Here are 100 books that Truckload of Art fans have personally recommended if you like
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As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
Tara Lopez suggests something new, prioritizing punk’s diverse expression over its tired origin myths. By turning our attention to the 1990s El Paso scene that produced bands like At the Drive-In, Lopez gives us a granular, expressive take on all the things that draw us to punk: its liberatory potential, DIY ethos, and ability to impact individual lives.
Through accessible oral histories, we get a sense of how vital punk rock could be against the backdrop of border politics and in a scene off the beaten path where DIY takes on new meanings. As a punk-curious 90s adolescent myself who listened in on El Paso from Austin, Dallas, and South Texas, this account resonated deeply—there was much that was familiar, but even more to learn.
An immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas.
Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara Lopez dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia. Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, Lopez throws readers into the heat of…
As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
I met Eddie Wilson in the early 2000s, and hearing his stories over a meal at his restaurant Threadgill’s (the spot where Janis Joplin got her start) put me on the road to becoming a Texas music historian. With a glint in his eye, he would describe the unbelievable goings-on at the Armadillo World Headquarters, the Austin venue he created in 1970: Willie Nelson’s transformation on finding hippie audiences, Bruce Springsteen trying to prove himself in Central Texas, Australian rockers AC/DC in their first American appearance, live recordings of Frank Zappa and Freddie King.
This book, a history of the Armadillo and a memoir of Wilson’s time in it, is as comforting, funny, and engaging as sitting down over a chicken-fried steak and hearing those stories firsthand. Wilson’s writing partner, Jesse Sublett, expertly shapes Wilson’s speaking voice for the printed page. Stir in a gallery of the Armadillo’s vibrant poster…
"Eddie's story is by turns hilarious, informative, and the living spirit of its age...[He] piles the most unlikely anecdotes on top of one another, creating a land of enchantment and an order of chemically altered consciousness that rescues an era I'd thought not so much lost as forgotten. Not only am I thrilled I've read this story and wish I was in it, I wish I'd written it." -Dave Marsh, from the foreword "The Armadillo World Headquarters ...was one of the most exciting, and remained one of the most exciting, places in the United States for the years that it…
As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
If the Armadillo World Headquarters is one central node of countercultural country music in Texas, Willie Nelson’s Fourth of July Picnics was the other. Where the Armadillo closed down in 1980, though, Willie’s picnics persist as an annual institution to this day. Author Dave Thomas has extensively researched the phenomenon and crafts its half-century history well.
The resulting volume is a riveting account that uses the sun-baked Texas ritual as a launching pad for stories encompassing all of America. A newspaper journalist, Thomas has an eye for detail and an ear for turns of phrase that kept me turning the pages long after I should have turned out the lights. If you ever wanted to read about a sort of country music, Woodstock Groundhog Day, this is that book.
In 1973, a forty-year-old country musician named Willie Nelson, inspired by a failed music festival the year before, decided he was going to hold his own party. He would stage it in the same remote and rocky field where the previous festival had withered. And he’d do it in July: not the hottest part of the Central Texas summer, but “damn sure close enough,” according to music journalist Dave Dalton Thomas. As unlikely as it seemed in 1973, Willie kept the event going, minus a year off here and there, for half a century.
As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
Lead Belly is a ghost that haunts all of American music. His voice is at the center of Bob Dylan’s folk revival as much as it is behind the Beatles’ British Invasion. When Nirvana made their final live recording, they closed with a Lead Belly tune, Kurt proclaiming that Lead Belly was his favorite artist. And yet, when most people talk about Lead Belly, they are repeating lore propagated by a small group of white folklorists and gatekeepers rather than seeing Lead Belly—that is, Huddie Ledbetter—as a full historical individual with agency in his own story.
