Here are 47 books that The Fugitives fans have personally recommended if you like
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I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Ziad Fahmy’s book on the importance of popular culture in the history of modern Egypt and the anti-British revolution of 1919 was a real landmark. Bringing together songs, jokes, vaudeville plays, and more, he manages to draw out a story of Egyptian anti-colonial, nationalism that is not confined to elite circles or confined by bourgeois morality. This is history from the streets. Although it is an academic book, it is written with an engaging style that captures some of the excitement of this period. Published in 2011, Fahmy’s book opened up space for research and writing on the history of Arabic pop culture.
The popular culture of pre-revolution Egypt did more than entertain-it created a nation. Songs, jokes, and satire, comedic sketches, plays, and poetry, all provided an opportunity for discussion and debate about national identity and an outlet for resistance to British and elite authority. This book examines how, from the 1870s until the eve of the 1919 revolution, popular media and culture provided ordinary Egyptians with a framework to construct and negotiate a modern national identity.
Ordinary Egyptians shifts the typical focus of study away from the intellectual elite to understand the rapid politicization of the growing literate middle classes and…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Although most of the books written on the Nile focus on Egypt, the river stretches from the Mediterranean down to Khartoum, where the White Nile and the Blue Nile converge. Unfortunately, it is not a history of Khartoum’s nightlife (although there are people working on books about that now). Rather it uses the names given to women’s tobes (a popular form of dress) to recover the lost voices of ordinary women in mid-20th century Sudan – “Khartoum at Night” is one of those names. Through them, Brown finds a new and innovative way to tell the story of modern Sudan.
In the first half of the twentieth century, a pioneering generation of young women exited their homes and entered public space, marking a new era for women's civic participation in northern Sudan. A provocative new public presence, women's civic engagement was at its core a bodily experience. Amid the socio-political upheavals of imperial rule, female students, medical workers, and activists used a careful choreography of body movements and fashion to adapt to imperial mores, claim opportunities for political agency, and shape a new standard of modern, mobile womanhood.
Khartoum at Night is the first English-language history of these women's lives,…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Published in French or Arabic, this richly and attractively illustrated book dives headfirst into nostalgia for the nightlife of the 20th century Middle East. Loaded with short vignettes and stories, accompanied by Ziade’s own drawings, this book takes the reader on a tour of nightclubs in Cairo and across the wider Middle East. It is a beautiful, misty-eyed elegy for a lost age.
Dans ce livre il y a les cabarets du Caire, les studios, villas, casinos du Caire, les maris, les amants, l'alcool, les somnifères, l'argent, les suicides, les brownings, les scandales, les palaces. Il y a le chant, la musique, la voix, les ovations, les triomphes, la gloire. Il y a l'audace, le génie, l'aventure, la tragédie. Il y a des poètes et des émirs, des danseuses, des banquiers, des officiers, des imams, des cheikhs, des actrices, des khawagates, des musiciens, des vamps, des noctambules, des révoltés, des sultans, des pachas, des beys, des espionnes, des prodiges, des rois d'Égypte et…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
The essential biography of Umm Kulthum for the English reader. Danielson tells the story of the Arab world’s most famous singer, one of the greatest performers of the 20th century. This book charts her life from the small village in the Nile Delta where she grew up to the heights of global superstardom. It also paints a picture of the world that she moved through, which intersected with the world depicted in Midnight in Cairo. This is a necessary read for anyone interested in Arabic music.
Umm Kuthum was a celebrated musical performer in the Arab world, and her songs still permeate the international airwaves. This, the first English-language biography, chronicles her life and career. In particular, it examines her popularity in a society which discouraged women from public performance. The text examines the careful construction of Kulthum's popularity; from childhood her mentors honed her abilities to accord with Arab and Muslim practice, but ultimately, she created her own idiom from local precedents and traditions, and developed original song styles from both populist and neo-classical traditions. Danielson seeks to show how Umm Kulthum's music and public…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
When One Book, One Philadelphia called me in my office at Drexel University and asked me to select 10 students to interview 10 South Sudanese refugees for a One Book project, I read Dave Egger’s epic tale of Valentino Achak Deng’s survival as a so-called “Lost Boy" of Sudan. Valentino along with thousands of other “Lost Boys” was forced to separate from his parents at a young age and trek thousands of miles across Sudan, Ethiopia, and Kenya without resources to food or water to arrive at several refugee camps. This is Valentino’s story yet it resonates with fleeing people worldwide. Anyone who lives in freedom will stop and listen to the plight of others after reading this astonishing book.
NEW YORK TIMES BESTSELLER • The epic novel based on the life of Valentino Achak Deng who, along with thousands of other children —the so-called Lost Boys—was forced to leave his village in Sudan at the age of seven and trek hundreds of miles by foot, pursued by militias, government bombers, and wild animals, crossing the deserts of three countries to find freedom.
When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that…
I graduated from Oxford University in 1975 at a time of social and economic crisis for Great Britain. My country has since unraveled from being a world imperial power to a petty nationalist rump on the western fringes of Europe. In addition to England I’ve taught at universities in North East Africa, the Middle East, and South Asia, areas of the world where the British Empire once held sway. And I’ve also participated in conferences on various Middle Eastern topics in venues in the United States, Egypt, Lebanon, Jordan, and Morocco to name but a few. Hence my fascination with the Middle East and how the Western empires have impacted upon it.
Now you know about the history and the politics, how about a post-colonial romance that turns out to be a solvent of East-West dichotomy? Aboulela’s re-writing of Jane Eyreas a love match between Scottish academic Rae and his Sudanese translator Sammar carries the reader away from orientalism to a happy union catalyzed by the westerner male’s translation into a Muslim.
