Here are 84 books that Survivor fans have personally recommended if you like
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Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
His physicality transformed, Gregor awakes no longer a man, but instead, a giant grotesque creature.
As I read this masterpiece, I too understood how it is, to appear not how I desire. To sound different, to look different, to appear different than the paragon of myself I have created in my mind. And to strive to be more than this body I inhabit can give. But is this not the condition of us all?
A truly brilliant Kafka, this book created a world that is my own, yet unreal, and my reality yet a waking dream.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
I am a dark fiction author. As far back as anyone can remember I have been an introverted creature, with a rapacious appetite for knowledge, a dark sense of humour, and an insatiable appetite for books. Having written eight darkly humorous works of fiction and read dozens of titles that fall into this genre, I believe that I am the ideal person to provide you with recommendations for darkly humorous fiction stocking fillers this Christmas. Think of me as the Santa of darkly humorous fiction. My titles include theNecropolis Series. Their protagonist is Dyson Devereux – a cultured council worker and compulsive murderer with sardonic tendencies.
Skagboys is the prequel to Trainspotting. Its colourful cast of characters hails from the Edinburgh port suburb of Leith. The book is set in the 1980s against a backdrop of HIV, Thatcherism, and the rise of dance music. The extensive employment of Scottish vernacular makes traversing this tome (548 pages) challenging but rewarding.
I was mesmerised by the lurid descriptions, dark humour, diverse prose, and the memorable, amoral characters. Skagboyswill appeal to all fans of darkly humorous fiction and transgressive fiction.
Mark Renton has it all: he's good-looking, young, with a pretty girlfriend and a place at university. But there's no room for him in the 1980s. Thatcher's government is destroying working-class communities across Britain, and the post-war certainties of full employment, educational opportunity and a welfare state are gone. When his family starts to fracture, Mark's life swings out of control and he succumbs to the defeatism which has taken hold in Edinburgh's grimmer areas. The way out is heroin.
It's no better for his friends. Spud Murphy is paid off from his job, Tommy Lawrence feels himself being sucked…
I am a dark fiction author. As far back as anyone can remember I have been an introverted creature, with a rapacious appetite for knowledge, a dark sense of humour, and an insatiable appetite for books. Having written eight darkly humorous works of fiction and read dozens of titles that fall into this genre, I believe that I am the ideal person to provide you with recommendations for darkly humorous fiction stocking fillers this Christmas. Think of me as the Santa of darkly humorous fiction. My titles include theNecropolis Series. Their protagonist is Dyson Devereux – a cultured council worker and compulsive murderer with sardonic tendencies.
These interlinked short stories are set in ‘The Holler’; an impoverished part of Knockemstiff, an Ohioan backwater. The book’s lengthy timeline (mid-60s – late 90s) allows the reader to revisit the same people at different stages in their lives. This compelling aspect lends the compilation a cohesion that is so often lacking in short story collections.
The grubby setting, visceral prose, and dark humour are a potent combination. I would not hesitate in recommending these authentic tales of the underclass.
Blunt, brutal, but infused with a deep sympathy, Knockemstiff is a pitch-dark and hilarious collection of stories set in a tiny town in Southern Ohio.
The youth of Knockemstiff grow up in the malignant shadow of their parents; raised on abuse, alcohol, drugs and cigarettes, they are stunted in every possible way: emotionally, mentally, sometimes physically. They talk a lot about escape but they never so much as cross the county line.
I am a dark fiction author. As far back as anyone can remember I have been an introverted creature, with a rapacious appetite for knowledge, a dark sense of humour, and an insatiable appetite for books. Having written eight darkly humorous works of fiction and read dozens of titles that fall into this genre, I believe that I am the ideal person to provide you with recommendations for darkly humorous fiction stocking fillers this Christmas. Think of me as the Santa of darkly humorous fiction. My titles include theNecropolis Series. Their protagonist is Dyson Devereux – a cultured council worker and compulsive murderer with sardonic tendencies.
Set during WWI, the story vacillates between Kent and German and British East Africa. There are a host of colourful and caricatured characters. An Ice-Cream War’s motif is the absurdness of war. Its author is unwavering in presenting the East African campaign as utterly futile.
The book’s grave content is laced with humour of the dark variety, in addition to occasional gruesome descriptions. This unpredictable serio-comedy’s blend of tragedy and black humour appealed to me.
