Here are 71 books that S Is for Story fans have personally recommended if you like
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I write picture-book biographies and my latest book focuses on the first giraffologist, Dr. Anne Innis Dagg. While researching this book, I learned about so many people who have dedicated their lives to studying and protecting animals. Almost always, their love of wildlife began in childhood. So why not inspire young animal lovers today with true stories about people who share their passion for wildlife?
You’ve probably read Winnie the Pooh, either as a child or to a child. But I bet you don’t know about the real bear who inspired one of the most famous characters in children’s literature. Told as an origin story within a bedtime story, this bestselling and award-winning illustrated biography ends with wonderful photos of all the characters: the real Winnie (a girl!), the vet who rescued her, the soldiers who cared for her, the boy who famously befriended her, and the author who immortalized the beloved bear. Best of all, Finding Winnie is a success at proving one of the book’s themes—sometimes the very best stories are true stories.
A #1 New York Times Bestseller and Winner of the Caldecott Medal about the remarkable true story of the bear who inspired Winnie-the-Pooh. In 1914, Harry Colebourn, a veterinarian on his way to tend horses in World War I, followed his heart and rescued a baby bear. He named her Winnie, after his hometown of Winnipeg, and he took the bear to war.
Harry Colebourn's real-life great-granddaughter tells the true story of a remarkable friendship and an even more remarkable journey--from the fields of Canada to a convoy across the ocean to an army base in England...
I once spotted a mama black bear and her cubs on a camping trip in Manitoba, Canada. I kept a safe distance watching in awe as the cubs climbed trees. I’ve been fascinated with bears ever since. Most of the books I publish center around strong themes of family, friendship, making a difference in the world, and many have a bear as a secondary character. I think there’s always room for more bear stories in the world, don’t you?
I adore friendships stories that showcase buddies who have each other’s back and who are the cheerleaders in our life. Noodles and Lou, told in rollicking rhyme, is that kind of story. In the opening pages of the book, we understand Noodle is having an off-putting start to his day.
Some days don’t go well, right from the start
Noodle woke up with a rain-cloudy heart.
But before the story ends, Noodle is cheered up by his best buddy and sees his many wonderful strengths through his friend’s eyes.
Noodle and Lou are unlikely friends. One is a worm and one is a bird. When Noodle is having a bad day, Lou knows just what to say to cheer up his wormy friend and help him see what it means to be liked just the way you are.
I once spotted a mama black bear and her cubs on a camping trip in Manitoba, Canada. I kept a safe distance watching in awe as the cubs climbed trees. I’ve been fascinated with bears ever since. Most of the books I publish center around strong themes of family, friendship, making a difference in the world, and many have a bear as a secondary character. I think there’s always room for more bear stories in the world, don’t you?
It’s a tender story about the length a friend will go to make sure that their new found friend is taken care of and loved. It’s a book that celebrates love and friendship and it’s one of those books you’ll return to and want to read again and again. It’s a perfect storytime or bedtime book!
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An NPR Best Book * Winner of the SCIBA Book Award for Best Picture Book
Geisel Honor-winning author/illustrator Salina Yoon introduces adorable duo Bear and his bunny Floppy in Found--a charming picture book that celebrates love and friendship in its many forms.
When Bear finds a lost stuffed toy bunny in the forest, he begins to worry. After all, the stuffed bunny must feel lonely and want to return safely to its owner and home! But as Bear diligently searches for the bunny's owner, he grows attached to his newfound friend. What will happen when the bunny's owner finally comes…
I once spotted a mama black bear and her cubs on a camping trip in Manitoba, Canada. I kept a safe distance watching in awe as the cubs climbed trees. I’ve been fascinated with bears ever since. Most of the books I publish center around strong themes of family, friendship, making a difference in the world, and many have a bear as a secondary character. I think there’s always room for more bear stories in the world, don’t you?
Before I was a published author, I had a critique with author Bonny Becker on one of my works-in-progress. She’s a generous writer who knows a lot about creating characters readers truly care about. I love her comedic writing style and this is one of my favorite books. I love the persistence of Mouse in winning over curmudgeonly Bear in this unlikely tale of friendship. If you like this book, check out the other adventures in the series.
