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Dr Fischer of Geneva.
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I’ve written and script edited in a lot of different genres, from factual drama to sitcom, children’s TV to fantasy. I’ve always loved spy stories, and I’ve always wanted to write one. Recently, at the University of East Anglia I studied for an MA in Crime Fiction, and that’s where I finally got the chance to study espionage and write a spy novel myself. I hope you enjoy my selection of books if you haven’t already read them. Or even if you have. They’re all so good that I feel like re-reading them right now.
This is a non-fiction book but it reads like a novel and explores one of the great mysteries of the spy world: how on earth did Kim Philby manage to betray not only his country but also his friends over so many years?
A former spy I had the privilege of interviewing described Philby as a shit, so maybe there’s the answer. I think this is a terrific read, and although Macintyre probably isn’t a spy, like Deighton, he knows them.
Kim Philby was the most notorious British defector and Soviet mole in history. Agent, double agent, traitor and enigma, he betrayed every secret of Allied operations to the Russians in the early years of the Cold War.
Philby's two closest friends in the intelligence world, Nicholas Elliott of MI6 and James Jesus Angleton, the CIA intelligence chief, thought they knew Philby better than anyone, and then discovered they had not known him at all. This is a story of intimate duplicity; of loyalty, trust and treachery, class and conscience; of an ideological battle waged by men with cut-glass accents and…
Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.
I can never understand why so many critics and readers are snooty about Dan Brown. For me, he does what every good storyteller should do: takes you on a page-turning journey. And his style is both readable and erudite, whatever the snobs might say.
Although this could technically be described as a crime thriller, it remains perhaps Brown’s best action-adventure so far, and regardless of whether Tom Hanks is your idea of Professor Robert Langdon or not, the thrills just keep on coming as you follow breathlessly through the streets and landmarks of Paris, London and beyond. Stylish and swaggering.
Harvard professor Robert Langdon receives an urgent late-night phone call while on business in Paris: the elderly curator of the Louvre has been brutally murdered inside the museum. Alongside the body, police have found a series of baffling codes.
As Langdon and a gifted French cryptologist, Sophie Neveu, begin to sort through the bizarre riddles, they are stunned to find a trail that leads to the works of Leonardo Da Vinci - and suggests the answer to a mystery that stretches deep into the vault of history.
Unless Langdon and Neveu can decipher the labyrinthine code and quickly assemble the…
Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.
MacLean was a contemporary of Desmond Bagley, so a natural candidate when it came to following up potential leads in the Bagley vein. He’s better remembered than Bagley, possibly because quite a few of his books were made into films, but he always acknowledged Bagley as the superior writer.
This book is a good example of classic MacLean–raw action in a location that plays as much a part as any of the living characters–and his ability to create a claustrophobic atmosphere is simply terrific.
A classic thriller from the bestselling master of action and suspense.
The atomic submarine Dolphin has impossible orders: to sail beneath the ice floes of the Arctic Ocean, and somehow locate and rescue the men of weather-station Zebra, gutted by fire and drifting with the ice-pack somewhere north of the Arctic Circle.
But the orders do not say what the Dolphin will find if she succeeds - that the fire at Ice Station Zebra was sabotage, and that one of the survivors is a killer.
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” I also spent over thirty years in the corporate world and was exposed to many situations reminiscent of those described in my fiction and in these recommended books. While I support enterprise, “enlightened capitalism” is preferable to the bare-knuckle type we have today, and which seems to resurface whenever regulation weakens. I also find writing novels closer to my lived experience connects me intimately with readers who are looking for socio-political, realist literature.
Avery Mann, a retired pharmaceuticals executive, is in crisis.
His wife dies of cancer, his son’s marriage is on the rocks, his grandson is having a meltdown, and his good friend is a victim of the robocalls scandal that invades the Canadian federal election. Throw in a reckless fling with a former colleague, a fire that destroys his retirement property, and a rumour emerging that the drug he helped bring to market years ago may have been responsible for the death of his wife, and Avery’s life goes into freefall.
