Here are 100 books that Victor in the Rubble fans have personally recommended if you like
Victor in the Rubble.
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Green tracers in the sky over Baghdad. My first political memory is the start of the Gulf War in 1991. I remember writing angry essays criticizing the US decision to invade Iraq in 2003 for my high-school assignments. I have always been interested in US foreign policy and in how presidents make decisions. During my PhD, as I was working on a chapter on the origins of the Cuban Missile Crisis, I discovered the extent and–frankly–the madness of some of the plots the CIA and the White House concocted against Fidel Castro. More recently, the US government’s use of assassination and “targeted killings” have become the focus of my research.
Spies, lies, love, coups, what more do you want? In the book we encounter Marie Mitchell, now under threat of assassination, but previously a CIA spy who had fallen in love with–and collaborated in the downfall of–Thomas Sankara.
For Marie, the transition to the CIA is a way of escaping the stifling and misogynistic FBI of the 1980s. For the CIA, a black, attractive woman is ideal to snoop in and undermine a charismatic leader. The book, told by Marie as a letter to her children, moves back and forward between her spying missions and her (self)exile in Martinique.
It is fast-paced, realistic, and able to portray the daring aspects, the bureaucratic obstacles, and the moral compromises of spying for the CIA.
I have been passionate about the world of espionage for as long as I can remember. I am drawn to the blend of international intrigue, the shaping of relationships between nation-states, and the moral dilemmas of the characters involved. Espionage literature is the best vehicle, I believe, for placing characters in situations where they must constantly choose between self and country. The answers that are revealed are always applicable to how we live our lives as people, communities, and nations.
Anyone who has witnessed the spy game up close knows that it is forever balanced on the edge of farce and often topples over into it. The world of espionage is filled with chancers, charlatans, and the desperate. Graham Greene beautifully captures this descent into farce in the character of Wormold, who invents agents and secret plans to keep his handlers happy and hopefully improve his life a little at the same time.
I love how Greene shows that intelligence is often unintelligent and that the motivations of those involved in the spy game are rarely simple, easily derailed, and often lead to danger and tragedy beyond what one could ever believe to be possible.
MI6’s man in Havana is Wormold, a former vacuum-cleaner salesman turned reluctant secret agent out of economic necessity. To keep his job, he files bogus reports based on Charles Lamb’s Tales from Shakespeare and dreams up military installations from vacuum-cleaner designs. Then his stories start coming disturbingly true…
First published in 1959 against the backdrop of the Cold War, Our Man in Havana remains one of Graham Greene’s most widely read novels. It is an espionage thriller, a penetrating character study, and a political satire of government intelligence that still resonates today. This Penguin Classics edition features an introduction by…
Every day, we hear about crises worldwide and wonder what our government is doing to keep us safe and prosperous. Reality is often very different from what we see on the news. I was lucky to serve as a senior State Department diplomat and witnessed how the American government machine reacts to wars, coups, and political upheavals. Insights from the inside gave me both comfort (about the high quality of US officials), fear (about how many serious threats we face), and exasperation (at how messy things often get). When I left government, I wanted to share some of those frustrations and found fiction was the best vehicle.
The first in a series, this espionage thriller was written by a former CIA spymaster who uses his experience to tell the story of a Russian seductress targeting US officials. I was drawn in by the multi-layered protagonist, while the little details of spycraft enrich the plot and its authenticity.
THE MAJOR MOTION PICTURE starring Jennifer Lawrence, Joel Edgerton and Jeremy Irons.
Dominika Egorov, former prima ballerina, is sucked into the heart of Putin's Russia, the country she loved, as the twists and turns of a betrayal and counter-betrayal unravel.
American Nate Nash, idealistic and ambitious, handles the double agent, codenamed MARBLE, considered one of CIA's biggest assets. He needs to keep his identity secret for as long as the mole can keep supplying golden information.
Will Dominika be able to unmask MARBLE, or will the mission see her faith destroyed in the country she has always passionately defended?
Every day, we hear about crises worldwide and wonder what our government is doing to keep us safe and prosperous. Reality is often very different from what we see on the news. I was lucky to serve as a senior State Department diplomat and witnessed how the American government machine reacts to wars, coups, and political upheavals. Insights from the inside gave me both comfort (about the high quality of US officials), fear (about how many serious threats we face), and exasperation (at how messy things often get). When I left government, I wanted to share some of those frustrations and found fiction was the best vehicle.
