I write books and newspaper columns on criminal justice and criminal defense. As an investigator for criminal defense attorneys, I spent years in the jails and prisons of Florida and Georgia interviewing felony defendants—murderers, child molesters, con men, robbers, drug dealers, whores, wife beaters, and shooters for hire. Some were insane; most weren’t. My interest is personal as well as professional. I live in Police Zone 1, the most dangerous area of my city. It’s a place where kids and church ladies can distinguish a Chinese AK from a Glock nine by sound alone. It’s a place where I carry an extra-large can of pepper spray and a combat knife, just to walk the dog!
As chief of the Philadelphia Police Department, Timoney ended the notorious practice of “juking” crime statistics to soothe politicians. For example, if you want to lower the murder rate, just book the killers on “manslaughter! This book is by the third of brilliant cops who reformed the NYPD. Compare what they did in 1990 to the current misrule and chaos in the Big Apple and I can truly say to you, “Read it and weep!”
Born in a rough-and-tumble neighborhood of Dublin, John F. Timoney moved to New York with his family in 1961. Not long after graduating from high school in the Bronx, he entered the New York City Police Department, quickly rising through the ranks to become the youngest four-star chief in the history of that department. Timoney and the rest of the command assembled under Police Commissioner Bill Bratton implemented a number of radical strategies, protocols, and management systems, including CompStat, that led to historic declines in nearly every category of crime. In 1998, Mayor Ed Rendell of Philadelphia hired Timoney as…
I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
How should theorizing about the police be reconciled with the practical reality of policing?
Jackall’s book illustrates the difficulty of answering this question by drawing on his years of fieldwork with New York City police detectives, illuminating the tension between theory and the rough-and-tumble world of police work.
It is one thing to ponder the justification of, say, deceptive practices from within the confines of the ivory tower and quite another to face that question in an interrogation room with someone suspected of a heinous crime.
The book is an engaging study of life on the street.
Detectives work the streets - an arena of action, vice, lust, greed, aggression, and violence - to gather shards of information about who did what to whom. They also work the cumbersome machinery of the justice system - semi-military police hierarchies with their endless jockeying for prestige, procedure-driven district attorney offices, and backlogged courts - transforming hardwon street knowledge into public narratives of responsibility for crime. Street Stories, based on years of fieldwork with the New York City Police Department and the District Attorney of New York, examines the moral ambiguities of the detectives' world as they shuttle between the…
I'm the author of two police procedural mysteries, a series that features a father/daughter detective team. I write in the traditional mystery genre for the simple reason that I'm a passionate reader of this genre, and always have been. I enjoy the structure of a whodunnit—the pacing, red herrings, clues, plot twists, reveals—and love constructing a multi-layered mystery that is both engaging and suspenseful. I’m a big fan of the masters of this genre: Agatha Christie, PD James, Dick Francis, and Val McDermid. I’m also an avid watcher of police procedural television series, and I’m especially drawn to the darker investigative stories you find in programs like The Killing, Mare of Easttown, and The Wire.
Former NYPD detective and single mom PI Laney Bird is flawed and imperfect, yet resourceful and determined—a nuanced protagonist that makes this book as much a character study as a mystery thriller. Far from the grisly crime cases she investigated in NYC, Laney settles into a small town in upstate New York hoping to raise her teenage son in a safe environment. When Laney’s neighbor Holly disappears, the plot takes off in unexpected directions as Laney scratches the surface of her friend’s seemingly normal life. Although this is a crime novel, at its heart, it’s about the lengths women will go to to protect their families.
NYPD detective turned small town PI Laney Bird is in a fight to save lives—including her own—when an explosion of deadly violence at a block party exposes the crimes simmering underneath her neighborhood’s peaceful façade.
A transplant to the upstate New York hamlet of Sylvan, all Laney wants is a quiet life for herself and her son. But things rarely remain calm in Laney’s life. When one neighbor, a Russian immigrant, is shot, and his Ukrainian wife disappears—along with Laney’s best friend—at her neighborhood summer block party, Laney will need all her skills as a PI to solve a mystery…
While the werewolf curse isn’t real (as far as we know/thank goodness!), I do know what it’s like to have my life turned upside down by a painful illness that seems like a curse. When I was 23, I almost died from a rare autoimmune disease that tried to devour my lungs. More than a decade later, I’m still here and fighting, and my escapist love of reading fantasy books turned into a passion to write them. I also love metaphors and werewolves, and it all combined nicely with my BA in English! Aside from writing, I help other “underdog” authors as COO for indie publisher Thinklings Books.
