Here are 100 books that Say Goodbye When I'm Gone fans have personally recommended if you like
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I am the author of the Black Viking and Hellbent Riffraff Thrillers and several volumes of dirty realism poetry. I am also the Founder and editor-in-chief of Bristol Noir, an indie publisher and ezine specialising in curiously dark fiction and crime noir. Since 2017 Bristol Noir has been publishing up-and-coming and best-selling authors from around the world. I’m a writer originally from Northumberland in Northern England. In the late 90s, I studied in Greater Manchester when the IRA bomb went off and during the infamous years of the Hacienda club. I now live in Bristol. I’ve devoted my writing to exploring my heritage and the environments I’ve been in.
This is Auster exploring all the themes he’s well known for now, and crafting them into a beautifully absurd almost surreal tale. Not strictly a noir book this has a protagonist struggling with his place in the world and his identity, whilst getting drawn into situations out of their control—all tropes which are seminal to the genre.
Auster’s first book released under the pseudonym Paul Benjamin, called Squeeze Play, is a more typical crime, or pulp noir. And it's easy to see his blend into literary fiction whilst holding the noir handles close for The Music of Chance.
Often writers start out literary then a genre attaches itself. Here, Auster appears to have hit big by penning a commercially aimed work, then shifting back to where his core themes ring out.
I’m a huge fan of these themes he’s so good at; stories within stories, back-tales of characters,…
Nashe comes into an inheritance and decides to pursue a life of freedom. He meets Pozzi, a gambler, who exerts a terrible fascination over, him and together they take a desperate gamble. By the author of "The New York Trilogy", "Moon Palace" and "The Invention of Solitude".
I am the author of the Black Viking and Hellbent Riffraff Thrillers and several volumes of dirty realism poetry. I am also the Founder and editor-in-chief of Bristol Noir, an indie publisher and ezine specialising in curiously dark fiction and crime noir. Since 2017 Bristol Noir has been publishing up-and-coming and best-selling authors from around the world. I’m a writer originally from Northumberland in Northern England. In the late 90s, I studied in Greater Manchester when the IRA bomb went off and during the infamous years of the Hacienda club. I now live in Bristol. I’ve devoted my writing to exploring my heritage and the environments I’ve been in.
This is the dirty realist poet, Charles Bukowski's, last novel and is filled with intriguing code and name-dropping of people he knew and was influenced by. As well as being as poetic as hell. Pulp also gives a glimpse of what it might have been like if Bukowski had lived on and ventured fully into crime fiction or pulp noir.
I love the book’s surface-level simplicity to draw you into its world. However, it then subversively lets bigger themes creep in: including surrealism and spiritualism, as the author faces his own death. All this with Bukowski’s deftly poetic touches.
This showed me how semi-autobiographical elements can fuse and influence fiction and vice versa. And, that it doesn't have to be hard to absorb or distract from the story. By acknowledging layers in writing which are there for those who want to peel back and discover them. And when they don’t,…
Charles Bukowski's brilliant, fantastical pastiche of a detective story. Packed with wit, invention and Bukowski's trademark lowlife adventures, it is the final novel of one of the most enjoyable and influential cult writers of the last century.
Nicky Belane, private detective and career alcoholic, is a troubled man. He is plagued not just by broads, booze, lack of cash and a raging ego, but also by the surreal jobs he's been hired to do. Not only has been hired to track down French classical author Celine - who's meant to be dead - but he's also supposed to find the…
I am the author of the Black Viking and Hellbent Riffraff Thrillers and several volumes of dirty realism poetry. I am also the Founder and editor-in-chief of Bristol Noir, an indie publisher and ezine specialising in curiously dark fiction and crime noir. Since 2017 Bristol Noir has been publishing up-and-coming and best-selling authors from around the world. I’m a writer originally from Northumberland in Northern England. In the late 90s, I studied in Greater Manchester when the IRA bomb went off and during the infamous years of the Hacienda club. I now live in Bristol. I’ve devoted my writing to exploring my heritage and the environments I’ve been in.
Derek Raymond’s 4th book in his Factory Seriesis sublimely dark and poetic. It’s brit-grit with an industrial, dirty backdrop and hard feel. Some lines are funny in their harshness with a cliched bad PI turned up to max.
This is a British hard-boiled, hard-drinking, and damaged detective with all the atmosphere of a French noir clashing with Ted Lewis’ Get Carter.
