Here are 100 books that An Enemy of the People fans have personally recommended if you like
An Enemy of the People.
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I am a former Shakespeare scholar who became increasingly concerned about the climate crisis after I had a son and started worrying about the world he would inherit after I died. I began to do research into climate communication, and I realized I could use my linguistic expertise to help craft messages for campaigners, policymakers, and enlightened corporations who want to drive climate action. As I learned more about the history of climate change communication, however, I realized that we couldn’t talk about the crisis effectively without knowing how to parry climate denial and fossil-fuel propaganda. So now I also research and write about climate disinformation, too.
This book is the classic study that you must read if you’re going to understand how fossil fuel interests set out to create climate denial. Taking their playbook from the tobacco lobby, these interests hired unscrupulous researchers to do work that inspired doubt about climate science.
This book documents a core truth: climate change isn’t a tragedy; it’s a crime. This book will introduce you to the criminals and show you their MO.
The U.S. scientific community has long led the world in research on such areas as public health, environmental science, and issues affecting quality of life. Our scientists have produced landmark studies on the dangers of DDT, tobacco smoke, acid rain, and global warming. But at the same time, a small yet potent subset of this community leads the world in vehement denial of these dangers.
Merchants of Doubt tells the story of how a loose-knit group of high-level scientists and scientific advisers, with deep connections in politics and industry, ran effective campaigns to mislead the public and deny well-established scientific…
I’ve written across genres, including mysteries like The Last Policeman and big works of alternate history like Underground Airlines. But Bedbugs—now republished as The Bonus Room—was one of my first books, and very dear to my heart. I’ve always loved books that pit a single, relatively helpless protagonist against some inexplicable force that he or she cannot begin to fathom. A force that can’t be reasoned with or bargained with. You just have to beat it. Perhaps that’s why I love these books about man vs. beast—the natural world is our friend, and animal are subservient to us…until suddenly, terrifyingly, they’re not.
Jaws is one of those extremely rare cases where the movie is actually better. (Can’t think of another one? Try The Godfather.) It’s a perfectly fun suspense novel, but in the film version Spielberg conjures up by special effects magic (and the magic of Dreyfuss and Scheider’s performances) what Benchley in his novel comes close to but never quite lands: the absolutely terrifying feelings of knowing something is there—and getting closer—and closer—but you can’t actually see.
Peter Benchley's Jaws first appeared in 1974. As well as Steven Spielberg's film adaptation, the novel has sold over twenty million copies around the world, creating a legend that refuses to die.
It's never safe to go back in the water . . .
It was just another day in the life of a small Atlantic resort until the terror from the deep came to prey on unwary holiday makers. The first sign of trouble - a warning of what was to come - took the form of a young woman's body, or what was left of it, washed up…
In the summer of 2017 I went to see the Mer de Glace, the longest glacier in France and a tourist spot for over 200 years. But this dramatic and overwhelming glacier had all but melted away and I found myself in a dry valley a mile across and half a mile deep – concrete evidence of global warming. It was one of the most disturbing experiences I have ever had. As a philosopher and historian of science, I dedicated myself to discovering how and why people were accusing reputable scientists of dishonesty, incompetence, and aloofness while staring at the evidence. The answer is not simple, and requires a lot of telling and hearing stories.
Why do many parents endanger their children by refusing to vaccinate them? They aren’t, writes Jennifer A. Reich, who studied such parents for over a decade. They aren’t ignorant or irrational – they are highly committed to protecting their children, and are trying to make sense of what they hear and know in their environment. Read this book if you want to understand why people selectively hear, mistrust, or reject scientific information, and seek out alternative ‘experts’ who tell them essentially what they want to hear.
Winner, 2018 Donald W. Light Award for Applied Medical Sociology, American Sociological Association Medical Sociology Section
Winner, 2018 Distinguished Scholarship Award presented by the Pacific Sociology Association
Honorable Mention, 2017 ESS Mirra Komarovsky Book Award presented by the Eastern Sociological Society
Outstanding Book Award for the Section on Altruism, Morality, and Social Solidarity presented by the American Sociological Association
A rich, multi-faceted examination into the attitudes and beliefs of parents who choose not to immunize their children
The measles outbreak at Disneyland in December 2014 spread to a half-dozen U.S. states and sickened 147 people. It is just one recent…
In the summer of 2017 I went to see the Mer de Glace, the longest glacier in France and a tourist spot for over 200 years. But this dramatic and overwhelming glacier had all but melted away and I found myself in a dry valley a mile across and half a mile deep – concrete evidence of global warming. It was one of the most disturbing experiences I have ever had. As a philosopher and historian of science, I dedicated myself to discovering how and why people were accusing reputable scientists of dishonesty, incompetence, and aloofness while staring at the evidence. The answer is not simple, and requires a lot of telling and hearing stories.
