Here are 100 books that The 500 Hats of Bartholomew Cubbins fans have personally recommended if you like
The 500 Hats of Bartholomew Cubbins.
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As a child, one of my favorite places was in the top branches of a tree. From up there I could watch the world pass by, remaining invisible. I could make up stories about the world below and no one would challenge me. The second best place for me was inside the story of a book, the kind that took you to magical places where children always found a way to win the day. I knew when I “grew up” I would write one of those empowering books. I became a middle school teacher and have since read many wonderful books for this age. Enjoy my list of favorites.
For me, Mary’s abandonment by the adults around her, came close to home. I rooted for her to free her soul. It was the beauty of the garden and the gentle robin that first melted the ice around her heart by connecting her with nature.
Then along came Dickon, who had grown up deeply connected with the earth and inspired her further, and finally Colin, who, like her, had been neglected. They healed each other as they revitalized the garden, experiencing the joys of mother earth.
It reinforced my own faith in mother nature, who also supported me whenever I grappled with my reality.
Rediscover the magical story of Mary Lennox, who arrives in the wild and windswept Yorkshire a sickly and miserable girl - until she discovers a forgotten, Secret Garden.
As Mary works hard to bring the garden back to life, its magic begins to work on her too . . .
This classic and beloved story has been beautifully retold by Claire Freedman and brought to glorious visual life by new illustration talent Shaw Davidson
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
I learned from this story why families make the difficult decision to split up and send a father and a child on a dangerous journey for a better life. This family lives in Mexico, facing hunger and destitution. The father and his son became migrants. They walked to America, knowing that they could be split up or one of them die.
In this book, I learned about the Mexican-American War, and the atrocious US policy of splitting migrant children from their parents.
Join a young boy and his father on a daring journey from Mexico to Texas to find a new life. They'll need all the resilience and courage they can muster to safely cross the border - la frontera - and to make a home for themselves in a new land. AGES: 8 to 10 AUTHORS: Alfredo Alva is a stonemason from La Ceja, Mexico. He and his family live in Texas, where he designs architectural details from stone for local architects. He met Deborah Mills while working on a local architecture project, and they worked together to write his story…
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
30,000 children some of whom were as young as six were orphaned and displaced from their homes when their villages were attacked in the Civil War. They met and banded together to trek across Sudan to Ethiopia and Kenya, looking for a new home. This was a journey of almost 1,000 miles. Thousands died on the way, but over 3,000 survived and many were resettled in America. I learned what can happen to children when their village is attacked and their parents killed. It's a fascinating story of perseverance and the importance of hope.
Coretta Scott King Illustrator Award Honor, American Library Association (ALA) Notable Children's Book, Association for Library Service to Children (ALSC) Best Children's Books of the Year: Outstanding Merit, Bank Street College of Education Notable Books for a Global Society, International Literacy Association (ILA) Children's Book Award Notable, International Literacy Association (ILA) Books Reflecting Diversity: - A Look Into a Wilder World, Bank Street College Children's Book Committee
Based on heartbreaking yet inspirational true events in the lives of the Lost Boys of Sudan, Brothers in Hope is a story of remarkable courage, and an amazing testament to the unyielding power…
What happens when you’re face-to-face with a truth that shakes you? Do you accept it, or pretend it was never there?
Award-winning author Mark A. Rayner smudges the lines between realist and fabulist, literary and speculative in this collection of stories that examines this question—what Homer called passing through The…
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
I chose this story to illustrate the plight of Jewish people during the Nazi occupation in France. Catherine's War is based on the true story of a Jewish girl named Rachel Cohen who had to leave her boarding school near Paris and find somewhere safe to live. Rachel has to change her name to Catherine Colin and hide her Jewish identity in order to survive. She was sustained by her beautiful camera, which gave her a record of all that she had to through.
