Here are 100 books that Slayground fans have personally recommended if you like
Slayground.
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I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about.
This book blew my mind! It changed my life and gave me food poisoning; well, maybe it was some lousy shrimp that did that, but it came around the same time anyhow.
I loved the initial point of revenge, how the main character was abandoned to die in a broken spaceship in the middle of nowhere. I, too, would be pissed if a ship flew by me without stopping to save my butt.
I was happy that the book also played with metaphysical notions and cranked up the ending to a glorious finish that broke from the standard good-guy wins trope.
Gully Foyle, Mechanic's Mate 3rd Class, is the only survivor on his drifting, wrecked spaceship. When another space vessel, the Vorga, ignores his distress flares and sails by, Gully Foyle becomes a man obsessed with revenge. He endures 170 days alone in deep space before finding refuge on the Sargasso Asteroid and then returning to Earth to track down the crew and owners of the Vorga. But, as he works out his murderous grudge, Gully Foyle also uncovers a secret of momentous proportions...
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
Thanks to Hollywood adaptations and sometimes a greedy publisher, a great series can diminish as time passes. But that doesn’t change how cool the original was.
I love the setup of a man waking on a sailing vessel with no memory, only to discover his identity as super espionage agent. The mystery of the scenario and the intrigue as Bourne unravels his own personhood was so well done in this first book (and the first film was an excellent adaptation), and it is worth revisiting.
Jason Bourne is back in the forthcoming major motion picture starring Matt Damon and Alicia Vikander. Go back to where it all began for Bourne in his first adventure - The Bourne Identity
He was dragged from the sea, his body riddled with bullets. There are a few clues: a frame of microfilm surgically implanted beneath the skin of his hip; evidence that plastic surgery has altered his face; strange things he says in his delirium, which could be code words. And a number on the film negative that leads to a bank account in Zurich, four million dollars, and…
I’m a writer, editor, and publisher. As a child in the 1970s, I first discovered a taste for adventure stories in the pages of Marvel comics. This lead to a wider interest in fiction, particularly sci-fi, horror, and adventure tales. I believe one of the basic tenets to becoming a good writer is to read…a lot. I gravitate toward well-known but also lesser-known stories. My main criteria: is the writing engaging, does it inspire me to keep reading? As a writer, I ask myself these same questions about my work. The titles in this list are among the benchmarks I aim for when writing and editing.
One of the first Ellison books I ever read and the one that haunts me the most.
Deathbird Stories lives up to its title and delivers a tour de force of fantasy and horror that only Ellison could have written. The nineteen stories in this collection are, in a sense, about gods. Not the gods we know and may worship but new ones. “A New Testament of deities for the computerized age of confrontation and relevance,” as notes Ellison in his introduction.
You’ll likely want to read every story in this collection several times, though to the casual reader looking for a taste, I recommend “The Whimper of Whipped Dogs,” an unflinchingly honest assessment of human behavior and depravity—and based in part on actual events.
I’ve seldom been so gutted by a short story, and it hits me every time I re-read it.
Masterpieces of myth and terror about modern gods from technology to drugs to materialism-"fantasy at its most bizarre and unsettling" (The New York Times).
As Earth approaches Armageddon, a man embarks on a quest to confront God in the Hugo Award-winning novelette, "The Deathbird."
In New York City, a brutal act of violence summons a malevolent spirit and a growing congregation of desensitized worshippers in "The Whimper of Whipped Dogs," an Edgar Award winner influenced by the real-life murder of Queens resident Kitty Genovese in 1964.
In "Paingod," the deity tasked with inflicting pain and suffering on every living being…
I’m a writer, editor, and publisher. As a child in the 1970s, I first discovered a taste for adventure stories in the pages of Marvel comics. This lead to a wider interest in fiction, particularly sci-fi, horror, and adventure tales. I believe one of the basic tenets to becoming a good writer is to read…a lot. I gravitate toward well-known but also lesser-known stories. My main criteria: is the writing engaging, does it inspire me to keep reading? As a writer, I ask myself these same questions about my work. The titles in this list are among the benchmarks I aim for when writing and editing.
Clive Barker’s 2007 novel is the sort of book that, as soon as you read the first page, you know you’ve found something special.
The narrator is a demon named Jakabok Botch who desperately wants you, the reader, to burn the book you’re reading. Throughout these pleas we learn about Jakabok’s history, beginning with his childhood in Hell, how he was pulled into the human world in the fourteenth century, and his many exploits since.
What really elevates this book from good to great is the first-person narrative. Barker does an exquisite job in giving a wholly original voice to his demon. Barker has described the novel as, “a different kind of scare, very brutal and very intimate,” and he isn’t exaggerating.
Mister B. Goneis a quick read, especially by Barker standards, but one that’s well worth your time and will have you reflecting upon long after you’ve finished…
The long-awaited return of the great master of horror. Mister B. Gone is Barker's shockingly bone-chilling discovery of a never-before-published demonic 'memoir' penned in the year 1438, when it was printed - one copy only - and then buried until now by an assistant who worked for the inventor of the printing press, Johannes Gutenberg.
This bone-chilling novel, in which a medieval devil speaks directly to his reader-his tone murderous one moment, seductive the next-is a never-before-published memoir allegedly penned in the year 1438.
