10 books like Timescape

I've spent the last half-century researching complex systems and mathematical modeling, both at research centers including The RAND Corporation, the Santa Fe Institute, and the Int'l Center for Applied Systems Analysis (Vienna), as well with professorships at New York University, Princeton and the Technical U. of Vienna. I have also had a lifelong interest in the connection between science fiction and science fact, and have explored the relationship in several of my books including X-EVENTS, The Cambridge Quintet, and Paradigms Lost. I also served as editor for the volume Mission to Abisko, which gives an account of a week-long meeting between sci-fi writers and scientists held north of the Arctic Circle in Abisko, Sweden some years back.

Calum is a sought-after keynote speaker and best-selling writer on artificial intelligence. He focuses on the medium- and long-term impact of AI on all of us, our societies and our economies. His non-fiction books on AI are Surviving AI, about strong AI and superintelligence, and The Economic Singularity, about the prospect of widespread technological unemployment. He also wrote Pandora's Brain and Pandora’s Oracle, a pair of techno-thrillers about the first superintelligence. He's a regular contributor to magazines, newspapers, and radio. He is co-founder of a think tank focused on the future of jobs, called the Economic Singularity Foundation. In the last five years, Calum has given over 120 talks in 18 countries on five continents.

I’m an Anglo-Irish writer of stories that have a fantastical or paranormal worldview—often containing darkness, but also touched with satirical humour. I’ve always liked stories that seem rooted in everyday reality but then introduce inexplicable elements which unhinge the recognisable world in a surprising or unsettling fashion. For me, that description fits a range of books, including Fantastic Mr. Fox (which I remember being the first book I read through obsessively), Dracula, or Gormenghast; and writers such as Shirley Jackson, Philip K. Dick, J. G. Ballard, H.P. Lovecraft, Neil Gaiman, Caitlin R. Kiernan, and Thomas Ligotti.

I've spent the last half-century researching complex systems and mathematical modeling, both at research centers including The RAND Corporation, the Santa Fe Institute, and the Int'l Center for Applied Systems Analysis (Vienna), as well with professorships at New York University, Princeton and the Technical U. of Vienna. I have also had a lifelong interest in the connection between science fiction and science fact, and have explored the relationship in several of my books including X-EVENTS, The Cambridge Quintet, and Paradigms Lost. I also served as editor for the volume Mission to Abisko, which gives an account of a week-long meeting between sci-fi writers and scientists held north of the Arctic Circle in Abisko, Sweden some years back.

I am a lifelong fan of science fiction, and especially all things time travel. However, I do get annoyed by time travel stories where the time travel is never really explained or it’s just reduced to a magical vehicle for the story setting. I want my science fiction to ask the big questions of humanity. I have a PhD in history and theology, and in my research for my book From Star Wars to Superman, I combined a lifetime of enjoying science fiction and time travel with a career studying those big philosophical questions, and I’ve come to the conclusion that true sci-fi has to be thought-provoking.

I’m fascinated by the sciences, and I love mysteries. I’m too lazy, unfocused, and poor at math, ever to have been a scientist, and I’ve never been tempted to try a career as a detective. Instead, I’ve spent my life pursuing fairytales, thrillers, ghost stories, and even horror and romance — as long as there are mysteries involved. By now I see the patterns and rhythms, and set-pieces that appear again, and again, and I can point them out to you (as long as you don’t mind knowing how the story’s been made). But I never get tired of the endless variations on this theme of finding things out. 

I’m fascinated by the sciences, and I love mysteries. I’m too lazy, unfocused, and poor at math, ever to have been a scientist, and I’ve never been tempted to try a career as a detective. Instead, I’ve spent my life pursuing fairytales, thrillers, ghost stories, and even horror and romance — as long as there are mysteries involved. By now I see the patterns and rhythms, and set-pieces that appear again, and again, and I can point them out to you (as long as you don’t mind knowing how the story’s been made). But I never get tired of the endless variations on this theme of finding things out. 

I’m fascinated by the sciences, and I love mysteries. I’m too lazy, unfocused, and poor at math, ever to have been a scientist, and I’ve never been tempted to try a career as a detective. Instead, I’ve spent my life pursuing fairytales, thrillers, ghost stories, and even horror and romance — as long as there are mysteries involved. By now I see the patterns and rhythms, and set-pieces that appear again, and again, and I can point them out to you (as long as you don’t mind knowing how the story’s been made). But I never get tired of the endless variations on this theme of finding things out. 

I've been reading science fiction since the age of seven, when I first read Madaleine L’Engle’s A Wrinkle in Time. Then it was Podkayne of Mars by Robert Heinlein, A Rite of Passage by Alexei Panshin, Dune by Frank Herbert, The Lord of the Rings by J.R.R. Tolkien, etc. My list is in honour of Women’s History Month and to recognize the gifted female writers of the past who faced discrimination in the publishing world and yet still triumphed. When I started writing fiction, with my medical background, it had to be about medicine. Thus The Grace Lord series was born. My protagonist, Dr. Grace Lord, is a fearless and compassionate combat surgeon.

I have read SF, starting with the classic Jules Verne, since I was a young teenager. Soon I discovered Bradbury, Asimov, Clarke, Ellison, Zelazny, Dick, all of whom lit up my mind with wondrous and sometimes dangerous visions of possible futures. During the COVID shutdown period, when our university went to online instruction, my wife convinced me to try my hand at writing in my favorite genre. Previously I had written a textbook, How Films Tell Stories (listed here at Shepherd), but never any fiction, so I wrote Temporal Gambit, a time-travel adventure combined with themes of first contact, artificial intelligence, and alternate history. I then followed it with a sequel. I hope you enjoy.