100 books like A Door Into Ocean

I think this novel, by physicist Gregory Benford, is one of the best fictional representations of how science is really done and of the real world of scientists and graduate students.

It is also an early exploration of the concept of tachyons, particles that cannot move slower or as slow as the speed of light but always have to go faster. (These have been proposed only in theory, but what makes them exciting is that they would travel backward in time.) In the book, that property enables people in the future to communicate with us in their past.

Another thing I like about this book is that some of his characters are thinly disguised (or not disguised) versions of real astronomers of the time.

Isaac Asimov rarely wrote about aliens, but this Hugo and Nebula award-winning novel contains an astounding thought experiment, not only imagining a truly alien species but placing them in a different universe with different physical laws from our own.

I first read this novel as a teenager and was blown away by Asimov’s ability to make me understand and care about the fate of such vastly different alien creatures that possessed three distinct sexes and derived their life energy from photosynthesis.

The fact that the novel inextricably links the fate of these creatures with the fate of our own universe gave me a greater appreciation of how truly diverse life can be. A fact–along with the lessons I learned from the other novels listed here–that continues to inform my own writing on aliens and alien cultures. 

Brilliant young scientist develops a miraculous new pain-killer. A goldmine for the pharmaceutical company! But is the serum really safe? Ann Clewiston Symonds, the scientist at the heart of this story, comes up against Big Pharma’s disdain for ethical issues, and then a car crash dumps her on the customer’s side of the counter. What follows is riveting, chilling, and still horribly relevant today. Kate Wilhelm was extremely good at telling the hard truths about sci-fi material, that sci-fi usually avoids, and this is her best.

I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.

Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page. 

This collection of comics by different women cartoonists explains the challenges and successes of six women scientists in the 20th century.

Although I am familiar with the scientists’ biographies and their celebrated discoveries, I liked seeing how well the different cartoonists make use of the affordances of the comic book format to convey women’s situations, emotions, and steps toward empowerment as well as the technical aspects of their scientific work. It would make an attractive book club choice for students or adults.

Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….”  Although she spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?  

Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible.  Everywhere. Even the straight-B boys are out there. So what happens?

This is what happens.

When I was an undergraduate, the editor of Nature called this book "the best candidate for burning there has been for many years". I therefore rushed out to buy a copy to see why, and I have treasured the book and recommended it ever since. Almost every idea between its covers is wrong, but marshalling evidence to refute the ideas makes readers ask the most fundamental questions about biology and why they believe what they do. I am eternally grateful to Sheldrake for making me justify my opinions properly, with evidence, not just because they were what I read or heard in some classroom. And he will do the same for anyone else: heretics like Sheldrake are really important for testing mainstream science.

Crispin is funny, acerbic, trenchant, and a little bit mean. Her 2017 polemic takes contemporary feminism to task for what she sees as its feckless devolution from fervent, world-changing force to toothless irrelevancy. It’s a challenging read, especially for anyone who is, like me, a longtime feminist. But Crispin’s voice is fresh and compelling, and whether or not you agree with her entirely, her critique is impossible to ignore.

The Sri Lankan feminist Kumari Jayawardena produced this groundbreaking history in 1986 and it has never been out of print. It told me so many things I didn’t know, for example how Chairman Mao’s early radicalism was centred on women’s issues: a social system which so subjected women must be brought down; Marxism was a later add-on (but don’t tell the Chinese Communist Party, they don’t like to acknowledge this fact).

This book is so expansive, Audre Lorde invented a whole new genre for it. She terms it “biomythography,” bringing together autobiography, mythology, fiction, poetry, and other forms of writing to tell her story of queer life.

I fell in love with Zami in college back in the day and have been re-reading it ever since. From her childhood in 1930s and 40s Harlem to her coming out as the self-proclaimed fat black lesbian “warrior poet,” who would come to shape black feminism in the late 20th century and beyond, Zami charts the life, loves, and transformative ideas of one of our most important writers.

Zami is both muse and guide, showing us how the iconic feminist writer came to be, and how pleasure, power, creative expression, and community are indispensable to our own freedom today.