In this deeply researched account, Curran corrects the record. I was riveted by her ability to re-center Ledbetter and draw a complex portrait of the man while also placing him within the wider context of racial exclusions and white supremacy in the midcentury music industry and academy. Much of the world’s popular and vernacular…
Known worldwide as Lead Belly, Huddie Ledbetter (1889-1949) is an American icon whose influence on modern music was tremendous - as was, according to legend, the temper that landed him in two of the South's most brutal prisons, while his immense talent twice won him pardons. But, as this deeply researched book shows, these stories were shaped by the white folklorists who 'discovered' Lead Belly and, along with reporters, recording executives, and radio and film producers, introduced him to audiences beyond the South. Through a revelatory examination of arrest, trial, and prison records; sharecropping reports; oral histories; newspaper articles; and…
I am an author who believes stories must first entertain and thrill if they are ever to instill something powerful and unforgettable. While I would love to sit here and compile books that laud the values I believe in, that’s just not how it works. Action is the best way to convey theme – and these examples celebrate the storytelling techniques I stand by. I love ass-kickers, in literature and in life. And I hope one day to be remembered as one of them.
What makes Hangire such a great ass-kicking novel is that it’s clear the author knows guns and gunfight strategy. The action is crisp, but aggressively realistic. Tension never ceases—if it’s not shooting up bad guys, it’s with a dash of romance or a smidge of mystery. The writing is confident and action-packed. Even the title, am I right?
Eddie Holland is back. The former FBI agent turned private detective in Austin, Texas, returns for another fast paced mystery. Following on the heels of The South Coast and Ballyvaughan, Hangfire keeps you guessing until the very end. Clem Akins has gone missing, but not before sending a cryptic text message to Eddie. With little to go on, Eddie and Gus go looking for him, only to find the trail leads them to uncover a group of former Army soldiers on the run or in hiding, afraid of their treasonous pasts catching up to them.HANGFIRE is the third novel in…
Ever since childhood, I’ve wondered about people who led inventive, innovative lives. How did they get their inspiration? Where did their ideas come from? How did they take that inspiration and change the world? I found information, but not the answers I was looking for, at the library. When I became an elementary library teacher, new forms of biographies – beautiful picture book biographies about people of all kinds – became available. My students loved them and so did I, and I became inspired to write for children. I’m excited that my first two picture book biographies, which received starred reviews, are out in the world – with more coming your way!
I love this energetic book about experimental composer Charles Ives for its liveliness, beautiful language, and glorious sounds! It’s also an important example of staying true to yourself and following your own path.
Before he became a composer, young Charles Ives’s life was full of noise–glorious noise! Influenced by his father, a music educator and bandleader, Ives experimented with sound. Like John Cage, he faced ridicule and criticism, and faced roadblocks to having his music performed.
The extraordinary story of the composer Charles Ives.
"Sometimes little Charlie lay in his crib just listening. He heard his mother’s long dress as she moved around his room. He heard big clocks and little clocks. He heard wagons and horse hooves. He heard dogs and crickets and the church bell next door."
Charlie listened all through his boyhood, and as he grew into a man, he found he wanted to re-create in music the sounds that he heard every day. But others couldn’t hear what Charlie heard. They didn’t hear it as music – only as noise. In this…
Ever since childhood, I’ve wondered about people who led inventive, innovative lives. How did they get their inspiration? Where did their ideas come from? How did they take that inspiration and change the world? I found information, but not the answers I was looking for, at the library. When I became an elementary library teacher, new forms of biographies – beautiful picture book biographies about people of all kinds – became available. My students loved them and so did I, and I became inspired to write for children. I’m excited that my first two picture book biographies, which received starred reviews, are out in the world – with more coming your way!
I love this book because it shows how a musical icon discovered and developed his own personal style.
Juan García Esquivel had a passion for music but no formal training. Without knowing the typical ways of arranging notes, Esquivel was free to experiment–and that made his work so unique that anyone hearing his music knew right away that he was the composer.
I think this book is great for showing the value of thinking differently. I also love the joyful illustrations inspired by ancient Mexican art.
Juan Garcia Esquivel was born in Mexico and grew up to the sounds of mariachi bands. He loved music and became a musical explorer. Defying convention, he created music that made people laugh and planted images in their minds. Juan's space-age lounge music--popular in the fifties and sixties--has found a new generation of listeners. And Duncan Tonatiuh's fresh and quirky illustrations bring Esquivel's spirit to life.
