Here are 100 books that Flow My Tears, The Policeman Said fans have personally recommended if you like
Flow My Tears, The Policeman Said.
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I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
It was a toss-up here between this book and The Scar, set in a different part of the same world. One of Miéville’s acknowledged influences is the wonderful Mervyn Peake, and like Peake, he’s never in a hurry to get a story underway.
I’d have probably tossed Perdido Street Station aside after 100-200 pages except for a friend’s fervent recommendation—and I’d have missed out big time if I had! Because the story as it develops is truly grand, truly epic. Like Peake, Miéville has a gift for raising action to a mythical status. I love, love, love a novel that builds up to a long, rolling, thunderous climax!
Winner of the August Derleth award and the Arthur C. Clarke Award, Perdido Street Station is an imaginative urban fantasy thriller, and the first of China Mieville's novels set in the world of Bas-Lag.
The metropolis of New Crobuzon sprawls at the centre of its own bewildering world. Humans and mutants and arcane races throng the gloom beneath its chimneys, where the rivers are sluggish with unnatural effluent, and factories and foundries pound into the night. For more than a thousand years, the parliament and its brutal militia have ruled over a vast array of workers and artists, spies, magicians,…
Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊
I found out about this book when a friend urged me not to buy this book because it messed her up. Needless to say, I bought and read it right away, and even though it took me a long time with frequent pauses to get through this behemoth of a book, I understand why my friend said what she said.
Even beyond the striking visuals and the slowly escalating typographic madness (just google it and you’ll know what I mean) a feeling of dread suffuses this novel that stayed with me long after I put it down.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I’m a Canadian science fiction writer who writes very, very slowly. I’m interested in experimental fiction and books that are unique, both thematically and stylistically. I’d like to think my books fall into this category, or at least that’s what I aspire to. I used to read science fiction exclusively, and the five books I’ve listed here were all read during those formative years; they were fundamental stepping-stones for me, as a writer, and each of them left a profound mark on my idea of how good, or effective, novels can be.
Attanasio can run hot and cold, but when he’s hot he’s on fire! This book may have the most ambitious plot of any novel I’ve ever read and is almost impossible to describe. It spans galaxies, has a truly bizarre vibe, and yet rings true, with a love story thrown in.
Seven billion years from now, long after the Sun has died and human life has become extinct, alien beings reconstruct homo sapiens from our fossilized DNA drifting as debris in deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind's re-animator, and the zōtl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.
The resurrected children of Earth are told: "You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way." Yet,…
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will they destroy each other? And more importantly, how will humans tolerate their own creations, the robots, on this planet?
In this, his latest speculative fiction novel, Shane Joseph, returns to the “what if” questions facing humanity that he raised in After the Flood, a book that won him the…
With Chatbots and Large Language Models changing the world of writing and publishing dramatically, what happens when we introduce a sentient robot capable of feelings into the mix?
Phil Kruger, inventor, and serial womanizer, believes he has the answer in his creation, Victoria, the first sentient robot in the world, imbued with beauty, knowledge, and strength and on a crash course to acquire human feelings through massive infusions of data. Arrayed against him are independent trade publisher Artemius (Art) Jones and his rebellious and sexually starved daughter, Paula, an editor herself, who is determined to take her father's failing press,…
Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
Although Murakami is perhaps best known for his ambitious novels such as Wind-Up Bird Chronicle, Kafka by the Shore, and IQ84, this book stands out in his catalog for its unapologetic weirdness. In tandem, his split-brained narrator explores two different yet thematically overlapping worlds.
A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following.
Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.
Two themes run through my book recommendations. First is the lone protagonist against impossible odds. Don’t we all feel this way from time to time in our lives? I’m no exception and still have the scars to prove it, which is why my first novel was intended to promote awareness and prevention of child abuse and domestic violence. Secondly, I’ve had an affinity for speculative fiction (science fiction, fantasy, and paranormal) since I was a child so it only stands to reason that I would be inspired by the likes of Harlan Ellison, Ray Bradbury, Philip José Farmer, Philip K. Dick, and other masters of these genres.
The variety of subjects covered in this collection of 22 short stories demonstrates Bradbury's prowess as a master craftsman and the reason why I count him among my literary heroes.
More than a few of these tales have become legendary, including “A Sound of Thunder.” Bradbury's premise of how the death of a butterfly in prehistoric times could have drastic changes in the future is a variation on the famous “butterfly effect” and a fine example of the relationship between chaos theory and the physics of time travel. For me, the most incredible story in the collection is “The Fog Horn” in which an elusive sea monster attacks a lighthouse after being attracted by its foghorn for years. This story was the inspiration for the 1953 film The Beast from 20,000 Fathoms.
Ray Bradbury is a modern cultural treasure. His disarming simplicity of style underlies a towering body of work unmatched in metaphorical power by any other American storyteller. And here, presented in a new trade edition, are thirty-two of his most famous tales--prime examples of the poignant and mysterious poetry which Bradbury uniquely uncovers in the depths of the human soul, the otherwordly portraits of outré fascination which spring from the canvas of one of the century's great men of imagination. From a lonely coastal lighthouse to a sixty-million-year-old safary, from the pouring rain of Venus to the ominous silence of…
I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about.