Does an octogenarian beekeeper living on Vancouver Island hold the key to Avery’s recovery, a man holding secrets that put lives in jeopardy? Avery races across the country to find out, with crooked bosses, politicians, and assassins on his tail. Joseph spins a cautionary tale of corporate and political greed that is endemic to our times.
Avery Mann, a retired pharmaceuticals executive, is in crisis. His wife dies of cancer, his son’s marriage is on the rocks, his grandson is having a meltdown, and his good friend is a victim of the robocalls scandal that invades the Canadian federal election.
Throw in a reckless fling with a former colleague, a fire that destroys his retirement property, and a rumour emerging that the drug he helped bring to market years ago may have been responsible for the death of his wife, and Avery’s life goes into freefall.
Does an octogenarian bee keeper living on Vancouver Island hold…
Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.
This fantastic Desmond Bagley novel has a gripping opening line and never lets up the pace.
It’s one of the first Bagleys I read, and I was hooked as a fan from page one. I love every one of his 17 novels and keep going back to them; he really is the master at what he does: action-adventure, with "everyman"-type heroes thrust into dangerous and deadly situations.
For some reason, he’s fallen out of fashion, but I’m on a mission to change all that–alongside his publishers, HarperCollins, who have commendably kept his books constantly in print.
It all begins with a simple errand - a package to deliver. But for Alan Stewart, standing on a deserted road in Iceland with a murdered man at his feet, the mission looks far from simple. Set amongst some of the most dramatic scenery in the world, Stewart and his girlfriend, Erin, are faced with treacherous natural obstacles and deadly threats, as they battle to carry out the mission. The contents of the package are a surprise for the reader as much as for Stewart in a finale of formidable energy.
I grew up in the lap of Borscht Belt comedy in an entertainment family, the dour child with a precocious predilection for reading archaic literature. My parents gave me a subscription to Punch Magazine and subjected me to countless comedy movies during my formative years strapped to a chair à laClockwork Orange. Which explains how I ended up an international banker. Until late in life with the publication of my first novel, a satire. After eight successive novels, I realized that I should have listened to the family’s adage, “Don’t Quit Your Day Job.”
This compilation of short stories influenced my writing as I read this while a teenager. Outlandish and funny, Kurt Vonnegut created a universe and characters that brought science fiction comedy to the mainstream. He literally knocked the socks off of establishment literature. In addition, he has been more than prophetic of today’s global foray into absurdity in one particular story, "Harrison Bergeron," which I would put on par with George Orwell’s 1984.
A MASTERFUL COLLECTION OF TWENTY-FIVE SHORT STORIES FROM THE INIMITABLE AUTHOR OF SLAUGHTERHOUSE 5, KURT VONNEGUT
'Vonnegut is George Orwell, Dr Caligari and Flash Gordon compounded into one writer...a zany but moral mad scientist' Time
A diabolical government asserts control by eliminating orgasms. A scientist discovers the secret to unlocking instant happiness, with unexpected consequences. In an America where everyone is equal every which way, a tennage boy plans to overthrow the system.
Welcome to the Monkey House gathers together twenty-five of Kurt Vonnegut's short stories from the 1950s and 1960s. Shot through with Vonnegut's singular humour, wit and bewilderment…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
There’s so much I love about this book: the setting of Lagos, Nigeria, the vignette-style chapters that toggle between poetic insights of the titular sisters, a crime novel unlike any that I’ve read, and the questions it asks about how far you’ll go to protect the people you love.
This book had me riveted, turning pages as fast as I could. Despite being dark, it also made me laugh—which is a really tough combination to pull off! I gulped it down in about two sittings—the story had me that hooked.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
When I was younger, I stayed overnight in a haunted house, or at least a house that felt haunted. I was in a big, creepy room by myself, and sleep was impossible. Instead, I sat up through the night, feeling very alone. During that long wait for dawn, this book was there for me.
