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There’s a surging Western school of thought which claims that there’s no Asia. Really? Just look at my personal cultural connections with all corners of Asia. As a Hindu Sindhi Singaporean, I can relate directly to India and Southeast Asia, which has an Indic base. My name, “Mahbubani”, has Arabic/Persian roots. “Mahbub” means “beloved”. My mother took me to Buddhist temples when I was a boy, too, giving me an intimate connection with China, Japan, and Korea. In short, Asia is intimately connected. The goal of my ten books has been to give voice to the larger Asian story in a world imprisoned by Western perspectives.
What motivated the great Asian desire to rebuild and revitalize their societies? The simple answer is centuries of humiliation at the hands of the West. Pankaj Mishra tells remarkable stories of how Asians were both humiliated and educated by the West. Every Western policymaker should read his story about how the British and French forces looted and burned the Summer Palace, destroying more ancient treasures than the Taliban ever did.
Pankaj Mishra describes well the emergence of a key generation of Asian intellectuals inspired by Japan’s naval triumph over Russia in 1905, including Rabindranath Tagore and Liang Qichao. American policymakers who engage in a contest against China without understanding these centuries of humiliation do so at their own peril.
A Financial Times and The Economist Best Book of the Year and a New York Times Book Review Editors' Choice
A SURPRISING, GRIPPING NARRATIVE DEPICTING THE THINKERS WHOSE IDEAS SHAPED CONTEMPORARY CHINA, INDIA, AND THE MUSLIM WORLD
A little more than a century ago, independent thinkers across Asia sought to frame a distinct intellectual tradition that would inspire the continent's rise to dominance. Yet this did not come to pass, and today those thinkers―Tagore, Gandhi, and later Nehru in India; Liang Qichao and Sun Yat-sen in China; Jamal al-Din al-Afghani and Abdurreshi al Ibrahim of the Ottoman Empire―are seen as…
I graduated from Oxford University in 1975 at a time of social and economic crisis for Great Britain. My country has since unraveled from being a world imperial power to a petty nationalist rump on the western fringes of Europe. In addition to England I’ve taught at universities in North East Africa, the Middle East, and South Asia, areas of the world where the British Empire once held sway. And I’ve also participated in conferences on various Middle Eastern topics in venues in the United States, Egypt, Lebanon, Jordan, and Morocco to name but a few. Hence my fascination with the Middle East and how the Western empires have impacted upon it.
The pressures modernity and European governments (Great Britain especially), brought upon peoples of the Middle East in the late imperial age are here re-presented. In this revisionary study Lorenzo Kamel, Associate Professor of History at the University of Turin, "demonstrates how the heterogeneous identities of Middle Eastern peoples were sealed into a standardized and uniform version that persists today." Extensively researched and full of new material, Kamel’s book shows how the region transitioned from empire into nation-states, and how the modern ethnically-conceived countries of Israel and modern Turkey, and embattled ones like Lebanon and Iraq, came into being.
This compelling analysis of the modern Middle East - based on research in 19 archives and numerous languages - shows the transition from an internal history characterised by local realities that were plural and multidimensional, and where identities were flexible and hybrid, to a simplified history largely imagined and imposed by external actors. This version of history is distinguished by the politicisation of these identities with the aim of better grasping and, ultimately, controlling them. The author shows - mainly through a study of key moments, including the germs of competing ethno-religious visions in the 1830s, the Ottoman Tanzimat, the…
Professor Tessler attended university in Israel and an Arab country, Tunisia, and he has lived for extended periods both in Israel and in several Arab countries. He has written extensively not only on the Israeli-Palestinian conflict but also on politics in Israel and a number of Arab countries. With respect to the latter, he has gained distinction for his groundbreaking research on public opinion in the Arab world; he co-founded the Arab Barometer survey project in 2006 and has been its co-director since that time. The first edition of his book, A History of the Israel-Palestinian Conflict, was named a notable book of the year by The New York Times.
Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory.
Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel but backed by Britain and the United States, the great powers of the age.
He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process.