"A Visitor for Bear has the feel of a classic, and it’s so cozy no parent could object to reading it aloud every night." — The New York Times Book Review (starred review)
Bear is quite sure he doesn’t like visitors. He even has a sign. So when a mouse taps on his door one day, Bear tells him to leave. But the mouse — who keeps popping up in the most unexpected places — just won’t go away! Cheery persistence wears down the curmudgeonly Bear in a wry comedy of manners that ends in a most unlikely friendship.
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
Though we are thankful for the current movements to decolonize archives and museums, from at least 1750, Native writers have been doing this important survival work of asserting Native ways of knowing. This revelation is the subject of Wisecup’s ground-breaking study. It shows how early Native writers assembled lists, collages, and literary texts that, through juxtaposition and recontextualization, resisted the way colonial archives defined their bodies, belongings, and words as ethnographic evidence of vanishing peoples. Wisecup offers revealing ways to read the Indigenous compilations of key figures like Mohegan Samson Occom’s medicinal recipes, Ojibwe Charlotte Johnston’s poetry scrapbooks, and Abenaki leader Joseph Laurent’s vocabulary lists. We also deeply appreciate how Wisecup ends each chapter by connecting the early writer it focuses on to contemporary Indigenous culture.
A wide-ranging, multidisciplinary look at Native American literature through non-narrative texts like lists, albums, recipes, and scrapbooks
"An intricate history of Native textual production, use, and circulation that reshapes how we think about relationships between Native materials and settler-colonial collections."-Rose Miron, D'Arcy McNickle Center for American Indian and Indigenous Studies at the Newberry Library
Kelly Wisecup offers a sweeping account of early Native American literatures by examining Indigenous compilations: intentionally assembled texts that Native people made by juxtaposing and recontextualizing textual excerpts into new relations and meanings. Experiments in reading and recirculation, Indigenous compilations include Mohegan minister Samson Occom's medicinal…
I’m a writer, editor, and publisher. As a child in the 1970s, I first discovered a taste for adventure stories in the pages of Marvel comics. This lead to a wider interest in fiction, particularly sci-fi, horror, and adventure tales. I believe one of the basic tenets to becoming a good writer is to read…a lot. I gravitate toward well-known but also lesser-known stories. My main criteria: is the writing engaging, does it inspire me to keep reading? As a writer, I ask myself these same questions about my work. The titles in this list are among the benchmarks I aim for when writing and editing.
Published a year after his infamous novel Psycho, Bloch’s The Dead Beat is an offbeat short novel about a piano player named Larry Fox.
Larry’s a bad seed with a criminal record who worms his way into a suburban American family’s house after they discover him unconscious in the back of their car and learn that he’d been attacked. Larry keeps a lot of secrets and has a lot of big dreams, most of them around seducing teenage girls and extorting his former crime partner.
The story has some sections that read as dated, which isn’t surprising for a title published in 1960, but Bloch’s undeniably crisp writing and play on words will keep you turning the page. I’m not much of a night owl these days but I stayed up until 4:00 a.m. to finish this one.
The ending is satisfying, and you may find yourself thinking about…
I’m a professor of philosophy at the University of Maryland interested in politics, ethics, and art. Philosophers are often unpopular loners who are passionate about their ideas, and so are musicians like Bach. When I teach Socrates and the trial that led to his death I can’t help but think of Bach, who was rejected from job after job in favor of mediocrities, and whose music was considered offensive by parishioners and obsolete by musicians by the end of his life. These figures endear themselves to me not just because of the ideas themselves, but because they had to fight so hard for what they believed in.
I’ve always had mixed feelings about the great Glenn Gould, one of the outstanding Bach pianists.
This book captures what I love and hate about him, through the lens of his pianos and his blind piano technician. Gould actually hated the piano in a sense, always pushing it toward something it wasn’t, thinning out its sound like a harpsichord, while also trying to make its hammers more continuous-sounding, like an orchestra.
He’s also insufferable in the way that most great artists are, and this book documents that, including his imagined injuries, senseless lawsuits, and the abuse his technicians endured, who kept his pianos alive until they were inevitably smashed.
