Fans pick 100 books like Lee Considered

Pryor’s work has become essential for scholars of Robert E. Lee. She had access to numerous unpublished documents from Lee’s descendants, and used this invaluable material to provide a more complete and realistic portrait of the man. In one chapter, she explores Lee’s complex attitudes toward slavery. She writes, “He embraced the legal and economic aspects of the master-slave system without really grasping its complex underlying relationships.” The Lost Cause notion that Lee opposed slavery is not supported by the evidence. Pryor provides new insights on his decision to resign from the army in 1861, and offers a detailed account of the creation of Arlington National Cemetery at Lee’s former estate.

This book remains the best one-volume biography of Robert E. Lee almost twenty-five years after its publication. Thomas is far more balanced than either Lee’s critics or devotees. Early on, he offers fascinating material about Lee’s parents and private life in general. His discussion of Lee’s father, Light-Horse Harry Lee, is particularly riveting. Despite being born into one of Virginia’s leading families, young Robert E. Lee grew up in an insecure environment after losing his father at a young age. Throughout the book, Thomas provides concise, though somewhat limited, summaries of Lee’s military exploits.

Freeman’s Pulitzer Prize-winning, four-volume account of Lee remains the gold standard among the numerous biographies of the general. Freeman tirelessly examined the documentary record, and wrote a compelling narrative of Lee’s eventful life. The coverage here of the crucial battles of the Civil War is outstanding. One must be careful with Freeman’s biography, however. Freeman is unabashedly devoted to Lee and is extremely biased in his opinions. In the final volume, Freeman admits that he came “to respect and to love” the subject of his biography. In the third volume, which I recommend here, Freeman argues that Lee would have been successful at Gettysburg, if not for the insubordination of General James Longstreet. The Wilderness Campaign is also examined in this volume. Despite all of the hagiography, Freeman’s R.E. Lee remains an essential work for anyone interested in the Confederate general.

The documents for this important collection, first published in 1874, were originally intended for an official biography of Lee. When that book was abandoned, Jones published all of the documents along with accompanying observations and anecdotes. Lee’s wife approved of the project. One historian said this collection “became a source book for all future Lee biographers.” The hagiography here in some of Jones’s anecdotes actually exceeds that of Douglas Southall Freeman, but it’s still an essential book for serious students of Robert E. Lee. Jones knew Lee personally and had access to all of his private papers.

I read this book while working on my own because Horwitz is a master of weaving a story with many characters about a complicated piece of the past. He provides ample detail about the lengths to which reenactors will go for their performances—and some of the methods are outright gross.

But I love that even when Horwitz is grappling with ways that modern interpretations can obscure the actual past, he never resorts to mockery when talking about his subjects. He might disagree with their perspective about the Civil War, but he listens and reports what they tell him. I recommend this for anyone trying to understand how the Civil War still plays such a prominent role in our world nearly two centuries later. 

Walker’s Jubilee extends the slave narrative, a popular weapon used by abolitionists to fight slavery. Instead of ending when the main character escapes their cruel master, Walker tells the story of a woman’s journey from emancipation to reconstruction and beyond.

I included this book not only because of a great beginning, but also because I wanted to give an example of how important story is to the success of a book, and in some cases more important than the language.

Besides, how can you not read on after a first chapter with the title, “Death is a mystery that only the squinch owl knows”? 

“So you’re the little woman who wrote the book that started this great war,” Abraham Lincoln supposedly said when he met Stowe. The quote may be apocryphal, but it points to a truth about the 1852 novel that shaped American opinions about the cruelty and injustice of slavery. The writing is a bit melodramatic for modern sensibilities, but it’s hard to beat the scene in which the escaped slave Eliza tries to carry her young son across an icy river for freedom on the other side.

This novel begins just after the American Civil War and Emancipation, but it foreshadows the horrific legacy of slavery. The titular character, a Black man named Sam who is now free, goes in search of Tilda, the wife whom slavery ripped away from him. Meanwhile, her Confederate enslaver drags Tilda westward, refusing to give up the woman he thinks he owns. How do you rebuild a society and a family in the wake of slavery’s devastation? Pitts explores this question unforgettably, acknowledging the inevitable violence but with a glimmer of hope. Freeman put me through a whole gamut of emotions. It rung me out and gave me a soothing cup of tea at the end.

This new 2020 book is a fresh synthesis of the scholarly work that has been done on secession and the young Confederacy in the past 30 years and has much that is new to offer  Its treatment of the weeks in Montgomery is rather brief, but insightful, and overall it makes a fine introduction to the political life of the CSA.

The Civil War in this short novel by Bisson, who sadly died in early 2024, is part of the book's backstory. It is set in a 1950s America in which our 1860s Civil War never happened.

In Bisson’s mirror America, Harriet Tubman joined John Brown in his raid on Harper’s Ferry, resulting in a victory for the abolitionists that led to a massive slave uprising in the South, aided by radical Europeans and Mexicans seeking to reclaim territory and ultimately the formation of a new socialist utopia from the former states of the Deep South.

With this bold and radical counterfactual as the backdrop, Bisson uses a chorus of compelling narrations to imagine the more just America that could be—and the struggles it would take to realize it.