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I write books and newspaper columns on criminal justice and criminal defense. As an investigator for criminal defense attorneys, I spent years in the jails and prisons of Florida and Georgia interviewing felony defendants—murderers, child molesters, con men, robbers, drug dealers, whores, wife beaters, and shooters for hire. Some were insane; most weren’t. My interest is personal as well as professional. I live in Police Zone 1, the most dangerous area of my city. It’s a place where kids and church ladies can distinguish a Chinese AK from a Glock nine by sound alone. It’s a place where I carry an extra-large can of pepper spray and a combat knife, just to walk the dog!
Maple was the architect of the tactics that allowed the NYPD to lower homicides by 60% in two miraculous years from 1990–1992. This book is easy to read and often funny, which doesn’t obscure Maple’s tactical genius. The story of how a lowly transit cop who fancied suits, vests, bow ties, and homburgs became Assistant Commissioner of Police in New York is astonishing. You can only regret that Maple was never able to use his fake “Gun-Sniffing Dog” ploy to flush suspects with concealed firearms. It was sheer genius.
Former NYPD Deputy Commissioner Jack Maple was a man in a bow tie and homburg--he was also on a mission to revolutionize the way crime is fought: how cops go after crooks, and how they prevent crime in the first place. And he succeeded.
But Maple is not satisfied. In The Crime Fighter, he shows how crime can be attacked all across America. Laced with fascinating, incredible, and often very funny tales of Maple's adventures as a cop, the book is as entertaining as it is informative. Anyone interested in how criminals think and act, and how the police should…
I write books and newspaper columns on criminal justice and criminal defense. As an investigator for criminal defense attorneys, I spent years in the jails and prisons of Florida and Georgia interviewing felony defendants—murderers, child molesters, con men, robbers, drug dealers, whores, wife beaters, and shooters for hire. Some were insane; most weren’t. My interest is personal as well as professional. I live in Police Zone 1, the most dangerous area of my city. It’s a place where kids and church ladies can distinguish a Chinese AK from a Glock nine by sound alone. It’s a place where I carry an extra-large can of pepper spray and a combat knife, just to walk the dog!
This book describes the harum-scarum changes to the NYPD that made possible an astonishing reduction in crime and homicide in a city in the midst of the crack cocaine wars. When Bratton began promoting hotshot cops on merit rather than seniority, half the senior commanders retired in horror. The result? A lot of fat ex-cops retired to Florida and the renaissance of New York City.
When Bill Bratton was sworn in as New York City's police commissioner in 1994, he made what many considered a bold promise: The NYPD would fight crime in every borough...and win. It seemed foolhardy; even everybody knows you can't win the war on crime. But Bratton delivered. In an extraordinary twenty-seven months, serious crime in New York City went down by 33 percent, the murder rate was cut in half--and Bill Bratton was heralded as the most charismatic and respected law enforcement official in America.. In this outspoken account of his news-making career, Bratton reveals how his cutting-edge policing strategies…
I write books and newspaper columns on criminal justice and criminal defense. As an investigator for criminal defense attorneys, I spent years in the jails and prisons of Florida and Georgia interviewing felony defendants—murderers, child molesters, con men, robbers, drug dealers, whores, wife beaters, and shooters for hire. Some were insane; most weren’t. My interest is personal as well as professional. I live in Police Zone 1, the most dangerous area of my city. It’s a place where kids and church ladies can distinguish a Chinese AK from a Glock nine by sound alone. It’s a place where I carry an extra-large can of pepper spray and a combat knife, just to walk the dog!
Bill Bratton had the original insight that crime is a city problem, not just a cop problem. In this book, he discusses how collaboration between city, state, and federal agencies is essential to reduce murder and violent felonies. How easy is it to get government agencies to cooperate? Like herding cats, you say? More like herding rabid lions and tigers. You’re dealing with bureaucrats who imbibed the subtleties of the double and triple cross with their mothers’ milk!
In Collaborate or Perish! former Los Angeles police chief and New York police commissioner William Bratton and Harvard Kennedy School’s Zachary Tumin lay out a field-tested playbook for collaborating across the boundaries of our networked world. Today, when everyone is connected, collaboration is the game changer. Agencies and firms, citizens and groups who can collaborate, Bratton and Tumin argue, will thrive in the networked world; those who can’t are doomed to perish.
