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I write books and newspaper columns on criminal justice and criminal defense. As an investigator for criminal defense attorneys, I spent years in the jails and prisons of Florida and Georgia interviewing felony defendants—murderers, child molesters, con men, robbers, drug dealers, whores, wife beaters, and shooters for hire. Some were insane; most weren’t. My interest is personal as well as professional. I live in Police Zone 1, the most dangerous area of my city. It’s a place where kids and church ladies can distinguish a Chinese AK from a Glock nine by sound alone. It’s a place where I carry an extra-large can of pepper spray and a combat knife, just to walk the dog!
Maple was the architect of the tactics that allowed the NYPD to lower homicides by 60% in two miraculous years from 1990–1992. This book is easy to read and often funny, which doesn’t obscure Maple’s tactical genius. The story of how a lowly transit cop who fancied suits, vests, bow ties, and homburgs became Assistant Commissioner of Police in New York is astonishing. You can only regret that Maple was never able to use his fake “Gun-Sniffing Dog” ploy to flush suspects with concealed firearms. It was sheer genius.
Former NYPD Deputy Commissioner Jack Maple was a man in a bow tie and homburg--he was also on a mission to revolutionize the way crime is fought: how cops go after crooks, and how they prevent crime in the first place. And he succeeded.
But Maple is not satisfied. In The Crime Fighter, he shows how crime can be attacked all across America. Laced with fascinating, incredible, and often very funny tales of Maple's adventures as a cop, the book is as entertaining as it is informative. Anyone interested in how criminals think and act, and how the police should…
I write books and newspaper columns on criminal justice and criminal defense. As an investigator for criminal defense attorneys, I spent years in the jails and prisons of Florida and Georgia interviewing felony defendants—murderers, child molesters, con men, robbers, drug dealers, whores, wife beaters, and shooters for hire. Some were insane; most weren’t. My interest is personal as well as professional. I live in Police Zone 1, the most dangerous area of my city. It’s a place where kids and church ladies can distinguish a Chinese AK from a Glock nine by sound alone. It’s a place where I carry an extra-large can of pepper spray and a combat knife, just to walk the dog!
As chief of the Philadelphia Police Department, Timoney ended the notorious practice of “juking” crime statistics to soothe politicians. For example, if you want to lower the murder rate, just book the killers on “manslaughter! This book is by the third of brilliant cops who reformed the NYPD. Compare what they did in 1990 to the current misrule and chaos in the Big Apple and I can truly say to you, “Read it and weep!”
Born in a rough-and-tumble neighborhood of Dublin, John F. Timoney moved to New York with his family in 1961. Not long after graduating from high school in the Bronx, he entered the New York City Police Department, quickly rising through the ranks to become the youngest four-star chief in the history of that department. Timoney and the rest of the command assembled under Police Commissioner Bill Bratton implemented a number of radical strategies, protocols, and management systems, including CompStat, that led to historic declines in nearly every category of crime. In 1998, Mayor Ed Rendell of Philadelphia hired Timoney as…
I write books and newspaper columns on criminal justice and criminal defense. As an investigator for criminal defense attorneys, I spent years in the jails and prisons of Florida and Georgia interviewing felony defendants—murderers, child molesters, con men, robbers, drug dealers, whores, wife beaters, and shooters for hire. Some were insane; most weren’t. My interest is personal as well as professional. I live in Police Zone 1, the most dangerous area of my city. It’s a place where kids and church ladies can distinguish a Chinese AK from a Glock nine by sound alone. It’s a place where I carry an extra-large can of pepper spray and a combat knife, just to walk the dog!
Bill Bratton had the original insight that crime is a city problem, not just a cop problem. In this book, he discusses how collaboration between city, state, and federal agencies is essential to reduce murder and violent felonies. How easy is it to get government agencies to cooperate? Like herding cats, you say? More like herding rabid lions and tigers. You’re dealing with bureaucrats who imbibed the subtleties of the double and triple cross with their mothers’ milk!
In Collaborate or Perish! former Los Angeles police chief and New York police commissioner William Bratton and Harvard Kennedy School’s Zachary Tumin lay out a field-tested playbook for collaborating across the boundaries of our networked world. Today, when everyone is connected, collaboration is the game changer. Agencies and firms, citizens and groups who can collaborate, Bratton and Tumin argue, will thrive in the networked world; those who can’t are doomed to perish.