Werewolf Cop is a hard-boiled noir quite unlike the other books on my list, but Klavan’s powerful voice drew me in and never let go. The book wasn’t entirely hard and gritty like I assumed at first. I especially like the way Klavan portrays the relationship between the main character and his wife. My favorite quote from the book is: “Bloody hard to know who the good guys are, isn’t it?” “It is,” said Zach. “I’m not even sure that’s how it works... It’s more like—messed-up guys, some fighting for the good, some for the bad, and the rest just wandering around bumping into the furniture.”
Zach Adams is one of the best detectives in the country. Nicknamed Cowboy, he's a soft-spoken homicide detective known for his integrity and courage under fire. He serves on a federal task force that has a single mission: to hunt down Dominic Abend, a European gangster who has taken over the American underworld.
In a centuries-old forest under a full moon, a beast assaults Zach, cursing him forever. In the aftermath, he is transformed into something horrible-something deadly.
Now, the good cop has innocent blood on his hands. He has killed-and will kill again-in the form of a beast who…
I write books and newspaper columns on criminal justice and criminal defense. As an investigator for criminal defense attorneys, I spent years in the jails and prisons of Florida and Georgia interviewing felony defendants—murderers, child molesters, con men, robbers, drug dealers, whores, wife beaters, and shooters for hire. Some were insane; most weren’t. My interest is personal as well as professional. I live in Police Zone 1, the most dangerous area of my city. It’s a place where kids and church ladies can distinguish a Chinese AK from a Glock nine by sound alone. It’s a place where I carry an extra-large can of pepper spray and a combat knife, just to walk the dog!
This book describes the harum-scarum changes to the NYPD that made possible an astonishing reduction in crime and homicide in a city in the midst of the crack cocaine wars. When Bratton began promoting hotshot cops on merit rather than seniority, half the senior commanders retired in horror. The result? A lot of fat ex-cops retired to Florida and the renaissance of New York City.
When Bill Bratton was sworn in as New York City's police commissioner in 1994, he made what many considered a bold promise: The NYPD would fight crime in every borough...and win. It seemed foolhardy; even everybody knows you can't win the war on crime. But Bratton delivered. In an extraordinary twenty-seven months, serious crime in New York City went down by 33 percent, the murder rate was cut in half--and Bill Bratton was heralded as the most charismatic and respected law enforcement official in America.. In this outspoken account of his news-making career, Bratton reveals how his cutting-edge policing strategies…
When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
This is a modern mystery classic by a master of the plot twist. I’ve studied Rendell’s stories for years, to understand how she makes such extraordinary yet plausible leaps.
In this book the revelatory information is contained in the very first sentence. A woman has killed her employers, for a reason that is shocking in its randomness and absurdity. Rendell then backtracks to show us that the victims did nothing rotten enough to deserve their fate. There is no motive. Nothing is gained.
As the author states in that amazing first sentence, the killer is driven to extraordinary violence purely by the need to keep her illiteracy a secret. Stunning.
A gripping tragedy of crime and class, widely regarded as one of multi-million copy and SUNDAY TIMES bestselling author Ruth Rendell's seminal masterworks and a crime fiction classic. Fans of PD James, Ann Cleeves and Donna Leon will not be disappointed.
'One of her masterpieces' -- Telegraph 'A classic' - The Times 'Quite possibly the best crime book I have ever read' -- ***** Reader review 'One hell of a book' -- ***** Reader review 'An altogether engrossing book' -- ***** Reader review 'A compelling and addictive read' -- ***** Reader review 'An absolute classic - can only be described…
I spent a career as a television film editor, crafting other writers’ words and directors’ visions to help tell a story. I’ve always loved mysteries and the good ones always have clues that only the savviest of sleuths can figure out. When humor is added it’s even better. That’s what I’ve tried to do with my writing.
This book is one of a series of Mathew Scudder stories by Block. I enjoy his books because his main character is as flawed as we are. Matt is a hard-drinking former cop who goes about helping friends out of their troubles. And his friends are in a lot of trouble. Action and close calls, as well as humor, abound in this well-crafted story.
A superb thriller from the writer of A WALK AMONG THE TOMBSTONES.
