Here are 100 books that Assembled for Use fans have personally recommended if you like
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A dozen years ago, my family moved from a homogeneous community where everyone looked, lived, and believed as we did to a vibrant neighborhood filled with difference and complexity. This shifted something deep inside me and ultimately changed the way I see the world and myself within it. It set me on a path toward understanding how authentic, ordinary community holds the power to transform our world. To live as neighbors is to draw near to each other. I have written three books on this central theme and plan to spend the rest of my life reaching for empathy as our best tool in reclaiming the goodness of humanity.
This book is an instant classic. It took me years to finish reading it because I did not want it to end.
Kimmerer’s writing appealed to the dreamer in me while also explaining the science of the natural world in ways that were unforgettable. This beautifully written book connected me to my physical home and the people around me. I will come back to it again and again.
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
This account of early Native writing by a Wabanaki scholar has had a profound effect on our work as scholars, teachers, and writers. It recovers an archive that requires us to put Native literature at the center of a white-dominated literary history. Brooks’ brilliant argument connects Native language and history of the Northeast with its geography, a vast network of interconnected waterways that served as the basis for a sophisticated communal Native system of communication. Foundational to this system is the idea of “the common pot,” shared by all Algonquian-speaking peoples, that everyone and everything is related and interdependent for survival and flourishing. Including the invading Europeans, whose writing technologies Native peoples then absorbed and adapted.
Literary critics frequently portray early Native American writers either as individuals caught between two worlds or as subjects who, even as they defied the colonial world, struggled to exist within it. In striking counterpoint to these analyses, Lisa Brooks demonstrates the ways in which Native leaders-including Samson Occom, Joseph Brant, Hendrick Aupaumut, and William Apess-adopted writing as a tool to reclaim rights and land in the Native networks of what is now the northeastern United States.
"The Common Pot," a metaphor that appears in Native writings during the eighteenth and nineteenth centuries, embodies land, community, and the shared space of…
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
We highly recommend this capacious “counter-archive” of Native writing because it definitively lays to rest the myth of the “vanishing Indian.” Covering more than four centuries, it includes work from ten tribal nations from Maine to Connecticut in the form of early political petitions and land deeds to contemporary poetry and blogs. We love that its editor, a non-Native scholar, drew on the expertise of eleven Native editors from tribal communities for its diverse content, sourced from oral narratives, manuscripts stored in garages, and passed-around bootlegged copies. We also love that the book inspired a website for the extra material and for new work being produced now. In this sense, the website is a living document that illuminates the long history and vibrant presence of Indigenous writing.
Dawnland Voices calls attention to the little-known but extraordinarily rich literary traditions of New England's Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi'kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers…
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
We greatly admire this born-digital “scalar book” for its attempt to build a decolonizing “counter-archive” out of one of the most in/famous western archives of Indigenous materials. Edward S. Curtis was an early 20th-century photographer, whose major collection, The North American Indian, defined the stereotypic image of the vanishing Native. It succeeded in capturing and “othering” Natives as somehow heroic and stoic, but also primitive and gone. In consultation with many Native tribes, this digital book reveals how Curtis’s work “performs,” or does that work of western archives. By juxtaposing his compelling images with short essays that contextualize and thus humanize his photographic subjects, this project allows us to acknowledge and repair the injustices of the past in the present.
As an Anishinaabe writer, my award-winning/nominated books, Murder on the Red River andGirl Gone Missing, feature Cash Blackbear; a young, Native woman, who solves crimes for the county sheriff. Oprah Magazine 2020 listed me as a Native American Author to read. I received Minnesota's 2020 McKnight Distinguished Artist Award. My script, Say Their Names, had a staged reading with Out of Hand Theater, Atlanta, 2021. Vazquez and I received the Loft’s 2017 Spoken Word Immersion Fellowship for work with incarcerated women. I have been a friend, colleague, and peer with the authors recommended. We might currently be a small crew writing but we are a mighty, award-winning crew.