No one today is better known around the world for his ability to get citizens, governments, and industries working together to improve the safety of cities than William…
Growing up in Brooklyn I heard stories about local mafia figures. Now, as the author of several books that deal with crime, I am passionate about good storytelling. I believe that a novel delving into the world of crime and criminals should be fast-paced and believable. Readers have told me that they give up on a book because, in their words: 1. “It isn’t believable” and 2. “It didn’t draw me in.” God forbid that any of the books I’ve written should fall into either of those categories! The books that I recommend are tops in the genre of The Best Mob Books That Tell It Like It Is.
The Valachi Papers, a 1968 book written by Peter Maas, is the life story of Joe Valachi, a former member of the Genovese crime family, who testified in 1963 before a Senate committee, revealing until-then confidential information about the American mafia. The book was made into a film in 1972, starring Charles Bronson as Valachi.
Maas describes in vivid detail Joe Valachi’s initiation into and rise within a mafia family, frequently relying on Valachi’s own gutsy descriptions. Although it is a biography the book has the verve and pace of a thrilling work of fiction. In many ways better than even a well-written novel, The Valachi Papersis an edge-of-your-seat reading experience.
In the 1960s a disgruntled soldier in New York's Genovese Crime Family decided to spill his guts. His name was Joseph Valachi. Daring to break the Mob's code of silence for the first time, Valachi detailed the organization of organized crime from the capos, or bosses, of every Family, to the hit men who "clipped" rivals and turncoats. With a phenomenal memory for names, dates, addresses, phone numbers—and where the bodies were buried—Joe Valachi provided the chilling facts that led to the arrest and conviction of America's major crime figures.
I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
How should theorizing about the police be reconciled with the practical reality of policing?
Jackall’s book illustrates the difficulty of answering this question by drawing on his years of fieldwork with New York City police detectives, illuminating the tension between theory and the rough-and-tumble world of police work.
It is one thing to ponder the justification of, say, deceptive practices from within the confines of the ivory tower and quite another to face that question in an interrogation room with someone suspected of a heinous crime.
The book is an engaging study of life on the street.
Detectives work the streets - an arena of action, vice, lust, greed, aggression, and violence - to gather shards of information about who did what to whom. They also work the cumbersome machinery of the justice system - semi-military police hierarchies with their endless jockeying for prestige, procedure-driven district attorney offices, and backlogged courts - transforming hardwon street knowledge into public narratives of responsibility for crime. Street Stories, based on years of fieldwork with the New York City Police Department and the District Attorney of New York, examines the moral ambiguities of the detectives' world as they shuttle between the…
I’m agnostic to book genre. If I see it, I will try it. I read all over the place. I just finished a book on online dating and race, the buzzy fiction of the moment, and a self-help book. There are two genre’s that are my absolute favorites, though, women’s fiction, and police procedurals. I’ve read Elizabeth George, Julia Spencer Fleming, Michael Connelly, and Tana French since they started publishing. While I enjoy the whodunit nature of the books, my favorite parts are those quiet moments of pure, unfettered relations between people who care for each other in an otherwise chaotic world. It’s what I write and what I read.
This book is the third installment in the The Rev. Clare Fergusson & Russ Van Alstyne Mysteries.
This series features a small town, upstate New York police chief (Van Alstyne) and an Episcopal priest (Fergusson). When the series starts Van Alstyne is happily married, and Fergusson is new to her church.
By this book, it’s clear that the cop and the priest are attracted to each other. There’s this single scene when they’re driving in his pickup as they gather clues to solve the murder. They look at each other and it’s one hundred percent clear that not only do they have an attraction that can’t be denied.
Also they’re going to have to break their vows, his to marriage, and hers to the priesthood.
On April, 1 1930, Jonathon Ketchem's wife, Jane, walked from her house to the police department to ask for help in finding her husband. The men, worn out from a night of chasing bootleggers, did what they could. But no one ever saw Jonathon Ketchem again.. Now decades later, someone else is missing in Millers Kill. This time it's the clinic's physician that bears the Ketchem name. Suspicion falls on a volatile single mother with a grudge against the doctor, but Reverend Clare Fergusson isn't convinced. As Clare and Russ investigate, they discover that the doctor's disappearance is linked to…
I spent a career as a television film editor, crafting other writers’ words and directors’ visions to help tell a story. I’ve always loved mysteries and the good ones always have clues that only the savviest of sleuths can figure out. When humor is added it’s even better. That’s what I’ve tried to do with my writing.
