100 books like Uncle Tom's Cabin

I’ve been a history nerd since I first learned to read. My father served in the United States Air Force, and we had an elderly neighbor who served in Korea. Their stories and a lot of time on my hands (I grew up on a small farm) led to an early love of reading. Most of the books on this list helped that love grow into ultimately writing fiction and getting a Ph.D. in U.S. History. I hope going back through them is also an enjoyable experience for everyone else.

John J. Miller is director of the Dow Journalism Program at Hillsdale College, a writer for National Review, and the host of two book-themed podcasts, The Great Books and The Bookmonger. His books include The Big Scrum: How Teddy Roosevelt Saved Football and Reading Around: Journalism on Authors, Artists, and Ideas. He lives on a dirt road in rural Michigan.

I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…

John J. Miller is director of the Dow Journalism Program at Hillsdale College, a writer for National Review, and the host of two book-themed podcasts, The Great Books and The Bookmonger. His books include The Big Scrum: How Teddy Roosevelt Saved Football and Reading Around: Journalism on Authors, Artists, and Ideas. He lives on a dirt road in rural Michigan.

I find the early days of the Confederacy to be fascinating, a chance to look at Americans in the act of nation-making while surrounded by fear and crisis. Far more than in the convention of 1776, this episode offers sources that allow us to look inside their motives, and to evaluate them both as impractical rebels, and social and political idealists [albeit their idealism was always encased within the confines of a slave society]. Having written biographies of Jefferson Davis, Alexander H Stephens, Robert Toombs, and other Confederate politicians, this subject is a natural object of my interest. While I do not at all agree with or endorse the political measures they took in the secession crisis, I can feel some empathy for them and their people who felt themselves caught in a no-win position, facing [in their view] the possible destruction of their economy, society, and culture.

I’m the author of ten books, including fiction, memoir, collected journalism, and criticism. My novels are historical fiction, hence my decision to make my recommendations within that genre, mostly. My own historical novels comprise a tetralogy beginning with The Strange Death of Mistress Coffin and ending with The Turner Erotica, so the series takes the reader roughly from 1648 to 1900. The second book chronologically in the series, Rebecca Wentworth’s Distraction, won the 2003 Langum Prize for historical fiction. Retired now, I was the founding director of the MFA in Fiction and Nonfiction at Southern New Hampshire University.

I am an American novelist and a lifelong, enthusiastic student of American history. To me, history is people. In addition to first-hand accounts and biographies, one of the best ways to understand those people is historical fiction. For the last two decades, I’ve lived in the Southern United States, surrounded by the legacy of slavery, America’s “peculiar institution” that claimed an unequivocal evil was a positive good. Because both the enslaved and their enslavers were human beings, the ways that evil manifested were as complex as each individual—as were the ways people maintained their humanity. These are a few of the novels on the subject that blew me away.

As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below). 

I'm now retired. But like many historians of my generation, I've been lucky. Having gone to the University of California when there was no tuition and got through graduate school thanks to the GI Bill, I then taught history for five decades, briefly at San Francisco State College and the University of Hawaii, and for a long stretch at the University of Massachusetts in Amherst. During those years, I wrote eight books, one was a finalist for the Pulitzer Prize in 1987, and three won prizes—the Albert J. Beverage Award in 1970, the second-place Lincoln Prize in 2001, and the Langum Trust Prize in 2015. All but one deal with slavery and power.

I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.