Here are 76 books that The Dead Beat fans have personally recommended if you like
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I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about.
This book blew my mind! It changed my life and gave me food poisoning; well, maybe it was some lousy shrimp that did that, but it came around the same time anyhow.
I loved the initial point of revenge, how the main character was abandoned to die in a broken spaceship in the middle of nowhere. I, too, would be pissed if a ship flew by me without stopping to save my butt.
I was happy that the book also played with metaphysical notions and cranked up the ending to a glorious finish that broke from the standard good-guy wins trope.
Gully Foyle, Mechanic's Mate 3rd Class, is the only survivor on his drifting, wrecked spaceship. When another space vessel, the Vorga, ignores his distress flares and sails by, Gully Foyle becomes a man obsessed with revenge. He endures 170 days alone in deep space before finding refuge on the Sargasso Asteroid and then returning to Earth to track down the crew and owners of the Vorga. But, as he works out his murderous grudge, Gully Foyle also uncovers a secret of momentous proportions...
I’m a writer, editor, and publisher. As a child in the 1970s, I first discovered a taste for adventure stories in the pages of Marvel comics. This lead to a wider interest in fiction, particularly sci-fi, horror, and adventure tales. I believe one of the basic tenets to becoming a good writer is to read…a lot. I gravitate toward well-known but also lesser-known stories. My main criteria: is the writing engaging, does it inspire me to keep reading? As a writer, I ask myself these same questions about my work. The titles in this list are among the benchmarks I aim for when writing and editing.
One of the first Ellison books I ever read and the one that haunts me the most.
Deathbird Stories lives up to its title and delivers a tour de force of fantasy and horror that only Ellison could have written. The nineteen stories in this collection are, in a sense, about gods. Not the gods we know and may worship but new ones. “A New Testament of deities for the computerized age of confrontation and relevance,” as notes Ellison in his introduction.
You’ll likely want to read every story in this collection several times, though to the casual reader looking for a taste, I recommend “The Whimper of Whipped Dogs,” an unflinchingly honest assessment of human behavior and depravity—and based in part on actual events.
I’ve seldom been so gutted by a short story, and it hits me every time I re-read it.
Masterpieces of myth and terror about modern gods from technology to drugs to materialism-"fantasy at its most bizarre and unsettling" (The New York Times).
As Earth approaches Armageddon, a man embarks on a quest to confront God in the Hugo Award-winning novelette, "The Deathbird."
In New York City, a brutal act of violence summons a malevolent spirit and a growing congregation of desensitized worshippers in "The Whimper of Whipped Dogs," an Edgar Award winner influenced by the real-life murder of Queens resident Kitty Genovese in 1964.
In "Paingod," the deity tasked with inflicting pain and suffering on every living being…
I am passionate about this topic because it dates back to my childhood. I have been interested in this subject for as long as I can remember and, as far as I can tell, gravitated towards it naturally, probably due to those unknown vectors within us all that gear us towards our loves, interests, and passions. I have written many novels in this field, and countless short stories, some published, others lying around my house. For me, this genre defines the best aspects of the imagination and is full of color, fantasy, and the entire broad spectrum of human emotions, including the most potent: fear.
This novel's structure inspired me to write my book, at least in part. I read it in one sitting while working as a security guard at a nature park on Christmas night years ago. It deals with an unholy presence by the name of Jakerbok, imprisoned in the pages of the book, who perpetually pleads with the reader to “Burn this book!” or else. It is wholly unique, original, and decidedly unsettling.
The long-awaited return of the great master of horror. Mister B. Gone is Barker's shockingly bone-chilling discovery of a never-before-published demonic 'memoir' penned in the year 1438, when it was printed - one copy only - and then buried until now by an assistant who worked for the inventor of the printing press, Johannes Gutenberg.
This bone-chilling novel, in which a medieval devil speaks directly to his reader-his tone murderous one moment, seductive the next-is a never-before-published memoir allegedly penned in the year 1438.
The demon has embedded himself in the very words of this tale of terror, turning the…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
I love this book because, like all of the Parker novels, it starts in the middle of the action, with Parker and his associates spilling out of a car, on the run. Parker hides in an off-season theme park and what follows is a story that is better than Die Hard (and pre-dates it by a decade).
