Here are 100 books that Uncle Tom's Cabin fans have personally recommended if you like
Uncle Tom's Cabin.
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I am all the characters in this and every book I have written. I grew up in Rome, teach Roman art and architectural history, and am a practicing architect. My books are suffused with the things I love, from culture to cuisine, pace of life, love of consort, affection for children and animals, to the adventures I have been so fortunate to enjoy through my fifties. Reading has been a big part of my education. I have many interests and loves to share. These five book recommendations are but the tip of the iceberg. I became an author so I could write what remains unwritten and read the stories I wish to tell.
I have never been brought so close to a battle and a battlefield experience as when reading this book.
The horror, tension, excitement, valor, and regret of warfare are clearly depicted. The motivations for fighting for a terrible cause are examined. The determination to see things through to the bitter end is in evidence. It is a blueprint for writing warfare and helps the reader understand the excitement and tension in leading troops to the fear and futility of being on the line.
Best of all, Shaara has been able to bring life to Lee, who so often is referred to as a marble man. Here, he’s been humanized, and this alone makes our reading of history so much more personal and relevant.
“My favorite historical novel . . . a superb re-creation of the Battle of Gettysburg, but its real importance is its insight into what the war was about, and what it meant.”—James M. McPherson
In the four most bloody and courageous days of our nation’s history, two armies fought for two conflicting dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Bright futures, untested innocence, and pristine beauty…
John J. Miller is director of the Dow Journalism Program at Hillsdale College, a writer for National Review, and the host of two book-themed podcasts, The Great Books and The Bookmonger. His books include The Big Scrum: How Teddy Roosevelt Saved Football and Reading Around: Journalism on Authors, Artists, and Ideas. He lives on a dirt road in rural Michigan.
Okay, it’s a collection of stories rather than a novel. Yet no veteran of the Civil War wrote better fiction about the conflict and its terrors than Bierce. An Occurrence at Owl Creek Bridge is one of America’s greatest short stories: A staple of high-school English courses, it has a twist at the end that's worthy of The Twilight Zone and often inspires an immediate second reading. Chickamauga reveals the horror of war from the perspective of a child. Amid these fictions, What I Saw of Shiloh is Bierce’s nonfiction account of the 1862 battle in Tennessee.
Newspaperman, short-story writer, poet, and satirist, Ambrose Bierce (1842–1914) is one of the most striking and unusual literary figures America has produced. Dubbed "Bitter Bierce" for his vitriolic wit and biting satire, his fame rests largely on a celebrated compilation of barbed epigrams, The Devil's Dictionary, and a book of short stories (Tales of Soldiers and Civilians, 1891). Most of the 16 selections in this volume have been taken from the latter collection. The stories in this edition include: "What I Saw at Shiloh," "A Son of the Gods," "Four Days in Dixie," "One of the Missing," "A Horseman in…
I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…
A stone-cold classic in war writing, I studied this short novel at university and loved it. Crane never actually went to war and yet his depiction of men fighting in the American Civil War felt so real, that it gave me the confidence to write historical fiction, knowing I’d never experienced these things but my research and imagination could be brought to bear and hopefully transport the reader in the same way Crane did. It also began a lifelong obsession for me with the American Civil War. When I first started writing historical novels I knew I wanted to write about other combat arenas than the two C20th world wars, choosing the Boer War and The Seven Years’ War respectively.
Here is Stephen Crane's masterpiece, The Red Badge of Courage, together with four of his most famous short stories. Outstanding in their portrayal of violent emotion and quiet tension, these texts led the way for great American writers such as Ernest Hemingway.
John J. Miller is director of the Dow Journalism Program at Hillsdale College, a writer for National Review, and the host of two book-themed podcasts, The Great Books and The Bookmonger. His books include The Big Scrum: How Teddy Roosevelt Saved Football and Reading Around: Journalism on Authors, Artists, and Ideas. He lives on a dirt road in rural Michigan.
