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I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I first read the English translation of this book during my undergraduate studies. The first time I read it, I couldn’t stop thinking about it for days. Something about it disturbed me, made me feel sick, and made me question what it means to be human.
I felt myself called to read it again years later and, just recently, I picked it up a third time. Mersault’s indifference in relation to his experiences and to society forced me to question my own views concerning the meaning of life.
With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward.
Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.
“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and devious narrator remains one of the key expressions of…
I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.
Cormac McCarthy does the impossible in this book—he writes an emotionally satisfying, literary-minded travelogue of horrors. It shatters the reader but then lifts them up with its beautifully wrought prose.
Be patient: the novel gets brutally dark before the light.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this hundred-year-old novel because it explores some darker doubts and concerns I have always had about “the hidden heart of mankind unrestrained.” What’s more, the theme of Heart Of Darkness is reflected in the movie Apocalypse Now, with stark modern-day observations on the wounds the violence of war can inflict on the hearts and minds of humans.
Although Polish by birth, Joseph Conrad (1857–1924) is regarded as one of the greatest writers in English, and Heart of Darkness, first published in 1902, is considered by many his "most famous, finest, and most enigmatic story." — Encyclopaedia Britannica. The tale concerns the journey of the narrator (Marlow) up the Congo River on behalf of a Belgian trading company. Far upriver, he encounters the mysterious Kurtz, an ivory trader who exercises an almost godlike sway over the inhabitants of the region. Both repelled and fascinated by the man, Marlow is brought face to face with the corruption and despair…
I grew up in a small town in the days before the internet and cable television, so books were my escape, and through them, I traveled to faraway places and learned about different customs and cultures. Later, I studied Chinese cultural anthropology and lived and worked in Asia for many years. Now, I write a series about a Chinese police inspector in the brutally cold far north province of Heilongjiang and use mystery stories to unpack some of the more fascinating and essential aspects of Chinese society, politics, and religion.
The White Tigeris a witty and searing portrayal of a “self-made” man who has risen from the depths of abject poverty to a position of wealth and influence.
The India portrayed is far from the glitz and romantic notions of Bollywood. It is a desperately poor place where the “haves” live like kings and the “have-nots" live like slaves.
In addition to shedding light on some of the harsh realities of class, economics, and corruption in India, The White Tigersomehow manages to subvert expectations and coax the reader into rooting for a murderer and thief who justifies his actions, not entirely convincingly, by describing himself as a sort of working-class hero.
Balram Halwai is the White Tiger - the smartest boy in his village. His family is too poor for him to afford for him to finish school and he has to work in a teashop, breaking coals and wiping tables. But Balram gets his break when a rich man hires him as a chauffeur, and takes him to live in Delhi. The city is a revelation. As he drives his master to shopping malls and call centres, Balram becomes increasingly aware of immense wealth and opportunity all around him, while knowing that he…
I think secrets are part of who we are. Everyone has things they keep secret and things they don’t want others to know. Why is this? I’ve always been fascinated by it, even though I don’t have any major secrets myself – but I still have aspects of how I think that I don’t wish to share. I see the same thing with my eight-year-old, who just doesn’t want to tell me about that one nightmare… Hm. We keep secrets perhaps because, somehow, having other people not know is critical to how we imagine ourselves. And they make for great stories, don’t they?
This book is for slightly younger readers, but I think it has genuine multi-generational appeal. I read it aloud to my eight-year-old, who laughed aloud and loved it – in fact, it was the first read-aloud chapter book that he stuck with. And his grandmother is also reading and loving it! Astrid has the feel of a classic, with its humor and its gentle wisdom. Though it’s a story about a feisty girl who loves sledding, it’s also a story about how someone you love can keep a hurtful secret. How does one forgive such a thing? Astrid figures it out.
"Classic storytelling at its best, delightful and moving. I loved it." M. G. Leonard, author of Beetle Boy
Maria Parr's second novel is a hilarious and heart-warming story about family and friendship that will delight fans of Pippi Longstocking.
