Here are 100 books that Ô nuit, ô mes yeux fans have personally recommended if you like
Ô nuit, ô mes yeux.
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I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Ziad Fahmy’s book on the importance of popular culture in the history of modern Egypt and the anti-British revolution of 1919 was a real landmark. Bringing together songs, jokes, vaudeville plays, and more, he manages to draw out a story of Egyptian anti-colonial, nationalism that is not confined to elite circles or confined by bourgeois morality. This is history from the streets. Although it is an academic book, it is written with an engaging style that captures some of the excitement of this period. Published in 2011, Fahmy’s book opened up space for research and writing on the history of Arabic pop culture.
The popular culture of pre-revolution Egypt did more than entertain-it created a nation. Songs, jokes, and satire, comedic sketches, plays, and poetry, all provided an opportunity for discussion and debate about national identity and an outlet for resistance to British and elite authority. This book examines how, from the 1870s until the eve of the 1919 revolution, popular media and culture provided ordinary Egyptians with a framework to construct and negotiate a modern national identity.
Ordinary Egyptians shifts the typical focus of study away from the intellectual elite to understand the rapid politicization of the growing literate middle classes and…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Although most of the books written on the Nile focus on Egypt, the river stretches from the Mediterranean down to Khartoum, where the White Nile and the Blue Nile converge. Unfortunately, it is not a history of Khartoum’s nightlife (although there are people working on books about that now). Rather it uses the names given to women’s tobes (a popular form of dress) to recover the lost voices of ordinary women in mid-20th century Sudan – “Khartoum at Night” is one of those names. Through them, Brown finds a new and innovative way to tell the story of modern Sudan.
In the first half of the twentieth century, a pioneering generation of young women exited their homes and entered public space, marking a new era for women's civic participation in northern Sudan. A provocative new public presence, women's civic engagement was at its core a bodily experience. Amid the socio-political upheavals of imperial rule, female students, medical workers, and activists used a careful choreography of body movements and fashion to adapt to imperial mores, claim opportunities for political agency, and shape a new standard of modern, mobile womanhood.
Khartoum at Night is the first English-language history of these women's lives,…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
The Sudanese music scene of the 1970s is legendary. With stars like jazz king Sharhabil Ahmed and the girl group al-Balabil, the Nile was really swinging. Jamal Mahjoub, a British-Sudanese author who also writes crime fiction under the name Parker Bilal, has fun with this golden age in his new novel, The Fugitives. An English teacher in Sudan receives a surprise invitation to perform in America and has to re-form his father’s old band, The Kamanga Kings, who rocked Sudan in the years before Omar al-Bashir’s dictatorship and take them to Trump’s America.
The Kamanga Kings, a Khartoum jazz band of yesteryear, is presented with the opportunity of a lifetime when a surprise letter arrives inviting them to perform in Washington, D.C. The only problem is . . . the band no longer exists.
Rushdy is a disaffected secondary school teacher and the son of an original Kamanga King. Determined to see a life beyond his own home, he sets out to revive the band. Aided by his unreliable best friend, all too soon an unlikely group are on their way, knowing the eyes of their country are on them.
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
The essential biography of Umm Kulthum for the English reader. Danielson tells the story of the Arab world’s most famous singer, one of the greatest performers of the 20th century. This book charts her life from the small village in the Nile Delta where she grew up to the heights of global superstardom. It also paints a picture of the world that she moved through, which intersected with the world depicted in Midnight in Cairo. This is a necessary read for anyone interested in Arabic music.
