Here are 100 books that The Smell of Battle, the Taste of Siege fans have personally recommended if you like
The Smell of Battle, the Taste of Siege.
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I remember well my first visit to Gettysburg on a high school trip. I had trouble expressing what I felt until I read the words of a battlefield guide who said that he often sensed a “brooding omnipresence.” I have often felt such presences across the historic landscape in the U.S. and elsewhere. I am now Professor Emeritus of History at Indiana University, and former editor of the Journal Of American History. I have also written Preserving Memory: The Struggle To Create America’s Holocaust Museum; The Unfinished Bombing: Oklahoma City In American Memory, and co-edited American Sacred Space; History Wars: The Enola Gay And Other Battles For The American Past; and Landscapes Of 9/11: A Photographer’s Journey.
Levinson’s book does not focus on traditional battle sites. Rather, it thoughtfully introduces readers to battles that take place over clashing expressions of public memory, particularly memorial controversies, including clashes over name changes and monument removal. I think readers will appreciate his thoughtful treatment of the vexing issues that have swirled around the appropriate location of Confederate memorials. Well before the recent push to remove such memorials from public space, Levinson offered readers various options for dealing with such volatile issues. His book is an insightful and timely guide into the battlefields of public memory.
Is it "Stalinist" for a formerly communist country to tear down a statue of Stalin? Should the Confederate flag be allowed to fly over the South Carolina state capitol? Is it possible for America to honor General Custer and the Sioux Nation, Jefferson Davis and Abraham Lincoln? Indeed, can a liberal, multicultural society memorialize anyone at all, or is it committed to a strict neutrality about the quality of the lives led by its citizens?
In Written in Stone, legal scholar Sanford Levinson considers the tangled responses of ever-changing societies to the monuments and commemorations created by past regimes or…
Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or what’s being honored. I can’t. I’m a historian. I’m driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. I’m fascinated by how “public memory” is interpreted and advanced through monuments. I often love the artistry of these memorial features, but they’re not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. I’ve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
I was transfixed by Kelman’s story, masterfully, sympathetically narrated. It’s populated by few monuments, and the one squatting at the Sand Creek Massacre National Historic Site is modest and understated. Here even the place of those dark events was in dispute.
Blending history with a gripping account of the struggle over public memory, and centering Native people, Kelman chronicles the modern search for the site (and meaning) of one of the most gruesome acts of government violence in American history, at Sand Creek, where U.S. troops slaughtered more than 150 peaceful Southern Cheyenne and Arapaho campers (mostly women and children) in November 1864.
The Colorado Pioneer Association commemorated (and glorified) the sordid event in 1909 with a Denver monument cataloging Sand Creek as a Civil War battle. But a search for truth and reconciliation would challenge and remake this public memory, and Kelman is an unrivaled guide in that process.
In the early morning of November 29, 1864, with the fate of the Union still uncertain, part of the First Colorado and nearly all of the Third Colorado volunteer regiments, commanded by Colonel John Chivington, surprised hundreds of Cheyenne and Arapaho people camped on the banks of Sand Creek in southeastern Colorado Territory. More than 150 Native Americans were slaughtered, the vast majority of them women, children, and the elderly, making it one of the most infamous cases of state-sponsored violence in U.S. history. A Misplaced Massacre examines the ways in which generations of Americans have struggled to come to…
I have been writing books on public art and memorials since the early 1990s and served on some major public commissions that select memorials and/or determine the fate of problematic memorials. These markers in our public spaces define who we are as a culture at a certain point in time, even though interpretations of them may evolve. They are our link to our history, express our present day values, and send a message to the future about who we are and what we value and believe in.
Given the alarming number of recent deaths by gun violence it is especially illuminating to consider the various ways sites of violence have been commemorated.
Ranging from total disappearance, to informative plaques, and major memorials, communities have reckoned with the aftermath in radically different ways.
I loved this book because it made me think about the content of site - or rather the content we attribute to the ground - where something shocking happened, be it a mass shooting or any other tragic event.
Shadowed Ground explores how and why Americans have memorialized-or not-the sites of tragic and violent events spanning three centuries of history and every region of the country. For this revised edition, Kenneth Foote has written a new concluding chapter that looks at the evolving responses to recent acts of violence and terror, including the destruction of the Branch Davidian compound at Waco, Texas, the Oklahoma City bombing, the Columbine High School massacre, and the terrorist attacks of 9/11.