“A shining story of a young girl who struggles to come of age and find her place in a world fraught with danger.” —Susan Campbell Bartoletti, Newbery Honor-winning author of Hitler Youth
* Winner of the Youth Prize at the Angoulême International Comics Festival (voted by readers) * Winner of the Artémisia Prize for Historical Fiction * Winner of the Andersen Premio Prize *
A magnificent narrative inspired by a true survival story that asks universal questions about a young girl’s coming of age story, her identity, her passions, and her first loves.
I’m an American author and writing teacher both at Harvard and Oxford’s online programs. I've mostly written poetry and nonfiction, then in 2021 I published my first novel, She Never Told Me about the Ocean. I started writing the book when my daughter was born as a way to explore the complicated feelings and fears that suddenly washed over me. The book—like a daughter—outgrew my plans and expectations for it. It became, unexpectedly, a mythology of mothers and daughters. For two decades I've studied fairy tales and myths. Fairy tales deal in fears and the stories we tell ourselves to feel safe—which is why I read them and use them in my writing.
This book is almost too beautiful for words, and reading it you feel like you are falling into a haunted magic mirror where identity and race are explored alongside a host of deep simmering emotions: anger and forgiveness, fear and vanity. A sort of dizzying intergenerational retake on Snow White.
As seen on the cover of the New York Times Book Review, where it was described as “gloriously unsettling… evoking Toni Morrison, Haruki Murakami, Angela Carter, Edgar Allan Poe, Gabriel García Márquez, Chris Abani and even Emily Dickinson,” and already one of the year’s most widely acclaimed novels:
“Helen Oyeyemi has fully transformed from a literary prodigy into a powerful, distinctive storyteller…Transfixing and surprising.”—Entertainment Weekly (Grade: A)
“I don’t care what the magic mirror says; Oyeyemi is the cleverest in the land…daring and unnerving… Under Oyeyemi’s spell, the fairy-tale conceit makes a brilliant setting in which to explore the alchemy…
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
This is a fairy tale. I’ll state this upfront because at first glance, it’s a bit of a hard read. And why is it a hard read? Because—to me, anyway—it feels like wish-fulfillment fantasy on steroids. It’s like the rantings of a terribly abused boy. Of course, much fiction—especially fairytales which is this book’s genre—is wish fulfillment. But the story feels very uncomfortable. Mio is so over-the-top happy about having been transported into the kingdom of his father the king that one feels as if one is listening to a pitiful delusion. I found myself reading the book with two minds. One mind kept saying, “Dive into the reverie and joy of a boy who has found his dead father in a faraway land and who discovers that he’s important to the world.” And simultaneously, my other mind was thinking, “Oh my heavens! This little boy…
Neuroscience PhD student Frankie Conner has finally gotten her life together—she’s determined to discover the cause of her depression and find a cure for herself and everyone like her. But the first day of her program, she meets a group of talking animals who have an urgent message they refuse…
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
The crime scene generally occurs near the start of a mystery—something incomprehensible and threatening the reader and detective will endeavor to explain by the book’s end. Sometimes, though, the world is the crime. In almost painfully beautiful language, this book sets us down in a frightening fairytale forest. We’re traveling with a failed detective looking for a runaway wife, but much of the investigative work emanates from the reader attempting—and often failing—to break through the atmosphere, through the visceral but unmappable feelings of danger and loss the text produces in order to find something that can be named, explained, neutered.
This is the kind of book that affected me sidewise; I never saw it coming, but it got me over and over again. The Spanish edition includes illustrations, the English a suggested playlist.
Fairy tale meets detective drama in this David Lynch–like novel by a writer Jonathan Lethem calls “one of Mexico's greatest . . . we are just barely beginning to catch up to what she has to offer.”
A fairy tale run amok, The Taiga Syndrome follows an unnamed Ex-Detective as she searches for a couple who has fled to the far reaches of the earth. A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down—that she wants to be found. He hires the Ex-Detective, who sets out with a translator into…
Since I can remember, I’ve loved fairy tales. Stories that start once upon a time, somewherefar, far away. Those words are both comforting and exciting. I am fascinated by their evolution and prevalence in different cultures and genres. That same story can be told in a million different ways that are familiar, and completely new. I used a fairy tale to complete my writing minor, then submitted that same story for a Masters writing program, transforming it into my thesis, which became my first published book. I’ve spent a career reading and writing fairy tales, and I hope this list helps you love them as much as I do.
