Here are 100 books that Brothers in Hope fans have personally recommended if you like
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As a child, one of my favorite places was in the top branches of a tree. From up there I could watch the world pass by, remaining invisible. I could make up stories about the world below and no one would challenge me. The second best place for me was inside the story of a book, the kind that took you to magical places where children always found a way to win the day. I knew when I “grew up” I would write one of those empowering books. I became a middle school teacher and have since read many wonderful books for this age. Enjoy my list of favorites.
For me, Mary’s abandonment by the adults around her, came close to home. I rooted for her to free her soul. It was the beauty of the garden and the gentle robin that first melted the ice around her heart by connecting her with nature.
Then along came Dickon, who had grown up deeply connected with the earth and inspired her further, and finally Colin, who, like her, had been neglected. They healed each other as they revitalized the garden, experiencing the joys of mother earth.
It reinforced my own faith in mother nature, who also supported me whenever I grappled with my reality.
Rediscover the magical story of Mary Lennox, who arrives in the wild and windswept Yorkshire a sickly and miserable girl - until she discovers a forgotten, Secret Garden.
As Mary works hard to bring the garden back to life, its magic begins to work on her too . . .
This classic and beloved story has been beautifully retold by Claire Freedman and brought to glorious visual life by new illustration talent Shaw Davidson
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
I was captivated by this picture book. The first two illustrations I have never forgotten: Bartholomew living at the bottom of a hill looks up at King Derwin's Castle at the top of the hill -- a mighty view, and it makes Bartholomew feel mighty small. King Derwin in his castle looks down at Bartholomew sees the houses down below: a mighty view, that makes King Derwin feel mighty important. Bartholomew is told to obey a stupid rule made by the King which leads to surprising consequences.
I learned from this story about the difference between riches and poverty, and the power that riches bring. Later I realised that King Derwin was a Dictator.
What a lot of hats Bartholomew has in this imaginative and clever tale! Find out what happens when the king asks him to remove them...one by one.
Bartholomew Cubbins is in trouble, and all because he won't take his hat off for the king! But he has, hasn't he...? Find out what happens in this clever tale of magic and mayhem!
With his unique combination of hilarious stories, zany pictures and riotous rhymes, Dr. Seuss has been delighting young children and helping them learn to read for over fifty years. Creator of the wonderfully anarchic Cat in the Hat, and…
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
I learned from this story why families make the difficult decision to split up and send a father and a child on a dangerous journey for a better life. This family lives in Mexico, facing hunger and destitution. The father and his son became migrants. They walked to America, knowing that they could be split up or one of them die.
In this book, I learned about the Mexican-American War, and the atrocious US policy of splitting migrant children from their parents.
Join a young boy and his father on a daring journey from Mexico to Texas to find a new life. They'll need all the resilience and courage they can muster to safely cross the border - la frontera - and to make a home for themselves in a new land. AGES: 8 to 10 AUTHORS: Alfredo Alva is a stonemason from La Ceja, Mexico. He and his family live in Texas, where he designs architectural details from stone for local architects. He met Deborah Mills while working on a local architecture project, and they worked together to write his story…
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
I chose this story to illustrate the plight of Jewish people during the Nazi occupation in France. Catherine's War is based on the true story of a Jewish girl named Rachel Cohen who had to leave her boarding school near Paris and find somewhere safe to live. Rachel has to change her name to Catherine Colin and hide her Jewish identity in order to survive. She was sustained by her beautiful camera, which gave her a record of all that she had to through.
“A shining story of a young girl who struggles to come of age and find her place in a world fraught with danger.” —Susan Campbell Bartoletti, Newbery Honor-winning author of Hitler Youth
* Winner of the Youth Prize at the Angoulême International Comics Festival (voted by readers) * Winner of the Artémisia Prize for Historical Fiction * Winner of the Andersen Premio Prize *
A magnificent narrative inspired by a true survival story that asks universal questions about a young girl’s coming of age story, her identity, her passions, and her first loves.