A New York Times Notable Book: “Aboulela’s lovely, brief story encompasses worlds of melancholy and gulfs between cultures” (Kirkus Reviews, starred review).
American readers were introduced to the award-winning Sudanese author Leila Aboulela with Minaret, a delicate tale of a privileged young African Muslim woman adjusting to her new life as a maid in London. Now, for the first time in North America, we step back to her extraordinarily assured debut about a widowed Muslim mother living in Aberdeen who falls in love with a Scottish secular academic.
Sammar is a Sudanese widow working as an Arabic translator at a…
In the 1950s, my mother and father left the red dirt of Oklahoma for the forests of Idaho to escape their families’ poverty. Instead of sharecropping, my father became a logger, but my aunt and her husband, a drilling rig roughneck, moved to the deserts of Saudi Arabia to work for Aramco and live in the American compound of Abqaiq. I remember the gifts they brought me: camel hide purses, Aladdin slippers. The Saudis, too, were experiencing rapid modernization and expanding wealth. I became fascinated by the conflict inherent in the sudden enmeshing of cultures and meteoric shift in power and privilege.
I planned to read this book for research but ended up so immersed in the story that I kept forgetting to take notes. The narrative, a “clever inversion of Conrad’s Heart of Darkness,” follows the travels and travails of a young protagonist tangled in the contradictions of his African childhood, his formal education in England, and his return home with what he sees as the boon of modern thought. Part mystery, part romance, part history, part monomyth, part psychological thriller, the novel is set in an “unsettled and violent no-man’s-land between…tradition and innovation, holiness and defilement...” This book fascinated and haunted me even as it informed me about the complexities, dichotomies, and dissonance of colonization. Shot through with “allusions to Arabic and European fiction, Islamic history, Shakespeare, Freud, and classical Arabic poetry,” Salih’s novel should first be read for what it is: a brilliant work of art.
After years of study in Europe, the young narrator of Season of Migration to the North returns to his village along the Nile in the Sudan. It is the 1960s, and he is eager to make a contribution to the new postcolonial life of his country. Back home, he discovers a stranger among the familiar faces of childhood—the enigmatic Mustafa Sa’eed. Mustafa takes the young man into his confidence, telling him the story of his own years in London, of his brilliant career as an economist, and of the series of fraught and deadly relationships with European women that led…
I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
A beautiful coffee table book, complete with stunning photographs by Chester Higgins, this publication includes maps, general articles about Nubia, and a gazetteer of stunning sites from Gebel Qeili and Naqa in the south to Philae, Elephantine, and Aswan in the North. The general articles range from art and architecture, kings and kingship, religion, texts, and women in ancient Nubia. This book is a beautiful and welcoming introduction to the vibrant land of ancient Nubia.
2012 American Publishers (PROSE) Awards winner for Best Archaeology & Anthropology Book For most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia’s remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Over the past century, particularly during this last generation, scholars have begun to…
When I worked as a middle school teacher, I surveyed more than 200 students how they felt about books that included sadness and grief. The overwhelming answer from the students was that while adults too often minimize their feelings and dismiss the validity of their heartache, books do not. Many young readers want books that are honest and raw enough not to shield them from the world, but to pay enough attention to its pain to light a path, knowing that they can keep moving forward in the dark when they feel less alone and less afraid.
The Red Pencil is a beautifully written novel in verse that gives readers a heartbreaking view into the life of Amira, a twelve-year-old Sudanese girl whose life is turned upside down when her village is destroyed by the Janjaweed and she is forced into a refugee camp.
This story of trauma and loss also contains hope as Amira is given a pencil and notebook, which serve to remind her of dreams that extend beyond the grief and loss she is enduring. I believe novels in verse are a powerful vehicle for telling powerful, hard stories, and Pickney’s verse provides literal and figurative beauty while revealing the ugly reality of the Civil War in Darfur.
Life in Amira's peaceful Sudanese village is shattered when Janjaweed attackers arrive, unleashing unspeakable horrors. After losing nearly everything, Amira needs to find the strength to make the long journey on foot to safety at a refugee camp. She begins to lose hope, until the gift of a simple red pencil opens her mind -- and all kinds of possibilities.
I am a novelist and journalist who has been writing about war and refugees for nearly two decades. In 2018, I went to the Greek island of Samos, which held one of the most inhumane refugee camps in Europe, to talk to people there about their lives and hopes. Out of this, I wrote several articles and later two books, including The Good Deed. My hope is to counteract the demonization of refugees, so rife in the world today, by bringing out all that we humans have in common, such as our need for shelter, food, family, safety, and love.
This is a poetic, lilting, and truly original novel by an Eritrean-Ethiopian author who based the story on his own childhood in a Sudanese refugee camp.
The main characters are a young sister and brother, both bold, sexually fluid, and eager to break away from the stifling and often defeated culture of a refugee camp around them, which makes the story just as much about desire and love as it is about displacement.
I've never read anything quite like it before. It's surprising at every turn, and the writing is just stunning.
A sensuous, textured novel of life in a refugee camp, long-listed for the Orwell Prize for Political Fiction
On a hill overlooking a refugee camp in Sudan, a young man strings up bedsheets that, in an act of imaginative resilience, will serve as a screen in his silent cinema. From the cinema he can see all the comings and goings in the camp, especially those of two new arrivals: a girl named Saba, and her mute brother, Hagos.
For these siblings, adapting to life in the camp is not easy. Saba mourns the future she lost when she was forced…
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