100 books like Shadowed Ground

This book clearly illustrates the mutability of memory of even the most dramatic and significant events in American (and indeed all) history.

It makes the point that memory and historical consciousness depend on the identity of the individual as well as the passage of time and shifting political realities. In this sense, memorials are not static since they do not have a fixed definition.

After reading this book I always took into account both the personal and larger difficult to define concept of public memory when writing or speaking about memorials. 

Following on her previous book about the Daughters of the Confederacy and their role in commissioning Confederate memorials, the author presents the history of these tributes, how they changed over time, and what their implicit meaning conveys.

Reading this book can leave no doubt that Confederate memorials must be removed because of their intrinsic valorization of white supremacy. 

It was enormously useful to me in both in my current book project and in public presentations on the topic. 

I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.

It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery. 

Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens. 

Levinson’s book does not focus on traditional battle sites. Rather, it thoughtfully introduces readers to battles that take place over clashing expressions of public memory, particularly memorial controversies, including clashes over name changes and monument removal. I think readers will appreciate his thoughtful treatment of the vexing issues that have swirled around the appropriate location of Confederate memorials. Well before the recent push to remove such memorials from public space, Levinson offered readers various options for dealing with such volatile issues. His book is an insightful and timely guide into the battlefields of public memory.

I was transfixed by Kelman’s story, masterfully, sympathetically narrated. It’s populated by few monuments, and the one squatting at the Sand Creek Massacre National Historic Site is modest and understated. Here even the place of those dark events was in dispute.

Blending history with a gripping account of the struggle over public memory, and centering Native people, Kelman chronicles the modern search for the site (and meaning) of one of the most gruesome acts of government violence in American history, at Sand Creek, where U.S. troops slaughtered more than 150 peaceful Southern Cheyenne and Arapaho campers (mostly women and children) in November 1864.

The Colorado Pioneer Association commemorated (and glorified) the sordid event in 1909 with a Denver monument cataloging Sand Creek as a Civil War battle. But a search for truth and reconciliation would challenge and remake this public memory, and Kelman is an unrivaled guide in that process.

Photographer Andrew Lichtenstein and historian Alex Lichtenstein offer readers compelling visual expression of the instability of public memory. The authors ask who and what gets remembered and forgotten, and where and how? What is consigned to oblivion and why? What do such choices reveal about what national stories we prize and those we find uncomfortable, even indigestible? The powerful photographs suggest how volatile historic sites can be marked by absence as well as presence.

Historian Mark M. Smith is one of the pioneers of the truly exciting field of sensory history. Smith’s book is a model for how the next generations of historians can expand our understanding of the power and spectacle of war through a focus on all the senses. Smith’s chapters pick a particular sense at a particular Civil War site—my favorite is “Cornelia Hancock’s Sense of Smell,” which helps us appreciate how the assaults of transgressive smells lasted far beyond the three days of combat at Gettysburg.  Each chapter is carefully crafted to illustrate how an assault of the senses threatened the stability of what registered as “civilization” for the Civil War generation. After reading several of Smith’s books, I found myself much more attentive to the sensory dimension of any historical experience. Early in my tenure as editor of the Journal Of American History, I asked Smith to be… show more.

We rarely stop to think about memorials in terms of what emotion might have prompted them.

That is what Doss does here, covering a wide range of subjects and geographic sites. It is clear from her analysis that grief, fear, gratitude, shame, and anger have inspired a range of works representing a range of motivations for commemoration.

After reading this book you will never look at memorials in the same way. I had never thought of memorials in terms of emotional affect before and now consider it a major factor to be considered.

Controversial Monuments and Memorials was published the year after the “Unite the Right” rally in Charlottesville, which saw whites rally around the monument to Thomas Jefferson on the University of Virginia campus. This event, and the murders of nine African Americans at Emanuel AME Church in Charleston, SC in 2015, hastened public discord with symbols of the Confederacy and white supremacy. Allison’s book was the first to step into the space where scholars, museum staff, and community activists came together to examine how monuments were used as tools for systemic racism as well as progressive social change. The book is a great resource for those looking to enter the conversation about controversies surrounding monuments and memorials in the United States.

Kalman's book on Heritage Management provides a great introduction and overview to the topic. He embraces an integrated and modern understanding of cultural heritage and addresses the potential obstacles heritage managers meet at the crossing points between the different relevant factors.

By focussing on the process, he gives fruitful insights based on case studies from around the world. Climate change, sustainability, and resilience are also integrated into this useful book.

I found this book useful because it describes cases, focuses on transferable principles, and emphasizes that the process is equally important as the desired result. By reading this book and the introduced approach, I really felt encouraged to follow up on my own approach, which I always focus on extracting strategies and principles from good examples because I strongly believe that they can be transferred much better to different places.

I also enjoyed the attention that has been given to… show more.