Umm Kuthum was a celebrated musical performer in the Arab world, and her songs still permeate the international airwaves. This, the first English-language biography, chronicles her life and career. In particular, it examines her popularity in a society which discouraged women from public performance. The text examines the careful construction of Kulthum's popularity; from childhood her mentors honed her abilities to accord with Arab and Muslim practice, but ultimately, she created her own idiom from local precedents and traditions, and developed original song styles from both populist and neo-classical traditions. Danielson seeks to show how Umm Kulthum's music and public…
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
The book gives the reader a deep layered understanding of Egypt before the 2011 uprising to look at the state of the nation and into the heart of Cairo, an ancient city but now a metropolis of over 20 million. Written with a novelist's flare this is an intimate portrait of the lives of Cairenes that explores hidden aspects of this mysterious city. The author builds an intriguing story on the religious beliefs, family values, negotiating tactics, driving habits, and attitudes towards foreigners.This is a reflection on a wonderous city, a place of sadness and of hope, which uses the metaphor of Saharan desert sand blowing in to shape the sand castle politics of the Mubarak era that would come crashing down in the 2011 Revolution.
Cairo is a 1,400-year-old metropolis whose streets are inscribed with sagas, a place where the pressures of life test people's equanimity to the very limit. Virtually surrounded by desert, sixteen million Cairenes cling to the Nile and each other, proximities that colour and shape lives. Packed with incident and anecdote "Cairo: City of Sand" describes the city's given circumstances and people's attitudes of response. Apart from a brisk historical overview, this book focuses on the present moment of one of the world's most illustrious and irreducible cities. Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition…
When author Rosemary Mahoney took a solo trip on the Egyptian Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendships; as a traveler, she had experiences that ranged from the humorous to the hair-raising--including an encounter that began as one of the most frightening of her life and ended as a chastening lesson in cultural misunderstanding. Whether she's meeting contemporary Egyptians or finding connections to Westerners who traveled the Nile long ago, Mahoney's informed curiosity about Egypt never ceases to captivate the reader.
In November 1849, Gustave Flaubert and his friend Maxime du Camp hired a boat and crew in Alexandria, Egypt and set off on a three-month trip up the Nile. At that time a trip on the Nile was still an extremely unusual and exotic adventure for Europeans. This book comprises Flaubert's letters to his mother and his friends back home in France. Flaubert was a man who deeply disliked his own country, had a longtime love of things oriental, was interested in the baser aspects of humanity, and was capable of writing to in a letter to a friend that women generally confused their cunts (his word) for their brains and thought the moon existed solely to light their boudoirs.
You'll find here Flaubert's amusing descriptions of Egypt's bazaars, temples, and people, as well as his graphic and honest (possibly even exaggerated) descriptions of his sexual experiences in Egypt's numerous…
At once a classic of travel literature and a penetrating portrait of a "sensibility on tour," Flaubert in Egypt wonderfully captures the young writer's impressions during his 1849 voyages. Using diaries, letters, travel notes, and the evidence of Flaubert's traveling companion, Maxime Du Camp, Francis Steegmuller reconstructs his journey through the bazaars and brothels of Cairo and down the Nile to the Red Sea.
I'm an English professor/long-distance hiker who loves both the experience of walking in cool places and then writing about the adventure. I've hiked across several European countries and odd sections of the Appalachian Trail—such as New Jersey. As for the "quirky narrator" part, apparently I'm brave, brazen, or bizarre to explore the world unescorted. I find I meet more people when traveling alone and pursue my thoughts to a greater extent. I love it when a writer finds a way to put their vulnerabilities on the page in a way that doesn't alienate others (or themselves). I love books with strong, individualistic narrative voices that draw you into their stories.
Mahoney's courage, intelligence, and eloquence make her an intimate companion on my armchair journeys. I knew I could follow this woman anywhere when she wrote of camping in Israel to the sound of bombs in Palestine (A Singular Pilgrimage). The dangers are even greater when she decides to paddle down the Nile in a rowboat. She presents such a persistent challenge to Egyptians—a woman traveling alone, buying a boat, talking to strangers—that she ultimately concedes and dons a masculine disguise. She often leavens the dread that readers may feel with irony and humor. When an Egyptian man complains of the "whorish" British women who hire gigolos, Rosemary levelly replies that it must be the gigolos who are prostitutes since they are the ones selling their bodies.
