Fans pick 100 books like The Red Pencil

Ever since I was a kid, I’ve been more drawn to nonfiction than fiction. I remember spending hour after hour with my mother’s World Book Encyclopedias, memorizing breeds of dogs, US state capitals, and how to sign the alphabet. I loved reading books to learn about all kinds of things, and still do. But when it comes to fiction, unless the words are arranged like musical notes on the page, I struggle to read past chapter three. I need the narrator’s voice to make my brain happy and interested. While reading, I need to feel something deeply—to laugh, cry, or have my thoughts dance so rhythmically I find myself fast-blinking.  

I live in Madison, Wisconsin, and when I’m not reading my way through a tall stack of library books, I love to exercise and explore the outdoors, particularly in the Northwoods and in the Driftless Area (Google it—it’s the coolest!). My debut novel, Crossing the Pressure Line, is about identifying the lifeboats that have the power to save us during turbulent times. One of my own personal lifeboats is nature. I spend time outdoors every single day, even when the temperature is below zero, because I find deep peace in breathing fresh air, using my muscles, and watching for signs of wildlife. 

When I worked as a middle school teacher, I surveyed more than 200 students how they felt about books that included sadness and grief. The overwhelming answer from the students was that while adults too often minimize their feelings and dismiss the validity of their heartache, books do not. Many young readers want books that are honest and raw enough not to shield them from the world, but to pay enough attention to its pain to light a path, knowing that they can keep moving forward in the dark when they feel less alone and less afraid.

When I worked as a middle school teacher, I surveyed more than 200 students how they felt about books that included sadness and grief. The overwhelming answer from the students was that while adults too often minimize their feelings and dismiss the validity of their heartache, books do not. Many young readers want books that are honest and raw enough not to shield them from the world, but to pay enough attention to its pain to light a path, knowing that they can keep moving forward in the dark when they feel less alone and less afraid.

My sister worked for nine years teaching women in Afghanistan, and the Taliban tried to kill her for it—several times. Back in 2011, I was able to visit her in-country and I fell in love with the kind, brave people and their scarred, stubborn nation. But when my sister was eventually forced to return home, she was not the sister who had left. Refugees told me similar stories; stories about memories that wouldn’t stay quiet even though they were safe. I couldn’t help wondering: How do you rebuild a life after losing everything? My debut book, The Eleventh Trade, became the place I wrestled with that question. 

My sister worked for nine years teaching women in Afghanistan, and the Taliban tried to kill her for it—several times. Back in 2011, I was able to visit her in-country and I fell in love with the kind, brave people and their scarred, stubborn nation. But when my sister was eventually forced to return home, she was not the sister who had left. Refugees told me similar stories; stories about memories that wouldn’t stay quiet even though they were safe. I couldn’t help wondering: How do you rebuild a life after losing everything? My debut book, The Eleventh Trade, became the place I wrestled with that question. 

When I worked as a middle school teacher, I surveyed more than 200 students how they felt about books that included sadness and grief. The overwhelming answer from the students was that while adults too often minimize their feelings and dismiss the validity of their heartache, books do not. Many young readers want books that are honest and raw enough not to shield them from the world, but to pay enough attention to its pain to light a path, knowing that they can keep moving forward in the dark when they feel less alone and less afraid.

When I worked as a middle school teacher, I surveyed more than 200 students how they felt about books that included sadness and grief. The overwhelming answer from the students was that while adults too often minimize their feelings and dismiss the validity of their heartache, books do not. Many young readers want books that are honest and raw enough not to shield them from the world, but to pay enough attention to its pain to light a path, knowing that they can keep moving forward in the dark when they feel less alone and less afraid.

Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.

I am a scholar of international politics and history who has taught in Northern Uganda, spent years interviewing political and military elites in Congo, Eritrea, and Sudan, and worked on climate agriculture and water in Ethiopia and Somalia. In my work on the continent and at Oxford, Cambridge, and Columbia University, I try not only to understand the material realities that define the options available to diverse African communities but also the ideas, in all their potential and contradictions, that give shape to how African societies interact internally and engage the outside world. I hope the books on this list will inspire you as much as they did for me.