Here are 96 books that Love Is Blind fans have personally recommended if you like
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I grew up in a medical family, my father and brother both surgeons and my mother a nurse. My parents met while serving in WW2 and that combination of compassion and horror in the field hospitals of Europe have stayed with me ever since. In fact, my first novel A Dangerous Act of Kindness, is set during WW2. I’m also a career hypochondriac. I avoid reading about illnesses or injuries I may suffer from myself, but I am fascinated by disease and pioneering surgery, thus The Summer Fields revolves around a disease that has now been eradicated (smallpox) and pre-anaesthetic surgery, something I hope I shall never have to face.
Some odd 1950s social attitudes caught me by surprise when I re-read this much-loved book from my past (what are those bruises all about?). Don’t let this put you off this wonderful story of courage and hardship as Jean Paget, an ordinary woman is swept up in the Japanese invasion of Malaya, faces terrible hardships in her group of female prisoners. Starving and sick, they are helped by an Australian, Sgt Joe Harman, also a prisoner, but his kindness results in the most terrible retribution. To say more would ruin the shock of this fabulous story, but I guarantee that Joe Harman will have your heart by the end of the book.
'Probably more people have shed tears over the last page of A Town Like Alice than about any other novel in the English language... remarkable' Guardian
Jean Paget is just twenty years old and working in Malaya when the Japanese invasion begins.
When she is captured she joins a group of other European women and children whom the Japanese force to march for miles through the jungle - an experience that leads to the deaths of many.
Due to her courageous spirit and ability to speak Malay, Jean takes on the role of leader of the sorry gaggle of prisoners…
I feel like I’ve read all of my life—though I know at some point someone had to teach me—but stories and storytelling are in my DNA. The first four books were my writing “primers.” I learned more about storytelling from them than any how-to book. They also fueled my passion to write in different genres. You will notice the words “blush free” in some of my recommendations. That is because I love well-told stories that live between prim and steamy, books where I don’t have to flip past the steamy stuff to get back to the story. I hope you enjoy them as much as I have!
I found The Moon-Spiners through a Disney movie of the same name (book was better). When I found out it was also a book, I went hunting at my local library and fell in love with the way Stewart immediately pulled me into her stories, evoking awe, fear, laughter ,and romance. She wafted me away to exotic places, and into exciting and romantic adventures with strong female characters. I went on to read all her books, even the Arthurian ones, but her romantic suspense books remain my favorites and the ones I turn to when I need a comfortable visit with old fictional friends.
Impetuous and attractive, Nicola Ferris has just arrived in Crete for a holiday when she sees an egret fly out of a lemon grove. On impulse, she follows the bird’s path into the White Mountains. There she discovers a young Englishman who, hiding out in the hills and less than pleased to have been discovered, sends Nicola packing with the order to keep out of his affairs. This, of course, Nicola is unable to do, and before long events lead to a stunning climax among the fishing boats of Agios Georgios Bay.
In this bestselling novel, first published in 1963…
I grew up in a medical family, my father and brother both surgeons and my mother a nurse. My parents met while serving in WW2 and that combination of compassion and horror in the field hospitals of Europe have stayed with me ever since. In fact, my first novel A Dangerous Act of Kindness, is set during WW2. I’m also a career hypochondriac. I avoid reading about illnesses or injuries I may suffer from myself, but I am fascinated by disease and pioneering surgery, thus The Summer Fields revolves around a disease that has now been eradicated (smallpox) and pre-anaesthetic surgery, something I hope I shall never have to face.
You may know this strange story as a film, but the different narrators in this gothic tale of John McBurney, a wounded Union soldier being washed and nursed by a group of young girls in Martha Farnworth’s remote school is full of the same sexual tension I hoped to conjure up in my book. What could be more beguiling than the juxtaposition of sheltered women carrying out intimate tasks on a man weakened by injury?