Winslow is one of my all-time favorite authors. His epic three-book series about an American DEA agent and his Mexican narco-boss nemesis starts here. I was riveted through the next two books, too, but I’ve added this one to my list because of the subtle ways I learned that the politics of the DEA are so much like what I faced at the State Department. Bonus: the narrator, Ray Porter, makes a great story even better.
'Breathtaking' JEREMY CLARKSON 'Winslow's masterpiece (so far) ... should have a place on every crime freak's bookshelf. Superb' INDEPENDENT ON SUNDAY _______________________ A brilliant page-turning thriller of power and revenge on the front lines of the drug war.
Drug lord Miguel Angel Barrera is head of the Mexican drug federacion, responsible for millions of dollars worth of cocaine traffic into the US and the torture and murder of those who stand in its way. His nephew, Adan Barrera, is his worthy successor.
Art Keller is a US government operative, so determined to obtain revenge for a murdered colleague that his…
I spent 21 years in the Central Intelligence Agency as a linguist, analyst, and speechwriter. It was a love-hate relationship. I found the culture of the place fascinating and sometimes maddening. The intellectual challenge was addictive. I met some of the best people I’ve ever known and a few of the worst. I learned about high stakes and moral ambiguity, intellectual integrity and bald careerism, selfless service, and rollicking arrogance. I discovered that the intelligence world is a world apart yet an eerily accurate reflection of broader society. I’ve chosen books written by authors who spent time in intelligence work and crafted novels that define and sometimes defy the spy genre.
This book introduced me to the magnificent John le Carré and his grey man, George Smiley. The atmosphere is cold and heavy, the hero is unassuming, and the light he holds against the darkness is small and flickering.
To unravel the truth, Smiley focuses on one piece of information that doesn’t fit. He doesn’t stop until that last piece falls into place and presents him with a wrenching choice.
After a routine security check by George Smiley, civil servant Samuel Fennan apparently kills himself. When Smiley finds Circus head Maston is trying to blame him for the man's death, he begins his own investigation, meeting with Fennan's widow to find out what could have led him to such desperation. But on the very day that Smiley is ordered off the enquiry he receives an urgent letter from the dead man. Do the East Germans - and their agents - know more about this man's death than the Circus previously imagined?
Le Carre's debut novel, Call for the Dead, introduced…
I spent 21 years in the Central Intelligence Agency as a linguist, analyst, and speechwriter. It was a love-hate relationship. I found the culture of the place fascinating and sometimes maddening. The intellectual challenge was addictive. I met some of the best people I’ve ever known and a few of the worst. I learned about high stakes and moral ambiguity, intellectual integrity and bald careerism, selfless service, and rollicking arrogance. I discovered that the intelligence world is a world apart yet an eerily accurate reflection of broader society. I’ve chosen books written by authors who spent time in intelligence work and crafted novels that define and sometimes defy the spy genre.
I love this book because it doesn’t dress up espionage in a tuxedo or pretend that the world is black and white. Ashenden is a novel about humanity and hard choices rather than high-speed chases and spy gadgetry.
It is about one human lever in a relentless machine. Maugham gives us small tragedies and cold moments alone with the conscience. His literary genius makes a single death off-stage more resonant than an explosion.
When war broke out in 1914, Somerset Maugham was dispatched by the British Secret Service to Switzerland under the guise of completing a play. Multilingual, knowledgeable about many European countries and a celebrated writer, Maugham had the perfect cover, and the assignment appealed to his love of romance, and of the ridiculous. The stories collected in Ashenden are rooted in Maugham's own experiences as an agent, reflecting the ruthlessness and brutality of espionage, its intrigue and treachery, as well as its absurdity.
Every day, we hear about crises worldwide and wonder what our government is doing to keep us safe and prosperous. Reality is often very different from what we see on the news. I was lucky to serve as a senior State Department diplomat and witnessed how the American government machine reacts to wars, coups, and political upheavals. Insights from the inside gave me both comfort (about the high quality of US officials), fear (about how many serious threats we face), and exasperation (at how messy things often get). When I left government, I wanted to share some of those frustrations and found fiction was the best vehicle.