When Rosemary Mahoney, in 1998, took a solo trip down the Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a rower, she faced crocodiles and testy river currents; as a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendship; and, as a traveller, she experienced events that ranged from the humorous to the hair-raising - including an encounter that began as one of the most frightening of her life and ended as an edifying and chastening lesson in human nature and cultural misunderstanding. Whether she's meeting Nubians and Egyptians, or…
I traveled the length of the Nile River from source to sea through Uganda, South Sudan, Sudan, and Egypt to write a book that the Daily Beast called "a masterful narrative of investigative reportage, travel writing, and contemporary history," and that the Village Voice named to its ten best books of the year.
Water expert, academic, and documentary filmmaker Terje Tvedt fell hard for the Nile decades ago. His third book on the life-giving river is an expert weaver's tapestry of history, ecology, and politics on the Nile.
"[A] vivid travelogue." New Statesman
"Has much to offer." The Spectator
"Sparks the imagination." BBC History Magazine
"A fascinating study." BBC History Revealed Magazine
"Essential reading." All About History
"Valiant, valuable and entertaining." Times Literary Supplement
The greatest river in the world has a long and fascinating history. Professor Terje Tvedt, one of the world's leading experts on the history of waterways, travels upstream along the river's mouth to its sources. The result is a travelogue through 5000 years and 11 countries, from the Mediterranean to Central Africa. This is the fascinating story of the immense economic, political and mythical…
I traveled the length of the Nile River from source to sea through Uganda, South Sudan, Sudan, and Egypt to write a book that the Daily Beast called "a masterful narrative of investigative reportage, travel writing, and contemporary history," and that the Village Voice named to its ten best books of the year.
Where I wrote The Black Nile as a white-knuckle current history of the Nile region, British polymath Robert Twigger took the long view to craft an absorbing portrait of the Nile, from Biblical times to the present. Twigger, whose adventures have taken him from the Canadian Rockies to Indonesian hill country to the karate dojo of the Tokyo riot police, has, with Red Nile, written a moving, cinematic masterpiece.
A rip-roaring yet intimate biography of the mighty Nile by Robert Twigger, award-winning author of ANGRY WHITE PYJAMAS. 'A tour de force' FINANCIAL TIMES.
So much begins on the banks of the Nile: all religion, all life, all stories, the script we write in, the language we speak, the gods, the legends and the names of stars. This mighty river that flows through a quarter of all Africa has been history's most sustained creator.
In this dazzling, idiosyncratic journey from ancient times to the Arab Spring, award-winning author Robert Twigger weaves a Nile narrative like no other. As he navigates…
When author Rosemary Mahoney took a solo trip on the Egyptian Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendships; as a traveler, she had experiences that ranged from the humorous to the hair-raising--including an encounter that began as one of the most frightening of her life and ended as a chastening lesson in cultural misunderstanding. Whether she's meeting contemporary Egyptians or finding connections to Westerners who traveled the Nile long ago, Mahoney's informed curiosity about Egypt never ceases to captivate the reader.
At the age of seventy-two, William Golding, British author of Lord of the Flies, set off on a trip down the Nile with his wife and an Egyptian guide. Golding had long had a burning passion for Egypt, stating that ". . . for the last sixty years I must have read every popular book ever written about Egypt." But as his journalistic observations illustrate, there was still so much more to be learned by personal experience. I love this book for Golding's wry, gentle sensibility, his cozy erudition, his intellectual warmth, his wisdom about life and interpersonal relationships in general, and his wonderful sense of humor. I laughed aloud at many points in this book.
William Golding's interest in ancient Egypt has previously been expressed in two essays, and in the novella "The Scorpion God". This account covers his journey down the Nile in today's Egypt. He recalls his trip honestly and humorously, and shares his feelings about Egypt past and present.