I remember well my first visit to Gettysburg on a high school trip. I had trouble expressing what I felt until I read the words of a battlefield guide who said that he often sensed a “brooding omnipresence.” I have often felt such presences across the historic landscape in the U.S. and elsewhere. I am now Professor Emeritus of History at Indiana University, and former editor of the Journal Of American History. I have also written Preserving Memory: The Struggle To Create America’s Holocaust Museum; The Unfinished Bombing: Oklahoma City In American Memory, and co-edited American Sacred Space; History Wars: The Enola Gay And Other Battles For The American Past; and Landscapes Of 9/11: A Photographer’s Journey.
Photographer Andrew Lichtenstein and historian Alex Lichtenstein offer readers compelling visual expression of the instability of public memory. The authors ask who and what gets remembered and forgotten, and where and how? What is consigned to oblivion and why? What do such choices reveal about what national stories we prize and those we find uncomfortable, even indigestible? The powerful photographs suggest how volatile historic sites can be marked by absence as well as presence.
From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from the nation's past. Focusing especially on landscapes related to African American, Native American, and labor history, Marked, Unmarked, Remembered reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory.
These powerful photographs by award-winning photojournalist Andrew Lichtenstein are interspersed with…
I'm a lifetime, passionate reader. During the summer vacations, my brother and I would often ride with our father to his job in downtown Mobile and walk to Mobile Public Library, where we would spend all day exploring and reading. Well-written novels with remarkable but believable characters—such as those I've noted here are my passion. I have included novels in my list where I can identify personally with the protagonist. My list of books is varied. They have one thing in common: believable characters who struggle with life—authored by legitimate wordsmiths. When I wrote Angry Heavens as a first-time novelist, it was my history as a reader that I used as a writer.
Whether one is a Civil War buff, or a fan of Sun Tzu’s military strategy, you will find plenty of both in this three-volume set. Volume 1 is: Fort Sumter to Perryville. Volume 2 is: Fredericksburg to Meridian, and Volume 3 is: Red River to Appomattox.
Shelby Foote’s work provided most of the background of Ken Burn’s PBS epic, The Civil War. Anyone who watched that masterpiece and heard the knowledge of Shelby Foote spoken in the most lovely Southern drawl, will not be disappointed in this collection.
The Civil War: A Narrative – 3 volume box set provided significant detail and motivation for me as I wrote my own book. When I had a question about a date, geography of a battle, written correspondence between fighters or allies, or conversations such as took place at Appomattox Courthouse between Generals Grant and Lee, I went immediately to Shelby Foote’s three-volume…
This first volume of Shelby Foote's classic narrative of the Civil War opens with Jefferson Davis’s farewell to the United Senate and ends on the bloody battlefields of Antietam and Perryville, as the full, horrible scope of America’s great war becomes clear. Exhaustively researched and masterfully written, Foote’s epic account of the Civil War unfolds like a classic novel.
Includes maps throughout.
"Here, for a certainty, is one of the great historical narratives…a unique and brilliant achievement, one that must be firmly placed in the ranks of the masters."—Van Allen Bradley, Chicago Daily News
Jocelyn Green is the bestselling and award-winning author of eighteen books as of 2021. Her historical fiction has been acclaimed by Publishers Weekly, Booklist, Library Journal, the Historical Novel Society, and the Military Writers Society of America.
This book captures the work of the little-known U.S. Sanitary Commission, the pre-cursor to the Red Cross, and its influence during the Peninsula Campaign of 1862. Women nurses were the lifeblood of the hospital transports that saved hundreds of lives.
Civil War on the Peninsula: Women and the U.S. Sanitary Commission. The U.S. Sanitary Commission was a volunteer medical and relief organization during the Civil War, in which women played a significant role. The author draws on the letters of women serving in McClellan's Peninsula campaign of 1862 to integrate social, cultural and military history into a gripping narrative.
I am saddened and frustrated by polarization in American life today, and I believe that the Civil War has lessons to teach us about how we can avoid deeper divisions in our country. I grew up in Maryland, a border state, and have relatives that fought for the North, as well as relatives who fought for the South. In addition, I have Quaker ancestors who hated slavery and supported the Union, but who would not fight because they were pacifists. I am passionate about understanding the tensions that have always run through American life, and want to explore the topic deeply in my reading and writing.
I am in awe of Erik Larson, a writer of such carefully researched histories that he will not report that a person smiled unless the expression is documented in multiple sources.
This story of the attack on Fort Sumter reads like a novel, as it describes the people and events that led to the start of the Civil War. I found myself moving quickly through the multiple short chapters, anxious to understand the many forces that led to the division of our nation.
#1 NEW YORK TIMES BESTSELLER • The author of The Splendid and the Vile brings to life the pivotal five months between the election of Abraham Lincoln and the start of the Civil War in this “riveting reexamination of a nation in tumult” (Los Angeles Times).