I Was Dora Suarez is a prime example of brit-noir with a flawed protagonist chasing clues and signs in an equally damaged world. Despite the bleakness of the characters and situations it’s impossible not to be gripped and have your face thrust against the glass to see.
An axe-wielding psychopath carves young Dora Suarez into pieces and smashes the head of Suarez's friend, an elderly woman. On the same night, in the West End, a firearm blows the top off the head of Felix Roatta, part-owner of the seedy Parallel Club. The unnamed narrator, a sergeant in the Metropolitan Police's Unexplained Deaths division, develops a fixation on the young woman whose murder he investigates. And he discovers that Suarez's death is even more bizarre than suspected: the murderer ate bits of flesh from Suarez's corpse and ejaculated against her thigh. Autopsy results compound the puzzle: Suarez was…
I am the author of the Black Viking and Hellbent Riffraff Thrillers and several volumes of dirty realism poetry. I am also the Founder and editor-in-chief of Bristol Noir, an indie publisher and ezine specialising in curiously dark fiction and crime noir. Since 2017 Bristol Noir has been publishing up-and-coming and best-selling authors from around the world. I’m a writer originally from Northumberland in Northern England. In the late 90s, I studied in Greater Manchester when the IRA bomb went off and during the infamous years of the Hacienda club. I now live in Bristol. I’ve devoted my writing to exploring my heritage and the environments I’ve been in.
This is angry, savage, beautifully poetic, and uncomfortably real crime fiction.
Sallis writes like a master blues or jazz musician with deft control over what notes not to play, as much as which to let shout out…creating tensions, succinct phrasing, and beautifully rich and condensed narratives and characters.
I’ve learned a lot from Sallis’ books and the translation onto the screen of this one in particular. They're a masterclass of modern neo-noir.
'Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn's late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room....'
Thus begins Drive, a new novella by James Sallis.…
I fell in love with cyberpunk when I saw Ghost in the Shell for the first time. It quickly became my favorite genre, to read, watch and write. Meanwhile, I’m one of the most renowned cyberpunk indie authors. My series Behind Blue Eyes has quickly become a favorite among readers and bloggers and I’m planning to publish many more books in the series and the genre. Besides, I’m also one of the editors of the Neo Cyberpunk anthology series, a collection of short stories contributed by contemporary cyberpunk indie authors. I hope you enjoy my list and if you want more, check out the Cyberpunk Books group on Facebook!
Bubbles in Space couldn’t be more different than the two books above. It features a humoristic approach to the genre and doesn’t take itself too seriously. We follow Bubbles, a pink-haired detective on her adventures in Holo City. Like me, S.C. Jensen is one of the very few female authors in the cyberpunk genre. I recommend checking her books out if you’re looking for something not as grim and dramatic as most cyberpunk books.
Strippers, drugs, and headless corpses? All in a day’s work for Bubbles Marlowe, HoloCity’s only cyborg detective.
Does she like her job? No. Is she good at it? Also no.
She can’t afford to be too good. The last time she got curious it cost her a job, a limb, and almost her life.
But when a seemingly simple case takes a gruesome turn, and Bubbles discovers a disturbing connection to the cold-case death of an old friend, she is driven to dig deeper.
And deeper.
Until what she uncovers can never be buried again…
When I decided to write about psychopathic killers, I studied real stories and facts about these people. I also read about 80 novels a year as well as writing crime thriller novels. I’ve won more than a few awards and keep studying my craft. Makes me feel young. I love stories with action that make you think and are a little different and unique. I want to make a reader cry and laugh, which is what I look for in a good novel. So, when I write about serial killers, I try to keep it real. I love it!
Keller is a nice guy; everyone likes him. His only fault is he kills people for money. He is, by definition, a serial killer, but for him, it’s all business. Yes, he kills people, but for him, no big deal, just making a living.
Most of the book is about everything else in his life, his apartment, his girlfriend, and going to an art show. His stamp collection, etc. It’s like a look behind the curtain. Fascinating!
I liked his cute conversations with his boss lady too. Funny.
Sequel to Block's previous work, Hit Man, a gripping insight into the life of a paid assassin who finds his way on to someone else's hit list.
