Here are 100 books that Running Blind fans have personally recommended if you like
Running Blind.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve written and script edited in a lot of different genres, from factual drama to sitcom, children’s TV to fantasy. I’ve always loved spy stories, and I’ve always wanted to write one. Recently, at the University of East Anglia I studied for an MA in Crime Fiction, and that’s where I finally got the chance to study espionage and write a spy novel myself. I hope you enjoy my selection of books if you haven’t already read them. Or even if you have. They’re all so good that I feel like re-reading them right now.
This is a non-fiction book but it reads like a novel and explores one of the great mysteries of the spy world: how on earth did Kim Philby manage to betray not only his country but also his friends over so many years?
A former spy I had the privilege of interviewing described Philby as a shit, so maybe there’s the answer. I think this is a terrific read, and although Macintyre probably isn’t a spy, like Deighton, he knows them.
Kim Philby was the most notorious British defector and Soviet mole in history. Agent, double agent, traitor and enigma, he betrayed every secret of Allied operations to the Russians in the early years of the Cold War.
Philby's two closest friends in the intelligence world, Nicholas Elliott of MI6 and James Jesus Angleton, the CIA intelligence chief, thought they knew Philby better than anyone, and then discovered they had not known him at all. This is a story of intimate duplicity; of loyalty, trust and treachery, class and conscience; of an ideological battle waged by men with cut-glass accents and…
I am the ultimate dilettante. I consume huge amounts of history, literature, and current events. I am not interested in dumbing down what I write. I am endlessly curious and assume my readers are also. I started writing during the pandemic and have not quit. I have completed three novels and have been an avid reader my entire life. Join me!
I enjoyed learning about religion from Dan Brown. I am not a religious person, so presenting so much research in a tightly bound thriller was an excellent way to keep me engaged and reading.
I came away from this book with a deeper psychological understanding of God and the devil.
Harvard professor Robert Langdon receives an urgent late-night phone call while on business in Paris: the elderly curator of the Louvre has been brutally murdered inside the museum. Alongside the body, police have found a series of baffling codes.
As Langdon and a gifted French cryptologist, Sophie Neveu, begin to sort through the bizarre riddles, they are stunned to find a trail that leads to the works of Leonardo Da Vinci - and suggests the answer to a mystery that stretches deep into the vault of history.
Unless Langdon and Neveu can decipher the labyrinthine code and quickly assemble the…
Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.
MacLean was a contemporary of Desmond Bagley, so a natural candidate when it came to following up potential leads in the Bagley vein. He’s better remembered than Bagley, possibly because quite a few of his books were made into films, but he always acknowledged Bagley as the superior writer.
This book is a good example of classic MacLean–raw action in a location that plays as much a part as any of the living characters–and his ability to create a claustrophobic atmosphere is simply terrific.
A classic thriller from the bestselling master of action and suspense.
The atomic submarine Dolphin has impossible orders: to sail beneath the ice floes of the Arctic Ocean, and somehow locate and rescue the men of weather-station Zebra, gutted by fire and drifting with the ice-pack somewhere north of the Arctic Circle.
But the orders do not say what the Dolphin will find if she succeeds - that the fire at Ice Station Zebra was sabotage, and that one of the survivors is a killer.
Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.
It’s impossible to talk about action-adventure thrillers without recommending something by Graham Greene. It could have been any one of his great novels, but I’ve settled on this book as one of his shortest and most easily accessible stories.
It’s quirky without being obscure, full of atmosphere and intrigue, and wonderfully witty in its portrayal of its central characters. For sheer panache, this book is hard to beat.
'Manages to say more about love, hate, happiness, grief, immortality, greed and the disgustingly rich than most contemporary English novels three times the length' The Times
Doctor Fischer despises the human race. A millionaire with a taste for sadism, he spends his time and money planning notorious parties, entertainments designed to expose the shallowness and greed of his craven hangers-on. Black comedy and painful satire combine in a totally compelling novel.
