outrageously bizarre cassette album, Hot In the Airport, at several NYC record stores before permanently disappearing into thin air. A detailed work that required copious original research to dig up murky facts about obscure musicians, it has been an inspiration to me as a writer. In fact, in my book I dedicate an entire chapter to outsider musicians of the digital age, in obvious homage to this magical tome.

David Hewitt’s On the Road: Recording the Stars in a Golden Era of Live Music is an important contribution to the extensive annals of popular music history in that it focuses on the business of live recording that was an integral component to the explosion of rock ‘n’ roll from the 1960s through the 1980s. Hewitt was a top live recording engineer and his expertise permeates the pages of the richly detailed book.

Few books on popular music history include analysis of the evolving conditions of live concerts. Most inventory the top shows and offer quirky anecdotes, but Steve Waksman’s Live Music in America: A History from Jenny Lind to Beyoncé refuses to separate the actual performance from the numerous behind-the-scene individuals that shaped the shows. Readers will come to appreciate diverse influences over a turbulent 170-year history that have led to today’s modern music festival.

The essential biography of Umm Kulthum for the English reader. Danielson tells the story of the Arab world’s most famous singer, one of the greatest performers of the 20th century. This book charts her life from the small village in the Nile Delta where she grew up to the heights of global superstardom. It also paints a picture of the world that she moved through, which intersected with the world depicted in Midnight in Cairo. This is a necessary read for anyone interested in Arabic music.

With Gender, Branding, and the Modern Music Industry, Kristin Lieb provides an enlightening but often troubling account of the contemporary pop music industry. By focusing on women artists in the post-MTV era, Lieb demonstrates that female pop singers are judged more than ever on their sex appeal—despite the advances of the women’s movement over the past several decades. Lieb draws from both theorists and music industry insiders, giving her conclusions weight and credibility. Yet despite its frequently disturbing findings, the book is not overly cynical. Lieb, an energetic writer, has managed to maintain her enthusiasm for pop music.

Nobody really knows what makes a video go viral on social media. Scott Bradlee is a jazz pianist who turned his love of 20s music into a YouTube phenomenon with over 4Bn hits: Postmodern Jukebox. He explains how you can turn this (often unexpected) instant attraction into a series of robust business models.