Astrid Glimmerdal loves to spend her days racing down the mountainside on her sledge and skis - the faster the better! She just wishes there were other children to share in her adventures. Instead, she has to put up with a grumpy 74 year old for a best friend (although secretly, she knows she wouldn't have it any other way).
"Write what you know" is worn-out advice you'll find on many a website, but I prefer to write what I want to know. Researching for background information is a far cry from studying the history of dates, places, and politics. For instance, you won't read in a history book that forks weren't used at the table in the Renaissance. That people didn't have zippers or right/left shoes, but they did have buttons. Noblemen wore high-heeled shoes. Women poisoned themselves with makeup of white lead (ceruse). Even with diaries, autobiographies, and social history books, trivial information of daily life is hard to find.
When I discovered Kristin Lavransdatter was 1000 pages, I never expected to fininsh it (I'm a slow reader). However, about 50 pages into it, I was hooked and was at a loss when I read the final chapter. Religion is pervasive but delivered indirectly. The Catholic Church in the Middle Ages was an absolute authority with an iron grip on the main character Kristin. Undset was not judgmental in the book, but I was in reading it.
'[Sigrid Undset] should be the next Elena Ferrante' -Slate
The Nobel Prize-winning masterpiece by Norway's literary master
Kristin Lavransdatter is the epic story of one woman's life in fourteenth-century Norway, from childhood to death. Sensitive and rebellious Kristin is sent to a convent as a girl, where she meets the charming but irresponsible Erlend. Defying her parents' wishes to pursue her own desires, she marries and raises seven sons. However, her husband's political ambitions threaten catastrophe for the family, and the couple become increasingly estranged as the world around them tumbles into uncertainty.
With its captivating heroine and emotional potency,…
I’m an Australian writer. I came to creative writing late in life but have been an avid reader since my early school years. My fascination with mystery thrillers started with Enid Blyton and included Raymond Chandler books—not usually recommended for an 11-year-old. I have always had an inquisitive mind, asking difficult questions and seeking understanding. My first degree was a Bachelor of Science, majoring in Chemistry. My diverse working life spanned a variety of roles, building a rich tapestry of experience. I relish layered, complex, and thought-provoking stories both as a writer and a reader. I hope you enjoy my recommended books as much as I have.
This gripping historical thriller has World War II intrigue and Norwegian spies, so it can be described as a wartime murder mystery interwoven with a gripping espionage thriller. It’s a layered story that resonates with that era's tensions, conflicts, and mistrust. I felt like I was there; it was so rich in historical details.
The plot captures the real tensions between Nazi-occupied Norway and neutral Sweden. I learned so much and gained insights into the murky motivations of the time. For someone who pays attention to politics, the complex interplay of different interest groups and their political maneuvering had interesting parallels to the present.
The story has it all: layers of family drama, shared history, divided loyalties, and deep-seated hatred, with storylines weaving in political ideology, the true nature of war, and distorted notions of patriotism, ambition, and revenge. There is so much to think about and apply to today's…
When a courier for Sweden's Press and Military Office is killed on his final mission, the Norwegian government-in-exile appoints a writer to find the missing documents ... breathtaking WW2 thriller.
**International NUMBER ONE bestseller**
'A stylish stand-alone thriller from the godfather of Scandi noir ... Ola Dahl ratchets up the tension from the first pages and never lets go' Sunday Times
'Absorbing, heart-rending and perfectly plotted' Denzil Meyrick
'Expertly crafted' John Harvey
_________
Summer, 1943. Daniel Berkak, who works as a courier for the Press and Military Office in Sweden, is killed on his last cross-border mission to Norway.
I love writing and illustrating all sorts of children's stories. The only thing my stories have in common is that none of their heroes eat meat, drink milk, or take part in the egg and spoon race. I write the kind of stories I want to read. I don't want to read about sex or violence. And I don't want to read foul language. I want something meaningful, something with a concluding note of optimism. Consequently, well-written children's stories often appeal to me. In fact, I've come to the conclusion that these are not just children's stories, they're good stories that anyone can enjoy.