Catton was one of the Civil War’s great historians, best known for bringing the stories of individual soldiers into otherwise sweeping accounts of the American Iliad. Amid this work, he also wrote this little-known short novel, published in 1955, which today probably would be filed in the “young adult” section of your favorite bookstore. It tells the tale of Bob Hayden, a Michigan boy who lies about his age to join a volunteer company and rises to manhood while serving in Virginia with Gen. “Fighting Phil” Sheridan.
I’m the author of ten books, including fiction, memoir, collected journalism, and criticism. My novels are historical fiction, hence my decision to make my recommendations within that genre, mostly. My own historical novels comprise a tetralogy beginning with The Strange Death of Mistress Coffin and ending with The Turner Erotica, so the series takes the reader roughly from 1648 to 1900. The second book chronologically in the series, Rebecca Wentworth’s Distraction, won the 2003 Langum Prize for historical fiction. Retired now, I was the founding director of the MFA in Fiction and Nonfiction at Southern New Hampshire University.
This historical novel is set just before the American Civil War. What singles it out is not the theme—the struggle of an African American slave and mother, Rosetta, for her freedom. More unusual is White’s courageous depiction of the full yet flawed humanity of her slave (“soul”) catcher, Augustus Cain, as Rosetta flees her inhumane conditions in Virginia enroute to Boston. Cain is one of the best at what he does, but the journey both characters endure also brings both toward mutual compassion and redemption. Though published in 2007, the book fits perfectly into, and helps to amplify further, our current awakening to our historical racism and the vast suffering white Americans have inflicted on their Black brothers and sisters.
Augustus Cain is a man with his back against the wall. A war-scarred wanderer, he faces a past he wants to forget, a present without prospect or fortune, and an uncertain future marred by the loss of his most prized possession - his horse - which he has carelessly gambled away. But he is not without skill - he has an uncanny, if unwelcome, ability to track the most elusive runaway slaves. And to repay a debt and keep his horse, he must head north from Virginia and retrieve a runaway named Rosetta. When he eventually runs Rosetta to ground…
I find the early days of the Confederacy to be fascinating, a chance to look at Americans in the act of nation-making while surrounded by fear and crisis. Far more than in the convention of 1776, this episode offers sources that allow us to look inside their motives, and to evaluate them both as impractical rebels, and social and political idealists [albeit their idealism was always encased within the confines of a slave society]. Having written biographies of Jefferson Davis, Alexander H Stephens, Robert Toombs, and other Confederate politicians, this subject is a natural object of my interest. While I do not at all agree with or endorse the political measures they took in the secession crisis, I can feel some empathy for them and their people who felt themselves caught in a no-win position, facing [in their view] the possible destruction of their economy, society, and culture.
This new 2020 book is a fresh synthesis of the scholarly work that has been done on secession and the young Confederacy in the past 30 years and has much that is new to offer Its treatment of the weeks in Montgomery is rather brief, but insightful, and overall it makes a fine introduction to the political life of the CSA.
Regardless of whether they owned slaves, Southern whites lived in a world defined by slavery. As shown by their blaming British and Northern slave traders for saddling them with slavery, most were uncomfortable with the institution. While many wanted it ended, most were content to leave that up to God. All that changed with the election of Abraham Lincoln.
Rebels in the Making is a narrative-driven history of how and why secession occurred. In this work, senior Civil War historian William L. Barney narrates the explosion of the sectional conflict into secession and civil war. Carefully examining the events in…
I am an American novelist and a lifelong, enthusiastic student of American history. To me, history is people. In addition to first-hand accounts and biographies, one of the best ways to understand those people is historical fiction. For the last two decades, I’ve lived in the Southern United States, surrounded by the legacy of slavery, America’s “peculiar institution” that claimed an unequivocal evil was a positive good. Because both the enslaved and their enslavers were human beings, the ways that evil manifested were as complex as each individual—as were the ways people maintained their humanity. These are a few of the novels on the subject that blew me away.