I love the Parker novels for this sort of action and the way that Parker adheres to his particular code. It is not one most heroes abide by but you have to admire this tough thief who lives by the words he speaks – there’s something honorable in that.
By the time Richard Stark sat down to write "Deadly Edge" in 1971, he'd been chronicling the adventures of his antihero, Parker, for nearly a decade. But it turns out he was just warming up: the next three "Parker" novels would see Stark crank everything up a notch - tightening the writing, heightening the violence, and, most of all, hardening the deadly heister at the books' heart. "Deadly Edge" kicks things off by bidding a brutal adieu to the 1960s: Parker robs a rock concert, but the heist goes sour, and he finds himself - and his woman, Claire -…
I’m a professor of philosophy at the University of Maryland interested in politics, ethics, and art. Philosophers are often unpopular loners who are passionate about their ideas, and so are musicians like Bach. When I teach Socrates and the trial that led to his death I can’t help but think of Bach, who was rejected from job after job in favor of mediocrities, and whose music was considered offensive by parishioners and obsolete by musicians by the end of his life. These figures endear themselves to me not just because of the ideas themselves, but because they had to fight so hard for what they believed in.
I’ve always had mixed feelings about the great Glenn Gould, one of the outstanding Bach pianists.
This book captures what I love and hate about him, through the lens of his pianos and his blind piano technician. Gould actually hated the piano in a sense, always pushing it toward something it wasn’t, thinning out its sound like a harpsichord, while also trying to make its hammers more continuous-sounding, like an orchestra.
He’s also insufferable in the way that most great artists are, and this book documents that, including his imagined injuries, senseless lawsuits, and the abuse his technicians endured, who kept his pianos alive until they were inevitably smashed.
A grand tale of obsession about the brilliant Glenn Gould and the unique, temperamental instrument he came to love beyond all others, by a top New York Times writer. Glenn Gould was one of the most complex, brilliant artists of the twentieth century, a musician famous for bizarre habits: he wore a hat and gloves even on the warmest summer day; refused to shake hands for fear of germs or damaged fingers; hummed and conducted himself while he played; and traveled the world with a battered old chair, refusing to perform while sitting on anything else. But perhaps Gould’s greatest…
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
Nothing says humanity like vulnerability about the messy, imperfect creatures we are, and this book has that in spades. (Or I guess, more appropriately, hearts.) I could talk about how the book is darkly funny and reveals hidden depths of the soul, but I'll admit one thing I love about it is that it contains one of the most beautiful, inspiring poems I've ever heard, one I share frequently, with some devastating lines and a real sense of hope that it's okay to feel broken and still fight on, and the poem is titled, “I Can't Believe I Let You Touch My Balls”. It's like if that old piano player joke was real life.
A strong dose of Bukowski, Breaking Bad, and brilliance. Intense and gripping, with splashes of outlandish humor, it is a full frontal assault on the challenges of modern life for outsiders. As award-winning poet Mark Bibbins raves, "Thomas Fucaloro is here and he is showing you his big messy heart. (Actually, if you're looking for other body parts, you'll find most of them in this book.). Poet Corrina Bain (louderARTS project) applauds the work: "It Starts from the Belly and Blooms dives facefirst into the glory and wildness of life, combining fearless authenticity, humor, and a gut-punching ear for images.…
I started out as a religion major in college, but soon became frustrated with the abstract thoughts of privileged white males. I wanted to understand the passions and struggles of ordinary people, and soon became convinced that the examination of the distant past sheds important light on the present. It’s not that I don’t care about the world around me right now. Rather, I am convinced that those who look only at this decade, this century, or even the last century fail to recognize some of the most powerful cultural forces that have shaped our most fundamental understandings of gender, wealth, poverty, work, and so much more.
Everyone knows that there are no “French people.” Each region has its particular culture, and Paris is a country unto itself. Focusing on one particular artisan, his clients, and his neighborhood, Carhart helps us to understand what it means to inhabit a single quartier of Paris. It’s one of the most beautiful memoirs I’ve ever read – and I don’t even play the piano!