Founded in 1974, Bradt Guides is now the largest independently-owned guidebook publisher in both the US and UK. We have over 200 titles in print, with a particular focus on lesser-known places overlooked by other travel publishers. We also publish a series of Slow Travel guides to UK regions and a list of travel narratives. There are 15 people in the Bradt team, based (when Covid allows) in an office above a coffee shop in Chesham, Bucks. The following books are very different but all connected to travel in fun ways. The books were selected by Simon Willmore, Claire Strange, Iona Brokenshire, Deborah Gerrard, and Hugh Brune.
I’d been working at Bradt Guides for about three years when we commissioned Polly Evans to write the first edition of Northern Lights: A practical travel guide, and I’ve been fascinated by this natural phenomenon ever since. Fast forward five years and I finally booked a dream trip to Swedish Lapland in celebration of a milestone birthday, armed with the 2nd edition containing all the information needed to have the most incredible few days. It snowed a lot whilst we were there creating a stunning winter wonderland, and although the Aurora Borealis didn’t make an appearance we packed in so many other adventures that made it memorable for all.
An updated third edition of Bradt's practical guide to the best places to view the Northern Lights, the only guidebook that caters to the large number of people whose dream is to see the aurora borealis. Included is information on everything from how to photograph the aurora to what to wear, and how to understand northern lights forecasting, as well as the science behind the aurora and the auroral oval. Also detailed are the best locations from which the aurora can be viewed, covering, in Europe, Scandinavia, Lapland, Iceland and Greenland, and in North America, Canada and Alaska. In addition,…
I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
This is a slim book and it's told in an intimate, lyrical voice that feels like it's speaking directly to you from the period – which, in this case, is the 9th century CE.
All the Horses of Iceland follows a Norse trader through Rus to Mongolia in the company of Khazars. It's a ghost story, with notes of sadness mixed with wonder. And while it is possible to trace the journey and pick up on historical signposts, the book doesn't acknowledge that it knows when and where its reader might be – which bolsters the illusion of reading something very old.
A hypnotic historical fantasy with gorgeous and unusual literary prose, from the captivating author of The Fourth Island.
Everyone knows of the horses of Iceland, wild, and small, and free, but few have heard their story. Sarah Tolmie’s All the Horses of Iceland weaves their mystical origin into a saga for the modern age. Filled with the magic and darkened whispers of a people on the cusp of major cultural change, All the Horses of Iceland tells the tale of a Norse trader, his travels through Central Asia, and the ghostly magic that followed him home to the land of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan. The US government has agreed to provide Taiwan with a weapons system so advanced, it can disrupt the balance of power in the region. But what pilot would be crazy enough to run the…
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Even though this is a massive tome with almost 800 pages, the book is the perfect introduction to the rich medieval literature of the sagas that form the foundation of Icelandic literature today. It contains many of the main sagas including the Egil's Saga, the Laxdæla Saga, and the Vinland Sagas as well as background information on saga history, medieval Iceland, and the Icelandic language. A collection full of the battles, witchcraft, poetry, monsters, and heroic journeys that influenced generations of writers from Jules Verne and J.R.R. Tolkien over to A.S. Byatt.
In Iceland, the age of the Vikings is also known as the Saga Age. A unique body of medieval literature, the Sagas rank with the world's great literary treasures - as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the…
In 2009, when I decided to set a crime series in Iceland, I embarked on a decade of research into the country, its people, its literature, its culture, and its elves. I visited the country, I spoke to its inhabitants and I read books, lots of books – I couldn’t find an elf, but I was told where they live. I needed to understand its criminals, its victims, its police, and most of all my detective Magnus Jonson. These are the best books that helped me get to grips with Iceland.
I don’t think it is overly ambitious to claim that you can learn a lot about a country from its crime novels. I certainly did, devouring novels by Yrsa Sigurdardóttir, Lilja Sigurdardóttir, Ragnar Jónasson, and the Englishman Quentin Bates. A good crime novel describes not only a place and its people but what makes them tick, what they fear, and what they desire. It’s very hard to pick just one crome novel from so many great ones, but Arnaldur Indridason’s Silence of the Grave won the British Crime Writers Association Gold Dagger in 2005 and also features the British occupation of the country during the war. Plus, it’s a damned good story.