A grand tale of obsession about the brilliant Glenn Gould and the unique, temperamental instrument he came to love beyond all others, by a top New York Times writer. Glenn Gould was one of the most complex, brilliant artists of the twentieth century, a musician famous for bizarre habits: he wore a hat and gloves even on the warmest summer day; refused to shake hands for fear of germs or damaged fingers; hummed and conducted himself while he played; and traveled the world with a battered old chair, refusing to perform while sitting on anything else. But perhaps Gould’s greatest…
I started out as a religion major in college, but soon became frustrated with the abstract thoughts of privileged white males. I wanted to understand the passions and struggles of ordinary people, and soon became convinced that the examination of the distant past sheds important light on the present. It’s not that I don’t care about the world around me right now. Rather, I am convinced that those who look only at this decade, this century, or even the last century fail to recognize some of the most powerful cultural forces that have shaped our most fundamental understandings of gender, wealth, poverty, work, and so much more.
Everyone knows that there are no “French people.” Each region has its particular culture, and Paris is a country unto itself. Focusing on one particular artisan, his clients, and his neighborhood, Carhart helps us to understand what it means to inhabit a single quartier of Paris. It’s one of the most beautiful memoirs I’ve ever read – and I don’t even play the piano!
Walking his two young children to school every morning, Thad Carhart passes an unassuming little storefront in his Paris neighborhood. Intrigued by its simple sign—Desforges Pianos—he enters, only to have his way barred by the shop’s imperious owner. Unable to stifle his curiosity, he finally lands the proper introduction, and a world previously hidden is brought into view. Luc, the atelier’s master, proves an indispensable guide to the history and art of the piano. Intertwined with the story of a musical friendship are reflections on how pianos work, their glorious history, and stories of the people who care for them,…
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
Nothing says humanity like vulnerability about the messy, imperfect creatures we are, and this book has that in spades. (Or I guess, more appropriately, hearts.) I could talk about how the book is darkly funny and reveals hidden depths of the soul, but I'll admit one thing I love about it is that it contains one of the most beautiful, inspiring poems I've ever heard, one I share frequently, with some devastating lines and a real sense of hope that it's okay to feel broken and still fight on, and the poem is titled, “I Can't Believe I Let You Touch My Balls”. It's like if that old piano player joke was real life.
A strong dose of Bukowski, Breaking Bad, and brilliance. Intense and gripping, with splashes of outlandish humor, it is a full frontal assault on the challenges of modern life for outsiders. As award-winning poet Mark Bibbins raves, "Thomas Fucaloro is here and he is showing you his big messy heart. (Actually, if you're looking for other body parts, you'll find most of them in this book.). Poet Corrina Bain (louderARTS project) applauds the work: "It Starts from the Belly and Blooms dives facefirst into the glory and wildness of life, combining fearless authenticity, humor, and a gut-punching ear for images.…
I’ve been the pianist for the Heath Brothers and the Jimmy Heath Quartet for over 20 years. Since moving to NYC in 1996, I’ve had the honor of playing and recording with an assortment of jazz luminaries including Charles McPherson, Roberta Gambarini, Lewis Nash, Winard Harper, Rodney Green, Michael Rodriguez, David Wong, among many others. During that time, I’ve also been actively involved in teaching, arranging, and writing, having three books published by Chuck Sher since 2013, An Approach to Comping Vol. 1 and Vol. 2 and Introduction to Jazz Piano, A Deep Dive.
First of all, the compositions are incredibly beautiful. Kenny Dorham is the ultimate romantic. As an added bonus, Walter Davis arranges these often complex tunes in a way that is accessible for the intermediate pianist. The simple and economical voicings offer insights that you just can’t get from fake books.
Kenny Dorham: jazz legend, master composer, arranger and performer. His unique and compelling voice on trumpet is well documented on recordings. Now K.D.'s music is presented in print, through the eyes, ears and heart of pianist Walter Davis, Jr. All 30 compositions have been recorded by major jazz artists. Complete with recording credits, chord symbols and instructions for expanding the arrangements to include improvised solo choruses. Contents include: Escapade + The Fox + Karioka + La Mesha + Night Watch + An Oscar for Oscar + Philly Twist + Whistle Stop + Windmill + Una Mas + and 20 others.…
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