This novel begins just after the American Civil War and Emancipation, but it foreshadows the horrific legacy of slavery. The titular character, a Black man named Sam who is now free, goes in search of Tilda, the wife whom slavery ripped away from him. Meanwhile, her Confederate enslaver drags Tilda westward, refusing to give up the woman he thinks he owns. How do you rebuild a society and a family in the wake of slavery’s devastation? Pitts explores this question unforgettably, acknowledging the inevitable violence but with a glimmer of hope. Freeman put me through a whole gamut of emotions. It rung me out and gave me a soothing cup of tea at the end.
Freeman, the new novel by Leonard Pitts, Jr., takes place in the first few months following the Confederate surrender and the assassination of Abraham Lincoln. Upon learning of Lee's surrender, Sam--a runaway slave who once worked for the Union Army--decides to leave his safe haven in Philadelphia and set out on foot to return to the war-torn South. What compels him on this almost-suicidal course is the desire to find his wife, the mother of his only child, whom he and their son left behind 15 years earlier on the Mississippi farm to which they all "belonged." At the same…
I grew up a farm kid and then worked as a park ranger fresh out of college. This background draws me to the history of American preservation, where so much that seems natural also has deep cultural roots. I find the American South—with its combination of irony and tragedy, beauty, and flaws—the most fascinating place on earth to study. Or maybe I’m just pulling for the home team.
What does it mean that tourists are attracted to sites of historical enslavement? And why are ghost tours, especially tours focused on horrific stories of the abuse suffered by female slaves, so popular? Miles uses the seemingly frivolous subject of ghost tourism to explore serious issues of American memory and historical sites. Injecting herself into the story—she visits house museums and historical districts in Savannah, New Orleans, and Louisiana’s Mississippi River plantation district to explore the nation’s pathological attraction to a sordid past—she gracefully restored humanity to history’s victims with her gentle empathy.
In this book Tiya Miles explores the popular yet troubling phenomenon of ""ghost tours,"" frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. ""Dark tourism"" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and…
I write about race and technology, and specifically the histories of Black folks as they influence online activities, from memes and community-building to care networks and activist efforts. I use theory, research, and most importantly lived experiences to tell the story of Black digital practices. The books I choose here represent how diverse my thinking is when it comes to this topic: from fiction to non-fiction, these works are as fluid yet meaningful as I think identity is, on and offline.
I bought this book thinking it would be a whimsical read and a fun departure from my non-fiction, academic world. Fast forward a few years, and I have consistently used this book in my teaching of university students in my Digital Cultures classes.
The book might not seem like it’s about the Internet, but the spiritual, inter-generational elements of the story are easily connected to the hopeful stories we see time and again of Black folks online.
'One of the best books I have ever read in my entire life. I haven't felt this way since I first read Beloved . . .' Oprah Winfrey
Lose yourself in the stunning debut novel everyone is talking about - the unmissable historical story of injustice and redemption that resonates powerfully today
Hiram Walker is a man with a secret, and a war to win. A war for the right to life, to family, to freedom.
Born into bondage on a Virginia plantation, he is also born gifted with a…
I'm now retired. But like many historians of my generation, I've been lucky. Having gone to the University of California when there was no tuition and got through graduate school thanks to the GI Bill, I then taught history for five decades, briefly at San Francisco State College and the University of Hawaii, and for a long stretch at the University of Massachusetts in Amherst. During those years, I wrote eight books, one was a finalist for the Pulitzer Prize in 1987, and three won prizes—the Albert J. Beverage Award in 1970, the second-place Lincoln Prize in 2001, and the Langum Trust Prize in 2015. All but one deal with slavery and power.
This book came out in 1956 and almost instantly became a classic. It essentially ripped apart the claims put forth by southern historians that slavery was a benign institution and that slaves were better off in the Deep South than if they had remained in “savage” Africa. The book also made it clear that slavery, and not states’ rights, brought on the Civil War. But the main reason I chose this book is that I had the good fortune of taking Stampp’s lecture course when I was a freshman back in 1952. Were his lectures dazzling? No, they weren’t. But they covered what now appears in The 1619 Project. And the message was always clear: Don’t ever underestimate the negative impact of slavery.
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