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
When One Book, One Philadelphia called me in my office at Drexel University and asked me to select 10 students to interview 10 South Sudanese refugees for a One Book project, I read Dave Egger’s epic tale of Valentino Achak Deng’s survival as a so-called “Lost Boy" of Sudan. Valentino along with thousands of other “Lost Boys” was forced to separate from his parents at a young age and trek thousands of miles across Sudan, Ethiopia, and Kenya without resources to food or water to arrive at several refugee camps. This is Valentino’s story yet it resonates with fleeing people worldwide. Anyone who lives in freedom will stop and listen to the plight of others after reading this astonishing book.
NEW YORK TIMES BESTSELLER • The epic novel based on the life of Valentino Achak Deng who, along with thousands of other children —the so-called Lost Boys—was forced to leave his village in Sudan at the age of seven and trek hundreds of miles by foot, pursued by militias, government bombers, and wild animals, crossing the deserts of three countries to find freedom.
When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that…
I am a scholar of international politics and history who has taught in Northern Uganda, spent years interviewing political and military elites in Congo, Eritrea, and Sudan, and worked on climate agriculture and water in Ethiopia and Somalia. In my work on the continent and at Oxford, Cambridge, and Columbia University, I try not only to understand the material realities that define the options available to diverse African communities but also the ideas, in all their potential and contradictions, that give shape to how African societies interact internally and engage the outside world. I hope the books on this list will inspire you as much as they did for me.
By a considerable distance, the most gripping novel I have devoured on gender roles in the long shadow of the loss of home. Several of the book’s characters and defining scenes in the refugee camp remain haunting years after I first encountered them.
Suleiman Addonia’s dissection of the entangled shocks wrought by cultural change, war, and displacement drips with emotional contrasts. This book feels, at times, unbearably intrusive, as the reader is exposed to the most privately held fears and embarrassments of its protagonists.
Simultaneously, the book beautifully underscores how valuable (at least some) intimacy remains for those who feel that the future has already bypassed them.
A sensuous, textured novel of life in a refugee camp, long-listed for the Orwell Prize for Political Fiction
On a hill overlooking a refugee camp in Sudan, a young man strings up bedsheets that, in an act of imaginative resilience, will serve as a screen in his silent cinema. From the cinema he can see all the comings and goings in the camp, especially those of two new arrivals: a girl named Saba, and her mute brother, Hagos.
For these siblings, adapting to life in the camp is not easy. Saba mourns the future she lost when she was forced…
When I worked as a middle school teacher, I surveyed more than 200 students how they felt about books that included sadness and grief. The overwhelming answer from the students was that while adults too often minimize their feelings and dismiss the validity of their heartache, books do not. Many young readers want books that are honest and raw enough not to shield them from the world, but to pay enough attention to its pain to light a path, knowing that they can keep moving forward in the dark when they feel less alone and less afraid.
The Red Pencil is a beautifully written novel in verse that gives readers a heartbreaking view into the life of Amira, a twelve-year-old Sudanese girl whose life is turned upside down when her village is destroyed by the Janjaweed and she is forced into a refugee camp.
This story of trauma and loss also contains hope as Amira is given a pencil and notebook, which serve to remind her of dreams that extend beyond the grief and loss she is enduring. I believe novels in verse are a powerful vehicle for telling powerful, hard stories, and Pickney’s verse provides literal and figurative beauty while revealing the ugly reality of the Civil War in Darfur.
Life in Amira's peaceful Sudanese village is shattered when Janjaweed attackers arrive, unleashing unspeakable horrors. After losing nearly everything, Amira needs to find the strength to make the long journey on foot to safety at a refugee camp. She begins to lose hope, until the gift of a simple red pencil opens her mind -- and all kinds of possibilities.
I have no wilderness survival skills and certainly no wish to be thrown into any of the scenarios in the books I’ve recommended. What I do have is great empathy for those who struggle to survive loss—in whatever form it might come—be it loss of home, or security, or family. I know what it is to struggle through darkness and survive what I would have previously thought “unsurvivable.” That’s why two of my middle grade books, but especially MacKenzie’s Last Run, are about speaking up when you’re hurting or frightened. Lost in the dark woods or lost in grief–it’s all ultimately about survival.