I love Palmer’s thrillers because he writes while he’s still working as a senior US diplomat. I have no idea how he got clearance to publish his books, but they’re fun, light, and absolutely authentic about what it’s like to work in a US embassy overseas. This book is his first, a wild romp that also rings true to my experience inside the State Department.
Global headlines come to life as intrigue and international politics collide in this electrifying debut thriller from Matthew Palmer.
After a devastating experience in Darfur strips Alex Baines, former rising star of the State Department, of his security clearances, he is faced with two choices: spend the rest of his career in visa-stamping limbo or move to the private sector.
On the verge of resigning, he receives a call from his old mentor with an incredible opportunity to start over with a role in the Democratic Republic of the Congo. Yet the job isn't quite what Alex imagined it to…
I spent 21 years in the Central Intelligence Agency as a linguist, analyst, and speechwriter. It was a love-hate relationship. I found the culture of the place fascinating and sometimes maddening. The intellectual challenge was addictive. I met some of the best people I’ve ever known and a few of the worst. I learned about high stakes and moral ambiguity, intellectual integrity and bald careerism, selfless service, and rollicking arrogance. I discovered that the intelligence world is a world apart yet an eerily accurate reflection of broader society. I’ve chosen books written by authors who spent time in intelligence work and crafted novels that define and sometimes defy the spy genre.
Despite the title, this is a novel, not a memoir, but it springs from the author’s long experience in the U.S. intelligence community. A colleague once told Thieme, “The only way you can tell the truth is through fiction.” While most spy novels are plot-driven, this book is deeply character-driven.
The highest drama in intelligence work is what it does to the hearts and souls of those who practice it. The struggle to maintain a center amid shifting identities, the fatal failures, and the burden of knowing things that forever alter how one sees the world takes a heavy toll on his protagonist.
"The only way you can tell the truth is through fiction," a veteran NSA senior told Richard Thieme. Mobius: A Memoir does just that. It is about a spy but not a typical “spy novel;” it is a love story but definitely not a “romance." Mobius is a stunning exploration of the impact of a life of deception and professional intelligence work which illuminates the world in which we all now live.
When I decided to write about psychopathic killers, I studied real stories and facts about these people. I also read about 80 novels a year as well as writing crime thriller novels. I’ve won more than a few awards and keep studying my craft. Makes me feel young. I love stories with action that make you think and are a little different and unique. I want to make a reader cry and laugh, which is what I look for in a good novel. So, when I write about serial killers, I try to keep it real. I love it!
Keller is a nice guy; everyone likes him. His only fault is he kills people for money. He is, by definition, a serial killer, but for him, it’s all business. Yes, he kills people, but for him, no big deal, just making a living.
Most of the book is about everything else in his life, his apartment, his girlfriend, and going to an art show. His stamp collection, etc. It’s like a look behind the curtain. Fascinating!
I liked his cute conversations with his boss lady too. Funny.
Sequel to Block's previous work, Hit Man, a gripping insight into the life of a paid assassin who finds his way on to someone else's hit list.
Superficially, John Keller - the urban lonely guy of assassins - leads a normal life despite his profession. He has an office manager, the breezily efficient Dot, who organises his "jobs" and reassures his grumbling conscience. He is an obsessive stamp collector. In a blackly comic twist, he even gets called for jury service. Laid back, couldn't care less, morally distanced from his vocation, Keller is an intriguing character. A visit to an…
I am a joker at heart and was always the class clown. I currently write on my own humor website, A Man Eating Chicken. I started drawing comics in grade school and grew into writing comedic prose in high school. There was never a goal for any of this; it was all pre-internet, so I didn’t realize that humor could be published anywhere. As I got older, I was able to find some books that really spoke to my sensibilities. The books on this list really showed me the power and possibilities of humor and influenced my own writing.
The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.
A bumper collection of the classic Life in Hell cartoon strips from the 80s and 90s which were the basis for The Simpsons. Painstakingly assembled and rigorously organized by that master of clutter, Matt Groening, this is not another mini-jumbo, hard-to-read, abreviated compendium in that seemingly endless series of discourses on hell bu a gargantuan historical extravaganza of ten years' worth of the ever-popular Life in Hell cartoon strip, which looks uncannily like The Simpsons if you keep your eyes closed and have a sufficiently fertile imagination. Includes: The birth of Bongo! Binky's arrival in Los Angeles! Akbar and Jeff's…