This is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces…
'Riveting and original ... a work enriched by solid scholarship, vivid personal experience, and acute appreciation of the concerns and aspirations of the contending parties in this deeply unequal conflict ' Noam Chomsky
The twentieth century for Palestine and the Palestinians has been a century of denial: denial of statehood, denial of nationhood and denial of history. The Hundred Years War on Palestine is Rashid Khalidi's powerful response. Drawing on his family archives, he reclaims the fundamental right of any people: to narrate their history on their own…
I graduated from Oxford University in 1975 at a time of social and economic crisis for Great Britain. My country has since unraveled from being a world imperial power to a petty nationalist rump on the western fringes of Europe. In addition to England I’ve taught at universities in North East Africa, the Middle East, and South Asia, areas of the world where the British Empire once held sway. And I’ve also participated in conferences on various Middle Eastern topics in venues in the United States, Egypt, Lebanon, Jordan, and Morocco to name but a few. Hence my fascination with the Middle East and how the Western empires have impacted upon it.
A book that deconstructs shibboleths of Britons’ patrician identity and their romantic urge to escape modernity in the Arabian desert, A Barren Legacy reorders and erases the imperial world of From Empire to Orient. The author has spent decades working as a civil servant in Oman and has written several Lonely Planet Guides about Middle Eastern countries. Here, she reviews the Arabian journeys of some media-savvy contemporary British travellers and articulately delivers the genre of Arabian travel-writing into the post-modern era.
Broadly this book is about the Arabian desert as the locus of exploration by a long tradition of British travellers that includes T.E. Lawrence and Wilfred Thesiger; more specifically, it is about those who, since 1950, have followed in their literary footsteps. In analysing modern works covering a land greater than the sum of its geographical parts, the discussion identifies outmoded tropes that continue to impinge upon the perception of the Middle East today while recognising that the laboured binaries of "East and West", "desert and sown", "noble and savage" have outrun their course. Where, however, only a barren legacy…
My dream of writing romance began during a semester in London, where I fell in love with the city, its history, and its pubs. A few years and careers later, I won the Golden Heart Award for Regency Romance, and I’ve been writing ever since. Now I’m living happily-ever-after in Maryland with my family, who try valiantly not to roll their eyes whenever I quote Jane Austen.
Long before Bridgerton graced screens around the world, I loved this Julia Quinn novel (the sixth in her Bridgerton series) about a man who falls hard for a woman he can never have: his cousin’s wife. Michael is head over heels for Francesca and positively loathes himself for it. His angst is so palpable, it made my chest ache. It’s a slow, hot burn—and totally worth the wait.
In every life there is a turning point ...A moment so tremendous, so sharp and breathtaking, that one knows one's life will never be the same. For Michael Stirling, London's most infamous rake, that moment came the first time he laid eyes on Francesca Bridgerton. A fter a lifetime of chasing women, of smiling slyly as they chased him, of allowing himself to be caught but never permitting his heart to become engaged, he took one look at Francesca Bridgerton and fell so fast and hard into love it was a wonder he managed to remain standing. Unfortunately for Michael,…
I grew up in the era of sweeping historical epics, traveling with the turn of a page from Gaius Marius’s Rome to Victoria’s England and everything in between. I’ve always loved books that immerse you in places and time periods you know nothing about—and when I couldn’t find enough of them, I started writing my own. While my long-ago history PhD work is in Tudor-Stuart England (my specialty was the English Civil War), what I love most is being a historical dilettante and getting to hop around the historical record—which may be why my books can take you anywhere from Napoleon’s court to 1920s Kenya to Cuba with Teddy Roosevelt!
Fun fact: in college, my specialty was 16th-century Scotland, which meant I spent several months living in Edinburgh doing research for my senior thesis. In this book, Susanna Kearsley brings to life a Scotland we seldom see in novels but which brings back the Edinburgh I lived in and studied more vividly than anything else I’ve encountered.
There are so many books about the Jacobite rebellion of 1745, but this book tackles the precursor to all that, the tangled politics of the late 17th and early 18th centuries, from the fall-out of the Glorious Revolution and the exile of James II to the ferment around the 1707 Act of Union in all its glorious complexity, through the life of one woman who finds herself—as one does—a normal person buffeted by larger events. Every time I open this book, I feel like I’m back in Edinburgh again.