It’s a satire that’s now more famous than many of the grim rural novels that inspired it; more important to me then, it’s the very funny story of Flora Poste, a modern young woman who goes to stay at a remote country farm with her relatives, the dramatic Starkadders, ruled over by Aunt Ada Doom, who once saw something nasty in the woodshed. Flora’s story is a glorious triumph of common sense over an ominous atmosphere.
When the sukebind was in bud, the orphaned Flora Poste, expensively, athletically and lengthily educated, descended on her relatives at Cold Comfort Farm, which she rightly imagines will be awful in an interesting way. She takes it on herself to bring order into chaos.
I am a dark fiction author. As far back as anyone can remember I have been an introverted creature, with a rapacious appetite for knowledge, a dark sense of humour, and an insatiable appetite for books. Having written eight darkly humorous works of fiction and read dozens of titles that fall into this genre, I believe that I am the ideal person to provide you with recommendations for darkly humorous fiction stocking fillers this Christmas. Think of me as the Santa of darkly humorous fiction. My titles include theNecropolis Series. Their protagonist is Dyson Devereux – a cultured council worker and compulsive murderer with sardonic tendencies.
Tender Branson, the last survivor of the Creedish Church cult, has hijacked an airplane, which is flying on autopilot. His mission now is to dictate his life story onto its black box before the plane crashes.
Survivoris an innovative and erudite social commentary, brimming with satirical observations. Amongst the targets for its irreverent dark humour are death, The Bible, and suicide hotlines. In this reader’s opinion, Survivor is a work of undoubted genius, and one of the author’s best novels.
Tender Branson-last surviving member of the Creedish Death Cult-is dictating his life story into the recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the airplane, which will crash shortly into the vast Australian outback. But before it does, Branson will unfold the tale of his journey from an obedient Creedish child and humble domestic servant to an ultra-buffed, steroid- and collagen-packed media messiah.
While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Laumer’s satirical books about Jame Retief, a functionary in Corps Diplomatique Terrestrienne, were inspired by his real-life career in the U.S. Foreign Service. They don’t have to be read in any order and mix short stories (as in this collection) and novels. Much of the humor comes from Retief ignoring the diplomatic niceties in dealing with the problems involving Earth and various alien races.
The first-ever collection of Retief stories by Keith Laumer. Includes "Protocol," "Sealed Orders," "Cultural Exchange," "Aide Memoire," "Policy," and "Palace Revolution."
I’ve been teaching “Writing Humor and Comedy” at Drexel University (where I’m an English professor) twice a year forever, and I’m proud (and still a little awed) that at least one of my students has gone on to have a successful humor-writing career. My very first publication was a satirical story back in 1996, and in more recent years, my humor has been published in The Oxford University Press Humor Reader, McSweeney’s, and Points in Case. Writing funny fiction is my main focus as a novelist, and my sequel, The Great American Betrayal, was named one of "The Best Comedy Books of 2022" by New York magazine's Vulture.com.
I first read Stanislaw Lem’s The Futurological Congress in a literature of science fiction course as an undergrad around 1991 and I’ve reread it a bunch of times since then. Lem’s endlessly creative wordplay and brilliant satirical style have been major influences on all of my fiction, especially the Great American series. His novel might seem less like an overt haha comedy than the others I’ve listed here, but I still laugh every time I read it. Sample sentence: “Still, the sight of a man at your side crumpling to the floor under heavy fire is not among the most pleasant, even if it is the result of a simple misunderstanding, which ends with an exchange of diplomatic notes and official apologies.”
'A giant of twentieth-century science fiction' Guardian
'This Room Guaranteed BOMB-FREE. From the Management'
Hapless cosmonaut Ijon Tichy has been sent back to earth to attend the Eighth Futurological Congress in smog-bound, overpopulated Costa Rica, holed up with an assortment of scientists in a luxury hotel (fully equipped with tear gas sprinklers in case things get out of hand). But when an unfortunate incident occurs involving a revolution and hallucinogenic drugs in the water supply, Tichy finds himself shot, frozen and thawed out in a future beyond anything he could ever have imagined.
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