Lewis Carroll’s Alice in Wonderland is ripe with retellings, but you’d be hard-pressed to find a darker, more gruesome version than Christina Henry’s. In this violent, twisted landscape, a broken Alice finds herself trapped in an insane asylum, with only one friend—Hatcher. Known for being mad, he’s housed in the neighboring cell, imprisoned for killing people with a hatchet. We follow these damaged characters as they escape their prison and navigate a nightmarish world. While this is not a story for the faint of heart, if you can handle the darkness, Henry’s lovely prose and imaginative story will take you on an unforgettable journey unlike any fairy tale you’ve ever read.
In four new novellas, Christina Henry returns to the world of Alice and Red Queen, where magic runs as freely as secrets and blood.
Lovely Creature In the New City lives a girl with a secret: Elizabeth can do magic. But someone knows her secret--someone who has a secret of his own. That secret is a butterfly that lives in a jar, a butterfly that was supposed to be gone forever, a butterfly that used to be called the Jabberwock...
Girl in Amber Alice and Hatcher are just looking for a place to rest. Alice has been dreaming of a…
As a life-long lover of fairy tales, I believe the reason these timeless stories resonate so deeply is because they speak to an unquenchable desire in the center of each of our souls: the hope for a grand romantic adventure that will change our lives from the inside out. As an author, I strive to create those kinds of soul-speaking stories, crafting characters my readers relate to as friends... and respect as heroes. When my readers adventure alongside these fictional friends, I hope they are encouraged to bravely face the real-life challenges of our modern world, while being emboldened toward acts of everyday and exceptional heroism.
Wolves and Roses is a fun and snarky start to a big series in which humans exist in a modern world alongside shifters, witches, and fairies. Sounds fun, right?
Bryar Rose is expected to follow the Sleeping Beauty story template for her life. Unfortunately, something glitched in her personality, because no part of that story appeals to who she truly is, or what she wants out of life. When Bryar meets Knox, a powerful werewolf shifter in the midst of his own identity crisis, sparks fly.
If you enjoy strong, rebellious female leads and bad-boy heroes (yes, please!), this book has all those vibes, plus intrigue, witty banter (my fave), and action. Fans of alternate-history fantasy, paranormal romance, and modern-set fairy tale retellings should add this book to their TBR.
Seventeen-year-old Bryar Rose has a problem. She’s descended from one of the three magical races—shifters, fairies, or witches. That makes her one of the Magicorum, and Magicorum always follow a fairy tale life template. In Bryar’s case, that template should be Sleeping Beauty.
Should being the key word.
Trouble is, Bryar is nowhere near the sleeping beauty life template. Not even close. She doesn’t like birds or woodland creatures. She can’t sing. And she certainly can’t stand Prince Philpot, the so-called “His Highness of Hedge Funds” that her aunties want her to…
Forsaking Home is a story about the life of a man who wants a better future for his children. He and his wife decide to join Earth's first off-world colony. This story is about risk takers and courageous settlers and what they would do for more freedom.
UK-born CY Croc started her career in the health industry, but later changed professions after obtaining a postgraduate degree in teaching. It was while teaching she discovered her dream profession. An author was invited to the school to showcase her latest book. Inspired, CY wrote over 30 books in the next 3 years in contemporary, sci-fi, and paranormal romance. She loves to include positive subliminal messages in her stories about body image, prejudice, and love from a higher realm and always practices inclusion in her writing. Her main characters practice autonomy and come from all races. CY believes everyone should experience love, and that's why some of her protagonists are not of this world.
Why only settle for one unearthly lover when you can have 3? Especially when the female protagonist turns out to be somewhat monstrous herself? This book features 3 completely different male monster protagonists that will stop at nothing to protect the female protagonist. You’ll find it difficult to choose your favourite book boyfriend in this exceptionally entertaining monster reverse harem.
