Here are 100 books that Confederates in the Attic fans have personally recommended if you like
Confederates in the Attic.
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I’ve been fascinated by the Civil War my entire life. As a boy, I met a man in my Ohio hometown who spent his own youth visiting with the last, wrinkled survivors of the Union armies. His memories at once made the Civil War real and immediate for me. I soon devoured every book and walked every battlefield I could find. After earning an undergraduate degree in Civil War Studies at Gettysburg College, I completed my Ph.D. at Yale. I have authored six books on the conflict—one of which was a runner-up for the Pulitzer in History—and teach courses on the Civil War at Sam Houston State University.
This book recovers—through diligent archival spadework and keen historical empathy—the human realities of emancipation for freedom-seeking enslaved persons. Emancipation, Taylor demonstrates, was a humanitarian refugee crisis acted out amidst the uncertainties of civil warfare. Embattled Freedom supplies a sweeping survey of a complex historical process, but it does so on a human scale—tracking a small group of protagonists as they wind their way to the uncertain asylum of slave refugee (“contraband”) camps. The author’s close attention to the material realities of “contraband” camps—hunger, shelter, and clothing—builds a sense of intimacy and emotional connection. Scholars have established that emancipation was a process, and that the enslaved played a vital role in their own liberation; here is the best account of how that struggle was lived.
The Civil War was just days old when the first enslaved men, women, and children began fleeing their plantations to seek refuge inside the lines of the Union army as it moved deep into the heart of the Confederacy. In the years that followed, hundreds of thousands more followed in a mass exodus from slavery that would destroy the system once and for all. Drawing on an extraordinary survey of slave refugee camps throughout the country, Embattled Freedom reveals as never before the everyday experiences of these refugees from slavery as they made their way through the vast landscape of…
I’ve been reading and writing stories for as long as I can remember—and the weird ones have always been my favorite. I discovered many of my favorite books by wandering into my local library, telling the librarian about my strange reading interests, and allowing them to set me up with literary masterpieces of the most unusual kind. Once I knew how to bend the rules of genre and form to create something original, I took to creating my own weird stories, and have been doing so ever since in my novels, short stories, D&D characters, and bedtime stories for my bird.
A Prayer for the Dying is the only full-length novel I’ve ever read entirely in second-person perspective—which makes for a white-knuckle-grip adventure as the narrator drags the reader along a dark, haunted path, which is also a little bit on fire.
This ghost story full of living people (at first) follows a hard-working and dedicated protagonist who tries to protect his little town of Friendship as it faces disaster after horrible disaster. The narrative of the story unfurls like a tidal wave—terrifying, yet impossible to look away from as it sweeps away everything in its path. This scary story is definitely not for the faint of heart.
Set in a leafy Wisconsin town just after the American Civil War, this story opens one languid summer's day. Only slowly do events reveal themselves as sinister as one neighbour after another succumbs to a creeping, fatal disease.
A long-time professor of history at Marquette University, James Marten is a past president of both the Society of Civil War Historians and the Society for the History of Children and Youth. He’s written or edited over twenty books and scores of articles and has been interviewed on National and Wisconsin Public Radio and for numerous local and national publications. He writes about the ways in which big events affect normal people, from children and families to soldiers and veterans.
Accounts of the common soldier are part of a long tradition in Civil War history—but this is not your typical study. Carmichael sets out not to examine motivations or ideology, but to explore "the life of the rank and file as it was lived." The war forced soldiers in the North and South to bridge the gulf between two competing impulses. "Sentimentalism" helped soldiers understand war as a series of hardships and sacrifices that could be endured through faith, courage, and patriotism. Confronting this conventional approach was a "pragmatism" that guided soldiers desperately seeking to survive with honor the filth, blood, and despair that they actually experienced. Carmichael makes his argument through careful, moving, and fascinating narratives of men trying to explain the war to their loved ones and to themselves.
How did Civil War soldiers endure the brutal and unpredictable existence of army life during the conflict? This question is at the heart of Peter S. Carmichael's sweeping new study of men at war. Based on close examination of the letters and records left behind by individual soldiers from both the North and the South, Carmichael explores the totality of the Civil War experience-the marching, the fighting, the boredom, the idealism, the exhaustion, the punishments, and the frustrations of being away from families who often faced their own dire circumstances. Carmichael focuses not on what soldiers thought but rather how…
The main reason I care about the relationship of war, conscience, and religion is because I believe strongly in the separation of church and state. A country’s methods of pursuing its best interests, include the use of power and warfare. Religions, however, make central: love your neighbor as much as you love yourself. People need to develop a conscience about what principle matters most. In the Civil War, the old tenet, an “eye for an eye,” was used to justify killing others for reasons of advantage or revenge. But I want to be involved instead in creating peace and justice for all.
Death is everywhere in war: on the battlefield, in a disease-ridden hospital, or in childbirth on the home front. Drew Gilpin Faust’s non-fiction book, This Republic of Suffering, brings eye-popping numeric data to the prevalence of death in war. But she never stops at the surface level of how many deaths, or how many unidentified soldiers or improper burials occur during the Civil War. I was caught up entirely as Faust’s words, riveting and respectful of all the pain and loss, showed how death became an ennobling transformation for many people, either in the cause of racial standing or of Union/secessionist preservation.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation.
More than 600,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be six million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief…
I’m a nerd about all things museums and archives, which I teach and write about. I was trained as an anthropologist, and got really interested in using anthropology’s methods (namely ethnography) to do long-term, embedded, deep-dive fieldwork in bureaucratic settings, like big museums. I love reading books by journalists, economists, historians, and others who do ethnography and really embed themselves in different communities, places, and cultures.