The demon has embedded himself in the very words of this tale of terror, turning the…
I’m a writer, editor, and publisher. As a child in the 1970s, I first discovered a taste for adventure stories in the pages of Marvel comics. This lead to a wider interest in fiction, particularly sci-fi, horror, and adventure tales. I believe one of the basic tenets to becoming a good writer is to read…a lot. I gravitate toward well-known but also lesser-known stories. My main criteria: is the writing engaging, does it inspire me to keep reading? As a writer, I ask myself these same questions about my work. The titles in this list are among the benchmarks I aim for when writing and editing.
Published a year after his infamous novel Psycho, Bloch’s The Dead Beat is an offbeat short novel about a piano player named Larry Fox.
Larry’s a bad seed with a criminal record who worms his way into a suburban American family’s house after they discover him unconscious in the back of their car and learn that he’d been attacked. Larry keeps a lot of secrets and has a lot of big dreams, most of them around seducing teenage girls and extorting his former crime partner.
The story has some sections that read as dated, which isn’t surprising for a title published in 1960, but Bloch’s undeniably crisp writing and play on words will keep you turning the page. I’m not much of a night owl these days but I stayed up until 4:00 a.m. to finish this one.
The ending is satisfying, and you may find yourself thinking about…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.
Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.
I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.
When he's not carrying out heists with his friend Parker, Alan Grofield runs a small theater in Indiana. But putting on shows costs money and jobs have been thin lately - which is why Grofield agreed to fly to Las Vegas to hear Andrew Myers' plan to knock over a brewery in upstate New York.
Unfortunately, Myers' plan is insane - so Grofield walks out on him. But Myers isn't a man you walk out on, and his retribution culminates in an act of unforgivable brutality.
That's when Grofield decides to show him what a disciple of Parker is capable…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
I saw the 1987 film adaptation of this novel starring Scott Glenn before I read the book, which is set decades earlier.
I loved the progression of this hard-bitten, psychologically damaged mercenary coming to love this little girl that he is charged with protecting. It’s such a pure emotion for him and the fact that she returns it so completely, as only a child can, is heart-wrenching.
Both the 1987 and the 2004 film adaptations do a good job capturing the magic of this drama, but as is usually the case, the novel does it best. If someone loves The Mandalorian, it is worth trying Man on Fire, which the former has many parallels with.
Creasy thought he had nothing left to lose. He was wrong.
An American soldier of fortune far from home -- alcoholic, burnt out, and broken down -- Creasy has accepted a job as a bodyguard just for something to do. An emotionally dead, one-time warrior, he knows that nothing can pierce the hard shell he's built around himself -- until the little girl he's been hired to protect somehow breaks through. But having something to care about again in making Creasy vulnerable. And when the unthinkable occurs, a man on fire won't just burn ... he'll explode.
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
I loved The Rockford Files TV show, and Sam Strait reminds me a little of Jim Rockford. I love how there’s a lightness to this book (and its sequels) but it still contains an edgy and compelling mystery.
The dialogue is fun, as are the “rules” Sam Strait lives by… the first of which is to never live anywhere you can’t wear flip-flops, thus the moniker of The Flip-Flop Detective series.
Of all five books I’ve chosen, this is the lightest fare and an excellent palate cleanser between Stark or Quinnell without entirely leaving the genre. Conway writes some darker books as well – PI and police procedurals – but Sam Strait is the most fun.
Former deputy Sam Strait lives his life by a particular set of rules. They provide him freedom to do the things he wants where he wants with whom he wants. For a single man in his mid-thirties, things couldn’t get any better. Then why isn’t he happier?
When Sam returns home for the summer, he discovers a stranger dead in his boat. With cops and reporters crawling over his property, gone are the usual plans of soaking up the sun and whiling away the days in the arms of a…
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
Hide feels like a book tailor-made to pull me in and refuse to let go. The pitch—a high-stakes game of hide-and-seek in an abandoned amusement park—is solid gold, and the book delivers so much more than it promises. With relentless, cutting-class commentary and a truly ferocious sense of clarity, Hide excoriates systems of exploitation with incredible efficiency. I found myself sneaking chapters wherever I could.
A high-stakes hide-and-seek competition turns deadly in this dark supernatural thriller from New York Times bestselling author Kiersten White, perfect for fans of Stephen King and SQUID GAME.
The challenge: spend a week hiding in an abandoned amusement park and don't get caught.
The prize: enough money to change everything.
Even though everyone is desperate to win - to seize their dream futures or escape their haunting pasts - Mack feels sure that she can beat her competitors. All she has to do is hide, and she's an expert at that.
It's the reason she's alive, and her family isn't.…
I have written medical textbooks and research papers, but have a passion of writing thrillers—as Hugh Greene I have written the bestselling Dr Power mystery series which follows the forensic psychiatrist Dr Power and Superintendent Lynch as they solve murders and explore the minds that executed these crimes.
Ok, it’s an old thriller set in the pre-Internet, pre-mobile phone, pre-EU world of the 1960s. It’s a piece of twentieth-century clockwork, but it delivers suspense! The amoral protagonist can’t summon help by phone or Google his adversaries to gain an advantage. He must work to gain leniency from the Turkish authorities by acting as a double agent, delivering weapons to a gang of potential terrorists so that he might spy on them. The writing has a sharp precision and crisp wit.
Arthur Abdel Simpson is a failed journalist and soon-to-be failed thief, embittered by memories of his unhappy childhood in England and eking out a living in Athens. When he spots a newly arrived tourist at the airport, he offers his services as a private driver and sees an easy chance to make some money by illicit means. But the out-matched Simpson soon finds himself embroiled in blackmail and driving a highly suspicious car to Istanbul. When he is stopped by the Turkish police, it seems his luck can't get any worse - but this is just the beginning . .…
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