Superficially, John Keller - the urban lonely guy of assassins - leads a normal life despite his profession. He has an office manager, the breezily efficient Dot, who organises his "jobs" and reassures his grumbling conscience. He is an obsessive stamp collector. In a blackly comic twist, he even gets called for jury service. Laid back, couldn't care less, morally distanced from his vocation, Keller is an intriguing character. A visit to an…
I am a joker at heart and was always the class clown. I currently write on my own humor website, A Man Eating Chicken. I started drawing comics in grade school and grew into writing comedic prose in high school. There was never a goal for any of this; it was all pre-internet, so I didn’t realize that humor could be published anywhere. As I got older, I was able to find some books that really spoke to my sensibilities. The books on this list really showed me the power and possibilities of humor and influenced my own writing.
The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.
A bumper collection of the classic Life in Hell cartoon strips from the 80s and 90s which were the basis for The Simpsons. Painstakingly assembled and rigorously organized by that master of clutter, Matt Groening, this is not another mini-jumbo, hard-to-read, abreviated compendium in that seemingly endless series of discourses on hell bu a gargantuan historical extravaganza of ten years' worth of the ever-popular Life in Hell cartoon strip, which looks uncannily like The Simpsons if you keep your eyes closed and have a sufficiently fertile imagination. Includes: The birth of Bongo! Binky's arrival in Los Angeles! Akbar and Jeff's…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.
In this funny, nightmarish masterpiece of imaginative excess, grotesque characters engage in acts of violent one-upmanship, boundless riches mangle a corner of Africa into a Bacchanalian utopia, and technology, flesh and violence fuse with and undo each other. A fragmentary, freewheeling novel, it sees wild boys engage in vigorous, ritualistic sex and drug taking, as well as pranksterish guerrilla warfare and open combat with a confused and outmatched army. The Wild Boys shows why Burroughs is a writer unlike any other, able to make captivating the explicit and horrific.
I'm a life-long horror lover and author of dark fiction. I've been reviewing films and video games for Ravenous Monster ezine for nearly a decade, and my Wattpad horror novel The Hound is currently being adapted for film. My favorite thing is the intersection of the horrifying and fantastic with the mundane, and that's what appeals to me so much about zombies: in all of their multitudinous representations, they've always held up a mirror to humanity. No monster can so easily reflect the many facets of humanity as a zombie. Because, after all, the dead were once just like us – and if we're not careful, we might end up just like them in the end.
Imagine coming back from the dead only to realize the world doesn't want you: You move in with parents who are disgusted by you, random strangers on the street throw food or pull mean jokes on you and your friends, and being caught out past your curfew sends you to the dog pound. That's the life that Andy Warner reanimates into after a fatal accident. It's not all bad, though. At least he's got some friends at the Undead Anonymous support group, including the dead-sexy Rita, and Ray, a guy whose “venison” seems to come with some miraculous healing abilities. This is a darkly comedic book filled with a colorful cast, and you can't help but delight in the tragic spiral of the characters as they become increasingly inhuman. After all, can you blame them?
For fans of Chuck Palahniuk and Christopher Moore, a hilarious debut novel about life (and love) after death.
Meet Andy Warner, a recently deceased everyman and newly minted zombie. Resented by his parents, abandoned by his friends, and reviled by a society that no longer considers him human, Andy is having a bit of trouble adjusting to his new existence.
But all that changes when he goes to an Undead Anonymous meeting and finds kindred souls in Rita, an impossibly sexy recent suicide with a taste for the formaldehyde in cosmetic products, and Jerry, a twenty-one-year-old car-crash victim with an…
I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
Ten years before What We Do in the Shadows comically imagined what everyday life might be like for vampires, David Sosnowski published Vamped. Set in a world where vampires outnumber humans, the story stars a bloodsucking bachelor bored with his existence and all of the modern vampire conveniences, and inconveniences. Like missing coffee. And chocolate. And sunlight. And not having any more fresh humans to hunt. But when our hero stumbles across a human child, his existence gets complicated. A sharp, smart, charming, and occasionally heart-warming black comedy with an anti-hero who you end up rooting for.
So this vampire walks into a bar...Yes, it sounds like the beginning of a bad joke, but it's just another night in the never-ending life of Marty Kowalski. With his trademark slogan -- "There's a sucker born every minute" -- this blood-drinking bachelor has managed to talk half the mortal world into joining the graveyard shift. Now vampires outnumber humans, and Marty is so bored he could die -- again. With modern conveniences like synthetic blood and Mr. Plasma machines, the thrill of the hunt is gone. Especially for Marty, who's starting to wonder if he should just settle down,…
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