Scudder is a witness to a heist in an illegal drinking den, and the owners would like him to find the culprits, while another witness wants him to investigate the murder of his wife.
At heart, I just love a juicy story. For about three years of my life, I read nothing but non-fiction and textbooks on psychology, psychotherapy, and analyses of the human condition—everything from case studies to scientific papers. Cross that with an NYPD detective for a husband, and my obsession with the criminal mind, the detective mind, and everything in between was born. I am especially drawn to stories that show how working with the underbelly of society affects a police officer’s psyche. Nobody is unscathed. It is this vision of humanity on the razor’s edge between law and crime that I find most compelling to write and read.
Being a New Yorker, I’m a sucker for any true New York books, and this one is as authentic as they come. I also really appreciated how believable Chiara Corelli is. She has all the right mix of ethical and tough, but she is also a fully realized person with both external and internal goals and needs. Really good police procedural with a healthy dose of humanity.
Just back from her second tour in Afghanistan, NYPD Detective Chiara Corelli goes undercover to expose a ring of dirty cops. But when she’s ordered to kill to prove her loyalty, she aborts the operation without having identified the leaders. Now, Corelli is the one exposed. With her brothers and sisters in blue ostracizing her, can she trust Detective P.J. Parker to watch her back?
Parker is the daughter of a vehement critic of the NYPD. But that doesn’t stop her from wanting to work in the homicide division. And wanting to learn from the best. Unfortunately, Chiara Corelli is…
I’m a former magazine journalist and nonfiction book writer who now only writes crime novels. I try to write about a world that exists in varying degrees and shades of black and white. The characters in my books are flawed, sometimes deeply, trying their best to navigate a complex world while grappling with their own psychological and emotional scars. As a result, they often make decisions that wind up not being in their (or anyone else’s) best interest. In trying to breathe life into these characters, I get to know them better than I know myself, and it’s this I think allows me to admire the five books I’ve chosen.
Reed Farrel Coleman, called “a hard-boiled poet,” and a “noir laureate” has written somewhere in the neighborhood of thirty crime novels, including a number of Robert B. Parker’s Jesse Stone novels. One of my favorites is Where it Hurts, which features divorced, retired cop Gus Murphy who’s picked up part-time work as a courtesy van driver for a run-down hotel. The only thing that interrupts his mindless routine comes when ex-con Tommy Delcamino asks Gus to investigate the mysterious death of his son. Coleman is particularly strong when it comes to character. This book especially resonates with me because of Coleman’s ability to dig deep inside his character’s psyche, not only examining how they tick but why they tick. His books, especially this one, are tightly plotted but for me the real attraction is his examination of personal, moral dilemmas. I’m especially attracted to and admiring of Coleman’s books,…
From the critically acclaimed and award-winning author comes a gritty, atmospheric new series about the other side of Long Island, far from the wealth of the Hamptons, where real people live—and die.
Gus Murphy thought he had the world all figured out. A retired Suffolk County cop, Gus had everything a man could want: a great marriage, two kids, a nice house, and the rest of his life ahead of him. But when tragedy strikes, his life is thrown into complete disarray. In the course of a single deadly moment, his…
Characters leap off
the page in this novel based on a true crime that
occurred in 1920s Prohibition-era New York City. I don’t often read true-crime
novels, but this one is exceptional.
The story is a fictional telling of the
aftermath of a scandalous crime: the murder of a Broadway party girl. The story’s
point of view rotates among several people drawn into the crime’s orbit. The
viewpoints offer a lens on how people of various social classes, occupations,
races, and ethnicities maneuvered through—and were affected by—the era’s rules,
restrictions, prejudices, and biases.
The leading voice is based on a real-life
female trailblazing journalist. As a retired journalist, I appreciated the
spotlight on her in this page-turner.
New York in the Roaring Twenties-a riveting true-crime novel, based on one of the most notorious unsolved murders of the era, where power, politics, and secrets conspire to bury the truth.
Manhattan, 1923. Scandalous flapper Dot King is found dead in her Midtown apartment, a bottle of chloroform beside her and a fortune in jewels missing. Dot's headline-making murder grips the city. It also draws a clutch of lovers, parasites, and justice seekers into one of the city's most mesmerizing mysteries.
Among them: Daily News crime reporter Julia Harpman, chasing the story while navigating a male-dominated industry; righteous NYPD detective…