Building work in an expanding Reykjavik uncovers a shallow grave.
Years before, this part of the city was all open hills, and Erlendur and his team hope this is a typical Icelandic missing person scenario; perhaps someone once lost in the snow, who has lain peacefully buried for decades. Things are never that simple.
Whilst Erlendur struggles to hold together the crumbling fragments of his own family, his case unearths many other tales of family pain. The hills have more than one tragic story to tell: tales of failed relationships and heartbreak; of anger, domestic violence and fear; of family…
I love the idea that much of folklore is based on universal human stories that are still true today. Selkies may be mystical creatures but they are also women treated badly by men, then judged for their response by wider society. Because of this universality, as well as the compelling magical element, there are many modern novels that make use of selkie folklore, which in several ways shares roots with the folklore of mermaids. I’ve picked out a few that spoke to me. I hope many more readers will discover these sea-faring, shape-shifting, magic-realist tales.
I love this book for many reasons. The Sealwoman is a passenger on the slave ship that takes our protagonist form her beloved homeland, and the ‘gift’ of the title is the story she tells of her shapeshifting roots. The voyage is hellish, and contains a terrifying birth scene among other unspeakable, unimaginable, only just survivable events. It’s based on a true story, which makes it all the more powerful, and it makes me wonder about the hidden truths in the folklore contained within it, especially the sealwoman’s story.
'A remarkable feat of imagination... I enjoyed and admired it in equal measure' Sarah Perry, author of The Essex Serpent 'An extraordinarily immersive read, that emphasises the power of stories, examining themes of motherhood, identity, exile and freedom ... a journey that not only crosses continents, but encompasses tragedy and rich sensuality' Guardian 'A powerful tale of Barbary pirates ... richly imagined.' Sunday Times 'Engrossing' Sunday Express 'Fascinating ... a really, really good read' BBC R2 Book Club 'The best sort of historical novel.' Scotsman 'A lyrical tale' Stylist 'A poetic retelling of Icelandic history.' Daily Mail 'Compelling stuff' Good…
Miranda falls in love with her dream house but soon discovers it's an affair with complications. A lot of them. Rosewood is a centuries old, tumble-down, gambrel roofed charmer located in an isolated, coastal corner of Virginia referred to as "strange". Known for long-standing and antiquated customs, an almost indecipherable…
I’m Marsali Taylor, a retired teacher of English, French and Drama. I’ve always been interested in women’s history—not queens and countesses, but what life was like for ordinary people like me. A chance to research women’s suffrage in the Scottish National Library got me started reading these women’s stories in their own words—and what stories they were, from the first women graduates to the war workers. Women’s Suffrage in Shetlandtook two years of fascinating research, and Ihope it’s the foundation for more work by other researchers, both here in Shetland and in other communities whose women fought for the vote.
Stumbling on the fishing hut of Thuridor Einarsdottir, 1777 – 1863, ’one of Iceland’s greatest fishing captains’ set Margaret Willson off on a quest to find out more about the women who flourished in this traditionally male industry. She found a number of them, not just historical women like Thuridor’s contemporaries Kristin and Ingibjorg, farmhands who were expected by the farmer to go to sea, but also their modern counterpart, Vally the farmer/seawoman, along with Hulda the housewife, Jonina, Gudrun, Bylgja and Vigdis. Grey pages spread through the book are short interviews with them; the rest is a lyrically written account of the fishing and social history of Iceland through the experiences of women. A delight to read.
Finalist for the 2017 Washington State Book Award in General Nonfiction / History
The plaque said this was the winter fishing hut of Thuridur Einarsdottir, one of Iceland's greatest fishing captains, and that she lived from 1777 to 1863.
"Wait," anthropologist and former seawoman Margaret Willson said. "She??"
So began a quest. Were there more Icelandic seawomen? Most Icelanders said no, and, after all, in most parts of the world fishing is considered a male profession. What could she expect in Iceland?
She found a surprise. This book is a glimpse into the lives of vibrant women who have braved…