This was the first book I read that was kind of an embedded object biography back when I was an undergraduate student in my second-ever anthropology class. I was totally hooked on the genre. This book follows t-shirts, from where cotton is picked, to where t-shirts are manufactured, printed, sold and distributed, to their disposal—including second lives on the used clothing market. “Who made your t-shirt?” as a great first starting question.
The keys to global business success, as taught by a T-shirt's journey
The Travels of a T-Shirt in the Global Economy is a critically-acclaimed narrative that illuminates the globalization debates and reveals the key factors to success in global business. Tracing a T-shirt's life story from a Texas cotton field to a Chinese factory and back to a U.S. storefront before arriving at the used clothing market in Africa, the book uncovers the political and economic forces at work in the global economy. Along the way, this fascinating exploration addresses a wealth of compelling questions about politics, trade, economics, ethics,…
I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.
But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.
The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost.
Although this book is less about slavery as it happened and more about what took place after the Civil War ended slavery in the United States, it is one of the best books I’ve ever seen that explains just how America still hasn’t recovered from its legacy.
This is one of those books where I kept underlining passages, such as one where the racist Southerner said that slavery was like an “apprenticeship” for “savage races” or how nostalgia for a romantic version of the Civil War poisoned our understanding of history. I want to read this book three more times so that I can fully absorb its wise lessons.
Winner of the Bancroft Prize Winner of the Gilder Lehrman Lincoln Prize Winner of the Merle Curti award Winner of the Frederick Douglass Prize
No historical event has left as deep an imprint on America's collective memory as the Civil War. In the war's aftermath, Americans had to embrace and cast off a traumatic past. David Blight explores the perilous path of remembering and forgetting, and reveals its tragic costs to race relations and America's national reunion.In 1865, confronted with a ravaged landscape and a torn America, the North and South began a slow and painful process of reconciliation. The…
Throughout my career as a journalist and social documentarian, I have been committed to exposing injustices and seeking out stories overlooked by mainstream media. As my career has evolved in this space—from journalist to grassroots organizer to author—I have learned to remain curious and teachable, acknowledging that my preconceived notions of the world will not do me any good. In confronting the uncomfortable in pursuit of truth, I have uncovered systemic abuses in the criminal justice system and shed light on the harsh realities faced by incarcerated individuals.
Smith offers an up-close-and-personal tour of how the history of slavery has been preserved in various corners of the Earth. From Monticello Plantation in Virginia to the House of Slaves in Gorée Island (Senegal), I was taken on an eye-opening, albeit sometimes cringeworthy, journey through modern-day perceptions of a haunted past.
For me, this retelling of history is most fascinating. It forces the reader to reckon with the idea that truth isn’t just in the eye of the beholder but in the mouth of the teller. How can we find truth in history if it is being told in so many ways? I weirdly enjoyed wrestling with it as I ventured through the places Smith visited as if his storytelling was escorting me.
ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF THE YEAR A NUMBER ONE NEW YORK TIMES BESTSELLER LONGLISTED FOR THE NATIONAL BOOK AWARD FOR NON-FICTION
'A beautifully readable reminder of how much of our urgent, collective history resounds in places all around us that have been hidden in plain sight.' Afua Hirsch, author of Brit(ish)
Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - which offer an intergenerational story of how slavery has been central in…
Having grown up visiting lots of historic sites – and hearing my father sing old Civil War tunes (frequently off-key!) on long car trips – I gravitated pretty quickly to studying the Civil War, and its aftermath, when I was in college and then in graduate school. I was particularly interested in the way Americans experienced the Civil War after it was over: the sentimental novels they read; the romantic movies they watched; the reconstructed battlefields they visited. In my work as a professor at Boston University, I try to get students to think about the stories that do, and do not, get told about the Civil War and other events from the past. I suppose the question that always piqued my interest was why people might find the often wildly inaccurate versions of the past so appealing.
In this brief and powerful book, esteemed historian Annette Gordon-Reed focuses on “Juneteenth”, the day (June 19, 1865) when enslaved workers in Texas were declared free by the Union Army following the conclusion of the Civil War. For Gordon-Reed, a black Texas woman, Juneteenth, recently declared a federal holiday, offers a starting point for pondering the legacy of slavery and emancipation for Afro-Texans and for thinking more broadly about the tension between history and myth. In the course of all this, Gordon-Reed tells her own personal story about navigating the often fraught terrain of her state’s legacy of racial exploitation.
Interweaving American history, dramatic family chronicle and searing episodes of memoir, On Juneteenth recounts the origins of the holiday that celebrates the emancipation of those who had been enslaved in the United States. A descendant of enslaved people brought to Texas in the 1850s, Annette Gordon-Reed, explores the legacies of the holiday.
From the earliest presence of black people in Texas-in the 1500s, well before enslaved Africans arrived in Jamestown-to the day in Galveston on 19 June 1865, when General Gordon Granger announced the end of slavery, Gordon-Reed's insightful and inspiring essays present the saga of a "frontier" peopled by…
I have been writing books on public art and memorials since the early 1990s and served on some major public commissions that select memorials and/or determine the fate of problematic memorials. These markers in our public spaces define who we are as a culture at a certain point in time, even though interpretations of them may evolve. They are our link to our history, express our present day values, and send a message to the future about who we are and what we value and believe in.
Following on her previous book about the Daughters of the Confederacy and their role in commissioning Confederate memorials, the author presents the history of these tributes, how they changed over time, and what their implicit meaning conveys.
Reading this book can leave no doubt that Confederate memorials must be removed because of their intrinsic valorization of white supremacy.
It was enormously useful to me in both in my current book project and in public presentations on the topic.
When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century--but they've never been as intense as they are today.
In this eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments, Karen L. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She lucidly shows the forces that…