I love the way A Long Walk to Waterfollows two characters in two different timelines to reinforce the importance of water to survival. It’s an exciting combination of a true story and fictionalized one that intersect in an unexpected but wonderful way. Readers of any age, but especially younger ones, will be shocked by what one 11-year-old girl must do to obtain just a minimal daily amount of water for her family’s survival. They will also be inspired by how one 11-year-old boy, after barely surviving wartime experiences in his African homeland, returns years later to make a lasting impact on the lives of others. The double-pronged impact of these characters and their suspenseful stories will instantly engage readers, keep them enthralled to the final page, and leave a long-lasting impression.
This is more than a story, although it is a wonderful one. It is an eye-opener to the…
Cherished by millions of readers, this #1 New York Times bestselling novel is a powerful tale of perseverance and hope. Newbery Medalist Linda Sue Park interweaves the stories of two Sudanese children who overcome mortal dangers to improve their lives and the lives of others.
A Long Walk to Water begins as two stories, told in alternating sections, about two eleven-year-olds in Sudan, a girl in 2008 and a boy in 1985. The girl, Nya, is fetching water from a pond that is two hours’ walk from her home: she makes two trips to the pond every day. The boy,…
I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years I’ve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. I’ve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
This story is set in Sudan among rebel leaders in a war-torn country with hardened guerillas, idealistic aid workers, evangelical young women, and a pilot responsible for bringing aid and people in and out of the area. I was quickly drawn into this complex world through the varied voices and life experiences of the characters, especially as an unlikely and tragic romance emerges.
History, politics, and the human heart are all in play. As a reader I struggled along with the characters as the narrative took on fraught moments of international intrigue and probed the hearts and emotions of the characters, suggesting that in the end, politics is an extension of the human heart in conflict, often in conflict with itself.
Philip Caputo’s tragic and epically ambitious new novel is set in Sudan, where war is a permanent condition. Into this desolate theater come aid workers, missionaries, and mercenaries of conscience whose courage and idealism sometimes coexist with treacherous moral blindness. There’s the entrepreneurial American pilot who goes from flying food and medicine to smuggling arms, the Kenyan aid worker who can’t help seeing the tawdry underside of his enterprise, and the evangelical Christian who comes to Sudan to redeem slaves and falls in love with a charismatic rebel commander.
As their fates intersect and our understanding of their characters deepens,…
In the 1950s, my mother and father left the red dirt of Oklahoma for the forests of Idaho to escape their families’ poverty. Instead of sharecropping, my father became a logger, but my aunt and her husband, a drilling rig roughneck, moved to the deserts of Saudi Arabia to work for Aramco and live in the American compound of Abqaiq. I remember the gifts they brought me: camel hide purses, Aladdin slippers. The Saudis, too, were experiencing rapid modernization and expanding wealth. I became fascinated by the conflict inherent in the sudden enmeshing of cultures and meteoric shift in power and privilege.
I planned to read this book for research but ended up so immersed in the story that I kept forgetting to take notes. The narrative, a “clever inversion of Conrad’s Heart of Darkness,” follows the travels and travails of a young protagonist tangled in the contradictions of his African childhood, his formal education in England, and his return home with what he sees as the boon of modern thought. Part mystery, part romance, part history, part monomyth, part psychological thriller, the novel is set in an “unsettled and violent no-man’s-land between…tradition and innovation, holiness and defilement...” This book fascinated and haunted me even as it informed me about the complexities, dichotomies, and dissonance of colonization. Shot through with “allusions to Arabic and European fiction, Islamic history, Shakespeare, Freud, and classical Arabic poetry,” Salih’s novel should first be read for what it is: a brilliant work of art.
After years of study in Europe, the young narrator of Season of Migration to the North returns to his village along the Nile in the Sudan. It is the 1960s, and he is eager to make a contribution to the new postcolonial life of his country. Back home, he discovers a stranger among the familiar faces of childhood—the enigmatic Mustafa Sa’eed. Mustafa takes the young man into his confidence, telling him the story of his own years in London, of his brilliant career as an economist, and of the series of fraught and deadly relationships with European women that led…