"Rich in character and incident, An Ice-Cream War fulfills the ambition of the historical novel at its best." --The New York Times Book Review
Booker Prize Finalist
"Boyd has more than fulfilled the bright promise of [his] first novel. . . . He is capable not only of some very funny satire but also of seriousness and compassion." --Michiko Kakutani, The New York Times
1914. In a hotel room in German East Africa, American farmer Walter Smith dreams of Theodore Roosevelt. As he sleeps, a railway passenger swats at flies, regretting her decision to return to the Dark Continent--and to…
Two themes run through my book recommendations. First is the lone protagonist against impossible odds. Don’t we all feel this way from time to time in our lives? I’m no exception and still have the scars to prove it, which is why my first novel was intended to promote awareness and prevention of child abuse and domestic violence. Secondly, I’ve had an affinity for speculative fiction (science fiction, fantasy, and paranormal) since I was a child so it only stands to reason that I would be inspired by the likes of Harlan Ellison, Ray Bradbury, Philip José Farmer, Philip K. Dick, and other masters of these genres.
Harlan Ellison’s Shatterday holds two of the most memorable short stories I’ve ever read.
In “Jeffty is Five,” a young boy never ages and is somehow able to listen to new episodes of cancelled radio shows and conjure up new issues of pulp magazines long out of print. He is oblivious to the changing world around him until he is brutally exposed to the harsh realities of modern life.
In “Shatterday,” a callous, insensitive young man finds himself confronted by a doppelganger who not only takes over his life, but improves it until the original simply fades away.
In the introduction to his collection, Ellison indicates that his stories reflect the underlying theme of human frailty and ugliness. His goal is to shock his readers into seeing how this common fear unifies all people. This is one of the reasons why Harlan Ellison is one of my favorite writers of…
Ellison's sixteen previously uncollected stories and new novella further his reputation as an intrepid explorer of odd psychological corners and a master of pure horror and black comedy
At age 13, the unthinkable happened and my father took his own life. Barely into adolescence, this trauma shaped the rest of my life. It created a deep compassion within me for the suffering of others and an understanding of the impact death can have. It ended everything and in learning to live, learning to laugh and smile, and dare to be happy again, I found my passion to help others rise to the surface in adult years. For anyone having to face the trauma of suicide, I am deeply sorry, and I know that there are no words that will alleviate the pain, but if you are looking for some comfort (when you are ready for it) I hope these books will help.
This book although released back in 1999 it is still relevant today. The author speaks openly and honestly about the different emotions including guilt and loneliness which really resonated with me. The book is full of stories of pain and heartache that I could relate to as well as courage and inspiration. This book is honest and felt like a group therapy session that I didn’t want to leave at times. This book doesn’t hide the brutality of suicide, the stigma, the tragedy, and most of all the suffering and pain of those left behind.
Suicide would appear to be the last taboo. Even incest is now discussed freely in popular media, but the suicide of a loved one is still an act most people are unable to talk about--or even admit to their closest family or friends. This is just one of the many painful and paralyzing truths author Carla Fine discovered when her husband, a successful young physician, took his own life in December 1989. And being unable to speak openly and honestly about the cause of her pain made it all the more difficult for her to survive.
Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.
Trust me when I say that any book by Michael Robotham will not disappoint, but this one is something special. Shatter features psychologist Joe who has his own problems and aids the police in tracking down a serial killer who can destroy his victims by getting them to kill themselves. Never have I read a book that has taken me on such an emotional roller-coaster.
A naked woman in red high-heeled shoes is perched on the edge of Clifton Suspension Bridge with her back pressed to the safety fence, weeping into a mobile phone. Clinical psychologist Joseph O'Loughlin is only feet away, desperately trying to talk her down. She whispers, 'you don't understand,' and jumps.
Later, Joe has a visitor - the woman's teenage daughter, a runaway from boarding school. She refuses to believe that her mother would have jumped off the bridge - not only would she not commit suicide, she is terrified of heights.
I’m a Canadian writer, and a mother of three. I think I do qualify as an ACOH (Adult Child of Hippies). My mom taught elementary school, and my dad was a university professor, but otherwise they fully embraced the hippy movement. It was a rich childhood in terms of nature, literature, art, and foreign cultures, but dysfunctional and confusing on the emotional front. Sadly, dropping a lot of acid leads to a lifetime of anxiety and depression. My father descended into mental illness and opiate addiction when I was an adult, eventually leading to his suicide. I came to terms with his death by writing Corridor Nine.