The basis for the major motion picture directed by Sofia Coppola-named best director at the Cannes Film Festival for The Beguiled-and starring Nicole Kidman, Colin Farrell, Kirsten Dunst, and Elle Fanning
"[A] mad gothic tale . . . The reader is mesmerized with horror by what goes on in that forgotten school for young ladies." -Stephen King, in Danse Macabre
Wounded and near death, a young Union Army corporal is found in the woods of Virginia during the height of the Civil War and brought to the nearby Miss Martha Farnsworth Seminary for Young Ladies. Almost immediately he sets about…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Michael Ondaatje’s novel is one of the most beautiful books I have ever read. It is not a study or analysis of Herodotus’ history, and yet Herodotus’ spirit infuses virtually every page. Taking place during World War II, it explores the intertwined lives of four characters, including the unnamed English patient, who has survived the shooting-down of his plane, although he is severely burned.
He has nothing with him but his annotated copy of Herodotus’ Histories. I loved Anthony Minghella’s 1996 film adaptation of the novel, and it is no criticism of the film to say that it treats only one of the many strands one finds in the book. Meditating on space, time, identity, and truth, The English Patient is a book that I think Herodotus would have loved.
Hana, a Canadian nurse, exhausted by death, and grieving for her own dead father; the maimed thief-turned-Allied-agent, Caravaggio; Kip, the emotionally detached Indian sapper - each is haunted in different ways by the man they know only as the English patient, a nameless burn victim who lies in an upstairs room. His extraordinary knowledge and morphine-induced memories - of the North African desert, of explorers and tribes, of history and cartography; and also of forbidden love, suffering and betrayal - illuminate the story, and leave all the characters for ever changed.
I grew up exploring the worlds of the Brontës, Dickens, Braddon, Hardy, and more. So, for my Master’s in literature from the University of Oxford, it was the 1800-1914 period I focused on. When I started writing fiction, I chose the nineteenth century as my setting and a scandal that rocked the lives of the Bronte siblings as my topic. I hold myself to a high standard of historical accuracy when writing about real people (e.g. I cut moonlight from a scene in Brontë’sMistress when I realized it would have been a new moon that night!). And I love discovering and sharing other novelists who take the same approach.
Stephen Crane is most famous for his 1893 novel, Maggie: A Girl of the Streets, but it is his lost companion novel, about a male sex worker in late nineteenth-century New York, which is the focus of Edmund White’s Hotel de Dream. White moves between a frame story about Crane’s last days with his “wife” Cora and the story of Elliott, the supposed inspiration for the manuscript. I’m a New Yorker by choice so love reading books set in the city and I very much enjoyed this gritty portrayal of love and sex between men in the past. Crane isn’t the only writer who makes an appearance here—there’s a cameo from Henry James too!
Stephen Crane is writing a new story, and it may be his last. The year is 1900. The famous author of The Red Badge of Courage is travelling to a Black Forest clinic in search of a cure for the tuberculosis that threatens his life. He dictates to his wife, Cora, the story of 'The Painted Boy', inspired by a real-life encounter with a fifteen-year-old newsboy, Elliott, one wintry day in the Bowery. In the story Elliott is both impressionable and elusive. He finds himself the object of the hopeless affections of Theodore, the staid middle-aged banker who sets him…
I grew up in Scotland, and from the moment I visited New York City as a tourist, I have been obsessed! I moved to NYC officially in 2000 and have been endlessly fascinated by its history. As a new immigrant who moved here knowing no one and having very little money, I struggled a lot in my initial years, and that left me wondering how people, particularly women, had survived being in the City in prior years, especially with less privileges than I had and so many more obstacles in their way to making a living. I hope these books give you the insight they gave me.
As part of my work as a tour guide and history author, I’m always on the lookout for books that explore lesser-known aspects of New York City’s history. This is an extraordinary read with beautifully researched and crafted writing. There were so many little details she provided that I thought made this book stand out.
It started in 1929 when White nurses taking care of tuberculosis patients at Seaview Hospital on Staten Island started quitting en masse for various reasons. With promises of better pay and to escape Jim Crow, Black nurses from the South came to the hospital to fill in for the dire shortage. The nurses also became instrumental in finding the cure for tuberculosis. As well as being a gripping read, I think it’s such an important piece of overlooked history.
