Here are 64 books that Safekeeping fans have personally recommended if you like
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From a very early age, I was interested in both magical stories (untrue) and life writing (true). As a writer, I love combining the two. In both fairy tales and memoirs, somebody goes into the woods and comes out wiser. At both Harvard and Oxford, I teach writing courses on Mythic Memoir. I tell my two children as many fairy tales as I know, and then I make up more. In 2022 I published my first collection of personal essays, Awake with Asashoryu, eleven short memoirs from my life, each with a myth or fairy tale at the heart.
A list like this cannot be complete without Kingston, who uses in her book a literary technique called “perhapsing”—defined by Lisa Knopp as “the use of speculation in creative nonfiction”—in which Kingston uses myth and the question “what if” to imagine what might’ve happened in the stories she half-knows about her family.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NATIONAL BESTSELLER • With this book, the acclaimed author created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American.
“A classic, for a reason” – Celeste Ng via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of…
I grew up in a small agricultural town in California’s Sacramento Valley, and my parents didn’t even consider worrying if I was bored or lonely when I wasn’t at school. Consequently, I spent hours in a nearby vacant lot riddled with anthills watching the ants hustle back and forth and, occasionally, inserting myself in their lives with handfuls of sugar or sticks to block their paths. Pretty sure this is where my interest in science and nature began—and maybe even my interest in cooperation.
I follow Renkl’s wonderful writing in the New York Times about the nature in her own neighborhood (and occasionally Southern politics), and Late Migrations is a collection of essays in which she ties together the loss of family with the losses of beloved wildlife.
She wrote such a gorgeous last paragraph about living with grief. “And that’s how I learned the world would go on. An irreplaceable life had winked out in an instant, but outside my window the world was flaring up in celebration. Someone was hearing, ‘It’s benign.’ Someone was saying, ‘It’s a boy.’ Someone was throwing out her arms and crying, ‘Thank you! Thank you! Oh, thank you!’ I tear up every time I read those lines.
Named a "Best Book of the Year" by New Statesman, New York Public Library, Chicago Public Library, and Washington Independent Review of Books
Southern Book Prize Finalist
From New York Times contributing opinion writer Margaret Renkl comes an unusual, captivating portrait of a family-and of the cycles of joy and grief that inscribe human lives within the natural world.
Growing up in Alabama, Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents-her exuberant, creative mother; her steady,…
I am a reader, writer, and professor specializing in memoir writing. I think every single person has a fascinating life. But, when writing it down, it can be difficult to find a narrative structure that allows the story to feel as unique as the human being writing it. I am drawn to memoirs that have fresh, creative ways of organizing their material—memoirs that go beyond or subvert the conventional, straightforward, chronological approach. After all, our memories are often scattered, fragmented, interrupted, non-linear, or just bizarre; memoirs that capture not only the person’s lived experience but also the messiness of memory itself feel more powerful and true to me.
Because my first introduction to bell hooks was through her scholarly writing, I wasn’t sure what to expect from this memoir. A few pages in, I was already dazzled, challenged, and addicted to her storytelling genius—I read it in one sitting and immediately began reading it again. The perfect memoir for those who are looking for unconventional storytelling, hooks uses techniques like point-of-view shifts to paint a realer-than-real-life portrait of her childhood in rural Kentucky.
Stitching together girlhood memories with the finest threads of innocence, feminist intellectual bell hooks presents a powerfully intimate account of growing up in the South. A memoir of ideas and perceptions, Bone Black shows the unfolding of female creativity and one strong-spirited child’s journey toward becoming a writer. She learns early on the roles women and men play in society, as well as the emotional vulnerability of children. She sheds new light on a society that beholds the joys of marriage for men and condemns anything more than silence for women. In this world, too, black is a woman’s color—worn…
I have been passionate about journalism since I was a teenager, when I became the co-editor of my high school newspaper. My career as a full-time journalist began decades ago, at a small family-owned newspaper in Berkshire County, Mass., and continued through staff writer positions at The Cape Cod Times, Providence Journal and now at OceanStateStories.org, the new non-profit news outlet based at Salve Regina University’s Pell Center in Newport, R.I., that I co-founded and now direct. So I have the long and inside view of American journalism!
This landmark book by the Iranian-American writer Azar Afisi is an account of the oppression of the Islamic Revolution in her native Iran and an ode to the liberating power of literature and truth.
In her book, Nafisi recounts the experiences of a group of students she worked with as a professor of English at the University of Tehran. She was dismissed from that professorship in 1981 for refusing to cover her hair and 16 years later, emigrated to America, where she teaches, writes, and is an internationally respected voice for press and personal freedoms.
When Azar Nafisi was fired from Tehran University (where she was teaching English literature) because she refused to wear a veil, she gathered a group of her female students and resumed her classes at home, privately and discreetly. There, a group of young women discussed, argued about and communed with Shakespeare, Jane Austen, Henry James, Nabokov and others in the canon of English writers. The surreal picture of reading "Lolita", weighing the sexuality of Jane Austen or the American authenticity of Gatsby in the severe aftermath of Iran's Islamic Revolution was not lost on either Nafisi or her students. The…
I am a reader, writer, and professor specializing in memoir writing. I think every single person has a fascinating life. But, when writing it down, it can be difficult to find a narrative structure that allows the story to feel as unique as the human being writing it. I am drawn to memoirs that have fresh, creative ways of organizing their material—memoirs that go beyond or subvert the conventional, straightforward, chronological approach. After all, our memories are often scattered, fragmented, interrupted, non-linear, or just bizarre; memoirs that capture not only the person’s lived experience but also the messiness of memory itself feel more powerful and true to me.