This book is one of a series of Mathew Scudder stories by Block. I enjoy his books because his main character is as flawed as we are. Matt is a hard-drinking former cop who goes about helping friends out of their troubles. And his friends are in a lot of trouble. Action and close calls, as well as humor, abound in this well-crafted story.
A superb thriller from the writer of A WALK AMONG THE TOMBSTONES.
Scudder is a witness to a heist in an illegal drinking den, and the owners would like him to find the culprits, while another witness wants him to investigate the murder of his wife.
Before I’m a writer, I’m a reader and I need the realness when it comes to military service. I started as an Army journalist so the details matter to me. When I pick up a book to relax and the main character draws me with a story I can get all the five senses of it, I’m in! On the other hand, I'm usually turned off by books that use veterans as props or either heroes or villains with nothing in between. That’s not who I served with. Where was the gray of the human existence in veteran characters? Gimme books that bring more depth to characters that round out personal experience.
This book is from a series but I picked this one out because it was perfectly targeting why veterans talking to other veterans can heal. These fictional characters have real backstories that resonated with me. This is set in a small town with the dichotomy of military and law enforcement and is an easy, mystery read.
On a warm September evening in the Millers Kill community center, five veterans sit down in rickety chairs to try to make sense of their experiences in Iraq. What they will find is murder, conspiracy, and the unbreakable ties that bind them to one another and their small Adirondack town.
The Rev. Clare Fergusson wants to forget the things she saw as a combat helicopter pilot and concentrate on her relationship with Chief of Police Russ Van Alstyne. MP Eric McCrea needs to control the explosive anger threatening his job as a police officer. Will Ellis, high school track star,…
I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
Zabar's, New York's world-famous food emporium, is the achievement of another Jewish immigrant family.
Author Lori Zabar's grandparents, before they were a couple, fled pogroms in Russia (now Ukraine) and made their way to New York. Together they worked at a variety of small food stores before starting their own in 1934. From then on, Zabar's helped define the Upper West Side of Manhattan.
The story here is one of hard work and eventual success in a family-run business, expanded to include dedicated non-family employees. The book also contains recipes, including two of my personal favorites - latkes and kugel.
The fascinating, mouthwatering story (with ten recipes!) of the immigrant family that created a New York gastronomic legend: “The most rambunctious and chaotic of all delicatessens, with one foot in the Old World and the other in the vanguard of every fast-breaking food move in the city" (Nora Ephron, best-selling author and award-winning screenwriter).
When Louis and Lilly Zabar rented a counter in a dairy store on 80th Street and Broadway in 1934 to sell smoked fish, they could not have imagined that their store would eventually occupy half a city block and become a beloved mecca for quality food…
I am the oldest of four children and was always close to my mom. She was a trailblazer, earning her doctorate in educational psychology in 1963 and teaching at the college level. In her early 70’s her memory started to falter, and she lived with dementia for 10 years before she died. I was a reporter at The New York Times and had published three books by that point. My fourth became All Gone: A Memoir of My Mother’s Dementia. With Refreshments. I spent years in doctors’ and hospital’s waiting rooms and these are some of the books that helped make that time not only tolerable but sometimes, even joyful.
“I saw a little boy on the street today, and he cried so eloquently that I will never forget him.” Maeve Brennan wrote for the New Yorker’s Talk of the Town section as ‘The Long-Winded Lady’ from 1954 to 1968. She roamed the city’s streets, bars, and restaurants, eyes wide open, weaving stories of vivid emotional detail from the most seemingly mundane moments. None of these are too long – in the waiting room concentration can be fleeting – but each sketch engages. Her story of the crying boy ends this way: “He might have been the last bird in the world, except that if he had been the last bird there would have been no one to hear him.”
“Of all the incomparable stable of journalists who wrote for The New Yorker during its glory days in the Fifties and Sixties,” writes The Independent, “the most distinctive was Irish-born Maeve Brennan.” From 1954 to 1981, Maeve Brennan wrote for The New Yorker’s “Talk of the Town” column under the pen name “The Long-Winded Lady.” Her unforgettable sketches—prose snapshots of life in small restaurants, cheap hotels, and crowded streets of Times Square and the Village—together form a timeless, bittersweet tribute to what she called the “most reckless, most ambitious, most confused, most comical, the saddest and coldest and most human…