Why do democracies seem particularly vulnerable to populist movements that promote conspiracies and science denial? It’s as old as democracy itself, argues Sophia Rosenfeld, who points to seeds of our current predicament planted at the birth of our republic. Social and technological stratification encourages groups, in the name of “the people” to reject advice and decrees of leaders, and seek political action based on their gut feelings.
"Fake news," wild conspiracy theories, misleading claims, doctored photos, lies peddled as facts, facts dismissed as lies-citizens of democracies increasingly inhabit a public sphere teeming with competing claims and counterclaims, with no institution or person possessing the authority to settle basic disputes in a definitive way.
The problem may be novel in some of its details-including the role of today's political leaders, along with broadcast and digital media, in intensifying the epistemic anarchy-but the challenge of determining truth in a democratic world has a backstory. In this lively and illuminating book, historian Sophia Rosenfeld explores a longstanding and largely unspoken…
I am a professor of philosophy at the Massachusetts Institute of Technology, where I work on ethics and related questions about human agency and human knowledge. My interest in adversity is both personal and philosophical: it comes from my own experience with chronic pain and from a desire to revive the tradition of moral philosophy as a medium of self-help. My last book was Midlife: A Philosophical Guide, and I have also written about baseball and philosophy, stand-up comedy, and the American author H. P. Lovecraft.
Alphonse Daudet’s notebooks on pain are among the most explicit, honest, and consoling treatments of chronic illness ever written. Daudet was a contemporary of Flaubert, admired as a novelist of provincial France by such luminaries as Charles Dickens and Henry James. Like Flaubert, Daudet suffered from syphilis and he planned to write a book about his experience. He died before he could do that, but his notebooks survive. As someone who lives with chronic pain, I cherish Daudet’s frank but never saccharine advice and his commitment to compassion for others in the teeth of his own suffering.
A “startling [and] splendid” book (The New York Times Book Review) from one of the greatest writers of the nineteenth century on his years of enduring severe illness—a classic in the literary annals of human suffering. • Edited and translated by the bestselling, Booker Prize winning author of The Sense of an Ending.
“Pain, you must be everything for me. Let me find in you all those foreign lands you will not let me visit.” —Alphonse Daudet
Daudet (1840–1897) was a greatly admired writer during his lifetime, praised by Dickens and Henry James. In the prime of his life, he…
The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.
This classic satire gripped me even though I only half-understood it.
Whatever disaster befell my family, my mother used to assert it was
surely for the best; so when, as an eye-rolling teenager, I found this
on the reading list—Mum’s philosophy, tested in the real world—I was hooked.
Voltaire
drags his dopey characters, led by the philosopher Pangloss, through
every type of horror, war, famine, and earthquake. World events now keep
driving me back to his conclusion: in an age of folly and random
misfortune, the best you can do is to dig your garden. Tend your own
patch.
OK, the eighteenth century was racist, sexist, and colonial… but
perspective is what Voltaire is all about. Didn’t quite cure me of
optimism, btw.
In Candide, Voltaire threw down an audacious challenge to the philosophical views of the Enlightenment to create one of the most glorious satires of the eighteenth century. His eponymous hero is an innocent young man whose tutor, Pangloss, has instilled in him the belief that 'all is for the best'. But when his love for the Baron's rosy-cheeked daughter is discovered, Candide is cast out to make his own fortune. As he and his various companions roam over the world, an outrageous series of disasters - earthquakes, syphilis, the Inquisition - sorely test…
When I decided to write about Catherine Donohue, I searched for everything I could find about her, which was surprisingly little. I traveled to Ottawa, Illinois to read her letters held at a local historical society, and I connected with the son of her attorney, who has kindly uploaded his father’s old newspaper clippings onto the internet. The story of America’s Radium Girls is a tragic warning about where greed and corruption can lead, but it is also a story about courage, faith, and perseverance. It is a privilege to be a part of increasing awareness of their fate. After all, HERstory is history, too.
This book also digs deeper into the science behind radium, the realization that radium poisoning was occurring, and how it impacted the scientific community. Radium poisoning was difficult to discover and diagnose for many reasons, beginning with the initial belief that radium improved one’s health. Once symptoms began to occur in women using radium on a daily basis, their health problems were varied and inconsistent. This book also discusses how the study of radium improved health standards for handling other radioactive substances.
Deadly Glow is the important story of a public health tragedy. It chronicles the lives of young women who worked in radium application plants in the early 1900s painting numerals on instrument and watch dials. From their experience, the harmful effects of radium deposited in the body became known.
The victims suffered from skin ulcerations, tumors and other severe medical symptoms. Physicians were baffled and misdiagnosed their conditions as heart disease and even syphilis. Solving the intriguing mystery of the workers' disabling, yet unknown, disease would be a complex and difficult task requiring brilliant detective work of several investigators. In…
I am a professor of neurology at the University of Cincinnati, interested in the many ways in which we acquire impairments in movements, in cognition, or in both. I have sought to measure these behaviors, quantify their responses to different pharmacological treatments, and determine how they inform the biology of the aging brain. In publications along the way, I have increasingly questioned how we classify neurological diseases and treat those affected.