I met Carole LaFavor, Ojibwe, when I was writing for community newspapers and local magazines. I wrote a profile of LaFavor detailing her activism work in the Native community. Later, we were both in a writing group. I first heard some of the early writing she was doing for Evil Dead Center. She was the first Native woman I met writing crime and she inspired me to keep going on the book I was writing at the time. University of Minnesota Press re-released Evil Dead Center in 2017 with the forward reading, “to underscore the significance of her writing to the Indigenous literary canon, to remind us of the power of her activism for HIV-positive Native peoples, and to return her important claims for the centrality of Two-Spirit peoples, bodies, and histories to the public eye.” - Lisa Tatonetti
An Ojibwa woman has been found dead on the outskirts of the Minnesota Red Earth Reservation. The coroner ruled the death a suicide, but after an ex-lover comes back into her life saying foul play was involved, Renee LaRoche wants to prove otherwise. As the events begin to unfold, Renee conducts a presumably normal welfare check on a young Ojibwa boy in foster care. After she learns the boy has suffered abuse, Renee finds herself amid an investigation into the foster care system and the deep trauma it has inflicted on the Ojibwa people. As Renee uncovers horrible truths, she…
I was attending graduate school in Mankato, Minnesota when I first discovered that 38 Dakota men were hanged there on December 26, 1862. I was shocked to find out that the largest simultaneous mass execution in United States history happened right where I lived and I knew nothing about it. Since then, I’ve dedicated myself to learning, understanding, and sharing the history of the U.S. – Dakota War of 1862. Over the years, I’ve discovered not just the history, but the legacy of that history for us today. Someday, I hope we all come to understand, and eventually break down, that legacy.
Bagonegiizhig, better known as Hole in the Day, is an extremely charismatic figure in the history of Minnesota, yet few know of his life and leadership. In The Assassination of Hole in the Day, Ojibwe historian and scholar Anton Treuer skillfully reveals the rise and downfall of this clever, polarizing figure. An expert at his craft, Treuer provides readers with an excellent historical context to understand the world in which Hole in the Day lived. Then, Treuer shows readers how Hole in the Day rose to prominence and why he should not be overlooked by the annals of history.
On June 27, 1868, Hole in the Day (Bagonegiizhig) the Younger left Crow Wing, Minnesota, for Washington, DC, to fight the planned removal of the Mississippi Ojibwe to a reservation at White Earth. Several miles from his home, the self-styled leader of all the Ojibwe was stopped by at least twelve Ojibwe men and fatally shot.
Hole in the Day's death was national news, and rumors of its cause were many: personal jealousy, retribution for his claiming to be head chief of the Ojibwe, retaliation for the attacks he fomented in 1862, or retribution for his attempts to keep mixed-blood…
I’ve always loved “big books,” novels that are described as sagas and chronicles yet whose primary focus is on singular, nuanced characters. I like seeing the ways that lives intersect and reflect each other across decades, and I enjoy being immersed in one world and then dropped, with the turn of a page, into another equally engrossing one. I am the author of the novel Rebellion as well as numerous short stories and essays. Raised in St. Louis, Missouri, I spent several years living in China and a year as the Writer-in-Residence at St. Albans School in Washington, D.C. I now live in Wisconsin, where I write and teach creative writing.
I can never decide which of Erdrich’s books is my favorite, but The Plague of Doves is definitely a major contender. Erdrich’s novelistic style is more like a chorus than a solo: she presents various stories involving different characters in different times, but the stories are in orbit around the central conflict, in this case, a pair of horrific crimes committed long ago. Yet even when the content is dark, her writing is so beautiful that my primary feeling reading it is joy. For me, the title of this book perfectly captures that contradictory experience.
A beautiful, compelling, utterly original new novel from one of the most important American writers of our time, and winner of the National Book Award for Fiction, 2012
Pluto, North Dakota, is a town on the verge of extinction. Here, everybody is connected - by love or friendship, by blood, and, most importantly, by the burden of a shared history.
Growing up on the reservation is Evelina Harp, witty and ambitious, and prone to falling hopelessly in love. Listening to her grandfather's tales, she learns of a horrific crime that has marked both Ojibwe and whites. Nobody understands it better…
After graduating with a BA in English, I moved to England to pursue a master’s in Literature and Visual Culture. My focus was on women artists working in London during the Blitz and I wrote my dissertation on Lee Miller, who went on to photograph (and doggedly publish) the liberation of German concentration camps. Later I worked in arts administration and marketing, and didn’t start writing my debut noveluntil I was thirty-five. My work is inspired by my favorite authors from the 1940s:Elizabeth Bowen, Patrick Hamilton, and Penelope Fitzgerald.I’m also drawn to historical fiction about ordinary people in difficult social conditions, especially when there’s a love story involved.