“A feast of historical insight and narrative verve . . . This is Erik Larson at his best, enlivening even a thrice-told tale into an irresistible thriller.”—The Wall Street Journal
On November 6, 1860, Abraham Lincoln became the fluky victor in a tight race for president. The country was bitterly at odds; Southern extremists…
As a historian of the Civil War, I love thinking about how the war shaped what came after it. The Civil War, and the abolition of slavery that was wrapped up with it, is perhaps the most important turning point in the history of the United States. It had so many afterlives and made such a deep impact on everything from the daily lives of the formerly enslaved in the southern states to popular culture to the shape of the country’s economy. As a historian of the period, I’ve written and edited multiple books and scholarly articles on the period. Still, I remain fascinated by how much more there is to learn and study!
Much like how Glymph recaptures the daily lives and struggles of African Americans in the South, Jordan takes you into the personal histories of Union veterans.
Following them as they march home and then struggle with social acceptance, battlefield wounds, and personal struggles, he offers a sobering view of the legacies of the war. The book takes a lot of the shine off the Civil War, reminding us of the immense human toll it took, even among its victors.
For well over a century, traditional Civil War histories have concluded in 1865, with a bitterly won peace and Union soldiers returning triumphantly home. In a landmark work that challenges sterilized portraits accepted for generations, Civil War historian Brian Matthew Jordan creates an entirely new narrative. These veterans- tending rotting wounds, battling alcoholism, campaigning for paltry pensions- tragically realized that they stood as unwelcome reminders to a new America eager to heal, forget, and embrace the freewheeling bounty of the Gilded Age. Mining previously untapped archives, Jordan uncovers anguished letters and diaries, essays by amputees, and gruesome medical reports, all…
I am a native of the mountains of Western North Carolina. My direct ancestors include six generations of mountain farmers, as well as the bootleggers, preachers, and soldiers who appear in my novels. These generations include at least six family members who fought in the Civil War. I came to understand that the war itself began primarily over slavery, one of the most shameful and hideous aspects of our history. As a reader, I admire the complexity and power of these novels. As a writer, I sought to create a story of my own that offered a form of narrative healing to those, Black and white, who suffered through the horrific years of the war.
Shiloh is an early novel by writer and historian, Shelby Foote, that recounts the story of this bloody battle through multiple perspectives—both Union and Confederate. Foote does a masterful job of portraying how the lives of the various narrators are interrelated, especially the lives of those in each of the armies. In addition, he illuminates just how crazed and violent the experience of the battle itself was—in contrast to the often quite rational, even humane men who fought it. The success of Shiloh also led to Foote writing his monumental three-volume The Civil War: A Narrative and playing a starring role in Ken Burns’ documentary on the war.
This fictional re-creation of the battle of Shiloh in April 1862 is a stunning work of imaginative history, from Shelby Foote, beloved historian of the Civil War. Shiloh conveys not only the bloody choreography of Union and Confederate troops through the woods near Pittsburg Landing, Tennessee, but the inner movements of the combatants’ hearts and minds. Through the eyes of officers and illiterate foot soldiers, heroes and cowards, Shiloh creates a dramatic mosaic of a critical moment in the making of America, complete to the haze of gunsmoke and the stunned expression in the eyes of dying men.
I’m an unfocused history omnivore, a perpetual student of many disparate subjects, and a visual artist. My childhood dream was to become an archaeologist, but by the time I reached graduate school I‘d become incapable of committing to one specific epoch. I’ve explored ancient times on my own. The older I get, the farther back in time my interests reach. As another interest of mine is mythology, the first book on my list is the answer to this manqué archaeologist’s/mythologist’s prayer. I‘ve recently written and illustrated a story taking place around 15,000 years ago, involving the painted caves in Europe. I ascribe these powerful images to a Paleolithic spirituality which I deeply enjoyed “creating.”
Keneally’s novel, Confederates, stands out among other good Civil War novels. His Twain-like vernacular writing style brings the reader into his characters’ minds remarkably well.
Having lived for 6 years in the South, I find the landscapes familiar and the inflections and attitudes very relatable. Without necessarily identifying with Johnny Reb morally, I slog through icy mud with the threadbare Rebels, survive another day and a half without food, see comrades perish from various causes, and find desolation everywhere. It’s all painfully vivid. I empathize with these Boys in Grey; they are the grunts next to whom we readers march, fight, and starve. While I remain critical - horrified - at the South’s indefensible motives, I’m grateful for my intimate acquaintance with those who fought and died for their homes.
Thomas Keneally's epic of the Civil War takes us into the lives of four remarkable characters in the embattled Virginia summer of 1862; a southern hospital matron who is also a Union spy, a British war journalist with access to both sides and two foot soldiers under Stonewall Jackson.
