Here are 93 books that Letters from My Sister fans have personally recommended if you like
Letters from My Sister.
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Fresh from college, I arrived in South Korea in 1976 to teach English as a Peace Corps Volunteer, and despite my naivete, or maybe because of it, I fell in love with the country—the people, the food, the culture, the history. I have since lived and worked in many other countries, but Korea will always be my first love and I have returned many times for both work and pleasure. When I became a fiction writer, I was keen to read the work of Korean novelists who, naturally, had an even better understanding of their culture than I did, and I love staying connected to the country in this way.
This novel is a murder mystery, of sorts, that also has a lot to say about socio-economic divides in contemporary Korea. This was particularly interesting to me because when I lived there in the 1970s, everyone was poor. No one owned a motorbike, much less a car, and they were all barely scraping by. Now, though, great wealth and privilege have emerged alongside persistent poverty, and that class divide looks too familiar to Americans. The rich are privileged and have access to things the poor do not, including justice.
New York Times Book Review: Editor’s Choice Philadelphia Inquirer: Best Book of the Month World Literature Today: Notable Translation of the Year CrimeReads: Best International Crime Novel of the Year Ms. Magazine: Most Anticipated Book of the Year Washington Independent Review of Books: Favorite Book of the Year
Parasite meets The Good Son in this piercing psychological portrait of three women haunted by a brutal, unsolved crime.
In the summer of 2002, when Korea is abuzz over hosting the FIFA World Cup, eighteen-year-old Kim Hae-on is killed in what becomes known as the High School Beauty Murder. Two suspects quickly…
Here are words I like for their feel, especially when they describe fantasy: surprise; twist; subvert. I am generally a mild-mannered writer, but I do love the passing strange. By that I mean, twisty, not shocking. Surprising and intriguing, but grounded in a relatable story. A story with something wondrous and unexpected but also deeply human. I’ve written eighteen fantasy and science fiction novels, and each time, though I am creating a strange—hopefully wondrous, place—central in the story are people who desire, fear, love, and strive.
I love stories set in modern times, with the fae living—secretly—in the local woods. It reminds me of the uncanny in real life, and the possibility of adventure.
The pleasure of this rendition of the fae-next-door is that the human realm is brought fully to life and slowly entwines with the fantastical. Also: It gradually dawned on me that the human thread of the story is a fairy tale in its own right. That really twisted my expectations.
Imogen and her sister Marin escape their cruel mother to attend a prestigious artists' retreat, but soon learn that living in a fairy tale requires sacrifices, whether it be art or love in this critically acclaimed debut novel from "a remarkable young writer" (Neil Gaiman, American Gods).
Imogen has grown up reading fairy tales about mothers who die and make way for cruel stepmothers. As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn't imagine how a stepmother could be worse than her mother now. As…
I love music and books about the music industry. Fiction or nonfiction–the drama of a musician’s rise and efforts to sustain a career never gets old to me. I can relate to their determination to make a living doing something they love. Also, as a resident of Memphis, Tennessee, I’m fascinated by the musical history here and often meet people that had ties to the music industry and are now “regular people.” My latest novel Intermissionis about a singing group. I’ve read numerous books in this genre, from Motown bios to the five listed. What a great way to combine my two favorite things–music and books!
This story about a female country singer spans her coming-of-age during the Depression and her struggle to make it as a country musician. Hearing this story from a female point of view is different and interesting. Much of the story is also about her life as a “regular person” after her heyday.
As she embarks on her “farewell tour” she must face the choices she’s made. The story is a good reminder that fame and glamour often come at a great cost.
From the author of the New York Times bestseller Everybody Rise, a “shimmering” (New York Times Book Review) novel with the exquisite historical detail and evocative settings of The Cold Millions and Great Circle that tells the story of one unforgettable woman’s rise in country and western music.
It’s 1980, and Lillian Waters is hitting the road for the very last time.
Jaded from her years in the music business, perpetually hungover, and diagnosed with career-ending vocal problems, Lillian cobbles together a nationwide farewell tour featuring some old hands from her early days playing honky-tonk bars in Washington State and…
I am the author ofThe Best of Iggy, which is the first in a series of middle-grade books about nine-year-old Iggy Frangi, who never met an impulse he didn’t like, and therefore is often in trouble with cold, calculating types like, for instance, grownups. In Iggy’s opinion—and mine—he is creative, brave, resourceful, hardworking, and absolutely full to the brim of good intentions. He’s also really really sorry about the thing he did to his teacher. He thought it would be funny. But it wasn’t. He knows that now, and he’ll never do it again. Though he’ll probably do something else. Oh well. At least he has the following heroes for company.
Departing from the surreal is Ramona, the antihero-turned-hero of Beverly Cleary’s Beezus and Ramona series.