Walking his two young children to school every morning, Thad Carhart passes an unassuming little storefront in his Paris neighborhood. Intrigued by its simple sign—Desforges Pianos—he enters, only to have his way barred by the shop’s imperious owner. Unable to stifle his curiosity, he finally lands the proper introduction, and a world previously hidden is brought into view. Luc, the atelier’s master, proves an indispensable guide to the history and art of the piano. Intertwined with the story of a musical friendship are reflections on how pianos work, their glorious history, and stories of the people who care for them,…
I once spotted a mama black bear and her cubs on a camping trip in Manitoba, Canada. I kept a safe distance watching in awe as the cubs climbed trees. I’ve been fascinated with bears ever since. Most of the books I publish center around strong themes of family, friendship, making a difference in the world, and many have a bear as a secondary character. I think there’s always room for more bear stories in the world, don’t you?
Like my book, this book is filled with tips and terms from A to Z to connect readers to the writerly process and life. There are inspiring quotes sprinkled throughout and the illustrations by Pullen are bright and vivid. It’s the perfect backdrop to the beautiful poetry and prose written by author Hershenhorn.
H is for Hero and Heroine,
their journey grand tales to be told,
of beaten foes,
and bested woes,
of triumps, alas, to behold.
I return to this book time and time again for inspiration and to spark my imagination.
What is a first draft? What is a narrative? In S is for Story: A Writer's Alphabet, author and writing coach Esther Hershenhorn uses the alphabet to help explain, explore, and examine the tools, techniques, and strategies for those hoping to live the literary life. Writing terms and topics are explained using a two-tier format. C is for the Character, every story's star, the one for whom we cheer, we care, with whom we travel far. Specific genres, story elements (setting and plot), and the mechanics of how to write (including editing and revision) are covered, while quotes from famous…
I’m a time management coach, author, keynote speaker, host of the top 1% ranked time management podcast It’s About Time, and founder of the It’s About Time Academy (a community of people who want to make time for what matters most). I help busy professionals and business owners struggling with overwhelm manage their time with my signature HEART Method. I’ve been devouring time management books for over a decade now—so I hope you enjoy these time management reads as much as I did!
I absolutely love this book. It’s the OG time management book that started it all for me. My cousin recommended this to me years ago, and it has stayed on my favorites list year after year.
This book opened my eyes to a truth that’s hard to swallow: That, yes, I do have more time than I realize. And I don’t mean like, “You have the same hours in a week as Taylor Swift - go get ‘em, girl!’ because she totally has a team helping her.
No, this book showed me that it’s more about being intentional about what I do have. It brought awareness to how I’m spending my time and how I’m wasting my time, and it helped me see where every minute is going. I can confirm that IT WORKS!
It's an unquestioned truth of modern life: we are starved for time. We tell ourselves we'd like to read more, get to the gym regularly, try new hobbies, and accomplish all kinds of goals. But then we give up because there just aren't enough hours to do it all. Or if we don't make excuses, we make sacrifices- taking time out from other things in order to fit it all in.
There has to be a better way...and Laura Vanderkam has found one. After interviewing dozens of successful, happy people, she realized that they allocate their time differently than most…
When I first started writing in English, which is my second language, I was reluctant to share my work with others. I was terrified they would find it lacking. It takes a lot of effort and research to write authentically for a foreign audience. I studied creative writing at different universities around the world to gain knowledge and experience. I published short stories and poems in online and print journals. Bit by bit, I gathered the courage to submit my first picture book manuscript.
We often fear change and it’s for this reason that we don’t dare try something new. We’re afraid we won’t be able to go back to the way things were before in case we don’t succeed. It’s important to realize that the people who truly appreciate and love us will always support our endeavors and welcome us back regardless of whether we succeeded or failed. The Bear and the Piano relates this message in a gentle and inspiring way for me.
The first book in the best-selling, award-winning 'Bear and the Piano' trilogy.
Winner of the Waterstones Children's Book Prize, Illustrated Book Category for 2016
Over 120,000 copies have been sold of The Bear and the Piano in the UK.
One day, a young bear stumbles upon something he has never seen before in the forest. As time passes, he teaches himself how to play the strange instrument, and eventually the beautiful sounds are heard by a father and son who are picnicking in the woods. The bear goes with them on an incredible journey to New York, where his piano…