Thea's Christmas visit to her estranged father and his new family in Norway is disappointing and infuriating, until she meets the bear. In this fiction, Sarah Lean conveys so much truth. Her beautiful, mistreated, hungry, lonely bear is so real, he brings tears to my eyes. Thea tries desperately to protect her new best friend from the locals who consider him a threat, because she knows “They would not take the time to look into his eyes, to question and discover what he was really like." I wish everyone would take the time to look into animals' eyes, to see who they really are, and let them be.
A story of friendship to treasure this Christmas . . .
From the bestselling author of A DOG CALLED HOMELESS, this is the perfect Christmas gift for fans of Michael Morpurgo, Lauren St John and Sara Pennypacker's PAX.
It's the Christmas holidays and Thea is looking forward to spending them with her father. She can tell him all about her plans to become a writer, and maybe he'll buy her the typewriter she's been dreaming of.
But when Thea arrives in snowy Norway, everything feels . . . wrong. Her father is as distant as ever and now she has…
I am eternally fascinated by the way in which a string of words can take on a life of its own. With a mere 26 letters, a good writer can have a reader believe anything. When realist fiction first became a category in the 18th century in England, there was a lot of handwringing over whether readers were being lied to. Of course, they were! That is the point of fiction. My own work has always played with the boundary of realist fiction, fairytale, and truth. I’m interested in the way a story can make meaning—and the more hijinks, the better!
I set out very determined to despise this first book of Knausgard’s series. Knausgard’s life is no more fascinating than anyone’s. This is not necessarily his life but some reasonable facsimile that dips in and out of reverie, philosophy, and the hardcore reality of cleaning up after an alcoholic parent dies. Hoarding, self-loathing, and Nordic landscape are all features. I mean, what is NOT to love about that?
My lust for this book is not so much what it is about, though, as how it does this thing of drawing me along in its unadorned vocabulary to wholesale belief in everything that is put down. It is a supreme hoax that I am grateful to have encountered.
A New York Times bestseller, My Struggle: Book 1 introduces American readers to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard.
It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intensely, irresistibly readable. Unafraid of the big issues—death, love, art, fear—and yet committed to the intimate details of life as it is lived, My Struggle is an essential work of contemporary literature.
In my third novel, Great Circle, a fictional aviator named Marian Graves disappears while trying to fly around the world north-south in 1950. While researching and writing, I became a travel journalist, partly so I could follow my character into far-flung, rugged corners of the world. Traveling, I encountered people who lead truly adventurous lives, and I started to seek out riskier experiences myself. I swam with humpback whales, tracked snow leopards in the Himalayas, and journeyed across huge seas to Antarctica’s Ross Ice Shelf. I still don’t consider myself a full-fledged adventurer, but I love reading about women contending with the challenges of wild places and their own internal landscapes.
I love cold, northern places and dogs, and, if you haven’t already noticed, warts-and-all stories about women finding strength they didn’t know they had in the wilderness. Blair Braverman’s memoir checks all these boxes. As a teenager, she goes to a folk school in the Norwegian Arctic and learns to work with sled dogs, something she later continues as a guide in Alaska. (Braverman is now a professional musher and has run the Iditarod.) The book’s subtitle is Chasing Fear and Finding Home In the Great White North, and Braverman is unsparing in her exploration of fear rooted in both the human and natural world. I read this book on a series of airplanes in one long travel day, and I’m still reminded of it every time I see Braverman’s delightful Twitter stories about her dogs.
A rich and revelatory memoir of a young woman reclaiming her courage in the stark landscapes of the north.
By the time Blair Braverman was eighteen, she had left her home in California, moved to arctic Norway to learn to drive sled dogs, and found work as a tour guide on a glacier in Alaska. Determined to carve out a life as a “tough girl”—a young woman who confronts danger without apology—she slowly developed the strength and resilience the landscape demanded of her.
By turns funny and sobering, bold and tender, Welcome to the Goddamn Ice Cube brilliantly recounts Braverman’s…
