100 books like Red, White, and Whole

In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable. 

I have written three verse novels; two YA, Skyscraping and The Way the Light Bends, and one half-verse, half-prose MG Every Shiny Thing (co-authored with Laurie Morrison.) I teach verse novel specific classes for The Highlights Foundation and The Writing Barn, on topics like plotting verse novels, creating an image system in verse novels, revising verse novels. I also edit verse novel manuscripts, working with one private student per month. Along with this, I’ve taught a Writing for Children class at Bryn Mawr College. Presently, I teach kids and teens through the Kelly Yang Project and run a local, kids’ literary journal here in Philadelphia called the Mt. Airy Musers. 

I went through some very tough times growing up. I was an undiagnosed autistic teen, terribly shy, with no real guidance, and I was often bullied and bewildered. But my heart was filled with only goodwill and good intentions, and a yearning to connect meaningfully with others. So, stories of adversity, of characters making it through very tough times, through trauma—these stories were like shining beacons that said, “survival is possible.” Now that I’m a grownup writer, it’s at the root of what I want to offer—hope—to today’s kids who may be going through similar tough stuff. Survival is possible.

When I worked as a middle school teacher, I surveyed more than 200 students how they felt about books that included sadness and grief. The overwhelming answer from the students was that while adults too often minimize their feelings and dismiss the validity of their heartache, books do not. Many young readers want books that are honest and raw enough not to shield them from the world, but to pay enough attention to its pain to light a path, knowing that they can keep moving forward in the dark when they feel less alone and less afraid.

As a former middle school teacher and librarian, I know first-hand the power of story to motivate and teach. Over the years, I have also been lucky enough to facilitate several mother-daughter book groups and have found that books that show characters wrestling with decisions about doing the right thing, and recovering from bad choices, help to show children that there is always hope. Middle school is a time of such challenge and change, and stories that show authentically drawn characters navigating this tough terrain can act as guideposts. Becoming independent, finding your voice, growing empathy, and cherishing family and friends are necessary steps to becoming confident and healthy humans.

I have written three verse novels; two YA, Skyscraping and The Way the Light Bends, and one half-verse, half-prose MG Every Shiny Thing (co-authored with Laurie Morrison.) I teach verse novel specific classes for The Highlights Foundation and The Writing Barn, on topics like plotting verse novels, creating an image system in verse novels, revising verse novels. I also edit verse novel manuscripts, working with one private student per month. Along with this, I’ve taught a Writing for Children class at Bryn Mawr College. Presently, I teach kids and teens through the Kelly Yang Project and run a local, kids’ literary journal here in Philadelphia called the Mt. Airy Musers. 

As a person who has lived with chronic illness and disability for over a decade, I've often found it difficult to advocate for myself because I was afraid and because I just didn’t know that I had a right to speak up. Not just in medical settings but also with family and friends. So often, others with “authority” think they know what’s best for us, but in the end, we know our bodies best. I’ve learned to set boundaries, say no, and advocate for myself as a means of survival. These five books are wonderful examples of strong girls and young women using their voices to protect their bodily agency and build their body confidence.

I went through major surgery when I was in eighth grade. The physical pain was bad, but what hurt more was the emotional side. When I returned to school, the friend groups had shifted, shutting me out because of my extended absence. I had to face that time in life alone. Perhaps that’s why I’m drawn to works about kids who have to face challenges on their own. When we go through hard times, our true selves come out. They have to; we have no one else. We can’t pretend. We can only try to make it. The books I like show characters that shine through their hardships.

There’s something truly magical about our ability to perceive the world through our senses. Our abilities to see, hear, smell, taste, and touch are like superpowers that we take for granted. Because of many amazing sensory experiences—like viewing the world from the top of a tower, feeling the pull of ocean waves at my feet, comparing flavors within chocolate, hearing wood thrushes in the forest—I find myself drawn to the beauty that our senses add to life. So, I’ve written two middle-grade novels (The Splintered Light and The Other Side of Luck) with an eye (and an ear) on sensory perception. I hope you enjoy these books!

I love the way verse novels eliminate unnecessary background and scene-setting. They cut straight to the heart of conflict and emotions. We instantly feel what the characters feel. The lyrical flow of words, figurative language, and freedom to arrange the poems in different ways on the pages taps into a different creativity for an author. Each poem stands alone, telling its own story. While writing Wishes, Dares, and How to Stand Up to a Bully, eleven-year-old Jack insisted I tell the story his way. Raw, unflinching, unfiltered. I am in love with this form and plan to write more novels in this format. The book is a 2021 NCTE notable verse novel.