This book offers a captivating tale of how the increasing knowledge of one disease, syphilis, created the foundations to understanding that the brain and mind are one and the same. The authors narrate the stories of patients whose “hysteria” (today referred to as functional neurological disorder) were traced to degenerative brain lesions that only belatedly were understood to be complications caused by remote infections with the bacterium Treponema pallidum. Several chapters follow the story of the important characters depicted by André Brouillet in the Une leçon clinique à la Salpêtrière (A Clinical Lesson at the Salpêtrière), one of the most recognized paintings by neurologists, as it depicts Jean-Martin Charcot, shown among many of his disciples, demonstrating a “hysteric” seizure in one of his patients. The authors illustrate how we have gotten away with conceptualizing behaviors without biological basis and put the reader on notice that “mental illnesses” are neurological problems…
In 1882, Jean-Martin Charcot was the premiere physician in Paris, having just established a neurology clinic at the infamous Salpetriere Hospital, a place that was called a 'grand asylum of human misery'. Assessing the dismal conditions, he quickly upgraded the facilities, and in doing so, revolutionized the treatment of mental illness.
Many of Charcot's patients had neurosyphilis (the advanced form of syphilis), a disease of mad poets, novelists, painters, and musicians, and a driving force behind the overflow of patients in Europe's asylums. A sexually transmitted disease, it is known as 'the great…
I'm Stefán Máni, the Dark prince of Nordic noir. I was an avid book reader from an early age but I didn’t believe I could become a writer myself one day. I dropped out of school at the age of 17, worked in the fishing industry, and travelled to Europe and the United States. I started writing at the age of 23, published my first book at the age of 26, and my first best-seller at the age of 34; the thriller Black’s Game that became a popular movie in 2012. Since then I've written many best sellers and created the most popular character in Icelandic literature; detective Hordur Grímsson.
Knut Hamsun is one the greatest writers of all time, in my opinion.
And yes, I am separating the work from the person and the political views. Hamsun was a strange guy and he wrote mainly about strange guys.
Lieutenant Thomas Glahn is one of them, the protagonist of Pan. Glahn is an ex-soldier, living in a hunting hut near a small harbour town in Norway. Technically, Pan is a love story. But it is not a typical love story. It is so co-dependent and twisted that it literally hurts.
Glahn is at best an idiot, at worst some kind of a sociopath. He thinks he is in love but his “love” is not innocent and pure but ugly and even dirty. It is easy to feel sorry for Glahn, easier to simply hate him.
But the book is so well written and the story so fascinating that the…
The Nobel Prize winner's lyrical and disturbing portrait of love and the dark recesses of the human psyche
A Penguin Classic
A lone hunter accompanied only by his faithful dog, Aesop, Thomas Glahn roams Norway's northernmost wilds. Living out of a rude hut at the edge of a vast forest, Glahn pursues his solitary existence, hunting and fishing, until the strange girl Edvarda comes into his life. Sverre Lyngstad's superb translation of Hamsun's 1894 novel restores the power and virtuosity of Hamsun's original and includes an illuminating introduction and explanatory notes.
For more than seventy years, Penguin has been the…
I love writing and illustrating all sorts of children's stories. The only thing my stories have in common is that none of their heroes eat meat, drink milk, or take part in the egg and spoon race. I write the kind of stories I want to read. I don't want to read about sex or violence. And I don't want to read foul language. I want something meaningful, something with a concluding note of optimism. Consequently, well-written children's stories often appeal to me. In fact, I've come to the conclusion that these are not just children's stories, they're good stories that anyone can enjoy.
Thea's Christmas visit to her estranged father and his new family in Norway is disappointing and infuriating, until she meets the bear. In this fiction, Sarah Lean conveys so much truth. Her beautiful, mistreated, hungry, lonely bear is so real, he brings tears to my eyes. Thea tries desperately to protect her new best friend from the locals who consider him a threat, because she knows “They would not take the time to look into his eyes, to question and discover what he was really like." I wish everyone would take the time to look into animals' eyes, to see who they really are, and let them be.
A story of friendship to treasure this Christmas . . .
From the bestselling author of A DOG CALLED HOMELESS, this is the perfect Christmas gift for fans of Michael Morpurgo, Lauren St John and Sara Pennypacker's PAX.
It's the Christmas holidays and Thea is looking forward to spending them with her father. She can tell him all about her plans to become a writer, and maybe he'll buy her the typewriter she's been dreaming of.
But when Thea arrives in snowy Norway, everything feels . . . wrong. Her father is as distant as ever and now she has…