I loved this book for the new concepts it brought to me about psychic abilities, specifically telepaths that could block other’s psychic abilities.
After this, I was drawn to the book for the way it blurred the lines of reality, making me question alongside the main character if anything they were experiencing was real. I also thought the idea of the UBIK drug that kept people in a 'half-life' was fascinating and a different way to show addiction and its consequences.
Lastly, the ending was quite thrilling and kept me reading into the wee hours of the morning, even though I had work the next day!
A classic science fiction tale of artifical worlds by one of the great American writers of the 20th century
Glen Runciter is dead.
Or is he?
Someone died in the explosion orchestrated by his business rivals, but even as his funeral is scheduled, his mourning employees are receiving bewildering messages from their boss. And the world around them is warping and regressing in ways which suggest that their own time is running out.
If it hasn't already.
Readers minds have been blown by Ubik:
'Sheer craziness, a book defying any straightforward synopsis . . . a unique time travel adventure…
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
Samuel R. Delaney’s masterpiece, Dhalgren, is set in a city in the Midwest that has been emptied by an unnamed catastrophe.
A sense of freedom, violence and disaster hang everywhere as the hero – Kidd, Kid, or the kid, a man with no memory and of ambiguous race (he remembers his mother was Native American) – gains entry into the subcultures that remain behind: parties, high-rise poetry readings with older white people, gun fights, gangs, graphic sex.
Time and perspective seem fluxive, inconstant, and looping.
This is beautiful, destabilized world building. Dhalgrenanswers no questions yet evokes a time, place, and milieu that shifts as you read.
I first found it when I was working as a librarian in a prison out on the plains. I didn’t last in prison.
Nebula Award Finalist: Reality unravels in a Midwestern town in this sci-fi epic by the acclaimed author of Babel-17. Includes a foreword by William Gibson.
A young half–Native American known as the Kid has hitchhiked from Mexico to the midwestern city Bellona—only something is wrong there . . . In Bellona, the shattered city, a nameless cataclysm has left reality unhinged. Into this desperate metropolis steps the Kid, his fist wrapped in razor-sharp knives, to write, to love, to wound.
So begins Dhalgren, Samuel R. Delany’s masterwork, which in 1975 opened a new door for what science fiction could mean.…
I’m a Canadian science fiction writer who writes very, very slowly. I’m interested in experimental fiction and books that are unique, both thematically and stylistically. I’d like to think my books fall into this category, or at least that’s what I aspire to. I used to read science fiction exclusively, and the five books I’ve listed here were all read during those formative years; they were fundamental stepping-stones for me, as a writer, and each of them left a profound mark on my idea of how good, or effective, novels can be.
Hand’s sentences are always beautiful, and this novel, her first, is dense with new ideas and original imagery. She evokes a bizarre future in a post-apocalyptic city where twins go on a hallucinogenic quest. Reads like a somewhat disturbing mythology. Gods and talking animals, autistic prophets, feral children, and death is personified. Unforgettable.
The “sensuous and evocative” debut of the Nebula Award–winning author of Waking the Moon: A dystopian journey through a world unburdened by moral taboos (Library Journal). Set in the surreal, post-apocalyptic City of Trees, Winterlong centers on Wendy Wanders, a girl who can tap into the dreams and emotions of the people around her, and her long-lost twin brother, Raphael, a seductive, sacred courtesan to the City’s decadent elite. During their voyage, they encounter man-made and godlike monstrosities—both hideous and gorgeous—in their effort to stop an ancient power from consuming all. Blending science fiction and fantasy, Winterlong is a dark…
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
The action in this book begins when Severian, an apprentice in the Torturers’ Guild, gives a convict a weapon to kill herself rather than be tortured.
The reason there’s a Torturers’ Guild is, allegedly, that it beats prison: Better to deliver a punishment and then let the punished person return to their life, the thinking goes, than confine them to a useless existence as a ward of the state. Severian is expelled from the Guild, but not from the profession, and wanders the world plying his trade, at least until the plot can’t spare him.
It’s a constant dissonance, looking through the eyes of a character whose training and purpose is the infliction of pain, who seems so decent and forthright in the story he narrates. (But don’t be fooled.)
In a thoroughly decadent world of the future, Severian the torturer is cast out from the torturer's guild when he falls in love with one of his victims and allows her to die
Two themes run through my book recommendations. First is the lone protagonist against impossible odds. Don’t we all feel this way from time to time in our lives? I’m no exception and still have the scars to prove it, which is why my first novel was intended to promote awareness and prevention of child abuse and domestic violence. Secondly, I’ve had an affinity for speculative fiction (science fiction, fantasy, and paranormal) since I was a child so it only stands to reason that I would be inspired by the likes of Harlan Ellison, Ray Bradbury, Philip José Farmer, Philip K. Dick, and other masters of these genres.
The Book of Philip Jose Farmer is a collection of 16 brilliant short stories ranging from SF and horror to fantasy and satire.
The most memorable and frightening tale of all—and one that I often use an example of a perfect paranormal tale—is “Father in the Basement.” An eleven-year-old girl employs her supernatural ability to help her father work around the clock for days to complete the first draft of his novel. He wanted it to be his final act, after all.
One of the most chilling endings of any horror story out there.