Black Angels tells the true story of 300 black nurses who changed the course of history, beginning in 1929 when white nurses staged a walk out at Staten Island's 2000-bed TB sanatorium, threatening New York with a public health catastrophe. City health officials made a radical decision to sanction a national call for 'colored nurses'. Lured by the promise of good pay, education, housing and most of all, a rare opportunity to work in a hospital free of quotas and segregated wards, 'Black Angels' from all over the country boarded trains and buses to enter wards that held both hope…
I love it when a writer breaks the rules of a genre like fiction, nonfiction, or poetry to tell a story that can’t be contained in a typical way. Here are five books that think outside the box to narrate a tale that wants to be told in its own fashion.
Manuel Puig (1932–1990) was an Argentine novelist best known for writing The Kiss of the Spider Woman, made into a great movie with William Hurt and Raul Julia. This book, my first recommendation, is about a tangled love affair.
Puig tells the story by collaging together letters the characters write to each other, items in advice for the lovelorn columns, obituaries he invented, and a whole host of other texts. The reader has to put all the clues together like a detective solving a mystery. The book is beautifully translated into English by Suzanne Jill Levine.
I studied retellings as I prepared to write my own take on The Secret Garden. Retelling a classic story can not only usher something like The Secret Garden or Peter Pan into our current time and place in history, but it can also awaken the wonder and magic many of us experienced when reading these tales for the first time in a new generation. It’s been so fun for me to see how modern authors put their own spin on these stories, and I hope you will enjoy them too.
This contemporary retelling of The Secret Garden sets the story in a closed-down tuberculosis sanitarium. Roo's journey to uncover the mysteries of the house and bring life to the garden tucked away inside it unfolds beautifully on the page. With well-developed characters, a deeply haunting revelation, and a setting that springs to life with vivid detail, this was a great take on a classic.
Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life.
As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she…
Like everyone else, I have life-long experience of caring and not caring for things; being sometimes careful and other times careless. Communication has been my central interest as a historical sociologist, and I’ve been considering its relationship to care (attachment, affection, worry, and burden) and security. I have always liked the word care, employing it often in the sense of warm attachment, but I have been looking at how care can at times enact control, violence, or abandonment.
Life Beside Itself is a startling book not only because of what it reveals about the history of settler-colonial government care imposed upon Arctic communities during the tuberculosis crisis (1940-60s) and the suicide crisis (1980s onwards) but for the raw emotional proximity that it provides to the individuals whose lives were changed by policies that, ironically, were derived from care itself.
It is a well-researched book that unnerved me with the haunting emotional intimacies its ethnographic and imagistic approach brought through the pages. The intractable longing of a young man waiting each year at the harbour for the ship, the C.D. Howe, that took his grandmother away to a southern hospital is just one of the things in this book that wounds its readers by recounting different forms of care.
In Life Beside Itself, Lisa Stevenson takes us on a haunting ethnographic journey through two historical moments when life for the Canadian Inuit has hung in the balance: the tuberculosis epidemic (1940s to the early 1960s) and the subsequent suicide epidemic (1980s to the present). Along the way, Stevenson troubles our commonsense understanding of what life is and what it means to care for the life of another. Through close attention to the images in which we think and dream and through which we understand the world, Stevenson describes a world in which life is beside itself: the name-soul of…
My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space.
In the 1860s, the ailing Lady Duff Gordon is advised by doctors to seek warmer climes if she is to recover from an advanced case of tuberculous. She travels to Egypt and embarks from Cairo by sailing a boat up the Nile and deep into Nubia. Along the way she comments on encounters with people of all classes and occupations that she meets. The book stands in stark contrast to the largely unsympathetic picture of the Egyptian peasantry by other British writers of the time. Her sympathetic portrayal includes seeing the importance of Islam and deploring foreign efforts to convert the population to Christianity. Her depictions show that even during this early period certain basic values existed that in a general way still guide behavior today in Egypt.
In 1862, Lucie Duff Gordon left her husband and three children in England and settled in Egypt, where she remained for the rest of her short life. Seeking respite from her tuberculosis in the dry air, she moved into a ramshackle house above a temple in Luxor, and soon became an indispensable member of the community. Setting up a hospital in her home, she welcomed all - from slaves to local leaders. Her humane, open-minded voice shines across the centuries through these letters - witty, life-affirming, joyous, self-deprecating and utterly enchanted by her Arab neighbours.