This helpful book digs into the stigma of suicide, how it has been viewed as taboo, and how the bodies of people who committed suicide have traditionally even been denied burial. The people left behind find themselves isolated by their shame and the fear that others will shy away from a topic considered sinful in most religions. This was certainly my experience. Had my father died of cancer or a heart attack, I would have talked openly of his death and received a lot of support. But I felt his mental illness, addiction, and suicide too dark a topic to impose on anyone.
Happy, functional families don’t go through things like this. It was an extension of the shame I’d internalized as a child growing up with socially divergent parents who struggled with mental health issues. Alexander, who lost her own mother to suicide, gives links to survivor support groups,…
Breathtaking stories of incredible power for anyone struggling to find the meaning in the suicidal death of a loved one--and for all readers seeking writing that moves and inspires. After author Victoria Alexander's mother took her life, she spent the next ten years collecting stories from people, like herself, who have walked through one of life's most difficult journeys. The result is a beautifully written book of powerful, spellbinding stories told by those who were left behind--parents, children, spouses, lovers, friends, and colleagues. In the Wake of Suicide offers survivors the understanding, compassion, and hope they need to guide them…
I’m a Canadian writer, and a mother of three. I think I do qualify as an ACOH (Adult Child of Hippies). My mom taught elementary school, and my dad was a university professor, but otherwise they fully embraced the hippy movement. It was a rich childhood in terms of nature, literature, art, and foreign cultures, but dysfunctional and confusing on the emotional front. Sadly, dropping a lot of acid leads to a lifetime of anxiety and depression. My father descended into mental illness and opiate addiction when I was an adult, eventually leading to his suicide. I came to terms with his death by writing Corridor Nine.
Gayle Brandeis’s intimate memoir of wrestling with her mother’s suicide following a long mental illness kept me company in the ways it mirrored my own experience. It is sometimes easier to mourn a stranger’s pain, as you edge towards your own grief. Brandeis’s reading through her mother’s letters, with their paranoid delusions and grandiose aspirations, “passionate and creatively punctuated,” rang true to my father’s crazy literary outpourings. Her experiences of entering her mother’s home to witness the evidence of her last activities, to the almost physical trauma of learning the stark details of her mother’s suicide method, comforted me in their familiarity. The suicide of a mentally ill parent leaves a lot of guilt and confusion in its wake. Anger and resentment aren’t what one “should” feel after a death of a parent, but Brandeis doesn’t sugarcoat the complex mess of emotions that needs to be untangled.
Award-winning novelist and poet Gayle Brandeis’s wrenching memoir of her complicated family history and her mother’s suicide
Gayle Brandeis’s mother disappeared just after Gayle gave birth to her youngest child. Several days later, her body was found: she had hanged herself in the utility closet of a Pasadena parking garage. In this searing, formally inventive memoir, Gayle describes the dissonance between being a new mother, a sweet-smelling infant at her chest, and a grieving daughter trying to piece together what happened, who her mother was, and all she had and hadn’t understood about her.
I grew up in a house filled with books as a son of educated, well-read parents. My mother was an English/French/Spanish teacher, and my father was an encyclopedia editor. Among all the books in our downstairs, there was a custom-built coffin bookcase my father kept stocked with his favorite horror novels. He died when I was eleven and in an effort to get to know him better, I started reading the books in that coffin. I was very quickly turned into a horror fan, and a few years later started writing horror stories myself. Every time I start writing another horror story, I know I’m my father’s son.
Straub is a master, but this title is often overlooked. It’s compact, completely engaging, and features some of the best dread-inducing moments I’ve ever read in a horror novel. His writing is a masterclass in dread, and as a writer I return to it often. Much as Tremblay uses the gimmick of reality TV in A Head Full of Ghosts to horrifying effect, Straub employs email in a creepy and sinister fashion.
A woman commits suicide for no apparent reason. A week later, her son—beautiful, troubled fifteen-year-old Mark Underhill—vanishes from the face of the earth. To his uncle, horror novelist Timothy Underhill, Mark’s inexplicable absence feels like a second death. After his sister-in-law’s funeral, Tim searches his hometown of Millhaven for clues that might help him unravel this mystery of death and disappearance. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before his mother’s suicide Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No…
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