I have loved music since childhood. I grew up on a farm in Western Pennsylvania. My loving, hard-working parents gave my three brothers and me the best life possible. I began singing at our little Chewton Christian Church when asked to do so. Piano lessons began, and for 12 years, my sweet teacher, Joann Thurston, taught me piano, but I realized my true love was singing. She always allowed me to sing as well as play the piano. I attended Westminister College, majoring in elementary education with a music minor. Following graduation, my first job was teaching music to 1500 schoolchildren in Blacksburg, Virginia.
George Gershwin is brought to life as we read this book. Prior to Rhapsody in Blue being played by our hometown orchestra, I took the liberty of paraphrasing this entire book and showing pictures on the big screen, which engaged the audience. They truly loved it!
Suzanne Slade has a delightful way of expressing the feelings of George. He heard music in everything. Perhaps we could take a lesson from George and pay more attention to our surroundings. George heard music while roller skating down the street. He heard melodies in the clatter and noise of New York’s bustling street. What new and exciting adventure will you discover if you only STOP, Look Around, and LISTEN?
George Gershwin heard music all the time--at home, at school, even on New York City's busy streets. Classical, ragtime, blues, and jazz--George's head was filled with a whole lot of razzmatazz! With rhythmic swirls of words and pictures, author Suzanne Slade and illustrator Stacy Innerst beautifully reveal just how brilliantly Gershwin combined various kinds of music to create his masterpiece, Rhapsody in Blue, a surprising and whirlwind composition of notes, sounds, and one long wail of a clarinet. Includes author's note, timeline, and bibliography.
I have loved music since childhood. I grew up on a farm in Western Pennsylvania. My loving, hard-working parents gave my three brothers and me the best life possible. I began singing at our little Chewton Christian Church when asked to do so. Piano lessons began, and for 12 years, my sweet teacher, Joann Thurston, taught me piano, but I realized my true love was singing. She always allowed me to sing as well as play the piano. I attended Westminister College, majoring in elementary education with a music minor. Following graduation, my first job was teaching music to 1500 schoolchildren in Blacksburg, Virginia.
This book encourages readers to travel through the ages with our most famous classical composers, big bands, jazz, and popular music innovators. It introduces the reader to time periods beginning with primitive man and ending with the Beatles arriving at Buckingham Palace to receive honors from the Queen of England. Tidbits of information are gleaned as one progresses from page to page through the periods.
Piero Ventura’s fascinating art helps us visualize everyday life and gain insight into our most famous composers. One can almost see the composers walking the streets, attending opening night concerts, operas, and ballets while showing us they were real people, just like us. One never knows what influence these great composers or any one of us might have on society from generation to generation.
The internationally acclaimed artist and author has created a work that helps teach young people about the world's greatest composers and describes the history of music from primitive rhythms to the era of the classical masters
I've been a working journalist for 50 years, and as a child of TV, especially in the 1960s, I grew up with some of the most memorable TV themes ever written. I started writing about TV in the 1980s, and since moving to Los Angeles in 1986, have used every opportunity to meet and interview all of my favorite composers of movie and TV music. The result is this book, which looks at the history of TV themes and, in a larger sense, music written for TV generally. Every genre of TV, from crime to sitcoms, westerns to adventure, has had fun, often compelling, and truly memorable music, and I've tried to celebrate it here.
Bernard Herrmann is revered as one of the movies' greatest composers.
Imagine starting your Hollywood career with music for Citizen Kane!
He enjoyed a very productive 10-year relationship with director Alfred Hitchcock, which produced such masterpieces as Vertigo, Psycho, and North by Northwest; he also worked with Francois Truffaut on Fahrenheit 451, composed the original Twilight Zone theme, and capped his career with music for Martin Scorsese's Taxi Driver.
Yet he could be cantankerous and difficult, antagonizing both friends and colleagues with his temperamental behavior and insistence upon the highest standards of music and drama.
I love the fact that Smith writes as well about the music as he does about the composer, and the reader walks away knowing lots about both.
No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ("Citizen Kane") to his last ("Taxi Driver"), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often…
