100 books like Ô nuit, ô mes yeux

Ziad Fahmy’s book on the importance of popular culture in the history of modern Egypt and the anti-British revolution of 1919 was a real landmark. Bringing together songs, jokes, vaudeville plays, and more, he manages to draw out a story of Egyptian anti-colonial, nationalism that is not confined to elite circles or confined by bourgeois morality. This is history from the streets. Although it is an academic book, it is written with an engaging style that captures some of the excitement of this period. Published in 2011, Fahmy’s book opened up space for research and writing on the history of Arabic pop culture.

Although most of the books written on the Nile focus on Egypt, the river stretches from the Mediterranean down to Khartoum, where the White Nile and the Blue Nile converge. Unfortunately, it is not a history of Khartoum’s nightlife (although there are people working on books about that now). Rather it uses the names given to women’s tobes (a popular form of dress) to recover the lost voices of ordinary women in mid-20th century Sudan – “Khartoum at Night” is one of those names. Through them, Brown finds a new and innovative way to tell the story of modern Sudan.

The Sudanese music scene of the 1970s is legendary. With stars like jazz king Sharhabil Ahmed and the girl group al-Balabil, the Nile was really swinging. Jamal Mahjoub, a British-Sudanese author who also writes crime fiction under the name Parker Bilal, has fun with this golden age in his new novel, The Fugitives. An English teacher in Sudan receives a surprise invitation to perform in America and has to re-form his father’s old band, The Kamanga Kings, who rocked Sudan in the years before Omar al-Bashir’s dictatorship and take them to Trump’s America.

The essential biography of Umm Kulthum for the English reader. Danielson tells the story of the Arab world’s most famous singer, one of the greatest performers of the 20th century. This book charts her life from the small village in the Nile Delta where she grew up to the heights of global superstardom. It also paints a picture of the world that she moved through, which intersected with the world depicted in Midnight in Cairo. This is a necessary read for anyone interested in Arabic music.

The book gives the reader a deep layered understanding of Egypt before the 2011 uprising to look at the state of the nation and into the heart of Cairo, an ancient city but now a metropolis of over 20 million. Written with a novelist's flare this is an intimate portrait of the lives of Cairenes that explores hidden aspects of this mysterious city. The author builds an intriguing story on the religious beliefs, family values, negotiating tactics, driving habits, and attitudes towards foreigners. This is a reflection on a wonderous city, a place of sadness and of hope, which uses the metaphor of Saharan desert sand blowing in to shape the sand castle politics of the Mubarak era that would come crashing down in the 2011 Revolution.

In November 1849, Gustave Flaubert and his friend Maxime du Camp hired a boat and crew in Alexandria, Egypt and set off on a three-month trip up the Nile. At that time a trip on the Nile was still an extremely unusual and exotic adventure for Europeans. This book comprises Flaubert's letters to his mother and his friends back home in France. Flaubert was a man who deeply disliked his own country, had a longtime love of things oriental, was interested in the baser aspects of humanity, and was capable of writing to in a letter to a friend that women generally confused their cunts (his word) for their brains and thought the moon existed solely to light their boudoirs. 

You'll find here Flaubert's amusing descriptions of Egypt's bazaars, temples, and people, as well as his graphic and honest (possibly even exaggerated) descriptions of his sexual experiences in Egypt's numerous… show more.

Where I wrote The Black Nile as a white-knuckle current history of the Nile region, British polymath Robert Twigger took the long view to craft an absorbing portrait of the Nile, from Biblical times to the present. Twigger, whose adventures have taken him from the Canadian Rockies to Indonesian hill country to the karate dojo of the Tokyo riot police, has, with Red Nile, written a moving, cinematic masterpiece.

Mahoney's courage, intelligence, and eloquence make her an intimate companion on my armchair journeys. I knew I could follow this woman anywhere when she wrote of camping in Israel to the sound of bombs in Palestine (A Singular Pilgrimage). The dangers are even greater when she decides to paddle down the Nile in a rowboat. She presents such a persistent challenge to Egyptians—a woman traveling alone, buying a boat, talking to strangers—that she ultimately concedes and dons a masculine disguise. She often leavens the dread that readers may feel with irony and humor. When an Egyptian man complains of the "whorish" British women who hire gigolos, Rosemary levelly replies that it must be the gigolos who are prostitutes since they are the ones selling their bodies.

Water expert, academic, and documentary filmmaker Terje Tvedt fell hard for the Nile decades ago. His third book on the life-giving river is an expert weaver's tapestry of history, ecology, and politics on the Nile.

If you, like me, have imagined Florence Nightingale as selfless, holy, good, unworldly, prim, and therefore probably very dull, this collection of her letters from Egypt will completely dash that perception. Nightingale was ferocious. Purely by coincidence, she set off on a three-month cruise down the Nile during the same week as Gustave Flaubert. Though the two apparently never met in their travels, they had many of the same experiences and visited the same places within two or three days of each other. Of the two, Nightingale was in fact the more daring and the more acute in her observations and judgments. 

She was brilliant, widely traveled, extremely well-educated, and had an absolutely wicked sense of humor that in these pages will surprise and delight you. Where Flaubert was emotional, sometimes melodramatic, superstitious, and occasionally fearful, Nightingale was tough-minded, unsentimental, and rational. In places where Flaubert chickened out, Nightingale just… show more.