'Fascinating and immersive... I love a novel that deals with the many ways in which people keep their secrets' DIANA GABALDON A sweeping love story set against the Jacobite revolution from much-loved, million copy bestselling author Susanna Kearsley
Autumn, 1707. Old enemies from the Highlands to the Borders are protesting the new Union with England. As the French prepare an invasion to bring the exiled Jacobite king back to Scotland to reclaim his throne, the streets of Edinburgh are filled with discontent. To calm the situation, Queen Anne's commissioners are settling the losses and wages owed to those Scots involved…
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
When I needed a break from Regency England, Anna Lee Huber coaxed me up to Scotland with this book. It hooked me from the start with the unusual main character’s backstory as an artist turned anatomy illustrator.
What kept me reading was Huber’s imagery, which was rich with the depth and colors only an artist would notice. The slow-burn romance hit all the right notes.
“A riveting debut…an original premise, an enigmatic heroine, and a compelling Highland setting…a book you won’t want to put down.”—New York Times bestselling author Deanna Raybourn
Scotland, 1830. Following the death of her husband, Lady Darby has taken refuge at her sister’s estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
I was initially reluctant to read a novel about Nazi Germany, but I’m so glad I did. Shattuck introduces us to three women—Marianne, Benita, and Ania. Each has a uniquely compelling story, and I came to care about them all. These characters brought me a new understanding of how German women dealt with the Nazi era and its terrible aftermath. And importantly, Shattuck brings compassion to the three women, each of whom was striving to find a way through a treacherous and sometimes soul-warping period. Ultimately, the author leaves us with insights into our own often frightening times.
In war they made impossible choices. Now can they live with them?
'Moving . . . surprises and devastates' New York Times 'Masterful' People 'Mesmerising . . . reveals new truths about one of history's most tragic eras' USA Today
The Third Reich has crumbled. The Russians are coming.
Marianne von Lingenfels - widow of a resister murdered by the Nazi regime - finds refuge in the crumbling Bavarian castle where she once played host to German high society. There she fulfils her promise to find and protect the wives and children of her husband's…
The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
Abigail Thomas likes to say that she didn’t know what she was doing when she set out to write Safekeeping. Memories returned and she wrote them down. Sometimes she wrote of herself in first person. Sometimes in second. Sometimes in third. Sometimes she wrote of apple cake, and of people she loved, and of unsustainable loss. No one remembers their entire life in systematic order. Few lives conform to outlines. That is why Thomas needed to invent the shape of her memoir in essays—to arrange all of its idiosyncratic pieces into an utterly compelling idiosyncratic whole.
A beautifully crafted and inviting account of one woman’s life, Safekeeping offers a sublimely different kind of autobiography. Setting aside a straightforward narrative in favor of brief passages of vivid prose, Abigail Thomas revisits the pivotal moments and the tiny incidents that have shaped her life: pregnancy at 18; single motherhood (of three!) by the age of 26; the joys and frustrations of three marriages; and the death of her second husband, who was her best friend. The stories made of these incidents are startling in their clarity and reassuring in their wisdom.
All of my books and stories have at least one thing in common: strong women. I’ve always been fascinated by women who are fighters and who aren’t afraid to challenge the status quo. Astra, the main character in A Bright Young Thing, is definitely not alone in pushing back against society’s expectations: the women in these books (and many in real life in the 1930s) also find the strength to say no, to stand in their power, and truly live life their way.
After a lifetime of dutiful marriage, the newly widowed Lady Slane shocks her family by striking out on her own, moving from London to a suburban cottage where she will live alone and please herself (for once!). Her decision rumbles through her grown children’s lives and inspires one of her great-granddaughters to pursue an independent life herself.
I love that this book focuses on an older woman (Lady Slane is 88 years old), proving that it’s never too late to live life on your own terms. And in Deborah, her great-granddaughter, we get a glimpse of the new sort of woman who was really making her presence felt in this period: young women exploring their independence and living very different lives from their parents and grandparents.
A charming extraordinary early 20th century novel about family relationships.
When the great statesman Lord Slane dies, everyone assumes his dutiful wife will slowly fade away, the paying guest of each of her six children. But Lady Slane surprises everyone by escaping to a rented house in Hampstead where she revels in her new freedom, revives youthful ambitions and gathers some very unsuitable companions. Irreverent, entertaining and insightful, this is a tale of the unexpected joys of growing older.
