100 books like Shatterday

The variety of subjects covered in this collection of 22 short stories demonstrates Bradbury's prowess as a master craftsman and the reason why I count him among my literary heroes. 

More than a few of these tales have become legendary, including “A Sound of Thunder.” Bradbury's premise of how the death of a butterfly in prehistoric times could have drastic changes in the future is a variation on the famous “butterfly effect” and a fine example of the relationship between chaos theory and the physics of time travel.
For me, the most incredible story in the collection is “The Fog Horn” in which an elusive sea monster attacks a lighthouse after being attracted by its foghorn for years. This story was the inspiration for the 1953 film The Beast from 20,000 Fathoms.

I loved this book for the new concepts it brought to me about psychic abilities, specifically telepaths that could block other’s psychic abilities.

After this, I was drawn to the book for the way it blurred the lines of reality, making me question alongside the main character if anything they were experiencing was real. I also thought the idea of the UBIK drug that kept people in a 'half-life' was fascinating and a different way to show addiction and its consequences.

Lastly, the ending was quite thrilling and kept me reading into the wee hours of the morning, even though I had work the next day! 

From the strange title to the premise of a futuristic television star who suddenly no one remembers, this book, is the essence of why PKD remains one of my favorite authors: futurism, psychology, and existential angst distilled into a mind-bending cocktail whose characters somehow still feel perfectly grounded and believable. 

The Book of Philip Jose Farmer is a collection of 16 brilliant short stories ranging from SF and horror to fantasy and satire. 

The most memorable and frightening tale of all—and one that I often use an example of a perfect paranormal tale—is “Father in the Basement.” An eleven-year-old girl employs her supernatural ability to help her father work around the clock for days to complete the first draft of his novel. He wanted it to be his final act, after all.

One of the most chilling endings of any horror story out there. 

Tender Branson, the last survivor of the Creedish Church cult, has hijacked an airplane, which is flying on autopilot. His mission now is to dictate his life story onto its black box before the plane crashes.

Survivor is an innovative and erudite social commentary, brimming with satirical observations. Amongst the targets for its irreverent dark humour are death, The Bible, and suicide hotlines. In this reader’s opinion, Survivor is a work of undoubted genius, and one of the author’s best novels.

This is the dirty realist poet, Charles Bukowski's, last novel and is filled with intriguing code and name-dropping of people he knew and was influenced by. As well as being as poetic as hell. Pulp also gives a glimpse of what it might have been like if Bukowski had lived on and ventured fully into crime fiction or pulp noir.

I love the book’s surface-level simplicity to draw you into its world. However, it then subversively lets bigger themes creep in: including surrealism and spiritualism, as the author faces his own death. All this with Bukowski’s deftly poetic touches.

This showed me how semi-autobiographical elements can fuse and influence fiction and vice versa. And, that it doesn't have to be hard to absorb or distract from the story. By acknowledging layers in writing which are there for those who want to peel back and discover them. And when they don’t,… show more.

Stephen J. Golds is a prolific powerhouse of dirty realist poetry and gritty modern crime fiction. I’ve been lucky enough to work with him on a number of projects now and admire his mind and words greatly. 

Say Goodbye When I’m Gone is a breakthrough work of art for someone well-studied in his craft. It’s punchy, atmospheric, and brutal…but also, so sensitively poetic and soulful.

Say Goodbye When I’m Gone, and his other books generally, are prime examples of how a masterwork doesn’t have to be a doorstop in page length. Like The Postman Always Rings Twice by James M. Cain, these gems of noir fiction are often in novella format. Soulful, concise, sharp, and lean. Like the best poetry, which Golds happens to be unsurprisingly masterful with too.

Imagine coming back from the dead only to realize the world doesn't want you: You move in with parents who are disgusted by you, random strangers on the street throw food or pull mean jokes on you and your friends, and being caught out past your curfew sends you to the dog pound. That's the life that Andy Warner reanimates into after a fatal accident. It's not all bad, though. At least he's got some friends at the Undead Anonymous support group, including the dead-sexy Rita, and Ray, a guy whose “venison” seems to come with some miraculous healing abilities. This is a darkly comedic book filled with a colorful cast, and you can't help but delight in the tragic spiral of the characters as they become increasingly inhuman. After all, can you blame them? 

Derek Raymond’s 4th book in his Factory Series is sublimely dark and poetic. It’s brit-grit with an industrial, dirty backdrop and hard feel. Some lines are funny in their harshness with a cliched bad PI turned up to max.

This is a British hard-boiled, hard-drinking, and damaged detective with all the atmosphere of a French noir clashing with Ted Lewis’ Get Carter.

I Was Dora Suarez is a prime example of brit-noir with a flawed protagonist chasing clues and signs in an equally damaged world. Despite the bleakness of the characters and situations it’s impossible not to be gripped and have your face thrust against the glass to see.

The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.