No one today is better known around the world for his ability to get citizens, governments, and industries working together to improve the safety of cities than William…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Growing up in Brooklyn I heard stories about local mafia figures. Now, as the author of several books that deal with crime, I am passionate about good storytelling. I believe that a novel delving into the world of crime and criminals should be fast-paced and believable. Readers have told me that they give up on a book because, in their words: 1. “It isn’t believable” and 2. “It didn’t draw me in.” God forbid that any of the books I’ve written should fall into either of those categories! The books that I recommend are tops in the genre of The Best Mob Books That Tell It Like It Is.
The Valachi Papers, a 1968 book written by Peter Maas, is the life story of Joe Valachi, a former member of the Genovese crime family, who testified in 1963 before a Senate committee, revealing until-then confidential information about the American mafia. The book was made into a film in 1972, starring Charles Bronson as Valachi.
Maas describes in vivid detail Joe Valachi’s initiation into and rise within a mafia family, frequently relying on Valachi’s own gutsy descriptions. Although it is a biography the book has the verve and pace of a thrilling work of fiction. In many ways better than even a well-written novel, The Valachi Papersis an edge-of-your-seat reading experience.
In the 1960s a disgruntled soldier in New York's Genovese Crime Family decided to spill his guts. His name was Joseph Valachi. Daring to break the Mob's code of silence for the first time, Valachi detailed the organization of organized crime from the capos, or bosses, of every Family, to the hit men who "clipped" rivals and turncoats. With a phenomenal memory for names, dates, addresses, phone numbers—and where the bodies were buried—Joe Valachi provided the chilling facts that led to the arrest and conviction of America's major crime figures.
After spending nearly two decades working in technology and Intelligence—working with law enforcement from all different agencies—I developed an appreciation and understanding of the worst that humans can do to each other. My specialty was domestic counterterrorism and foreign policy—and I did everything from developing software for chem/bio work to White House briefings. I have studied profiling and analysis in academic and real world settings – I have two Masters degrees – Strategic Intelligence & Criminal Justice – from American Military University, both with a minor in Terrorism Studies. While the academic background is great, the real-life experiences are what taught me the most – and find their way into my stories.
Cross Her Heart starts with a truly gripping opening – and the story doesn’t slow down from there.
Family, fear, love, duty, and what happens when you’re willing to risk it all to do the right thing are the main components of this story.
Bree finds herself restructuring her life and learning a lot about herself in the process. The whole story carries you through some rough patches in Bree’s life and ends with a completely satisfactory finish. There are so many threads to follow into the next book because you really want to see what happens to the characters. It ends well and yet you still want more.
A homicide detective's violent family history repeats itself in #1 Amazon Charts and Wall Street Journal bestselling author Melinda Leigh's novel of murder, secrets, and retribution.
For more than twenty-five years, Philadelphia homicide detective Bree Taggert has tucked away the nightmarish childhood memories of her parents' murder-suicide...Until her younger sister, Erin, is killed in a crime that echoes that tragic night: innocent witnesses and a stormy marriage that ended in gunfire. There's just one chilling difference. Erin's husband, Justin, has vanished.
Bree knows how explosive the line between love and hate can be, yet the evidence against her troubled brother-in-law…
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
The first in Locke’s Highway 59 series, featuring African American Texas ranger Darren Matthews involving two bodies one black, one white that wash up in a small East Texas town.
The story combines procedural, western, and Southern gothic to give an entertaining, human, yet unflinching look at race both past and present. This book enlightened me on how much African Americans contribute to what we call Texas culture.
Waterstones' Thriller of the Month June 2020 Shortlisted for the Orwell Prize 2020 A Sunday Times Book of the Year 'Political crime fiction of the highest order' Sunday Times
Nine-year-old Levi King knew he should have left for home sooner; instead he found himself all alone, adrift on the vastness of Caddo Lake. A sudden noise - and all goes dark. Ranger Darren Mathews is trying to emerge from another kind of darkness; his career and reputation lie in the hands of his mother, who's never exactly had his best interests at heart. Now she holds the key to his…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
This novel is enriched by being set in the theatre and based on a real dance troupe. We are caught up in an authentically realized experience of a stage company. It is set in Ngaio Marsh’s home country of New Zealand. Her knowledge of the Maori fertility symbol, the tiki, plays a significant role in the plot.
Her detective, Roderick Alleyn. Is also a gentleman, like Lord Peter Wimsey, but this time a professional policeman, who looks like a cross "between a monk and a grandee."