Ramona is an entirely realistic child who is filled with passionate desires and intense feelings, all of which she acts on, even when she knows better. The interesting thing about these books is that Ramona was introduced as a foil and annoyance to her long-suffering older sister, Beezus.
But anyone with blood in their veins would find Ramona preferable to Beezus, and so, clearly, did Beverly Cleary, who switched her focus from color-inside-the-lines Beezus to wild Ramona with her varying confusions and longings—such as her insurmountable urge to boing the ringlets of another little girl in her class, which earns her a suspension, and her equally irresistible yearning to kiss little Davy—and in doing so, created a hero beloved for over fifty years.
Newbery Medal–winning author Beverly Cleary expertly depicts the trials and triumphs of growing up through a relatable heroine who isn't afraid to be exactly who she is.
Ramona Quimby is excited to start kindergarten. No longer does she have to watch her older sister, Beezus, ride the bus to school with all the big kids. She's finally old enough to do it too!
Then she gets into trouble for pulling her classmate's boingy curls during recess. Even worse, her crush rejects her in front of everyone. Beezus says Ramona needs to quit being a pest, but how can she stop…
I’m somebody that starts far too many sentences with the phrase “Remember when.” I have great sensory recollection of things from my past. As a high schooler in the 90s, I can still smell the CK One I was wearing during the Seinfeld finale and hear the Nirvana blaring through my 5-disc changer while I did my homework. I love using my writing to bring certain time periods back to life. I think because technology is moving so quickly – I struggle to understand TikTok – I like writing books and reading books that take me back to a time period that isn’t changing with status updates, new pictures, and Snaps every second.
I have long been a fan of Jennifer Weiner and expected another charming, funny (and modern) read when I picked up Mrs. Everything. But this book far surpassed my expectations. It was far more serious, ambitious, and sweeping than her other books. The story centers on two sisters growing up in 1950s Detroit, taking me back to an era where women were raised to be housewives alone, and follows them through the tumultuous sixties and beyond. Weiner’s writing and research are so strong, I felt like I experienced the historical milestones along with the characters.
In this instant New York Times bestseller and “multigenerational narrative that’s nothing short of brilliant” (People), two sisters’ lives from the 1950s to the present are explored as they struggle to find their places—and be true to themselves—in a rapidly evolving world from #1 New York Times bestselling author Jennifer Weiner.
Jo and Bethie Kaufman were born into a world full of promise.
Growing up in 1950s Detroit, they live in a perfect “Dick and Jane” house, where their roles in the family are clearly defined. Jo is the tomboy, the bookish rebel with a passion to make the world…
I loved cartoons growing up. Teenage Mutant Ninja Turtles? Thundercats? Gargoyles? All favorites. But so many of the cartoons never changed anything. There were never any real stakes. (Except for Gargoyles. I fell in love with that show because of its continuity!) I hungered for books where things mattered, where the main characters did things that changed from book to book. Give me adventures that change the world! Well, I found some of those books. Here are stories where the main characters are kids. And now I get to enjoy these same stories with my kids!
Hathin needs to cover up that her sister isn’t an oracle. Actually, she’s pretty useless. But now leaders are coming to investigate her sister. Can Hathin fake it?
Frances Hardinge writes so many good books, but this is my favorite of hers by far. She sets up what you think will be the plot… and then zip! Something totally unexpected happens. So you figure you know where the story’s going… and nope! Now it goes a different direction entirely! And each zig builds tension until the finale of the story, wrapping everything together. If you enjoy female protagonists in a rich fantasy setting, check this out!
On Gullstruck Island, legend has it that the mountain ranges and volcanoes are in charge. Anger them, and you'll pay the price. Keep them happy, and you'll enjoy their protection. These stories of the land's command come in handy for quiet, near-invisible Hathin when she must run for her life. Hathin's sister, Arilou, is believed to be a Lost. The Lost are held nearly sacred by those on Gullstruck, for they can send their senses away from their bodies. If Lost, Arilou can read a message across the island. If Lost, Arilou can hear whispers in the corners of private…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
I love everything Juliet Marillier writes. She is so good at using her knowledge of folklore to create magical stories in which the heroine must save the day. This book departs from her usual Celtic setting, taking us instead to Transylvania in the time of the Ottoman Empire and a reimagining of the Twelve Dancing Princesses.
The setting takes five sisters from a crumbling castle at the edge of the Wildwood to the Faerie Kingdom at the heart of that wood. I love how the Wildwood seems to tailor itself to the ages and personalities of the sisters. So, five-year-old Stela spends her time with cute and playful creatures, while elder sister Tatiana falls under the spell of Sorrow, one of the Night People. Protagonist Jena has her own love story with the talking frog Gogu.
The wildwood holds many mysteries. Jena and her sisters share the biggest of all, a fantastic secret that enables them to escape the confines of their everyday life in rural Transylvania. They have kept it hidden for nine long years.