The best memoirs, to me, are not only records of past events. They are also the record of a writer grappling with how best to tell the story. Jeannie Vanasco takes this idea to an entirely new level in this brilliant meta-memoir that not only chronicles a sexual assault she experienced in college, but also her present-day investigation into her rapist’s memories of the event, his motives, and his present-day thoughts about what happened. This book challenged me to think in new ways—not only about sexual assault, but also about the ways we remember it and write about it.
A New York Times Editors’ Choice and Best Book of the Year at TIME, Esquire, Amazon, Kirkus, and Electric Literature
Jeannie Vanasco has had the same nightmare since she was a teenager. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her. When her nightmares worsen, Jeannie decides—after fourteen years of silence—to reach out to Mark. He agrees to talk on the record and meet in person.
Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a…
The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
Arisa White grew up with the looming absence of her biological father—a man whose genes and behaviors haunt her. Finally White, an award-winning poet and teacher who was “born into a bracket of boys,” decides to visit this man in his far-away country to learn more about where she came from and who she may or may not be. The book moves chronologically. It swirls with poetry. It doesn’t always make for easy reading, but every line is well designed and, often, shattering. As a memoir-in-essays, it reaffirms the power of the crystalized scene and the intentional white space.
Literary Nonfiction. Poetry. Fiction. African & African American Studies. Women's Studies. LGBTQIA Studies. A lyrical, genre-bending coming-of-age tale featuring a queer, Black, Guyanese American woman who, while seeking to define her own place in the world, negotiates a difficult relationship with her father.
The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
“In an earlier life,” Miller writes, “I was a baker, in a bakery on a cobblestoned street.” It takes Miller just one single paragraph to tell this whole tale—how she proofed yeast, how she scraped her spoon, how she made loaves for children: “It was my only kindness.” In every successive chapter—most all of them short, many of them formally inventive—Miller deconstructs her life and soul—the roots of her unease, the startling incidents of loss, her learning to sleep, and her learning to live with the person she becomes. Miller is a stellar choreographer, knowing just where to place which expertly fashioned scene and knowing, always, what to leave out.
How many lives do we create in one lifetime? In her latest collection of innovative, shape-shifting essays, Brenda Miller evolves through childhood, adolescence, and young adulthood to enter the wry maturity of middle age. Whether traveling from synagogue to sweat lodge, from the Arizona desert to a communal hot springs in California, she navigates the expectations placed on young girls and women at every turn. She finds guidance in her four major creeds (Judaism, Home Improvement, the Grateful Dead, and Rescue Dogs), while charting a course toward an authentic life. Each stage demands its own form, its own story, sometimes…
The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
“Ever since the chemo leaked, your toes have had no feeling. So start there. This is the beginning. Eternal. Cold. A dizzying loss of balance.” These words, high on the first page of Kitchen’s mesmerizing book of pieces, announce what is to come—the mystery of living, the mystery of dying, and the transitory in-between. Kitchen is battling the cancer that will kill her. Her mind takes her back and forth, between her present day and her youth. Stories tug at her and she can’t quite find the center, and there is no room, or time, for extended passages. This is poetry as memoir-in-essays, and it will take your breath away.
I’m a native of Texas who loves bluebonnets, big skies, and barbecue! With 25+ books in print, I write about imperfect characters who discover their inner strength as they lean on God and learn to trust each other and themselves. I’m fascinated by the dynamics of personalities and relationships, as well as the backstories that made the individuals who they are now. If you’re looking for stories of true-to-life characters growing deeper in faith while dealing with all the messiness human relationships entail, here are some novels you may enjoy.
This novel is beautifully written, a gentle, faith-filled love story with characters I couldn’t help but care about from the start. Recently widowed and expecting a baby, Jessica is struggling with the tragic loss of her husband and daughter—and the secret knowledge of her late husband’s betrayal. Her new next-door neighbor, Ridley, has his own secrets, which is why he’s attempting to keep a low profile in this small-town setting. I loved watching their friendship evolve into something more and how their faith grew as they dealt with the difficulties they faced. And as a lifelong animal lover, I have to say I was especially fond of Ridley’s dog, Kris, who played the perfect little matchmaker!
For these two broken hearts, the first step toward love will be a huge leap of faith.
Jessica Mason isn't looking for love when she meets Ridley Chesterfield. Instead she is still reeling from the tragic, unexpected loss of her husband and daughter-and awaiting the arrival of her unborn child. Harboring the secret of her husband's betrayal, her pain is deeper than anyone knows.
Ridley Chesterfield is hiding out in Hope Springs, Idaho, avoiding a political scandal and the barrage of false media headlines that have tarnished his good name. The last thing Ridley wants is a relationship-but when fate…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I picked this book up, thinking it might have to do with witch trials in Europe during the 17th Century, and in a peripheral way, it does because it’s very loosely based on the life of Katharina Kepler, the mother of famous astronomer Johannes Kepler. (And really, how can you resist the title.) But the novel delivered so much more.
It’s a witty, searing meditation on community, gossip and envy, the strictures of society, the corruption of power, and a woman’s determination to be her own person. Add to that some of the funniest, most absurd situations I’ve read in a long while. Some sections of the novel are truly laugh-aloud.
The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances.
The story begins in 1618, in the German duchy of Württemberg. Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.
Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's…
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