I used to moderate a book club for museum members at what is now the Institute of Contemporary Art, Los Angeles. Love Medicine was chosen by one of our exhibition artists. This astonishing debut is a masterwork about family, poverty, and passion.
The book is set where my grandparents came from, Minnesota and the Dakotas, and illustrates how settlers from Europe (my ancestors) continued to disrupt and destroy Native lives well into the 20th century. Ojibwe spiritual beliefs and Catholicism tangle as tightly as the characters that embody them. Spanning from 1934 to 1985, this novel should not be missed by anyone interested in Native American history.
“The beauty of Love Medicine saves us from being completely devastated by its power.” — Toni Morrison
Set on a North Dakota Ojibwe reservation, Love Medicine—the first novel from master storyteller and National Book Award-winning author Louise Erdrich—is an epic story about the intertwined fates of two families: the Kashpaws and the Lamartines.
With astonishing virtuosity, each chapter of this stunning novel draws on a range of voices to limn its tales. Black humor mingles with magic, injustice bleeds into betrayal, and through it all, bonds of love and family marry the elements into a tightly woven whole that pulses…
After “the environmental crisis” came to popular attention in the 1960s, American Indians were portrayed as having a legacy of traditional environmental ethics. We wanted to know if this were true. But how to gain access to ideas of which there is no written record? Answer: analyze stories, which have a life of their own, handed down from one generation to the next going all the way back to a time before European contact, colonization, and cultural, as well as murderous, genocide. And the stories do reveal indigenous North American environmental ethics (plural). That’s what American Indian Environmental Ethics: An Ojibwa Case Study demonstrates.
The spiritual worldview so beautifully rendered in Black Elk Speaks reflects the landscape of the North American Great Plains.
The Four Winds emanate from the cardinal points of the compass, and above is Father Sky and below is Mother Earth all united in one Great Spirit. The spiritual worldview of the Ojibwa reflects the landscape of the woodlands surrounding the Great Lakes. It’s an animate, shape-shifting world of the Trickster/Culture Hero Nanabushu and Wendigo, the cannibal spirit of the hard and lean winter months.
In this magical-realist novel, Louise Erdrich, a writer of Ojibwa ancestry, weaves together the star-crossed lives of her fictional characters with the fluid human and animal (and animal-human) characters of the traditional Ojibwa worldview. Erdrich thus breathes new life into the Old World of the North Woods and brings that Old World to bear on the New.
Past and present combine in a contemporary tale of love and betrayal from Louise Erdrich, winner of the National Book Award for Fiction, 2012
'Everything is all knotted up in a tangle. Pull one string of this family and the whole web will tremble.'
Rozin and Richard, living in Minneapolis with their two young daughters, seem a long way from the traditions of their Native American ancestors. But when one of their acquaintances kidnaps a strange and silent young woman from a Native American camp and brings her back to live with him as his wife, the connections they all…
I’ve always been intrigued by the way night transforms familiar landscapes, creates a sense of loosened boundaries, and seems to be rich with almost magical potential. One of my most beloved books as a kid was The BFG, partly because of its magnificent passage about the witching hour, “the special moment…when all the dark things came out from hiding and had the world to themselves.” Later, I discovered Hamlet’s take on it and was equally charmed. It’s no surprise that many of the key moments in my debut collection, Here in the Night, take place after dark. Here are my five favorite books that capture the beguiling power of nighttime.
This stunning, sprawling novel is anchored by the experiences of Thomas Wazhashk, the night watchman at a jewel-bearing factory in rural North Dakota.
It explores the strangeness of working the night shift and living with a semi-nocturnal schedule. The job and his tireless fight against a bill that will further dispossess Native Americans drive Thomas to a state of near-exhaustion.
Some of the most memorable moments in this compassionate and narratively ambitious book were the descriptions of Thomas’s lonely and occasionally revelatory experiences on the night shift, including his encounters with a white owl he finds pecking at the factory windows. I found this novel, like all of Erdrich’s books, to be immersive and enthralling.
It is 1953. Thomas Wazhushk is the night watchman at the first factory to open near the Turtle Mountain Reservation in rural North Dakota. He is also a prominent Chippewa Council member, trying to understand a new bill that is soon to be put before Congress. The US Government calls it an 'emancipation' bill; but it isn't about freedom - it threatens the rights of Native Americans to their land, their very identity. How can he fight this betrayal?
Unlike most of the girls on the reservation, Pixie…