When their father falls ill and must leave their forest home over the winter, Jena and her older sister Tati are left in charge. All goes well until a tragic accident allows their overbearing cousin Cezar to take control. The appearance of a mysterious young man in a black coat divides sister from sister, and suddenly Jena finds herself fighting…
I’ve been an avid fantasy reader since I was old enough to read—starting with a Greek mythology book beloved by young adults everywhere—and my love with reading translated into my love of writing. After years of scouring for the perfect story, I have indie-published three fantasy romance books. I see reading as the gateway to all creative endeavors and a rekindling of the imagination. After almost two decades of storytelling, I have established a commitment to finding good stories and sharing them with others. I use my platform to uplift authors, especially marginalized writers or fellow indies, knowing that community is what makes reading fun.
Set in a fantasy world inspired by North African folklore and mythology, A River of Royal Blood creates the perfect environment for magic not seen in the mainstream literary fiction.
Within the story, magic plays an integral part in the conflict known as the “Rival Heir” tradition, where the female heirs to the throne must fight one another to the death when the youngest turns of age. Only one of them can be queen. The magic is their greatest tool but is somehow Eva’s greatest curse as no one knows how to use her magic, least of all her. And when more than just her older sister wants her dead because of her powerful magic, I was on the edge of my seat and impatiently awaiting a sequel.
Seventeen-year-old Eva is a princess, born with the magick of blood and bone--a dark and terrible magic that hasn't been seen in so long, the knowledge on how to wield its power has been lost to history. She wants nothing to do with the magick or with the Ivory Throne and heavy responsibility of leading her fractured country. But she has little choice. If she can't learn to harness the magick inside her by her nameday, she'll die at the hands of the Rival Heir. Her older sister Isadore, whose magick of light and persuasion is more glamorous but no…
From an early age, I was steeped in stories. My mother is a great storyteller and would tell vivid and exciting stories of her childhood, giving me a great sense of my own life as a part of the story of generations. We moved around a lot for my father’s job, which was sometimes disorientating and could lead to loneliness, and I took refuge in libraries and in writing stories of my own. By the time I left school, literature was my big love and mainstay, and I took a degree in English and later taught it in schools. Reading and writing stories has since become my life.
I was blown away by this book when I first read it, and it may be one of the best books I’ve ever read.
I laughed out loud at the wisecracking wit while tears actually dropped into my lap at the aching sadness as I read of the struggles of Yolande to stop her famous pianist sister Elfride from committing suicide and as she mines their strict Memonite past (including their father’s own suicide) for reasons for Elfride’s depression.
I kept gulping out hilarious bits to my partner while wiping my eyes and blowing my nose. I found it hard to put down to go and eat. When I finished it, I didn’t feel I’d read it; I felt I’d had a whole experience, and I set about recommending it to my reading group and all my friends.
From the bestselling author of Women Talking, a "wrenchingly honest, darkly funny novel" (Entertainment Weekly).
Elf and Yoli are sisters. While on the surface Elfrieda's life is enviable (she's a world-renowned pianist, glamorous, wealthy, and happily married) and Yolandi's a mess (she's divorced and broke, with two teenagers growing up too quickly), they are fiercely close-raised in a Mennonite household and sharing the hardship of Elf's desire to end her life. After Elf's latest attempt, Yoli must quickly determine how to keep her family from falling apart while facing a profound question: what do you do for a loved one…
Like most writers, I’m intoxicated by stories, and when I first learned about the all-but-unknown country of Oman—once a major maritime power in the Indian Ocean—and its involvement in the East African slave trade, I was hungry to discover more. That “more” soon catapulted me into an extraordinary world filled with romance, beauty, violence, cruelty, and larger-than-life characters I had never heard of before. I was eager to share that world with others and so wrote this book. I am also the author of two other books about the Middle East and am deeply interested in writing about the region’s people, history, and culture, rather than its politics.
In this lyrical novel, winner of the 2019 Man Booker International Prize (the first novel in Arabic to do so), the Omani writer Altharthi captures the rich complexity of a country caught between the past and the future.
Her characters embody various aspects of Oman’s history—its slave trade, its maritime prowess, its close-knit village life, its rapid modern development—while at the same time debunking Western stereotypes about Arab women, society, and culture.
I visited Oman in early 2023 and everywhere I went, I saw Alharthi’s novel brought to life. Time and memory, religion and magic, poetry and proverbs—all swirl hypnotically together in this book, brilliantly translated by Marilyn Booth.
This winner of the 2019 Man Booker International Prize and national bestseller is “an innovative reimagining of the family saga . . . Celestial Bodies is itself a treasure house: an intricately calibrated chaos of familial orbits and conjunctions, of the gravitational pull of secrets" (The New York Times Book Review).
In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada.