As with Dorothy Sayers, an extra interest is added in later books, with Alleyn’s edgy love affair with the artist Agatha Troy.
The leading lady of a theater company touring New Zealand was stunningly beautiful. No one-including her lover-understood why she married the company's pudgy producer. But did she rig a huge jeroboam of champagne to kill her husband during a cast party?
Did her sweetheart? Or was another villain waiting in the wings? On a holiday down under, Inspector Roderick Alleyn must uncork this mystery and uncover a devious killer...
I have always had a strong, long-lived interest in all things Italian (including Italian food and wine). I spent my third year of university at a campus in Rome and travelled all over Italy during my year there. I’ve been back to Italy as a tourist and researcher numerous times, as five of my ten award-winning novels are set there (in Venice, Rome, Cremona, etc.). I have many Italian friends and my most recent novel,The Artist and the Assassin, is being translated into Italian and will be published by Les Flaneurs Edizioni, an Italian publisher in Bari, Italy.
Another in Donna Leon’s series set in Venice with a focus on Commissario Guido Brunetti, a totally believable detective with all the skills any good detective would need to have while meeting up against all the difficulties any detective would encounter in a society (Italy) where the nature of bureaucracy is extremely problematic. So problematic that Brunetti is forced to take a break on a nearby island where he runs into other crimes and difficulties.
'When she's writing about her beloved Venice, Donna Leon can do no wrong. And Earthly Remains, her new mystery featuring Commissario Guido Brunetti, is one of her best. It's also one of her saddest, dealing as it does with the seemingly unstoppable polluting of the great lagoon . . . Leon dares to try, once again earning the gratitude of her devoted readers.' New York Times
A New York Times Bestseller A New York Times Top Ten Crime Novel of 2017 A New York Times Book Review Editors' Choice An Amazon Best Book of the Month (Mystery) __________________________________
I came to writing crime late after reading a P.D. James novel on my honeymoon. Previously a travel and ghostwriter, I became fascinated by the challenge of creating a whodunnit plot that fools the reader while simultaneously playing fair by giving them plenty of juicy clues. Agatha Christie said you should get to the end of your book and then choose the least likely person as the murderer. Quite often, I don’t know who the killer is myself until the end. If I’m kept guessing, hopefully my readers are too. I love the fact that whodunnits are a way of writing about all sorts of worlds within a compelling structure.
This was the book that turned me on to crime fiction, a genre I had always previously spurned. Why should anyone want to read about crime, I’d thought. Isn’t there enough of it in real life anyway?
Then, on my honeymoon in St Lucia, I was staying with my new wife in a magical villa full of books I’d never read. I picked this one up because it was about a publishing house, which reminded me of several I knew as an author. Right from the off, I was drawn in by James’s superb characters and wonderful descriptions. Then the plot kicked in, and I was hooked. When I’d finished it, I moved on to another of her books and was soon reading crime voraciously.
The Peverell Press, a two-hundred-year-old publishing firm housed in a dramatic mock-Venetian palace on the Thames, is certainly ripe for change. But the proposals of its ruthlessly ambitious new managing director, Gerard Etienne, have made him dangerous enemies - a discarded mistress, a neglected and humiliated author, and rebellious colleagues and staff. When Gerard's body is discovered bizarrely desecrated, there is no shortage of suspects and Adam Dalgliesh and his team are confronted with a puzzle of extraordinary complexity and a murderer who is prepared to strike…
I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Vitale is not calling for the abolition of police departments. He details the dramatic growth of these departments and notes police in America use their weapons more than any other police force of developed democracies. Blacks are disproportionately the victims of police killings. Policies like racial profiling and a “warrior mentality” on the part of cops are major reasons why police assault on black people is so widespread.
Police must take on a number of tasks in which they are not qualified to do, such as dealing with the mentally ill and homeless population. In addition, Vitale writes about a number of failed policies, including managing sex workers, the war on drugs, and suppressive measures towards gangs.
The problem is not overpolicing, it is policing itself Recent years have seen an explosion of protest and concern about police brutality and repression--especially after months of violent protest erupted in Ferguson, Missouri following the police killing of Mike Brown. Much of the conversation has focused on calls for enhancing police accountability, increasing police diversity, improving police training, and emphasizing community policing. Unfortunately, none of these is likely to produce results, because they fail to get at the core of the problem. The problem is policing itself--the dramatic expansion of the police role over the last 40 years.
