100 books like Where It Hurts

Matt Goldman has led an interesting career. His roots are in comedy, having been a successful Hollywood TV writer on shows like Seinfeld, The New Adventures of Old Christine, and Ellen. But he made the unlikely career shift becoming a successful crime writer with his Nils Shapiro detective series. Carolina Moonset, his latest, is a standalone novel that tells the story of a young man who visits his family in his childhood home, Beaufort, South Carolina. His father suffers from Lewy Body dementia. He has trouble remembering what he had for breakfast but still connects to rich, childhood memories, some of which concern both a past and present-day crime.

Goldman is especially strong when it comes to depicting a family torn apart by the ravages of this insidious disease. But Goldman skillfully creates a mystery that grabs the reader and won’t let go. As someone who… show more.

Tom Straw is another one who came to crime writing via a circuitous route. For many years, he’s been a very successful TV writer for shows like Night Court, Nurse Jackie, Grace Under Fire, Craig Ferguson (he still is) but when asked to become “Richard Castle,” the fictional crime writer who works alongside a New York City female cop for the ABC-TV series Castle, he said yes and immediately became a best-selling crime writer. Buzz Killer is the first novel he wrote under his own name and he makes good use of all those skills he honed as a TV writer. NYC public defender Maci Wild takes on the homicide case of a burglar the tabloids call the Buzz Killer because of MO of lobby-buzzing apartments to select his targets. She forms a partnership with Gunnar Cody, an ex-cop from NYPD’s elite surveillance unit. Along the way, they cross… show more.

This is the first in the Franky Dast series and it was nominated for a Shamus Award. Dast was convicted and sentenced to Death Row when he was 18, for the rape and murder of two adolescent boys. Eight years later, the verdict is overturned, in part as a result of the relationship Dast has established with the Justice Now Initiative, an organization specializing in cases of wrongful imprisonment. On his release, Dast joins the group and becomes involved in a case that hits close to home: the cop who arrested and coerced a confession from him is accused of shooting the son of a prominent judge. In Dast, Wiley has created the kind of complex character I’m drawn to, both as a writer and a reader. Wiley’s ability to dive deep into the psyche of complicated characters is something I’m always striving for.

David Joy, an Edgar Award finalist for his first novel, Where All the Light Tends to Go, is a master of character, mood, and setting. This novel is set in Appalachia and immediately we’re pulled into a dangerous world that has its own set of fierce rules for survival. The novel opens with Darl Moody hunting for a monster buck which if snagged can mean the difference between meat for the winter and an empty freezer. Hunting for men like Moody is not about sport but survival. Unfortunately, he’s followed his prey onto private land, where not only shouldn’t he be but where he certainly be hunting. When he accidentally kills not a buck but a man—it turns out he’s killed a Brewer, a member of a family notorious for vengeance and violence—his life is turned upside down and it’s touch and go as to whether he’ll survive. From… show more.

Werewolf Cop is a hard-boiled noir quite unlike the other books on my list, but Klavan’s powerful voice drew me in and never let go. The book wasn’t entirely hard and gritty like I assumed at first. I especially like the way Klavan portrays the relationship between the main character and his wife. My favorite quote from the book is: “Bloody hard to know who the good guys are, isn’t it?” “It is,” said Zach. “I’m not even sure that’s how it works... It’s more like—messed-up guys, some fighting for the good, some for the bad, and the rest just wandering around bumping into the furniture.”  

The Blank Wall is a departure from my first three recommendations. It focuses on a woman who leads a frazzled but ordinary life during World War II. She must keep her family and home going while her husband is at war. She has to fight a source of evil that invades her home to preserve the norms that seem all-important to her. The fight means stepping outside of those very norms. I recommend this book as an exploration of what it means to do whatever it takes to protect a loved one. 

Much extreme horror presents us with cardboard characters who are ripped and torn with no real consequence – but Aaron gives us deeply felt people who pulse on the page, which means it really hurts me as a reader when he subjects them to brutal and unforgiving fates.

His fiction aches like unacknowledged truth, displaying an empathy that doesn’t gloss over the horrors of this world and the next, and feels intimately personal whether he's delving into family dramas, failed relationships, queer themes, or sophisticated splatter.

While his work mostly details the horrors we inflict upon each other, even with the best of intentions, it’s too broad to be kept in one box – and if it was, it would surely cut its way out and come for your heart next. 

This is a modern mystery classic by a master of the plot twist. I’ve studied Rendell’s stories for years, to understand how she makes such extraordinary yet plausible leaps.

In this book the revelatory information is contained in the very first sentence. A woman has killed her employers, for a reason that is shocking in its randomness and absurdity. Rendell then backtracks to show us that the victims did nothing rotten enough to deserve their fate. There is no motive. Nothing is gained.

As the author states in that amazing first sentence, the killer is driven to extraordinary violence purely by the need to keep her illiteracy a secret. Stunning.

I was introduced to this book through Tavernier’s brilliant adaptation, Clean Slate (Coup de Torchon, 1981). Set in Texas, Thompson’s novel was published in 1964, during the Civil Rights Movement, and it offers a portrait of petty-minded racism in the continuing aftermath of slavery. Tavernier’s adaptation transposes the story to 1930s French colonial West Africa. I remain haunted by the ways the two settings illuminate each other. Tavernier’s blending of a deadly serious historical crisis with touches of comedy—slapstick even—brings both eras and the novel itself to life in enjoyable and instructive ways.

The Getaway by Jim Thompson and the film directed by Sam Peckinpah is a gritty slice of noir and the classic story of a bank heist gone wrong. It’s a beautifully pulpy showcase for the twisted marriage of Doc and Carol, played by Steve McQueen and Ali MacGraw with perfection in the film. It plunges you into the very core of moral ambiguity and the ending of the book is unexpected, sublime, and a sledgehammer to the head. A great first book and film to introduce a reader to noir styles.